Editing Johann Adolph Hasse (section)

==Further reading==
*Francesco Degrada: "Aspetti gluckiani nell'ultimo Hasse", Chigiana, xxix–xxx (1975), 309–329
*[[Sven Hansell|S. Hansell]]: "Sacred Music at the Incurabili in Venice at the Time of J. A. Hasse", ''[[Journal of the American Musicological Society]]'', xxiii (1970), 282–301, 505–521
*[[Daniel Heartz|D. Heartz]]: "Hasse, Galuppi and Metastasio", ''Venezia e il melodramma nel settecento'': Venice 1973–5, i, 309–339
*F. L. Millner: "Hasse and London's [[Opera of the Nobility]]", ''Music Records'', xxxv (1974), 240–246
*Frederick L. Millner: ''The Operas of Johann Adolf Hasse''. Ann Arbor, Michigan: UMI Research Press, 1979 (Studies in Musicology, 2). {{ISBN|0-8357-1006-8}}
*Smither, Howard E.: ''A History of the Oratorio.'' University of North Carolina Press, 1977 {{ISBN|9780807812747}}
*[[Reinhard Strohm]]: ''Essays on Handel and Italian Opera'' (Cambridge, 1985)
*Imme Tempke: "Mozart und der 'Musick-Vatter' Hasse". In: ''{{ill|Lichtwark-Heft|de}}'' Nr. 71. Verlag HB-Werbung, Hamburg-Bergedorf, (2006). {{ISSN|1862-3549}}.
*Imme Tempke: "Hasses Musikausbildung in Hamburg". In: ''Lichtwark-Heft'' Nr. 67. Verlag HB-Werbung, Hamburg-Bergedorf, (2002). {{ISSN|1862-3549}}.
*Robert Torre: "Operatic Twins & Musical Rivals: Two Settings of Artaserse (1730)", ''Discourses in Music'', vol. 6, no. 1, (Summer 2006).
*Alan Yorke-Long: ''Music at Court: Four Eighteenth-century Studies'', (London: Weidenfeld & Nicolson, 1954)