Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Typeface
(section)
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Optical sizing=== {{main|Font#Optical size}} During the metal type era, all type was cut in metal and could only be printed at a specific size. It was a natural process to vary a design at different sizes, making it chunkier and clearer to read at smaller sizes.<ref name="How To Choose The Right Face For A Beautiful Body">{{cite web|last1=Reynolds|first1=Dan|title=How To Choose The Right Face For A Beautiful Body|url=http://www.smashingmagazine.com/2012/05/how-to-choose-the-right-face-for-a-beautiful-body/|website=Smashing|date=21 May 2012|access-date=13 September 2015}}</ref><ref name=MicroPlus>{{cite web|last1=Frere-Jones|first1=Tobias|title=MicroPlus|url=https://frerejones.com/blog/introducing-microplus|publisher=Frere-Jones Type|access-date=1 December 2015}}</ref> Many digital typefaces are offered with a range of fonts (or a variable font axis) for different sizes, especially designs sold for professional design use. The art of designing fonts for a specific size is known as [[Font#Optical size|optical sizing]]. Others will be offered in only one style, but optimised for a specific size. Optical sizes are particularly common for serif fonts, since the fine detail of serif fonts can need to be bulked up for smaller sizes.<ref>{{cite web |last1=Ahrens |last2=Mugikura |title=Size-specific Adjustments to Type Designs |url=http://justanotherfoundry.com/size-specific-adjustments-to-type-designs |publisher=Just Another Foundry|access-date=21 November 2014}}</ref><ref>{{cite web|last1=Coles|first1=Stephen|title=Book Review: Size-specific Adjustments to Type Designs|url=http://typographica.org/typography-books/size-specific-adjustments-to-type-designs/|website=Typographica|access-date=21 November 2014}}</ref><ref>{{cite web|last1=Kupferschmid|first1=Indra|title=Multi-axes type families|url=http://kupferschrift.de/cms/2012/05/multi-axes-families/|website=kupferschrift|date=13 May 2012 |access-date=8 December 2014}}</ref> Typefaces may also be designed differently considering the type of paper on which they will be printed. Designs to be printed on absorbent [[newsprint]] paper will be more slender as the ink will naturally spread out as it absorbs into the paper, and may feature [[ink trap]]s: areas left blank into which the ink will soak as it dries. These corrections will not be needed for printing on high-gloss cardboard or display on-screen. Fonts designed for low-resolution displays, meanwhile, may avoid pure circles, fine lines and details a screen cannot render.<ref>{{cite web|last1=Reynolds |last2= Koeberlin|title=Socialist TV Typeface Videtur Finally Freed|date=5 April 2013 |url=http://ilovetypography.com/2013/04/06/socialist-tv-typeface-videtur-finally-freed/ |publisher=FontFont |access-date=24 May 2015}}</ref>
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)