Editing Dynamic range (section)

==References==
{{Reflist|refs=
<ref name="HuberRunstein513">{{cite book |url=https://books.google.com/books?id=W9U7A-rSXtEC&pg=PA513 |title=Modern Recording Techniques |last2=Runstein |first2=Robert E. |publisher=Focal Press |year=2009 |isbn=978-0-240-81069-0 |edition=7 |page=513 |quote=the overall dynamic range of human hearing roughly encompasses a full 140&nbsp;dB |last1=Huber |first1=David Miles |url-status=live |archive-url=https://web.archive.org/web/20171120223132/https://books.google.com/books?id=W9U7A-rSXtEC&pg=PA513 |archive-date=2017-11-20}}</ref>
<ref name="painthres">{{cite web|url=http://hyperphysics.phy-astr.gsu.edu/Hbase/sound/intens.html|title=Threshold of Pain|last=Nave|first=Carl R.|year=2006|publisher=SciLinks|quote=A nominal figure for the threshold of pain is 130 decibels ... Some sources quote 120&nbsp;dB as the pain threshold|work=HyperPhysics|access-date=2009-06-16|url-status=live|archive-url=https://web.archive.org/web/20090706153853/http://hyperphysics.phy-astr.gsu.edu/hbase/sound/intens.html|archive-date=2009-07-06}}</ref>
<ref name="dictionary">{{Cite book|url=https://www.cdc.gov/niosh/docs/96-110/pdfs/96-110.pdf|title=Preventing Occupational Hearing Loss - A Practical Guide|date=June 1996|publisher=[[National Institute for Occupational Safety and Health]]|pages=88|quote=the threshold for pain is between 120 and 140&nbsp;dB SPL.|editor1-last=Franks|editor1-first=John R.|editor2-last=Stephenson|editor2-first=Mark R.|editor3-last=Merry|editor3-first=Carol J.|access-date=2009-07-15|url-status=live|archive-url=https://web.archive.org/web/20090423094848/http://www.cdc.gov/niosh/docs/96-110/pdfs/96-110.pdf|archive-date=2009-04-23}}</ref>
<ref name=seeber>
{{cite book
 |title       = Handbook of applied superconductivity
 |author      = Bernd Seeber
 |publisher   = CRC Press
 |year        = 1998
 |isbn        = 978-0-7503-0377-4
 |pages       = 1861–1862
 |url         = https://books.google.com/books?id=ll26eLzw3jYC&q=1.76-db+6.02n+dynamic+range+bits+sinusoidal+rms-value&pg=PA1862
 |url-status     = live
 |archive-url  = https://web.archive.org/web/20171120223132/https://books.google.com/books?id=ll26eLzw3jYC&pg=PA1862&dq=1.76-db+6.02n+dynamic+range+bits+sinusoidal+rms-value
 |archive-date = 2017-11-20
}}</ref>
<ref name="Fries2005">{{cite book |title=Digital Audio Essentials |last=Fries |first=Bruce |author2=Marty Fries |year=2005 |publisher=O'Reilly Media |isbn=978-0-596-00856-7 |page=147 |url=https://books.google.com/books?id=w0vsd5z2Rg4C&pg=PA147 |quote=Digital audio at 16-bit resolution has a theoretical dynamic range of 96&nbsp;dB, but the actual dynamic range is usually lower because of overhead from filters that are built into most audio systems." ... "Audio CDs achieve about a 90-dB signal-to-noise ratio. |url-status=live |archive-url=https://web.archive.org/web/20170109143140/https://books.google.com/books?id=w0vsd5z2Rg4C&pg=PA147 |archive-date=2017-01-09 }}</ref>
<ref name="First100Years">{{cite book |title=Magnetic Recording: The First 100 Years |last=Daniel |first=Eric D. |author2=C. Denis Mee |author3=Mark H. Clark  |year=1998 |publisher=Wiley-IEEE Press |isbn=978-0-7803-4709-0 |page=64 |url=https://books.google.com/books?id=7WrCSCqMk5gC }}</ref>
<ref name=Eargle>{{cite book |author=John Eargle |date=2005 |isbn=9780387284705 |title=Handbook of Recording Engineering |publisher=Springer Science & Business Media}}</ref>
<ref name=slyusar>{{cite journal |last= Slyusar |first= Vadim I. |date= 2004 |title= A method of investigation of the linear dynamic range of reception channels in a digital antenna array |journal= Radioelectronics and Communications Systems |type= Military Radioelectronic Technologies special issue |volume= 47 |issue= 9 |pages= 20–25 |doi= 10.3103/S0735272704090043 |doi-broken-date= 1 November 2024 |url= http://slyusar.kiev.ua/en/IZV_2004_9.pdf |access-date= 2022-05-01 |url-status= live |archive-url= https://web.archive.org/web/20160205184346/http://slyusar.kiev.ua/en/IZV_2004_9.pdf |archive-date= 2016-02-05 }}</ref>
<ref name="SOS_Dynamic_Range">{{Cite news | last = Deruty | first = Emmanuel | title = 'Dynamic Range' & The Loudness War | work = Sound on Sound | access-date = 2013-10-24 | date = September 2011 | url = http://www.soundonsound.com/sos/sep11/articles/loudness.htm | url-status = live | archive-url = https://web.archive.org/web/20131108122402/http://www.soundonsound.com/sos/sep11/articles/loudness.htm | archive-date = 2013-11-08 }}</ref>
<ref name="DerutyTardieuAES">{{cite journal |author1=Emmanuel Deruty |author2=Damien Tardieu |journal=Journal of the Audio Engineering Society |volume=62 |date=January 2014 |title=About Dynamic Processing in Mainstream Music |issue=1/2 |pages=42–55 |doi=10.17743/jaes.2014.0001 }}</ref>
<ref name="Katz">{{cite book | last = Katz | first = Robert | title = Mastering Audio | page = 109 |chapter = 9 | publisher = Boston | location = Amsterdam | year = 2002 | isbn = 978-0-240-80545-0 }}</ref>
<ref name="EBU3342">{{citation |url=http://tech.ebu.ch/docs/tech/tech3342.pdf |title=Tech 3342 - Loudness Range: a Measure to Supplement EBU R 128 Loudness Normalization |publisher=[[European Broadcasting Union]] |access-date=2016-07-30 |url-status=live |archive-url=https://web.archive.org/web/20160608193338/https://tech.ebu.ch/docs/tech/tech3342.pdf |archive-date=2016-06-08 }}</ref>
<ref name="Kodak v3">{{cite web|url=http://motion.kodak.com/motion/About/The_Storyboard/17788/index.htm|title=Dynamic Range}}{{dead link|date=September 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref>
<ref name=DXOMark>{{cite web | url=https://www.dxomark.com/Cameras/Nikon/D850 | title=Nikon D850 : Tests and Reviews | publisher=[[DxO Labs]] | access-date=December 30, 2017 }}</ref>
<ref name=rogerandfrances>{{cite web | url=http://www.rogerandfrances.com/subscription/ps%20paper%20grades.html | title=Paper grades | access-date=November 9, 2019 }}</ref>
}}