Editing Generative music (section)

== References ==
*''Artística de Valencia, After The Net'', 5 – 29 June 2008, Valencia, Spain: catalogue: ''Observatori 2008: After The Future'', p.&nbsp;80
*Biles, A. 2002a. [https://genjam.org/al-biles/genjam-the-genetic-jammer/genjam-papers/ GenJam in Transition]: from Genetic Jammer to Generative Jammer. In International Conference on Generative Art, Milan, Italy.
*Chomsky, N. 1956. [http://twiki.di.uniroma1.it/pub/LC/WebHome/chomsky1956.pdf Three models for the description of language]. IRE Transcripts on Information Theory, 2: 113-124.
*Collins, N. 2008. [http://composerprogrammer.com/research/analysisgenerativemusic.pdf The analysis of generative music programs]. Organised Sound, 13(3): 237–248.
*Cope, D. 1991. [https://citeseerx.ist.psu.edu/document?repid=rep1&type=pdf&doi=d72e77491d5e6ba5e5786aaf5819996522201a44 Computers and musical style]. Madison, Wis.: A-R Editions.
*Dorin, A. 2001. [https://www.csse.monash.edu.au/~aland/PAPERS/GenProcess_OrgSnd2001.pdf Generative processes and the electronic arts]. Organised Sound, 6 (1): 47-53.
*Eno, B. 1996. Generative Music. http://www.inmotionmagazine.com/eno1.html (accessed 26 February 2009).
*Essl, K. 2002. Generative Music. http://www.essl.at/bibliogr/generative-music.html (accessed 22 Mar 2010).
*García, A. et al. 2010. Music Composition Based on Linguistic Approach. [[Mexican International Conference on Artificial Intelligence|9th Mexican International Conference on Artificial Intelligence, MICAI 2010]], Pachuca, Mexico. pp.&nbsp;117–128.
*Intermorphic Limited [http://www.intermorphic.com/company/index.html History of Noatikl, Koan and SSEYO] (accessed 26 February 2009).
*Lerdahl, F. and R. Jackendoff. 1982. A generative theory of tonal music. Cambridge, Mass: MIT Press.
*Lippe, C. 1997. [https://ipsj.ixsq.nii.ac.jp/ej/?action=repository_action_common_download&item_id=56397&item_no=1&attribute_id=1&file_no=1 Music for piano and computer: A description]. Information Processing Society of Japa SIG Notes, 97 (122): 33-38.
*Loy, G. and C. Abbott. 1985. Programming languages for computer music synthesis, performance and composition. [[ACM Computing Surveys]], 17 (2): 235-265.
*Nierhaus, G. Algorithmic Composition - Paradigms of Automated Music Generation. Springer 2009.
*Rowe, R. 1991. [https://dspace.mit.edu/bitstream/handle/1721.1/13835/24586421-MIT.pdf?sequence=2 Machine Learning and Composing: Making Sense of Music with Cooperating Real-Time Agents]. Thesis from Media Lab. Mass.: MIT.
*Winkler, T. 1998. [https://books.google.com/books?id=GrwMuV4Jcw8C&dq=%22Composing+Interactive+Music%22&pg=PR9 Composing Interactive Music]. Cambridge, Massachusetts: MIT Press.
*Wooller, R., Brown, A. R, et al. A framework for comparing algorithmic music systems. In: Symposium on Generative Arts Practice (GAP). 2005. University of Technology Sydney.

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[[Category:Computer music software]]