Editing Anthony Phillips

{{short description|British musician}}
{{Other people}}
{{EngvarB|date=June 2014}}
{{Use dmy dates|date=June 2014}}
{{Infobox musical artist
| name            = Anthony Phillips
| image           = Anthony Phillips.jpg
| image_size      =
| caption         = Phillips in 2005
| birth_name      = Anthony Edwin Phillips
| birth_date      = {{birth date and age|1951|12|23|df=y}}
| birth_place     = [[Chiswick]], [[Middlesex]]
| genre           = [[Progressive rock]], [[folk rock]], [[Neoclassical dark wave|neo-classical]], [[electronic music|electronic]]
| occupation      =
| instrument      = {{hlist|Guitar|vocals|keyboards}}
| years_active    = 1967–present
| label           = {{Flatlist|
* Hit & Run Music
* [[Virgin Records|Virgin]]
* [[Voiceprint Records|Voiceprint]]
* [[Vertigo Records|Vertigo]]
* [[RCA Records|RCA]]
* [[Arista Records|Arista]]
* [[Passport Records|Passport]]
}}
| associated_acts = [[Genesis (band)|Genesis]], [[Camel (band)|Camel]]
| website         = {{URL|anthonyphillips.co.uk}}
}}
'''Anthony Edwin Phillips''' (born 23 December 1951) is an English musician and composer who gained prominence as the original lead guitarist of the rock band [[Genesis (band)|Genesis]], from 1967 to 1970.<ref>{{cite web|url={{Allmusic|class=artist|id=p13944/biography|pure_url=yes}}|title=Biography: Anthony Phillips|last=Eder|first=Bruce|website=[[Allmusic]]|access-date=16 April 2010}}</ref> He left in July 1970 and learned to play more instruments, before he began a solo career. His departure from Genesis on the eve of the group's breakthrough to mainstream popularity has led him to be  dubbed "the [[Pete Best]] of [[progressive rock]]" (though unlike Best, Phillips left voluntarily).<ref name=Stump308>{{cite book |last=Stump |first=Paul |title=The Music's All that Matters: A History of Progressive Rock |date=1997 |publisher=Quartet Books Limited |isbn=0-7043-8036-6 |pages=308–316}}</ref>

Phillips released his first solo album, ''[[The Geese & the Ghost]]'', in 1977. He continues to release solo material, including further solo albums, television and film music, collaborations with several artists, and compilation albums of his recordings.

== Early life ==
Phillips was born on 23 December 1951 in [[Chiswick]], then a part of [[Middlesex]], and grew up in the nearby [[Putney]] and [[Roehampton]] areas.{{sfn|Genesis|2007|pp=16–17}} He attended [[St Edmund's School, Hindhead|St Edmund's]] [[Preparatory school (United Kingdom)|preparatory school]] in [[Hindhead]], Surrey, during which he formed a group and took part in a performance of "[[My Old Man's a Dustman]]" in the school hut as the singer, but forgot the words and was kicked out. This led to his decision to learn the guitar.{{sfn|Genesis|2007|pp=16–17}}{{sfn|Cherry Red Interview|2014|loc=03:36–04:16}} [[The Shadows]] were a major early influence on Phillips, who learned enough to perform a rendition of "[[Foot Tapper]]" in the school lounge.{{sfn|Cherry Red Interview|2014|loc=04:23–04:50}}<ref name=WOG2008>{{cite web|url=http://www.worldofgenesis.com/AnthonyPhillips-Interview2008.htm|title=Taking tn the Wildlife: An Interview with Anthony Phillips|first=Dave|last=Negrin|date=22 May 2008|publisher=World of Genesis|access-date=20 October 2018 |archiveurl=http://web.archive.org/web/20181020182100/http://www.worldofgenesis.com/AnthonyPhillips-Interview2008.htm |archivedate=October 20, 2018}}</ref> At thirteen Phillips acquired a [[Fender Stratocaster]] and wrote his first song, "Patricia", an instrumental about the first girl he had a crush on.{{sfn|Giammetti|2020|p=29}} It gradually evolved into the [[Genesis (band)|Genesis]] song "In Hiding", which appears on ''[[From Genesis to Revelation]]''.<ref name=WOG2008/> He was not entirely a self-taught guitar player; he received some tuition in rudimentary chords from classical guitarist David Channon, who became a big source of inspiration for Phillips, and used sheet music to songs by [[the Beatles]] that his mother would send him. Phillips then picked up more chord knowledge, and learned to copy music "reasonably well".{{sfn|Cherry Red Interview|2014|loc=05:22–06:54}} As a teenager, Phillips briefly lived in the United States.<ref name=gheesepress/>

In April 1965, Phillips attended [[Charterhouse School|Charterhouse]], an independent school in [[Godalming]], Surrey.{{sfn|Frame|1983|p=23}} In the following month, he formed a band with fellow pupils [[Rivers Jobe]], [[Richard Macphail]], [[Mike Rutherford]], and Rob Tyrell, naming themselves [[Anon (band)|Anon]]. They based their sets on songs by the Beatles and [[the Rolling Stones]], and recorded one demo, Phillips's song "Pennsylvania Flickhouse".{{sfn|Frame|1983|p=23}} The group disbanded in December 1966.{{sfn|Frame|1983|p=23}} Phillips was also a member of another band during 1966, Spoken Word, which included David Thomas (vocals), Ronnie Gunn (piano), Jeremy Ensor (bass, later of the [[Principal Edwards Magic Theatre]]), David Chadwick (guitar), and [[Peter Gabriel]] (drums). They recorded an [[Acetate disc|acetate]], a cover of "Evening".{{sfn|Giammetti|2020|p=16}}

== Career ==

=== 1967–1970: Genesis ===
In January 1967, after Anon had split up, Phillips and Rutherford became a songwriting unit and started recording several demos. They invited Charterhouse pupil [[Tony Banks (musician)|Tony Banks]], a member of [[Garden Wall (band)|Garden Wall]], another disbanded school group, to play keyboards. Banks agreed, and suggested involving his Garden Wall bandmates, singer [[Peter Gabriel]] (the same one who was the drummer for Spoken Word) and drummer [[Chris Stewart (author)|Chris Stewart]].{{sfn|Frame|1983|p=23}} After the five made a demo tape, it was given to [[Jonathan King]], who signed them to his publishing company and had them record some singles. He named the group [[Genesis (band)|Genesis]], and suggested they record a studio album, which became ''[[From Genesis to Revelation]]''. Phillips was particularly angry when King added string arrangements to their songs without their knowledge, since the limitations of the recording technology meant that everything else on the album had to be reduced to [[Monaural sound|mono]] as a consequence.{{sfn|Giammetti|2020|p=30}} Phillips said he had little role in Genesis's songwriting during this period, and that most of the songs on ''From Genesis to Revelation'' were written by Gabriel and Banks.{{sfn|Giammetti|2020|p=25}}

In September 1969, the 17-year-old Phillips chose not to pursue a university degree and instead reunite with Gabriel, Banks and Rutherford after they had decided to become a full-time band.{{sfn|Frame|1983|p=23}}<ref name=gheesepress>{{cite web|url=https://thegenesisarchive.co.uk/the-geese-and-the-ghost-press-kit/|title=The Geese and The Ghost Press Kit|date=1977|publisher=Passport Records|pages=2–3|access-date=22 March 2018}}</ref> However, early in 1970 the constant touring had become wearing on Phillips partly due to the lack of scope for solos in the band's set and the shortage of time to develop new material.{{sfn|Giammetti|2020|p=41}} To further complicate matters he had developed stage fright which got progressively worse as time went on, and battled with it for three months thinking it was a passing phase. After falling ill with bronchial pneumonia, Phillips was advised by his doctor to quit the band.{{sfn|Cherry Red Interview|2014|loc=34:06–37:37}} In June 1970, Phillips had recovered enough to reunite with his bandmates and record their second album, ''[[Trespass (album)|Trespass]]''. Despite his various problems at the time, Phillips enjoyed the recording sessions.{{sfn|Giammetti|2020|p=52}} By this time Genesis songs were more often written by the group as a whole, and Phillips was pleased when a song he had originally written by himself, "Visions of Angels", was expanded with a group-composed middle section that he felt made the song much more powerful.{{sfn|Giammetti|2020|p=53, 63-64}} After recording finished in July the band resumed touring, though early into the tour Phillips announced his decision to leave. His final gig took place at [[Haywards Heath]] on 18 July.<ref name=gheesepress/> Tour manager [[Richard Macphail]] later said that the group seriously considered disbanding altogether in the wake of Phillips's departure.{{sfn|Giammetti|2020|p=72}}

''[[Nursery Cryme]]'', the next Genesis album, opens with "[[The Musical Box (Genesis song)|The Musical Box]]" which is based on a piece written by Phillips and Rutherford originally titled "F#" (pronounced "F Sharp").{{sfn|Giammetti|2020|p=97}} [[Steve Hackett]], who became Genesis's guitarist half a year after Phillips left, commented that at the time of their fifth album, ''[[Selling England by the Pound]]'', the 12-string guitar style developed during Phillips's era was still important to Genesis's work and he felt Phillips deserved more credit for "architecting the sound of Genesis".{{sfn|Giammetti|2020|p=198}}

=== 1970–1977: Studies and teaching ===
After leaving Genesis, Phillips lacked a solid direction. He secured a place at the [[University of Kent]] to study history, but later said he had a "quasi-nervous breakdown" around this time and "the idea of going to university seemed completely terrifying."<ref name=PROG2024>{{cite web|url=https://www.loudersound.com/features/anthony-phillips-prog-interview-2024|title=Why so many musicians envy Anthony Phillips' career after Genesis|first=Daryl|last=Easlea|date=1 July 2024|publisher=Loudersound|access-date=17 May 2025}}</ref> He had recently listened to the ''[[Karelia Suite]]'' by [[Jean Sibelius]] and recognised his musical ability was "terribly limited", which encouraged him to become a more proficient musician.<ref name=sounds1977>{{cite magazine|url=https://thegenesisarchive.co.uk/sounds-march-26th-1977-dan-hedges-interviews-anthony-ant-philips/|title=It's that candour moment...|date=26 March 1977|magazine=Sounds|first=Dan|last=Hedges|access-date=22 March 2018}}</ref>{{sfn|Genesis|2007|pp=84–85}} He studied harmony, counterpoint, and orchestration at [[Guildhall School of Music and Drama]] in London on a part-time basis and from 1972, began teaching classical guitar.<ref name=PROG2024/> He became a qualified music teacher in 1974 and taught at [[Reed's School]] in [[Cobham]].<ref name=PROG2024/> In the following year, he taught troubled adolescents in rehabilitation at [[Peper Harow|Peper Harow House]] in Godalming which lasted into the 1980s.<ref name=gheesepress/> By the late 1970s, Phillips had become proficient at the piano.

=== 1977–present: Solo career ===
==== Albums ====
Phillips' debut solo album ''[[The Geese & the Ghost]]'' was released in 1977, and written and recorded intermittently between 1969 and 1976. It is an acoustic folk [[progressive rock]] album that was originally a collaboration with [[Mike Rutherford]], but the latter was too involved with Genesis and had limited availability. [[Peter Cross (illustrator)|Peter Cross]] produced the album's cover artwork, and would collaborate with Phillips on his future record sleeves until the 2000s. Although the album failed to make a commercial impact, it has gained retrospective acclaim.

Phillips considered furthering his music education, but ''The Geese & the Ghost'' had earned enough for him to continue making albums.{{sfn|Cherry Red Interview|2014|loc=10:26–10:45}} He signed a three-album deal with [[Arista Records]], but and the label insisted on more direct and commercially-oriented songs. The first album was ''[[Wise After the Event]]'', and featured [[Rupert Hine]], [[Michael Giles]], [[Mel Collins]], and [[John G. Perry]], with Phillips on lead vocals.<ref name=Stump308/> Released in 1978, it also failed commercially. In the same year, a compilation of off-cuts and incomplete pieces was released as ''[[Private Parts & Pieces]]'' on [[Passport Records]] the US. According to Phillips, the series "arose partly out of poverty. I was just getting by, library music was just getting going. I had to issue a collection of twelve-string or solo-piano stuff to boost my income."<ref name=Stump308/> Phillips continued with the series and put out twelve ''Private Parts and Pieces'' albums that range in musical style; the most recent edition, ''The Golden Hour'' was released in 2024.<ref name=prog>{{cite web|url=http://www.progarchives.com/artist.asp?id=779 |title=ANTHONY PHILLIPS discography and reviews |website=Progarchives.com |access-date=2020-05-09}}</ref>

''[[Sides (Anthony Phillips album)|Sides]]'' was his final album released on Arista, and features one side of pop-oriented material and another of more adventurous and progressive rock-inspired tracks.<ref name=PROG2024/> His next album was ''[[1984 (Anthony Phillips album)|1984]]'' in 1981, which marked a major stylistic shift to electronic synthesizers and drum machine. In 1982, Phillips moved out of his parents' home in [[Send, Surrey]] to [[Clapham]], south London, where he set up a recording studio. He struggled to pay the mortgage at first, and had several lodgers to help compensate.<ref name=TMVA2024-P1/> Phillips continued with commercial-oriented pop with his next album ''[[Invisible Men]]'', released in 1983. Like with ''Sides'' and ''1984'', it failed commercially.

In 1987, Phillips went to the US to promote ''[[Private Parts & Pieces VII: Slow Waves, Soft Stars]]'' as it has attracted some attention in the ambient and New-age circles. During his visit he was a guest presenter for [[VH1]], and a proposed album for the New-age label [[Windham Hill Records]] was shelved as he "got the brief so completely wrong".<ref name=PROG2024/> His fortunes increased soon after, when he signed a publishing deal with [[Virgin Records]] as a television and film writer, which also granted him an advance, two studio album releases, and a reissue of his back catalogue. This allowed him to purchase new equipment and marked a return to making a full-scale album, the instrumental ''[[Slow Dance (Anthony Phillips album)|Slow Dance]]''.<ref name=PROG2024/>

In 1988 he recorded an album with [[Harry Williamson (musician)|Harry Williamson]] called ''Tarka''. The album's cover featured a picture of a woman and did not credit Phillips or Williamson, which led to it often being filed under "female vocalist" in record shops.<ref name=Stump308/> Phillips returned to the acoustic guitar with ''[[Field Day (Anthony Phillips album)|Field Day]]'' in 2005.

In 2014, [[Esoteric Recordings]] acquired Phillips' back catalogue and began a reissue campaign of most of his albums with bonus content.<ref>{{cite web|url=https://www.goldminemag.com/interviews/anthony-phillips-from-genesis-to-strings-of-light|title=Anthony Phillips: From Genesis to "Strings of Light"|first=Lee|last=Zimmerman|date=25 February 2020|work=Goldmine|access-date=25 May 2025}}</ref>

In 2024, Phillips revealed he had a potential new album of solo piano pieces, but ongoing wrist problems has prevented him completing it. He had expressed a wish to produce another full-scale album like ''Slow Dance'', but said he lacked energy to practice, write, and record, and was no longer interested to become familiar with contemporary recording equipment.<ref name=TMVA2024-P1>{{cite web|url=https://www.youtube.com/watch?v=LftFKzbDUQM|title=Anthony Phillips - That's My Vinyl Answer - Part 1 (of 2)|date=August 2024|via=YouTube|access-date=18 May 2025}}</ref>

==== Library music ====
Since leaving Genesis, Phillips' main source of income has been from his [[library music]] for television and film.<ref name=PROG2024/> His first commissions were for [[Riverside Studios]] in 1976, and included a piece for a shampoo advert.<ref name=PROG2024/><ref>{{cite web|url=https://www.twronline.net/issues/twr49/twr49_ap_interview.htm|title="Tell us about your latest projects, Anthony..." – Anthony and Jonathan talk about Radio Clyde, Archive Collection 2 and the forthcoming Private Parts & Pieces album|first=Alan|last=Hewitt|date=6 December 2001|publisher=The Waiting Room Online|access-date=18 May 2025}}</ref> In 1981, he signed with the newly-formed production music label Atmosphere (now a part of Universal Production Music) and has appeared on many of its releases. In 1994, Atmosphere was acquired by [[Bertelsmann Music Group|BMG]] and the uptake in commission work secured him financially: "I made almost nothing for the first 25 years of my life, then was very lucky."<ref name=PROG2024/> Phillips produces music for other companies, such as Extreme Music, 9 Lives, APM, Addictive Tracks, Audio Wallpaper, West One, and Cavendish, sometimes in collaboration with Chris White, Samuel Bohn, or James Collins.<ref>{{cite web|url=https://www.genesis-news.com/article/anthony-phillips-recording-compendium-special-library-music/|title=Anthony Phillips – Recording Compendium: Special – Library Music|first=Steffen|last=Gerlach|date=16 January 2022|publisher=Genesis News|access-date=18 May 2025}}</ref>

==== Other projects ====
Phillips began writing material with [[Andrew Latimer]] of [[Camel (band)|Camel]] in 1981, and was a featured performer on that band's album, ''[[The Single Factor]]'' (released in 1982).<ref>{{cite web|url=http://www.hit-channel.com/interviewanthony-phillips-sologenesis/69424 |title=Interview: Anthony Phillips (solo, Genesis) |website=Hit-channel.com |date=26 September 2014 |access-date=2020-05-09}}</ref> He co-wrote "Tears on the Ballroom Floor" for ''[[I Hear Talk]]'' by [[Bucks Fizz]].<ref name=GI34>{{cite magazine|url=https://thegenesisarchive.co.uk/genesis-information-issue-34/|magazine=Genesis Information|issue=34|title=News contd. Page I|date=Winter 1984–1985|first=Geoff|last=Parkyn|pages=14, 15|access-date=13 October 2018}}</ref>

In 2008, Italian journalist Mario Giammetti published a biography on Phillips entitled ''The Exile''.

==Discography==
===With [[Genesis (band)|Genesis]]===
*''[[From Genesis to Revelation]]'' (1969)
*''[[Trespass (album)|Trespass]]'' (1970)
*''[[Genesis Archive 1967–75]]'' (1998; compilation)
*''[[Platinum Collection (Genesis album)|Platinum Collection]]'' (2004; compilation)
*''[[Genesis 1970–1975]]'' (2008; box set)
*''[[R-Kive]]'' (2014; compilation)
*''[[BBC Broadcasts]]'' (2023; live box set)

===Solo===
{{columns-list|colwidth=30em|
*''[[The Geese & the Ghost]]'' (1977)
*''[[Wise After the Event]]'' (1978)
*''[[Private Parts & Pieces]]'' (1978)
*''[[Sides (Anthony Phillips album)|Sides]]'' (1979)
*''[[Private Parts & Pieces II: Back to the Pavilion]]'' (1980)
*''[[1984 (Anthony Phillips album)|1984]]'' (1981)
*''[[Private Parts and Pieces III: Antiques|Private Parts & Pieces III: Antiques]]'' (1982)
*''[[Invisible Men]]'' (1983)
*''[[Private Parts and Pieces IV: A Catch at the Tables|Private Parts & Pieces IV: A Catch at the Tables]]'' (1984)
*''Harvest of the Heart'' (1985)
*''Private Parts & Pieces V: Twelve'' (1985)
*''[[Private Parts and Pieces VI: Ivory Moon|Private Parts & Pieces VI: Ivory Moon]]'' (1986)
*''[[Private Parts & Pieces VII: Slow Waves, Soft Stars]]'' (1987)
*''Tarka'' (1988, with [[Harry Williamson (musician)|Harry Williamson]])
*''Missing Links Volume One: Finger Painting'' (1989)
*''[[Slow Dance (Anthony Phillips album)|Slow Dance]]'' (1990)
*''[[Private Parts & Pieces VIII: New England]]'' (1992)
*''Sail the World'' (1994)
*''Missing Links Volume Two: The Sky Road'' (1994)
*''Gypsy Suite'' (1995, with Harry Williamson)
*''The Living Room Concert'' (1995)
*''The Meadows of Englewood'' (1996, with [[Guillermo Carlos Cazenave|Guillermo Cazenave]])
*''Private Parts & Pieces IX: Dragonfly Dreams'' (1996)
*''Missing Links Volume Three: Time and Tide'' (1997)
*''Live Radio Sessions'' (1998, with Guillermo Cazenave)
*''Archive Collection Volume I'' (1998)
*''Private Parts & Pieces X: Soirée'' (1999)
*''Radio Clyde'' (2003)
*''[[Archive Collection Volume II]]'' (2004)
*''[[Field Day (Anthony Phillips album)|Field Day]]'' (2005)
*''[[Wildlife (Anthony Phillips and Joji Hirota album)|Wildlife]]'' (2007, with Joji Hirota)
*''Missing Links Volume Four: Pathways & Promenades'' (2009)
*''Ahead of the Field: Music for TV and Film'' (2010)
*''Seventh Heaven'' (2012, with Andrew Skeet)
*''Private Parts & Pieces XI: City of Dreams'' (2012)
*''Harvest of the Heart: An Anthology'' (2014)
*''Strings of Light'' (2019)
*''Private Parts & Pieces XII: The Golden Hour'' (2024) 
}}

===Appears on===
{{columns-list|colwidth=30em|
*[[Intergalactic Touring Band]] – ''[[Intergalactic Touring Band]]'' (1977)
*[[Mike Rutherford]] – ''[[Smallcreep's Day (album)|Smallcreep's Day]]'' (1980)
*Mother Gong – ''Battle of the Birds'' (1981)
*[[Camel (band)|Camel]] – ''[[The Single Factor]]'' (1982)
*[[After the Fire|Iva Twydell]] – ''Duel'' (1982)
*Asha (Denis Quinn) – ''Open Secret'' (1987)
*Asha (Denis Quinn) – ''Mystic Heart'' (1989)
*Asha (Denis Quinn) – ''Amadora'' (1991)
*David Thomas & Ronnie Gunn – ''The Giants Dance'' (1996)
*Various Artists – ''Sport + Leisure'' (1996)
*ProgAID – ''All Around the World'' (2004)
*Robert Foster – ''Guitar Sketches'' (2006)
*[[Steve Hackett]] – ''[[Out of the Tunnel's Mouth]]'' (2009)
*Various Artists – ''Factual Underscores 2'' (2012)
*Various Artists – ''The Summer Soundtrack'' (2013)
*Al Lethbridge – ''Inspiring Worlds'' (2014)
*Various Artists – ''Children's Party Themes-Halloween'' (2014)
*[[John Hackett (musician)|John Hackett]] – ''Another Life'' (2015)
*Various Artists – ''My Love Will Get You Home'' (2015)
*Ellesmere – "Les Chateaux de la Loire" (2015)
*The Gift – ''Why the Sea is Salt'' (2016)
*Anna Madsen – ''Efflorescence'' (2016)
*Various Artists – ''Science and Technology'' (2017)
*Various Artists – ''Harmony for Elephants'' (2018)
*[[Anon (band)|Anon]] – "Pennsylvania Flickhouse" (2019)
*Algebra – ''Deconstructing Classics'' (2019)

}}

==References==
{{reflist}}

==Sources==
*{{cite book|title=Genesis. Chapter and Verse|first1=Tony|last1=Banks|first2=Phil|last2=Collins|first3=Peter|last3=Gabriel|first4=Steve|last4=Hackett|first5=Mike|last5=Rutherford|editor1-first=Philipp|editor1-last=Dodd |publisher=Weidenfeld & Nicolson|year=2007|isbn=978-0-297-84434-1|ref={{harvid|Genesis|2007}}}}
*{{cite book|last1=Bowler|first1=Dave|last2=Dray|first2=Bryan|title=Genesis: A Biography|year=1992|isbn=978-0-283-06132-5|publisher=Sidgwick & Jackson Ltd.|url-access=registration|url=https://archive.org/details/genesisbiography0000bowl_h5d4}}
*{{cite book|last=Frame|first=Pete|title=The Complete Rock Family Trees|publisher=Omnibus Press|year=1983|isbn=978-0-7119-0465-1}}
*{{cite book|title=Genesis 1967 to 1975 - The Peter Gabriel Years|first=Mario|last=Giammetti|publisher=Kingmaker|year=2020|isbn=978-1-913218-62-1}}
*{{cite video|last=Powell|first=Mark|url=http://www.cherryred.tv/single.php?vid=3679777402001|title=Interviews – Anthony Phillips 2|date=2014|publisher=Cherry Red TV|accessdate=23 April 2018|ref={{harvid|Cherry Red Interview|2014}} }}

==External links==
* [http://www.anthonyphillips.co.uk/ Anthony Phillips Official Site]

{{Anthony Phillips}}
{{Genesis}}

{{Authority control}}

{{DEFAULTSORT:Phillips, Anthony}}
[[Category:1951 births]]
[[Category:Living people]]
[[Category:English rock guitarists]]
[[Category:English male singers]]
[[Category:English male songwriters]]
[[Category:Genesis (band) members]]
[[Category:People educated at Charterhouse School]]
[[Category:Musicians from the London Borough of Hounslow]]
[[Category:People from Chiswick]]
[[Category:English classical guitarists]]
[[Category:English male guitarists]]
[[Category:British lead guitarists]]
[[Category:Voiceprint Records artists]]
[[Category:Singers from the London Borough of Hounslow]]