Editing Notes inégales (section)

===Georg Muffat===
The entire corpus of stylistic practices related to the Lullist model, of which ''notes inégales'' was one of the most significant features of rhythmic alteration, was perhaps widely spread throughout late 17th and early 18th-century Germany and Austria by the Austrian composer [[Georg Muffat]]. He went to the Lullist court to study and codify the Lullist performance practices and did it in an exhaustive foreword to his [[Florilegium Secundum]], a collection containing orchestral suites based on the models and performance practices of Lully, synthesized with Muffat's studies with Corelli in Italy, which he previously presented to the musical public in his Armonico Tributo and Florilegium Primum.

Writers have long credited Muffat's impact with his publication of an explicitly detailed foreword in German, French, Italian and Latin in 1698, where he codifies more explicitly than any other writer (and primary performance practice source) the Lullist Manner of Playing. Through the impact of his Florilegium Secundum, following his earlier also significant works, Muffat has been credited by many, including the great 18th century writer and music critic [[Charles Burney]] to introducing the "French Ouverture" throughout the rest of Europe, but Muffat can be perhaps even more credited as "creating" the German style – as a remarkable and unique synthesis of the Italian and French styles into a "new, hybrid, amalgamated style"; creating a uniquely identifiable texture what has come down to us as the beginnings of a true, unique, German musical style.