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{{Short description|French actress (1932–2024)}} {{Use dmy dates|date=August 2024}} {{EngvarB|date=June 2024}} {{Infobox person |name = Anouk Aimée |image = Anouk Aimee - 1963.jpg |caption = Aimée in 1963 |birthname = Nicole Françoise Florence Dreyfus |birth_date = {{birth date|df=y|1932|4|27}} |birth_place = Paris, [[French Third Republic|France]] |death_date = {{death date and age|2024|6|18|1932|4|27|df=y}} |death_place = Paris, France |years_active = 1947–2019 |resting_place = [[Saint-Vincent Cemetery]], [[18th arrondissement of Paris]] |occupation = Actress |spouse = {{plainlist| * {{marriage|Edouard Zimmermann <br>|1949|1950|end=divorced}} * {{marriage|[[Nikos Papatakis]] <br>|1951|1954|end=divorced}} * {{marriage|[[Pierre Barouh]] <br>|1966|1969|end=divorced}} * {{marriage|[[Albert Finney]] <br>|1970|1978|end=divorced}} }} |father = Henry Murray |mother = [[Geneviève Sorya]] |children = 1 }} '''Nicole Françoise Florence Dreyfus'''<ref name=":1">{{cite web |url=http://encinematheque.net/oeil/Y026/index.asp?page=bio.asp |title=Anouk Aimée |access-date=9 August 2014 |publisher=L'encinémathèque |language=fr |url-status=dead |archive-url=https://web.archive.org/web/20140809210905/http://encinematheque.net/oeil/Y026/index.asp?page=bio.asp |archive-date=9 August 2014}}</ref> ({{IPA|fr|nikɔl fʁɑ̃swaz flɔʁɑ̃s dʁɛfys}}; 27 April 1932{{spnd}}{{nowrap|18 June}} 2024), known professionally as '''Anouk Aimée''' ({{IPA|fr|anuk ɛme|lang}}) or '''Anouk''', was a French film actress who appeared in 70 films from 1947 until 2019. Having begun her film career at age 14, she studied acting and dance in her early years, besides her regular education. Although the majority of her films were French, she also made films in Spain, the United Kingdom, Italy and Germany, along with some American productions. Among her films are [[Federico Fellini]]'s ''[[La dolce vita]]'' (1960), after which she was considered a "rising star who exploded" onto the film world.<ref name=Thompson/> She subsequently acted in Fellini's ''[[8½]]'' (1963), [[Jacques Demy]]'s ''[[Lola (1961 film)|Lola]]'' (1961), [[George Cukor]]'s ''[[Justine (1969 film)|Justine]]'' (1969), [[Bernardo Bertolucci]]'s ''[[Tragedy of a Ridiculous Man]]'' (1981), and [[Robert Altman]]'s ''[[Prêt-à-Porter (film)|Prêt à Porter]]'' (1994). She won the [[Golden Globe Award for Best Actress in a Motion Picture – Drama]] and the [[BAFTA Award for Best Actress in a Leading Role|BAFTA Award for Best Actress]] and was nominated for the [[Academy Award for Best Actress]] for her acting in ''[[A Man and a Woman]]'' (1966). The film "virtually reignited the lush on-screen romance in an era of skeptical modernism", and brought her international fame.<ref name=Lewis/> She won the [[Cannes Film Festival Award for Best Actress|Award for Best Actress]] at the [[Cannes Film Festival]] for [[Marco Bellocchio]]'s film ''[[A Leap in the Dark]]'' (1980). In 2002, she received an honorary [[César Award]], France's national film award. Aimée was known for her "striking features" and beauty, and considered "one of the hundred sexiest stars in film history", according to a 1995 poll conducted by ''[[Empire (magazine)|Empire]]'' magazine.<ref name="Lewis" /> She often portrayed a [[femme fatale]] with a melancholy aura. In the 1960s, ''[[Life (magazine)|Life]]'' magazine commented: "after each picture her enigmatic beauty lingered" in the memories of her audience, and called her "the [[Rive Gauche|Left Bank]]'s most beautiful resident".<ref name="Life" /> ==Early years== Aimée was born in Paris to actor Henry Murray (born Henri Dreyfus; 30 January 1907 – 29 January 1984)<ref name=Lewis>Flitterman-Lewis, Sandy. [http://jwa.org/encyclopedia/article/aimee-anouk "Anouk Aimée"] {{Webarchive|url=https://web.archive.org/web/20160823001006/http://jwa.org/encyclopedia/article/aimee-anouk |date=23 August 2016 }}, ''Jewish Women: A Comprehensive Historical Encyclopedia''<!-- publication info needed --></ref> and actress [[Geneviève Sorya]] (née Durand; 23 June 1912 – 23 March 2008). According to one historian, although some have speculated that her background may be related to Captain [[Alfred Dreyfus]], this has never been confirmed.<ref name=Lewis/> Her father was Jewish, whereas her mother was [[Roman Catholic]]. She was raised Catholic but later [[Gerim|converted to Judaism]] as an adult.<ref name=Lewis/><ref name=Arnold/> Her early education took place at l'École de la rue Milton, in Paris; École de Barbezieux; Pensionnat de Bandol; and Institution de Megève. She studied dance at [[Marseille Opera]]. During [[World War II]] she was a pupil at [[Mayfield School, East Sussex]], but left before taking final exams. She studied theatre in England, after which she studied dramatic art and dance with Andrée Bauer-Thérond.<ref name=Unterburger>Unterburger, Amy L. (ed.) ''Actors and Actresses'', ''International Dictionary of Films and Filmmakers'' (3rd edition), St James Press (1997), pp. 9–11<!-- ISBN/ISSN needed --></ref> ==Career== [[File:Anouk Aimée - Otto.png |thumb|left|Anouk Aimée in ''[[8½]]'', 1963]] Aimée (then still Françoise Dreyfus) made her film debut, at the age of 14, in the role of Anouk in ''La Maison sous la mer'' (''The House Under the Sea'', 1946), and she kept the name afterwards. [[Jacques Prévert]], while writing ''[[Les amants de Vérone]]'' (''The Lovers of Verona'', 1949) specifically for her, suggested she take the symbolic last name Aimée, "that would forever associate her with the affective power of her screen roles."<ref name=Lewis/> In French, it means "beloved."<ref name=Life>Durham, Michael. "Aimée—It Means 'To Be Loved'", ''Life Magazine'', 19 May 1967 pp. 85–86.<!-- publication info needed --></ref><ref>{{Cite web |url=http://www.thinkbabynames.com/meaning/0/Aimee |title=Aimee - Name Meaning, What does Aimee mean? |website=www.thinkbabynames.com |access-date=25 June 2012 |archive-date=28 November 2022 |archive-url=https://web.archive.org/web/20221128131743/http://www.thinkbabynames.com/meaning/0/Aimee |url-status=live}}</ref> Among her films were [[Alexandre Astruc]]'s ''[[The Crimson Curtain (1953 film)|The Crimson Curtain]]'' (''Le Rideau Cramoisi'', 1953), [[Federico Fellini]]'s ''[[La Dolce Vita]]'' (1960), Fellini's ''[[8½]]'' (1963), [[Jacques Demy]]'s ''[[Lola (1961 film)|Lola]]'' (1961), [[André Delvaux]]'s ''[[One Night... A Train]]'' (''Un Soir, un Train'', 1968), [[George Cukor]]'s ''[[Justine (1969 film)|Justine]]'' (1969), [[Bernardo Bertolucci]]'s ''[[Tragedy of a Ridiculous Man]]'' (1981), [[Robert Altman]]'s ''[[Prêt-à-Porter (film)|Prêt à Porter]]'' (''Ready to Wear'', 1994), and [[Claude Lelouch]]'s ''[[A Man and a Woman]]'' (''Un Homme et une femme'', 1966) — described as a "film that virtually reignited the lush on-screen romance in an era of skeptical modernism."<ref name=Lewis/> Words like "regal," "intelligent", and "enigmatic" are frequently associated with her, notes one author, giving Aimée "an aura of disturbing and mysterious beauty" that earned her the status of "one of the hundred sexiest stars in film history," according to a 1995 poll conducted by ''[[Empire (film magazine)|Empire Magazine]]''.<ref name=Lewis/> Because of her "striking features" and her beauty, she has been compared to [[Jacqueline Kennedy]]. Film historian [[Ginette Vincendeau]] has commented that Aimée's films "established her as an ethereal, sensitive and fragile beauty with a tendency to tragic destinies or restrained suffering."<ref name=Lewis/> Her abilities as an actress and the [[photogenic ]] qualities of her face, its "fine lines, expression of elation and a suggestive gaze," helped her achieve success in her early films. [[Émile Savitry]] made an early portrait of her at 15, holding a kitten on the set of Carné's ''La Fleur de l'âge'' (1947).<ref>{{Cite web |date=31 July 2014 |title=Port-Musée. La sensibilité de " La Fleur de l'âge " |url=https://www.letelegramme.fr/finistere/quimper/port-musee-la-sensibilite-de-la-fleur-de-l-age-31-07-2014-10280997.php |access-date=7 June 2020 |website=Le Telegramme |language=fr |archive-date=7 June 2020 |archive-url=https://web.archive.org/web/20200607002102/https://www.letelegramme.fr/finistere/quimper/port-musee-la-sensibilite-de-la-fleur-de-l-age-31-07-2014-10280997.php |url-status=live}}</ref><ref>{{Cite web |title=" La Fleur de l'âge " et le secret d'Anouk Aimée |url=https://www.nouvelobs.com/documents/20191023.OBS20188/la-fleur-de-l-age-et-le-secret-d-anouk-aimee.html |access-date=7 June 2020 |website=L'Obs |date=23 October 2019 |language=fr |archive-date=9 May 2020 |archive-url=https://web.archive.org/web/20200509105257/https://www.nouvelobs.com/documents/20191023.OBS20188/la-fleur-de-l-age-et-le-secret-d-anouk-aimee.html |url-status=live}}</ref> Among others of her films of this period were ''[[Pot-Bouille]]'' (1957), ''[[The Lovers of Montparnasse|Les Amants de Montparnasse (Montparnasse 19)]]'' (The Lovers of Montparnasse, (1958), and ''[[Head Against the Wall|La tête contre les murs]]'' (''Head Against the Wall'', 1958).<ref name=Unterburger/> Besides the French cinema, Aimée's career included films made in Spain, Great Britain, Italy, and Germany. She achieved worldwide attention in Fellini's ''[[La Dolce Vita]]'' (1960) and ''Lola'' (1961). She appeared again in Fellini's ''[[8½]]'', and would remain in Italy during the first half of the 1960s, making films for a number of Italian directors. Because of her role in ''La Dolce Vita'', biographer Dave Thompson describes Aimée as a "rising star who exploded" onto the film world. He adds that singer-songwriter [[Patti Smith]], who in her teens saw the film, began to idolise her, and "dreamed of being an actress like Aimée."<ref name=Thompson>Thompson, Dave. ''Dancing Barefoot: The Patti Smith Story'', Chicago Review Press (2011) p. 17</ref><ref>Bockris, Victor; Bayley, Roberta. ''Patti Smith: An Unauthorized Biography'', Simon and Schuster (1999) p. 33</ref> Aimée's greatest success came with the film ''[[A Man and a Woman]]'' (''Un homme et une femme'', 1966) directed by [[Claude Lelouch]]. Primarily due to the excellent acting by its stars, Aimée and [[Jean-Louis Trintignant]], and the beautiful musical score, the film became an international success, winning both the Grand Prize at the [[Cannes Film Festival]] in 1966 and two Oscars including [[Academy Award for Best International Feature Film|Best Foreign Language Film]]. Tabery states that with her "subtle portrayal of the heroine—self-protective, then succumbing to a new love—Aimée seemed to create a new kind of [[femme fatale]]."<ref name=Unterburger/> Film historian Jurgen Muller adds, "whether one likes the film or not, it's still hard for anyone to resist the melancholy aura of Anouk Aimée."<ref>Müller, Jürgen. ''Movies of the 60s'', Taschen (2004) cover</ref> In many of her subsequent films, she would continue to play that type of role, "a woman of sensitivity whose emotions are often kept secret."<ref name=Unterburger/> She starred in the American film production of [[Justine (1969 film)|''Justine'']] (1969), costarring [[Dirk Bogarde]] and directed by [[George Cukor]] and [[Joseph Strick]]. The film contained some nudity, with one writer observing, "Anouk is always impeccable, oozing the sexy, detached air of the elite . . . when she drops these trappings, along with her couture clothing, Anouk's naked perfection will annihilate you."<ref>''Mr. Skin's Encyclopedia: A to Z Guide to Finding Your Favorite Actresses Naked'', SK INtertainment (2005) p. 5</ref> Photojournalist [[Eve Arnold]], assigned to photograph and write a story about Aimée and her role, spoke to [[Dirk Bogarde]], who had known her since she was fifteen. He said that "She is never so happy as when she is miserable between love affairs," referencing her recent love affair with [[Omar Sharif]], her co-star in ''[[The Appointment (film)|The Appointment]]'' (1969).<ref name=Arnold/> Arnold photographed Aimée, who talked about her role as the character Justine. Justine was also Jewish. Arnold recalls one of their talks:{{blockquote|I am still haunted by two things she quoted. They seemed to say more about her than anything else I experienced with her during the three weeks I knew her on the film:<br />Quote from [[Treblinka extermination camp|Treblinka]]: 'The Jews are prone to anguish but seldom given to despair.'<br />And a quote by an anonymous Jewish poet to his wife when the [[Nazis]] came to get them: 'Till now we have lived with fear, now we can know hope.'<ref name=Arnold>[[Eve Arnold|Arnold, Eve]]. ''Film Journal'', Bloomsbury Publishing (2002) pp. 193–94</ref>}} [[File:Anouk Aimée Cannes.jpg|thumb|Anouk Aimée at Cannes, 2007]] Another American film, ''La Brava'', starring [[Dustin Hoffman]], was set to be made in 1984 but was never completed. Hoffman at first decided it would play better if he were in love with a younger girl rather than the original story's older woman. "Where are you going to get a good-looking older woman?" he asked. He rejected [[Faye Dunaway]], feeling she was "too obvious." A month later, after a chance meeting with Aimée in Paris, he changed his mind, telling his producer, "I can fall in love with the older woman. I met Anouk Aimée over the weekend. She looks great." He begged his producer to at least talk to her: "Come on, get on the phone, say hello to her. . . Just listen to her voice, it's great."<ref>Grobel, Lawrence. ''Endangered Species: Writers Talk About Their Craft, Their Visions, Their Lives'', Da Capo Press (2001) pp. 267–268</ref> [[Robert Altman]], at another time, wanted to use Aimée in a film to be called ''Lake Lugano,'' about a woman who was a [[Holocaust]] survivor returning long after the war. She "loved the script," according to Altman. However, she backed out after discussing the part with him more thoroughly:{{blockquote|I do remember he was like a bomb. He had a strong personality. He was tall, and he had a big voice. 'I want this,' and 'I want that.' I remember thinking it would be very difficult to work with him, and we didn't make the film.<ref>Zuckoff, Mitchell. ''Robert Altman: An Oral Biography'', Random House (2009) pp. 138–39</ref>}} In 2002, she received an honorary [[César Award]], France's national film award, and in 2003 received an [[Honorary Golden Bear]] at the [[Berlin International Film Festival]].<ref name=Oscherwitz>Oscherwitz, Dayna. ''The A to Z of French Cinema'', Scarecrow Press (2007), pg. 18</ref> In the 1960s, ''[[Life (magazine)|Life]]'' magazine called her "the [[Rive Gauche|Left Bank]]'s most beautiful resident ... after each picture her enigmatic beauty lingered" in the memories of her audience.<ref name=Life/> In late 2013, the [[Cinemania (film festival)|Cinemania film festival]] in Montreal, Canada, paid tribute to Aimée's career.<ref>[https://montrealgazette.com/entertainment/movie-guide/charmed+cinematic+life/9139424/story.html "Anouk Aimée: A charmed cinematic life"] {{Webarchive|url=https://web.archive.org/web/20131109022344/http://www.montrealgazette.com/entertainment/movie-guide/charmed+cinematic+life/9139424/story.html |date=9 November 2013 }}, ''The Gazette'' (Montreal), 8 November 2013.</ref> Aimée reunited with director [[Claude Lelouch]] and co-star [[Jean-Louis Trintignant]] for a follow-up to ''Un homme et une femme'' and its sequel, ''[[A Man and a Woman: 20 Years Later]]'' (''Un homme et une femme, 20 ans deja'', 1986) which is her final film.<ref>{{Cite web |url=https://www.francetvinfo.fr/culture/people/video-claude-lelouch-retrouve-anouk-aimee-et-jean-louis-trintignant-pour-l-epilogue-d-un-homme-et-une-femme_3231329.html |title=VIDEO. Claude Lelouch retrouve Anouk Aimée et Jean-Louis Trintignant pour l'épilogue d'"Un homme et une femme" |date=15 March 2019 |website=Franceinfo |access-date=18 March 2019 |archive-date=17 March 2019 |archive-url=https://web.archive.org/web/20190317130924/https://www.francetvinfo.fr/culture/people/video-claude-lelouch-retrouve-anouk-aimee-et-jean-louis-trintignant-pour-l-epilogue-d-un-homme-et-une-femme_3231329.html |url-status=live}}</ref> The result, ''[[The Best Years of a Life]]'' (''Les plus belles années d'une vie'', 2019), was shown at Cannes out of competition.<ref>{{cite news |last=Lodge |first=Guy |url=https://variety.com/2019/film/reviews/the-best-years-of-a-life-review-1203222092/ |title=Cannes Film Review: ''The Best Years of a Life'' |work=Variety |date=31 May 2019 |access-date=28 December 2020 |archive-date=2 April 2023 |archive-url=https://archive.today/20230402153504/https://variety.com/2019/film/reviews/the-best-years-of-a-life-review-1203222092/ |url-status=live}}</ref><ref>{{cite news |url=https://www.theguardian.com/film/article/2024/jun/18/anouk-aimee-star-of-la-dolce-vita-and-a-man-and-a-woman-dies-aged-92 |title=Anouk Aimée, star of La Dolce Vita and A Man and a Woman, dies aged 92 |work=The Guardian |access-date=18 June 2024 |archive-date=18 June 2024 |archive-url=https://web.archive.org/web/20240618190200/https://www.theguardian.com/film/article/2024/jun/18/anouk-aimee-star-of-la-dolce-vita-and-a-man-and-a-woman-dies-aged-92 |url-status=live |last1=Pulver |first1=Andrew}}</ref> ==Personal life== Aimée was married and divorced four times: Édouard Zimmermann (1949–1950), director [[Nico Papatakis]] (1951–1954), actor and musical producer [[Pierre Barouh]] (1966–1969), and actor [[Albert Finney]] (1970–1978).<ref name="nytobit" /><ref>{{Cite web |title=Anouk Aimée a 92 ans : Origines, vrai nom, films cultes, amants célèbres... tout ce qu'il faut savoir |url=https://www.journaldesfemmes.fr/people/personnalites/3175080-anouk-aimee-age-vie-privee-carriere-infos/ |website=Journal des femmes |access-date=14 May 2024 |archive-date=14 May 2024 |archive-url=https://web.archive.org/web/20240514094606/https://www.journaldesfemmes.fr/people/personnalites/3175080-anouk-aimee-age-vie-privee-carriere-infos/ |url-status=live}}</ref> She had one child, Manuela Papatakis (born 1951), from her second marriage. She died at her home in Paris on 18 June 2024, at the age of 92.<ref name="nytobit">{{cite web |title=Anouk Aimée, Enigmatic Star of 'A Man and a Woman,' Dies at 92 |url=https://www.nytimes.com/2024/06/18/obituaries/anouk-aimee-dead.html |last=Gates |first=Anita |date=18 June 2024 |work=The New York Times |access-date=18 June 2024 |archive-date=18 June 2024 |archive-url=https://web.archive.org/web/20240618190102/https://www.nytimes.com/2024/06/18/obituaries/anouk-aimee-dead.html |url-status=live}}</ref> She was buried privately at the [[Saint-Vincent Cemetery]] in Paris on 25 June.<ref>{{Cite web |url=https://www.bfmtv.com/people/cinema/obseques-d-anouk-aimee-dans-l-intimite-a-paris_AD-202406250715.html |title=OBSÈQUES D'ANOUK AIMÉE DANS L'INTIMITÉ, À PARIS |website=BFMTV |language=fr |accessdate=25 June 2024}}</ref> ==Status and legacy== Aimée was nominated for an [[Oscar (award)|Oscar]] as best actress for her role opposite [[Jean-Louis Trintignant]] in ''A Man and a Woman'', becoming one of a relatively small number of actors to be nominated for a performance in a foreign film.<ref>{{Cite web |url=https://variety.com/2024/film/news/anouk-aimee-dead-french-star-a-man-and-a-woman-1236040890/ |title=Anouk Aimée, Oscar-Nominated French Star of 'A Man and a Woman,' Dies at 92 |date=18 June 2024 |access-date=18 June 2024 |archive-date=18 June 2024 |archive-url=https://web.archive.org/web/20240618183715/https://variety.com/2024/film/news/anouk-aimee-dead-french-star-a-man-and-a-woman-1236040890/ |url-status=live}}</ref> ''[[The Guardian]]'' film critic [[Peter Bradshaw]] wrote in an [[obituary]] for her that "The enigma, sensuality and vulnerability of Aimee's screen persona are all there in essence – and above all the loneliness that comes with beauty." According to Bradshaw, "She had something of the young [[Joan Crawford]], or [[Marlene Dietrich]], or her contemporary, the French model and actress [[Capucine]]. Aimée radiated an enigmatic sexual aura flavoured with melancholy, sophistication and worldly reserve" and "had a unique screen presence that was at once alluring and forbidding"<ref name="guardian obit">{{Cite news |url=https://www.theguardian.com/film/article/2024/jun/18/anouk-aimee-the-60s-movie-icon-with-an-air-of-untouchability-la-dolce-vita-a-man-and-a-woman |title=Anouk Aimée was an entrancing 60s movie icon with an air of glamorous unknowability |newspaper=The Guardian |access-date=18 June 2024 |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619125812/https://www.theguardian.com/film/article/2024/jun/18/anouk-aimee-the-60s-movie-icon-with-an-air-of-untouchability-la-dolce-vita-a-man-and-a-woman |url-status=live |last1=Bradshaw |first1=Peter}}</ref> He wrote about her role in ''[[La dolce vita]]'' that actress's "natural hauteur made her a natural for the role and, with her airy detachment and beauty, could be said almost to have invented Italian cinema's modish ennui which [[Michelangelo Antonioni]] later developed."<ref name="guardian obit"/> French Culture Minister [[Rachida Dati]] [[tweeted]] on X: "We bid farewell to a world-famous icon, to a great actress of French cinema who took on roles for some of the biggest names, such as (Jacques) Demy, Lelouch and (Federico) Fellini."<ref>{{cite news |url=https://www.bbc.com/news/articles/clllev363y3o |title=French film star Anouk Aimée dies aged 92 |access-date=19 June 2024 |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619013958/https://www.bbc.com/news/articles/clllev363y3o |url-status=live}}</ref> ==Selected filmography== {| class="wikitable sortable" |- ! width="5%"| Year ! width="30%"| Title ! width="30%"| Role ! width="30%"| Director !{{abr|Ref|References}} |- |1947 |''{{ill|La Maison sous la mer|fr}}'' |Anouk |[[Henri Calef]] |<ref>{{Cite AV media |url=https://www.allocine.fr/film/fichefilm-32162/casting/ |title=Tout le casting du film La Maison sous la mer |last= |language=fr |access-date=20 June 2024 |via=AlloCine |archive-date=7 September 2023 |archive-url=https://web.archive.org/web/20230907064147/https://www.allocine.fr/film/fichefilm-32162/casting/ |url-status=live}}</ref><ref>{{Cite web |title=La Maison sous la mer – Fiche Film |url=http://cinema.encyclopedie.films.bifi.fr/index.php?pk=47191 |access-date=20 June 2024 |website=La Cinémathèque française |at=Générique artistique |archive-date=8 December 2022 |archive-url=https://web.archive.org/web/20221208093243/http://cinema.encyclopedie.films.bifi.fr/index.php?pk=47191 |url-status=live}}</ref> |- | 1949 |''[[Les amants de Vérone]]'' ("The Lovers Of Verona") |Georgia Maglia (a modern [[Juliet]]) |[[André Cayatte]] |<ref name=":2">{{Cite web |title=Anouk Aimée |url=https://www.rottentomatoes.com/celebrity/anouk |access-date=19 June 2024 |website=Rotten Tomatoes |language=en |archive-date=11 May 2024 |archive-url=https://web.archive.org/web/20240511142606/https://www.rottentomatoes.com/celebrity/anouk |url-status=live}}</ref> |- | 1950 |''[[Golden Salamander (film)|Golden Salamander]]'' |Anna |[[Ronald Neame]] |<ref name=":2" /> |- | rowspan="3" |1952 |''[[La Bergère et le ramoneur]]'' (animation film) |Voice (the female shepherd) |[[Paul Grimault]] |<ref name=":2" /> |- |''[[Le Rideau cramoisi]]'' |Albertine |[[Alexandre Astruc]] |<ref name=":2" /> |- |[[The Man Who Watched Trains Go By]] ("Paris Express") |Jeanne |[[Harold French]] |<ref>{{Cite web |title=Paris Express |url=https://catalog.afi.com/Film/53362-PARIS-EXPRESS?sid=2beb713c-7308-45a0-816c-8bce2c636bdd&sr=6.170568&cp=1&pos=5&cxt=Filmography1 |access-date=19 June 2024 |website=AFI. Catalog |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619193858/https://catalog.afi.com/Film/53362-PARIS-EXPRESS?sid=2beb713c-7308-45a0-816c-8bce2c636bdd&sr=6.170568&cp=1&pos=5&cxt=Filmography1 |url-status=live}}</ref> |- |rowspan=2|1955 |''[[Contraband Spain]]'' |Elena Vargas |[[Lawrence Huntington]] |<ref name=":2" /><ref name="DLA">{{Cite web |title=Muere la actriz Anouk Aimée, ícono del cine francés |url=https://www.diariolasamericas.com/cultura/muere-la-actriz-anouk-aimee-icono-del-cine-frances-n5358503 |access-date=21 June 2024 |website=diariolasamericas.com |language=es-US |archive-date=18 June 2024 |archive-url=https://web.archive.org/web/20240618140503/https://www.diariolasamericas.com/cultura/muere-la-actriz-anouk-aimee-icono-del-cine-frances-n5358503 |url-status=live}}</ref> |- |''[[Bad Liaisons|Les Mauvaises rencontres]]'' ("Bad Liaisons") |Catherine Racan |[[Alexandre Astruc]] |<ref name=":2" /> |- |rowspan=2|1956 |''[[Ich suche Dich]] ("I seek you")'' |Françoise Maurer |[[O.W. Fischer]] |<ref name=":2" /> |- | ''[[Nina (1956 film)|Nina]]'' | Nina Iwanowa | [[Rudolf Jugert]] |<ref name=":3">{{Cite web |date= |title=Anouk Aimée |url=http://www.bfi.org.uk/films-tv-people/4ce2ba118432d |url-status=dead |archive-url=https://web.archive.org/web/20180422185253/http://www.bfi.org.uk/films-tv-people/4ce2ba118432d |archive-date=22 April 2018 |access-date=20 June 2024 |website=BFI}}</ref> |- |rowspan=2|1957 |''[[Lovers of Paris|Pot-Bouille]] ("Lovers of Paris")'' |Marie |[[Julien Duvivier]] |<ref name=":2" /> |- | ''[[Anyone Can Kill Me]]'' |Isabelle | [[Henri Decoin]] |<ref name=":2" /> |- |1958 |''[[Les Amants de Montparnasse]] (Montparnasse 19)'' |[[Jeanne Hébuterne]] |[[Jacques Becker]] |<ref name=":2" /> |- |rowspan=3|1959 |''[[The Journey (1959 film)|The Journey]]'' |Eva |[[Anatole Litvak]] |<ref name=":0">{{Cite web |title=Anouk Aimée |url=https://catalog.afi.com/Person/14177-Anouk-Aime |access-date=19 June 2024 |website=AFI. Catalog |archive-date=21 June 2024 |archive-url=https://web.archive.org/web/20240621204813/https://catalog.afi.com/Person/14177-Anouk-Aime |url-status=live}}</ref> |- |''[[La tête contre les murs]]'' |Stéphanie |[[Georges Franju]] |<ref name=":2" /> |- |''[[Les Dragueurs]] ("The Chasers")'' |Jeanne |[[Jean-Pierre Mocky]] |<ref name=":2" /> |- |rowspan=2|1960 |''[[La Dolce Vita]]'' |Maddalena |[[Federico Fellini]] |<ref name=":2" /><ref name="DLA"/> |- |''[[The Joker (1960 film)|The Joker]]'' |Hélène Laroche |[[Philippe de Broca]] |<ref name=":2" /> |- |rowspan=2|1961 |''[[The Last Judgement (1961 film)|Il giudizio universale]]'' ("The Last Judgement") |Irene |[[Vittorio De Sica]] |<ref name=":3" /> |- |''[[Lola (1961 film)|Lola]]'' |Lola |[[Jacques Demy]] |<ref name=":3" /> |- |rowspan=2|1962 |''[[Sodom and Gomorrah (1962 film)|Sodom and Gomorrah]]'' |Queen Bera |[[Robert Aldrich]] |<ref name=":0" /> |- |''[[Il giorno più corto]]'' ("The shortest Day") |[[cameo appearance]] |[[Sergio Corbucci]] |<ref>{{Cite AV media |url=https://www.cinematografo.it/film/il-giorno-piu-corto-awnk1zpn |title=Il giorno più corto |language=it |access-date=20 June 2024 |via=www.cinematografo.it |archive-date=9 June 2023 |archive-url=https://web.archive.org/web/20230609135039/https://www.cinematografo.it/film/il-giorno-piu-corto-awnk1zpn |url-status=live}}</ref> |- |1963 |''[[8½|Fellini's 8½]]'' |Luisa Anselmi |[[Federico Fellini]] |<ref name=":2" /> |- |rowspan=2|1964 |''[[White Voices|Le voci bianche]]'' ("White Voices") |Lorenza |Pasquale Festa Campanile |<ref name=":3" /> |- |''[[La fuga (1964 film)|La fuga]]'' ("The Escape") |Luisa |Paolo Spinola |<ref name=":3" /> |- |1965 |''[[The Dreamer (1965 film)|The Dreamer]]'' ("Il Morbidone") |Valeria |[[Massimo Franciosa]] |<ref name=":3" /> |- |1966 |''[[A Man and a Woman|Un homme et une femme]]'' ("A Man and a Woman") |Anne Gauthier |[[Claude Lelouch]] |<ref name=":3" /><ref name="DLA"/> |- |1968 |''[[One Night... A Train|Un soir, un train]]'' (''One Night... A Train'') |Anne |[[André Delvaux]] |<ref name=":3" /> |- |rowspan=3|1969 |''[[Model Shop (film)|Model Shop]]'' |Lola |[[Jacques Demy]] |<ref name=":0" /> |- |''[[The Appointment (film)|The Appointment]]'' |Carla |[[Sidney Lumet]] |<ref name=":0" /> |- |''[[Justine (1969 film)|Justine]]'' |Justine |[[George Cukor]] |<ref name=":0" /> |- |1976 |''[[Second Chance (1976 film)|Si c'était à refaire]]'' ("Second Chance") |Sarah Gordon |Claude Lelouch |<ref name=":3" /> |- |1978 |''[[Mon premier amour]]'' |Jane Romain (the mother) |[[Élie Chouraqui]] |<ref name=":3" /> |- |1979 |''([[A Leap in the Dark|Salto nel vuoto]])'' ("A Leap in the Dark") |Marta Ponticelli |[[Marco Bellocchio]] |<ref name=":3" /> |- |1981 |''[[Tragedy of a Ridiculous Man|La Tragedia di un uomo ridicolo]]'' ("Tragedy of a Ridiculous Man") |Barbara Spaggiari |[[Bernardo Bertolucci]] |<ref name=":3" /> |- |rowspan=2|1983 |''[[The General of the Dead Army (film)|Il generale dell'armata morte]]'' ("The General of the Dead Army") |Countess Betsy Mirafiore |[[Luciano Tovoli]] |<ref name=":3" /> |- |''[[Viva la vie]]'' |Anouk |Claude Lelouch |<ref name=":3" /> |- |1984 |''[[Success Is the Best Revenge]]'' |Monique des Fontaines |[[Jerzy Skolimowski]] |<ref name=":3" /> |- |1986 |''[[A Man and a Woman: 20 Years Later|Un Homme et une femme : vingt ans déjà]]'' ("A Man and a Woman: 20 Years Later") |Anne Gauthier |[[Claude Lelouch]] |<ref name=":3" /> |- |1990 |''[[Bethune: The Making of a Hero]]'' |Marie-France Coudaire |[[Phillip Borsos]] |<ref name=":2" /> |- |rowspan=2|1994 |''[[A Hundred and One Nights (film)|Les Cent et une nuits de Simon Cinéma]]'' ("A Hundred and One Nights") |Anouk |[[Agnès Varda]] |<ref name=":3" /> |- |''[[Prêt-à-Porter (film)|Prêt-à-Porter]] ("Ready to wear")'' |Simone Lowenthal |[[Robert Altman]] |<ref>{{Cite web |title=Ready to wear |url=https://catalog.afi.com/Film/60203-READY-TO-WEAR?cxt=filmography |access-date=19 June 2024 |website=AFI. Catalog |archive-date=26 September 2023 |archive-url=https://web.archive.org/web/20230926203905/https://catalog.afi.com/Film/60203-READY-TO-WEAR?cxt=filmography |url-status=live}}</ref> |- |1996 |''[[Hommes, femmes : mode d'emploi]]'' |the widow |Claude Lelouch |<ref name=":2" /> |- |1997 |''[[Solomon (film)|Solomon]]'' |[[Bathsheba]] |[[Roger Young (director)|Roger Young]] |<ref name=":2" /> |- |1998 |''[[L.A. Without a Map]]'' |as herself |[[Mika Kaurismäki]] |<ref name=":2" /> |- |1999 |''[[One 4 All|Une pour toutes]]'' ("One 4 All") |the musician's wife |[[Claude Lelouch]] |<ref name=":2" /> |- |rowspan=2|2002 |''[[Festival in Cannes]]'' |Millie Marquand |[[Henry Jaglom]] |<ref>{{Cite web |title=Festival in Cannes |url=https://catalog.afi.com/Film/62380-FESTIVAL-IN-CANNES?cxt=filmography |access-date=19 June 2024 |website=AFI. Catalog |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619192314/https://catalog.afi.com/Film/62380-FESTIVAL-IN-CANNES?cxt=filmography |url-status=live}}</ref> |- |''[[Napoléon (miniseries)|Napoléon]]'' |[[Letizia Bonaparte]] |[[Yves Simoneau]] |<ref name=":3" /> |- |rowspan=2|2003 |''[[Happily Ever After (2004 film)|Ils se marièrent et eurent beaucoup d'enfants]]'' ("Happily Ever After") |Vincent's mother |[[Yvan Attal]] |<ref name=":2" /> |- |''[[:fr:La Petite Prairie aux bouleaux|La Petite prairie aux bouleaux]]'' |Myriam |[[Marceline Loridan-Ivens]] |<ref name=":3" /> |- |2010 |''[[Paris Connections]]'' |Agnès |[[Harley Cokeliss]] |<ref name=":2" /> |- |2011 |''[[Tous les soleils]]'' ("Silence of love") |Agathe |[[Philippe Claudel]] |<ref name=":2" /> |- |2012 |''[[Mince alors!]]'' |mother |[[Charlotte de Turckheim]] |<ref>{{Cite web |last=Balle |first=Catherine |date=18 June 2024 |title=Charlotte de Turckheim sur la mort d'Anouk Aimée : « Elle se demandait si elle avait encore sa place » |url=https://www.leparisien.fr/culture-loisirs/cinema/charlotte-de-turckheim-sur-la-mort-danouk-aimee-elle-se-demandait-si-elle-avait-encore-sa-place-18-06-2024-J7VRRQ6K6ZDPZD47VKJNGY2RUE.php |access-date=21 June 2024 |website=Le Parisien |language=fr-FR |archive-date=19 June 2024 |archive-url=https://web.archive.org/web/20240619013824/https://www.leparisien.fr/culture-loisirs/cinema/charlotte-de-turckheim-sur-la-mort-danouk-aimee-elle-se-demandait-si-elle-avait-encore-sa-place-18-06-2024-J7VRRQ6K6ZDPZD47VKJNGY2RUE.php |url-status=live}}</ref> |- |2019 |''[[The Best Years of a Life]]'' |Anne Gauthier |[[Claude Lelouch]] |<ref name=":2" /> |} ==References== {{reflist}} ==External links== {{Commons category|Anouk Aimée}} * {{IMDb name}} * {{AlloCiné name}} * {{discogs artist|Anouk Aimée}} * [http://www.worldwhoswho.com/views/entry.html?id=sl445487 AIMÉE Anouk] {{Webarchive|url=https://web.archive.org/web/20191016100939/http://www.worldwhoswho.com/LOGIN?sessionid=84516fc76f0b8722244598042a8c237d&authstatuscode=400 |date=16 October 2019 }} International Who's Who. Retrieved 1 September 2006. * Sandy Flitterman-Lewis, [http://jwa.org/encyclopedia/article/aimee-anouk Anouk Aimée], Jewish Women Encyclopedia * [http://film.virtual-history.com/person.php?personid=2317 Photographs and literature] * video {{YouTube|Sd0b8kSZPFs|Interview at Cannes, 1966}} {{Navboxes |title = Awards for Anouk Aimée |list = {{BAFTA Award for Best Actress 1960-1979}} {{Prix d'interprétation féminine 1980–1999}} {{GoldenGlobeBestActressMotionPictureDrama 1961-1980}} {{Golden Eagle Lifetime Achievement Award}} {{Honorary César}} {{Honorary Golden Bear}} }} {{Authority control}} {{DEFAULTSORT:Aimee, Anouk}} [[Category:1932 births]] [[Category:2024 deaths]] [[Category:Actresses from Paris]] [[Category:Best Foreign Actress BAFTA Award winners]] [[Category:Best Drama Actress Golden Globe (film) winners]] [[Category:Cannes Film Festival Award for Best Actress winners]] [[Category:César Honorary Award recipients]] [[Category:Honorary Golden Bear recipients]] [[Category:French film actresses]] [[Category:French people of Jewish descent]] [[Category:Converts to Judaism from Roman Catholicism]] [[Category:Jewish French actresses]] [[Category:People educated at St Leonards-Mayfield School]] [[Category:20th-century French actresses]] [[Category:21st-century French actresses]] [[Category:21st-century French Jews]] [[Category:20th-century French Jews]]
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