Editing A Crow Left of the Murder...

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{{Redirect|Agoraphobia (song)|the song by Deerhunter|Microcastle{{!}}''Microcastle''}}
{{Infobox album
| name       = A Crow Left of the Murder...
| type       = studio
| artist     = [[Incubus (band)|Incubus]]
| cover      = ACrowLeftoftheMurderIncubus.jpg
| alt        =
| released   = {{start date|2004|02|03}}
| recorded   = October–November 2003
| studio     = Southern Tracks Recording, Atlanta, Georgia
| genre      =
* [[Alternative rock]]<ref name="Drowned in Sound"/>
* [[art rock]]<ref name="about">Grierson, Tim "Teaming again with O'Brien for 2006's Light Grenades, Incubus opted for a more streamlined approach after the art-rock of A Crow Left of the Murder" [http://rock.about.com/od/incubus/p/Incubus.htm Incubus Biography and Profile] {{Webarchive|url=https://web.archive.org/web/20110707075441/http://rock.about.com/od/incubus/p/Incubus.htm |date=July 7, 2011 }} ''[[About.com]]''</ref>
* [[alternative metal]]<ref name="newspaper">[https://news.google.com/newspapers?id=wPxJAAAAIBAJ&sjid=Mx4NAAAAIBAJ&pg=1319,1624724 Incubus Fail To Mature With Fifth Installment] Michigan Daily – February 10, 2004. Retrieved March 7, 2013.</ref><ref name="AMG"/>
| length     = 58:30
| label      = [[Epic Records|Epic]]/[[Immortal Records|Immortal]]
| producer   = [[Brendan O'Brien (music producer)|Brendan O'Brien]]
| prev_title = [[Live at Lollapalooza 2003]]
| prev_year  = 2003
| next_title = [[Live in Japan 2004]]
| next_year  = 2004
| misc       = {{Singles
 | name        = A Crow Left of the Murder...
 | type        = studio
 | single1     = [[Megalomaniac (Incubus song)|Megalomaniac]]
 | single1date = December 23, 2003
 | single2     = [[Talk Shows on Mute]]
 | single2date = May 25, 2004
 
}}
}}

'''''A Crow Left of the Murder...''''' is the fifth studio album by the American rock band [[Incubus (band)|Incubus]], released on February 3, 2004. The album marks the first appearance of bassist [[Ben Kenney]], following the departure of founding member [[Alex Katunich|Dirk Lance]]. The singles from the album are "Megalomaniac" and "Talk Shows on Mute". "Agoraphobia" was released as a promo single.

==Music ==
The music of ''A Crow Left of the Murder...'' has been considered to have elements of [[art rock]],<ref name="about"/> [[alternative rock]],<ref name="Drowned in Sound"/> [[alternative metal]],<ref name="AMG"/><ref name="newspaper"/><ref>{{cite web | url=https://books.google.com/books?id=wPxJAAAAIBAJ&dq=%22rap+metal%22+%22INCUBUS%22&pg=PA5&article_id=2050,1624407 | title=The Michigan Daily }}</ref> [[jazz]],<ref name="AMG"/> pop<ref name="Drowned in Sound">{{cite web|first=Dan|last=Kiener|url=http://drownedinsound.com/releases/3570/reviews/8936|title=Incubus – A Crow Left of the Murder...|website=[[Drowned in Sound]]|date=February 6, 2004|accessdate=May 6, 2011|archive-date=October 16, 2012|archive-url=https://web.archive.org/web/20121016060517/http://drownedinsound.com/releases/3570/reviews/8936|url-status=dead}}</ref> and [[progressive rock]].<ref name="AMG"/> The work of guitarist [[Mike Einziger]] takes equal prominence in focus to that of vocalist [[Brandon Boyd]], in contrast to previous albums which focused more prominently on Boyd's vocalization.<ref name="Slant"/> [[MTV]] reviewer Joe D'Angelo claimed that on the album Einziger's "[[funk]] and [[Heavy metal music|metal]] roots haven't completely disappeared; they're now just the foundation on which a repertoire of jazz, [[blues]] and progressive rock is built."<ref name="mtv">{{Cite web|url=https://www.mtv.com/news/j4agdo/incubus-experiment-with-new-sounds-on-crow-left-of-the-murder|archive-url=https://web.archive.org/web/20231026013418/https://www.mtv.com/news/j4agdo/incubus-experiment-with-new-sounds-on-crow-left-of-the-murder|url-status=dead|archive-date=October 26, 2023|title=Incubus Experiment With New Sounds On Crow Left Of The Murder|website=MTV}}</ref>  Some critics believed that the band were allowed to take more musical risks on the album following the commercial success of 2001's ''[[Morning View]]'', although Einziger said in a 2004 interview that, "we've never felt we didn't have that freedom. We've always done what we wanted. It's kind of self-serving, but that's how we do it. We try not to pay attention to anything but each other."<ref  name="big">{{cite web | url=https://www.mtv.com/news/k3wnw2/is-big-brother-listening-to-incubus-talk-show-on-mute | archive-url=https://web.archive.org/web/20231114111626/https://www.mtv.com/news/k3wnw2/is-big-brother-listening-to-incubus-talk-show-on-mute | url-status=dead | archive-date=November 14, 2023 | title=Is Big Brother Listening to Incubus' 'Talk Show on Mute'? | website=[[MTV]] }}</ref>

===Songs===
Einziger has said that "Megalomaniac" was originally written on an acoustic guitar, despite being one of the heavier songs on the album.<ref>{{cite web | url=https://www.ultimate-guitar.com/news/interviews/mike_einziger_of_incubus_i_dont_love_to_talk_guitars_i_love_to_use_them.html | title=Mike Einziger of Incubus: 'I Don't Love to Talk Guitars, I Love to Use Them' }}</ref> Boyd remarked that "'Megalomaniac' means self-exaltation, and to be crazy for big things. The song is about power crazed people and their destructive behavior." He adds, "lyrically speaking I know that there were a lot of things going on in and around the world and there were some very specific people in my mind coming dangerously close to having megalomaniacal tendencies and so I did my best to write those thoughts down." While it was written around the time [[George W. Bush]] ordered the [[2003 invasion of Iraq]], Boyd claimed the person in the song was a composite of several people, and primarily inspired by a character in the 1986 movie ''[[Three Amigos]]''.<ref name="songfac">{{Cite web|url=https://www.songfacts.com/facts/incubus/megalomaniac|title=Megalomaniac by Incubus - Songfacts}}</ref> The music video for the song was handled by Italian-Canadian director [[Floria Sigismondi]], and had allusions to both [[Adolf Hitler]] and Bush. Sigismondi came up with the concept for the video, with Boyd reflecting in 2004 that "when we did the video for 'Megalomaniac,' it was a really rewarding experience. Not only the outcome, the process was very rewarding as well. She's a great person. She knew exactly what she wanted to see and wasn't afraid to ask for it. She wasn't a screamer — some directors are screamers, they just yell at people. She didn't do that, which was nice."<ref>{{cite web | url=https://www.mtv.com/news/k3wnw2/is-big-brother-listening-to-incubus-talk-show-on-mute | archive-url=https://web.archive.org/web/20231114111626/https://www.mtv.com/news/k3wnw2/is-big-brother-listening-to-incubus-talk-show-on-mute | url-status=dead | archive-date=November 14, 2023 | title=Is Big Brother Listening to Incubus' 'Talk Show on Mute'? | website=[[MTV]] }}</ref> 

Due to the political references, MTV initially refused to show the "Megalomaniac" video except for late at night, as it was under pressure from conservative groups following the 2004 [[Janet Jackson]] [[Super Bowl XXXVIII halftime show controversy|Super Bowl controversy]], where one of the singer's breasts was exposed at a halftime show they produced. In response to the Super Bowl controversy, MTV moved six potentially offensive videos to late night rotation, with "Megalomaniac" being the only one without any explicit sexual content. At the time, Einziger commented "it's ironic that this MTV scrutiny comes from an incident where someone bared their chest in public, while for the first time, our singer has his shirt on for an entire video."<ref name="songfac"/>

"Talk Shows on Mute" was written as an examination of the effects of television on people. It was inspired by a flight where Boyd began narrating to his fellow passengers a talk show playing on the plane's television. Boyd said that after this, "I realized a time will probably come when television will watch us if we're watching it, if that hasn't already happened, figuratively or literally. It sounded like some sort of pseudo-[[Big Brother (Nineteen Eighty-Four)|Big Brother]] nightmare, so I wrote it down."<ref name="fac2">{{Cite web|url=https://www.songfacts.com/facts/incubus/talk-shows-on-mute|title=Talk Shows On Mute by Incubus - Songfacts}}</ref> The line, "Come one, Come all into 1984" does not refer to the year, where all the band members were still children, but rather [[George Orwell]]'s 1949 book ''[[Nineteen Eighty-Four]]''.<ref name="fac2"/>

The song "Priceless" features rapping-style vocals which recall the band's earlier work from the 1990s.<ref name="Slant"/> Boyd said that "Priceless" and a few of the other songs on the album "started as letters to myself", adding that "I wrote a couple of the songs on the record from someone close to me's point of view, stepping into their sight and speaking for them."<ref name="big"/>

Early pressings of the album list track 12 "Smile Lines" as "Suite Lines" on the back cover. The Japanese pressing of the album comes with a bonus track, "Monuments & Melodies" which is also available on the ''[[Alive at Red Rocks]]'' bonus CD.

==Touring and promotion==
Incubus began their world tour for the album in March 2004 with shows in Japan and South Korea.<ref name="dates"/> On March 12, 2004, the band played their first show in the Philippines, a country where they had attracted a large following.<ref>{{Cite web|url=https://www.philstar.com/entertainment/2004/02/11/238455/incubus-tickets-still-sale|title=Incubus tickets still on sale|website=Philstar.com}}</ref> The band played further shows in Australia, New Zealand, Malaysia and Europe before beginning a tour of North America in June 2004, which would continue for the rest of the year.<ref name="dates">{{Cite web|url=https://www.mtv.com/news/kj10m1/incubus-announce-dates-for-north-american-tour|archive-url=https://web.archive.org/web/20231111234329/https://www.mtv.com/news/kj10m1/incubus-announce-dates-for-north-american-tour|url-status=dead|archive-date=November 11, 2023|title=Incubus Announce Dates For North American Tour|website=MTV}}</ref> To further promote the album in 2004, Incubus performed on ''[[Jimmy Kimmel Live!]]'', the ''[[Top of the Pops]]'' in the United Kingdom and the ''[[Rove (TV series)|Rove Live]]'' talk show in Australia. At a June 2004 show in [[London]], the band notably performed the song "[[Take Me to Your Leader (Incubus song)|Take Me to Your Leader]]" for the first time since 1998, and went on to play it eight more times that year. These 2004 performances are to date the last time a ''[[Fungus Amongus]]''/''[[Enjoy Incubus]]'' song has been played live.<ref>{{cite web|url=http://www.setlist.fm/stats/songs/incubus-1bd68944.html?song=Take+Me+to+Your+Leader |title=Take Me to Your Leader by Incubus Song Statistics |publisher=setlist.fm |date= |access-date=2013-01-19}}</ref>

In 2005, the band contributed the songs "Admiration", "Neither of Us Can See" and "[[Make a Move (Incubus song)|Make a Move]]" to the soundtrack of the action film ''[[Stealth (film)|Stealth]]'', with "Make a Move" being released as a single that year. The song "Aqueous Transmission" from ''Morning View'' also appeared on the film's soundtrack album, in addition to being used within the film itself.<ref>{{Cite web|url=https://www.allmusic.com/album/stealth-original-soundtrack--mw0000187099|title=Original Soundtrack - Stealth [Original Soundtrack] Album Reviews, Songs & More &#124; AllMusic|via=www.allmusic.com}}</ref>

==Commercial response==
''A Crow Left of the Murder...'' debuted at number two on the US [[Billboard 200|''Billboard'' 200]], selling about 332,000 copies in its first week on the chart.<ref>{{cite magazine|url=http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=2088325|title=Chesney's 'Sun' Rises To Top The Billboard 200|first=Todd|last=Martens|magazine=Billboard|access-date=May 6, 2011| archive-url= https://web.archive.org/web/20110605105606/http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=2088325| archive-date= June 5, 2011 | url-status= dead}}</ref> It has since been certified platinum by the [[RIAA]].<ref>{{Cite certification|region=United States|artist=Incubus|title=A Crow Left of the Murder}}</ref>

==Reception==
{{Music ratings
| MC = 66/100<ref>{{cite web |url=http://www.metacritic.com/music/a-crow-left-of-the-murder/incubus |title=Reviews for ''A Crow Left of the Murder'' by Incubus |publisher=[[Metacritic]] |accessdate=May 6, 2011}}</ref>
| rev1 = [[AllMusic]]
| rev1score = {{Rating|4.5|5}}<ref name="AMG">{{cite web |url=http://www.allmusic.com/album/a-crow-left-of-the-murder-mw0000696273 |title=''A Crow Left of the Murder...'' – Incubus |publisher=[[AllMusic]] |accessdate=May 6, 2011 |last=Erlewine |first=Stephen Thomas |author-link=Stephen Thomas Erlewine}}</ref>
| rev2 = ''[[Blender (magazine)|Blender]]''
| rev2score = {{rating|3|5}}<ref>{{cite journal |url=http://www.blender.com/guide/reviews.aspx?id=1793 |title=Incubus: ''A Crow Left of the Murder'' |journal=[[Blender (magazine)|Blender]] |issue=16 |date=March 2004 |accessdate=February 12, 2016 |last=Catucci |first=Nick |page=120 |archiveurl=https://web.archive.org/web/20041213231255/http://www.blender.com/guide/reviews.aspx?id=1793 |archivedate=December 13, 2004 |url-status=dead}}</ref>
| rev3 = ''[[Entertainment Weekly]]''
| rev3score = C−<ref>{{cite magazine|url=https://ew.com/article/2004/02/13/crow-left-murder/|title=A Crow Left of the Murder|date=February 13, 2004|access-date=July 7, 2022|last=Browne|first=David|magazine=[[Entertainment Weekly]] |archiveurl=https://web.archive.org/web/20190814184445/https://ew.com/article/2004/02/13/crow-left-murder/ |archive-date=August 14, 2019 |url-status=dead}}</ref>
| rev4 = ''[[Los Angeles Times]]''
| rev4score = {{Rating|3|4}}<ref>{{cite news |url=https://www.latimes.com/archives/la-xpm-2004-feb-01-ca-rack1-story.html |title=Incubus turns up power |work=[[Los Angeles Times]] |date=February 1, 2004 |access-date=February 12, 2016 |last=Cromelin |first=Richard}}</ref>
| rev5 = ''[[Mojo (magazine)|Mojo]]''
| rev5score = {{Rating|3|5}}<ref name="Mojo">{{cite journal |title=Incubus: ''A Crow Left of the Murder...'' |journal=[[Mojo (magazine)|Mojo]] |issue=123 |date=February 2004 |page=94}}</ref>
| rev6 = ''[[Q (magazine)|Q]]''
| rev6score = {{Rating|3|5}}<ref name="Q">{{cite journal |title=Incubus: ''A Crow Left of the Murder...'' |journal=[[Q (magazine)|Q]] |issue=214 |date=May 2004 |page=104}}</ref>
| rev7 = ''[[Rolling Stone]]''
| rev7score = {{Rating|3|5}}<ref name="RS Review">{{cite magazine |url=https://www.rollingstone.com/music/albumreviews/a-crow-left-of-the-murder-20040211 |title=''A Crow Left of the Murder...'' |magazine=[[Rolling Stone]] |date=February 11, 2004 |accessdate=May 6, 2011 |last=Cherry |first=Robert}}</ref>
| rev8 = ''[[Slant Magazine]]''
| rev8score = {{Rating|4|5}}<ref name="Slant">{{cite web |url=http://www.slantmagazine.com/music/review/incubus-a-crow-left-of-the-murder |title=Incubus: ''A Crow Left of the Murder...'' |work=[[Slant Magazine]] |date=March 24, 2004 |accessdate=May 6, 2011 |last=Shetler |first=Scott}}</ref>
| rev9 = ''[[Spin (magazine)|Spin]]''
| rev9score = C+<ref name="Spin">{{cite journal |url=https://books.google.com/books?id=9VQ5UluNUkIC&pg=PA95 |title=Incubus: ''A Crow Left of the Murder...'' |journal=[[Spin (magazine)|Spin]] |volume=20 |issue=3 |date=March 2004 |accessdate=October 24, 2016 |last=Ganz |first=Caryn |pages=95–97}}</ref>
| rev10 = ''[[USA Today]]''
| rev10score = {{Rating|3|4}}<ref name="USA">{{cite news |url=http://usatoday30.usatoday.com/life/music/2004-02-02-listen-up_x.htm |title=Incubus, ''A Crow Left of the Murder'' |work=[[USA Today]] |date=February 5, 2004 |accessdate=May 31, 2013 |last=Gundersen |first=Edna |author-link=Edna Gundersen}}</ref>
}}
The album was generally well received by critics upon release. Stuart Green of Canadian publication ''[[Exclaim!]]'' gave it a positive review in March 2004, he wrote "with the addition of soulful [[The Roots|Roots]] bassist Ben Kenney and a tasty fusion of everything from [[Faith No More]]-style [[rap metal]] to the prog-noodling of [[Rush (band)|Rush]] (most notably on 'Sick Sad Little World', the album's standout track) to the earnest songwriting of, say, [[the Beatles]] or the [[Dave Matthews Band]], this disc should establish them as the leaders of the new rock pack... at least in artistry if not sales."<ref>{{Cite web|url=https://exclaim.ca/music/article/incubus-crow_left_of_murder|title=Incubus A Crow Left of the Murder &#124; Exclaim!|website=exclaim.ca}}</ref>

[[Stephen Thomas Erlewine]] of AllMusic awarded the album four-and-a-half out of five stars, claiming that, "at the beginning of their career, Incubus was rightly lumped in with the legions of post-[[Korn]] [[alt metal]]/[[rap-rock]] bands swarming America in the latter days of the 20th century", and that, "''A Crow Left of the Murder...'' is far more interesting than any of their other records, or their peers."<ref name="AMG"/>  Mikael Wood of the ''[[Dallas Observer]]'' reflected in his review that, "Southern California's Incubus emerged from the rap-rock pack in 2001 when its hit single '[[Drive (Incubus song)|Drive]]' revealed front man Brandon Boyd to be the kind of guy who might come back to his high school nine years after he graduated to give a motivational speech and award one lucky essay-writing girl an unforgettable dance at the senior prom. Before that the band played warmed-over [[funk-metal]] and made CDs with really awful covers."<ref name="dall"/> He adds, "Boyd freaks his [[falsetto]] a lot, giving 'Smile Lines' and 'Beware! Criminal' a supple, sensual curvature that's anathema to most rap-rockers; there's a defanged [[Tori Amos]]/[[Trent Reznor]] pulse to 'Sick Sad Little World'; 'Pistola' is almost [[post-punk]] in its compact fury'."<ref name="dall">{{cite web | url=https://www.dallasobserver.com/dallas/Print?oid=6398659 | title=Incubus }}</ref> Joshua Klein of ''[[The Washington Post]]'' stated, "''A Crow Left of the Murder'' shows success has gone to the band's head, but only in the best sense. Here Incubus reverts to its weirder, wilder roots without abandoning its newfound pop appeal."<ref>{{cite web|last=Klein |first=Joshua |url=https://www.washingtonpost.com/archive/lifestyle/2004/02/18/left-of-the-murder-incubus-throws-caution-to-the-wind/25b88386-1535-41e0-9529-941a87e58a2a/ |title='Left of the Murder': Incubus Throws Caution to the Wind |newspaper=The Washington Post |date=2004-02-18 |accessdate=2022-06-08}}</ref>

Eric R. Danton of ''[[The Baltimore Sun]]'' wrote in his February 2004 review, "alternative-metal bands have tended to embody self-absorption far more than self-awareness, and we've all seen how that has turned out: It's made [[Fred Durst]] wealthy in inverse proportion to his talent. Incubus, at least, has avoided many of the petulant excesses that fuel [[Limp Bizkit]] and [[Linkin Park]]. With a few pop-savvy ballads and a hottie front man in Brandon Boyd, Incubus has even attracted an audience that encompasses more than surly teen-age boys."<ref name="balti">{{Cite web|url=https://www.baltimoresun.com/news/bs-xpm-2004-02-12-0402110154-story.html|title='Crow' is evidence of Incubus' evolving skills|website=Baltimore Sun|date=February 12, 2004 }}</ref> He added, "the alt-metal sound is mostly played out, but Incubus' determination to continue developing is clear here, and it will help to keep the band relevant in an increasingly splintered music scene."<ref name="balti"/>

In their March 2004 review, ''[[The Oklahoman]]'' wrote that, "its finest moments recalls the more adventurous musical explorations of their major label debut ''[[S.C.I.E.N.C.E.]]''", noting that "Megalomaniac", "Pistola", "Priceless" and "Leech" possess a "caffeine-fueled drive."<ref name="oak"/> They additionally observed that, "of course, there had to be a couple of idealistic love ballads for the young women who really are only interested in singer Brandon Boyd. To fill that slot, the album's 'Southern Girl' and the piano-driven 'Here in My Room' feature a harmony at their conclusion reminiscent of something off [[The Beach Boys]]' ''[[Pet Sounds]]''."<ref name="oak">{{cite web | url=https://www.oklahoman.com/story/news/2004/03/19/cd-reviews/61997975007/ | title=Cd Reviews }}</ref>  Scott Shetler of ''[[Slant Magazine]]'' gave it four out of five stars, writing "like it or not, Incubus is the prototypical rock band for the 21st century, appealing equally to both sexes — they’re likable guys who write memorable songs and it doesn’t hurt that they’ve got a model for a lead singer." Shetler adds, "Incubus have never made any huge leaps in terms of their sound, but they’ve always managed to change it just enough to stay slightly ahead of the pack, and with ''Crow'' they’ve simply done it again."<ref name="Slant"/>

===Legacy===
In 2017, Dan Weiss of ''[[Consequence (publication)|Consequence of Sound]]'' had a negative view of the band's direction on ''A Crow Left of the Murder...'', writing that it was "their most strident record to date, and by then their eclecticism was so pared down you couldn't hear much Faith No More or [[hip hop music|hip-hop]] or quirky distinctions."<ref>{{cite web | url=https://consequence.net/2017/04/album-review-incubus-8/ | title=Album Review: Incubus - 8 | date=April 17, 2017 }}</ref> In his review for the ''Alive at Red Rocks'' CD/DVD, Alex Henderson of AllMusic claimed that "some fans of their early rap-metal/funk metal work see 2001's ''Morning View'' and 2004's ''A Crow Left of the Murder'' as a sellout."<ref>{{Cite web|url=https://www.allmusic.com/album/alive-at-red-rocks-mw0001007716|title=Incubus - Alive at Red Rocks Album Reviews, Songs & More &#124; AllMusic|via=www.allmusic.com}}</ref> In a 2006 interview with ''[[The New Zealand Herald]]'', Brandon Boyd reflected, "it's funny because the way it's perceived around the world is vastly different. For some people ''Crow'' was the best record we've ever done, but some people look at that record as a pause in our talent as a band."<ref>{{Cite web|url=https://www.nzherald.co.nz/lifestyle/incubus-back-and-better-with-new-album/DJ6LCN4NCLHBKXTUCTDZ6M6QQ4/|title=Incubus back and better with new album|date=October 11, 2023|website=[[The New Zealand Herald]] }}</ref>

''[[Kerrang!]]'' ranked it as the second best Incubus album in 2020, and stated it "[was] the sound of Incubus maturing; finding ever-subtler applications for their melting pot of styles."<ref>{{cite web | url=https://www.kerrang.com/incubus-every-album-ranked-from-worst-to-best | title=Incubus: Every album ranked from worst to best | date=May 5, 2020 }}</ref> Boyd also ranked it as his second favorite Incubus record in a 2022 ''[[Classic Rock (magazine)|Louder Sound]]'' article.<ref>{{Cite web|url=https://www.loudersound.com/features/every-incubus-album-ranked-from-worst-to-best-by-vocalist-brandon-boyd|title=Every Incubus album ranked from worst to best, by vocalist Brandon Boyd|author1=Stephen Hill|date=October 25, 2022|website=louder}}</ref>

==Track listing==
{{Track listing
| headline        = ''A Crow Left of the Murder...'' track listing
| all_writing     = [[Incubus (band)|Incubus]]
| title1          = [[Megalomaniac (Incubus song)|Megalomaniac]]
| length1         = 4:54
| title2          = A Crow Left of the Murder
| length2         = 3:30
| title3          = Agoraphobia
| length3         = 3:52
| title4          = [[Talk Shows on Mute]]
| length4         = 3:48
| title5          = Beware! Criminal
| length5         = 3:48
| title6          = Sick Sad Little World
| length6         = 6:23
| title7          = Pistola
| length7         = 4:22
| title8          = Southern Girl
| length8         = 3:40
| title9          = Priceless
| length9         = 4:06
| title10         = Zee Deveel
| length10        = 3:52
| title11         = Made for TV Movie
| length11        = 3:38
| title12         = Smile Lines
| length12        = 3:59
| title13         = Here in My Room
| length13        = 4:19
| title14         = Leech
| length14        = 4:19
| total_length    = 58:30
}}
{{Track listing
| headline        = Japanese bonus track
| title15         = Monuments and Melodies
| length15        = 5:05
}}
{{Track listing
| headline = [[B-side]]
| title1 = Pantomime
| note1 = Later released on the ''[[Alive at Red Rocks]]'' EP
| length1 = 3:54
}}

When bought at some retailers (including Best-Buy) a bonus live EP was bundled with the CD.

{{Track listing
| headline = 2004 bonus EP
| title1 = Pardon Me
| note1 = live in Osaka, Japan
| length1 = 4:58
| title2 = Pantomime
| note2 = live at Merdeka Stadium, Lumpur, Malaysia
| length2 = 5:17
| title3 = Talk Shows on Mute
| note3 = live at Entertainment Center, Sydney, Australia
| length3 = 3:50
| title4 = A Certain Shade of Green
| note4 = live at Entertainment Center, Sydney, Australia
| length4 = 3:32
}}

'''Bonus DVD'''
#"Lollapalooza"&nbsp; – 9:13
#* Includes a brief interview discussing the [[Lollapalooza]] tour, then performances of "[[Megalomaniac (Incubus song)|Megalomaniac]]" and "Pistola".
#"Bridge Benefit"&nbsp; – 8:41
#* Includes a brief interview discussing the [[Bridge School Benefit]], follow by acoustic performances of "A Crow Left of the Murder" and "[[Talk Shows on Mute]]"
#While We Were Out&nbsp; – 7:35
#* This documentary is about the making of the album in Atlanta, Georgia, as well as some interview footage, and some footage of other things the band have gotten up to whilst they were out. It also introduces Ben Kenney, who recently joined as the bassist for the band.
#Brandon's Injury&nbsp; – 1:06
#* A short mock-umentary about how Brandon injured his ankle.
#Short Film&nbsp; – 6:31
#* Although not listed on the packaging, there is also a short film by Brendan Hearne, starring Mike Einziger.

A [[Super Audio CD|SACD]] edition has also been released, along with a [[Dualdisc]] edition as well.

==Personnel==
===Incubus===
*[[Brandon Boyd]]&nbsp;– vocals
*[[Mike Einziger]]&nbsp;– guitar; piano on "Here In My Room", additional engineering
*[[Ben Kenney]]&nbsp;– bass guitar
*[[Chris Kilmore]]&nbsp;– [[turntables]], keyboards, [[Mellotron]], [[marxophone]]
*[[José Pasillas]]&nbsp;– drums, [[percussion]]

===Production===
*[[Brendan O'Brien (music producer)|Brendan O'Brien]]&nbsp;– production, [[audio mixing|mixing]]
*[[Nick DiDia]]&nbsp;– engineer
*Billy Bowers&nbsp;– additional engineering
*[[Bob Ludwig]]&nbsp;– mastering

==Charts==
{{col-start}}
{{col-2}}

===Weekly charts===
{| class="wikitable sortable plainrowheaders"
|+Weekly chart performance for ''A Crow Left of the Murder...''
! scope="col"| Chart (2004)
! scope="col"| Peak<br />position
|-
{{album chart|Australia|2|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Austria|8|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Flanders|34|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Wallonia|44|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|BillboardCanada|1|artist=Incubus|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Denmark|34|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Netherlands|14|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Finland|16|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|France|21|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Germany4|2|id=4848|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Ireland2|14|artist=Incubus|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Italy|11|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|New Zealand|1|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Portugal|3|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Scotland|5|date=20040208|rowheader=true|access-date=November 17, 2021}}
|-
{{album chart|Sweden|55|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Switzerland|10|artist=Incubus|album=A Crow Left of the Murder...|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|UK2|6|date=20040208|rowheader=true|accessdate=November 2, 2020}}
|-
{{album chart|Billboard200|2|artist=Incubus|rowheader=true|accessdate=November 2, 2020}}
|}
{{col-2}}

===Year-end charts===
{| class="wikitable sortable plainrowheaders" style="text-align:center"
|+Year-end chart performance for ''A Crow Left of the Murder...''
! scope="col"| Chart (2004)
! scope="col"| Position
|-
! scope="row"| New Zealand Albums (RMNZ)<ref>{{cite web |url=https://aotearoamusiccharts.co.nz/archive/annual-albums/2004-12-31 |title=Top Selling Albums of 2004 |publisher=[[Recorded Music NZ]] |access-date=November 16, 2021}}</ref>
| 33
|-
! scope="row"| US ''Billboard'' 200<ref>{{cite magazine|url=https://www.billboard.com/charts/year-end/2004/top-billboard-200-albums|title=Top Billboard 200 Albums – Year-End 2004|magazine=Billboard|accessdate=July 15, 2021}}</ref>
| 61
|}
{{col-end}}

==Certifications==
{{certification Table Top|caption=Certifications for ''A Crow Left of the Murder...''}}
{{certification Table Entry|type=album|region=New Zealand|artist=Incubus|title=A Crow Left of the Murder...|award=Platinum|id=2004-04-23|source=newchart|access-date=2024-11-20|relyear=2004}}
{{certification Table Entry|type=album|region=United Kingdom|artist=Incubus|title=A Crow Left of the Murder...|award=Gold|certyear=2013|relyear=2004|id=9018-1859-2}}
{{certification Table Entry|type=album|region=United States|artist=Incubus|title=A CROW LEFT OF THE MURDER|award=Platinum|certyear=2004|relyear=2004}}
{{Certification Table Bottom | nosales=true}}

==References==
{{Reflist}}

{{Incubus (band)}}

{{Authority control}}

{{DEFAULTSORT:Crow Left Of The Murder, A}}
[[Category:2004 albums]]
[[Category:Incubus (band) albums]]
[[Category:Epic Records albums]]
[[Category:Immortal Records albums]]
[[Category:Albums produced by Brendan O'Brien (record producer)]]
[[Category:Art rock albums by American artists]]