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{{short description|British punk rock band}} {{for|the TV panel show|Never Mind the Buzzcocks}} {{Use British English|date=August 2011}} {{Use dmy dates|date=April 2019}} {{Infobox musical artist | name = Buzzcocks | image = Buzzcocks (52229426095).jpg | caption = Buzzcocks in 2022 {{break}}From left: Mani Perazzoli, [[Steve Diggle]], Chris Remington and [[Danny Farrant]] (on drums). | landscape = yes | alt = | origin = [[Bolton]], [[Greater Manchester]], England | genre = {{flatlist| *[[Punk rock]]<ref name="allmusic.com">{{cite web|url=https://www.allmusic.com/artist/buzzcocks-mn0000629564/biography|title=Buzzcocks – Biography & History – AllMusic|website=AllMusic|access-date=9 May 2018|url-status=live|archive-url=https://web.archive.org/web/20171201131919/https://www.allmusic.com/artist/buzzcocks-mn0000629564/biography|archive-date=1 December 2017}}</ref> *[[pop punk]]<ref name="allmusic.com"/> *{{nowrap|[[New wave music|new wave]]<ref>{{cite magazine|url=https://www.rollingstone.com/music/music-album-reviews/a-different-kind-of-tension-19800529|title=A Different Kind of Tension|magazine=[[Rolling Stone]]}}</ref><ref>{{cite news|url=https://www.independent.co.uk/arts-entertainment/music/features/time-to-mind-the-buzzcocks-they're-back-6106990.html|title=Time to mind the Buzzcocks – they're back!|date=10 March 2006|website=Independent.co.uk}} </ref>}} *[[power pop]]<ref>{{cite news|first=A.D.|last=Amorosi|url=https://floodmagazine.com/56578/buzzcocks-another-music-in-a-different-kitchen-love-bites-reissues/|work=Flood|title=Buzzcocks, "Another Music in a Different Kitchen" / "Love Bites" [Reissues]|date=25 January 2019|access-date=16 June 2022}}</ref> }} | years_active = {{hlist|1976–1981|1989–present}} | label = {{flatlist| * [[United Artists]] * [[I.R.S. Records|I.R.S.]] * [[Cooking Vinyl]] * [[ROIR]] * [[EMI Records|EMI]] }} | spinoffs = {{flatlist| * [[Flag of Convenience (band)|Flag of Convenience]] * [[Magazine (band)|Magazine]] }} | website = {{URL|buzzcocks.com}} | current_members = [[Steve Diggle]]<br />Chris Remington<br />[[Danny Farrant]]<br />Mani Perazzoli (touring) | past_members = [[Pete Shelley]]<br />[[Howard Devoto]]<br />[[Garth Smith]]<br />Mick Singleton<br />[[John Maher (Buzzcocks drummer)|John Maher]]<br />[[Barry Adamson]]<br />[[Steve Garvey (musician)|Steve Garvey]]<br />[[Mike Joyce (musician)|Mike Joyce]]<br />[[Tony Barber (bassist)|Tony Barber]]<br />Phil Barker }} '''Buzzcocks''' are an English [[punk rock]] band that singer-songwriter-guitarist [[Pete Shelley]] and singer-songwriter [[Howard Devoto]] formed in [[Manchester]] in 1976.<ref>{{Cite book |last=Diggle |first=Steve |title=Autonomy |publisher=Omnibus Press |year=2024 |isbn=978-1-9158-4108-7 |location=London |pages=78-78 |language=English}}</ref> During their career, the band combined elements of punk rock, [[power pop]],<ref>{{cite web |url= http://www.spinner.com/2010/02/08/buzzcocks-reissues/ |author= Laban, Linda |date= 8 February 2010 |title= Buzzcocks Reissue First Three Albums |publisher= [[Spinner (website)|Spinner]] |quote= On top of the social impact, Buzzcocks' wiry pop toned punk influenced new genres like power pop and even emo, which shares similar soaring riffs and emotional lyrics. |access-date= 25 February 2013 |url-status= live |archive-url= https://archive.today/20130411203350/http://www.spinner.com/2010/02/08/buzzcocks-reissues/ |archive-date= 11 April 2013 |df= dmy-all }}</ref> and [[pop punk]].<ref name=":0">{{Cite book |last=Lauk |first=Len |title=Rock - The Rough Guide |publisher=Rough Guides Ltd |year=1996 |editor-last=Buckley |editor-first=Jonathan |edition=1st |location=London |pages=129–130 |chapter=Buzzcocks}}</ref> They achieved commercial success with singles that fuse pop craftsmanship with rapid-fire punk energy; these singles were later collected on ''[[Singles Going Steady]]'', an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".<ref>{{cite web |url=http://www.allmusic.com/album/singles-going-steady-mw0000651822 |title=Singles Going Steady – Buzzcocks : Songs, Reviews, Credits, Awards : AllMusic |last=Raggett |first=Ned |work=[[AllMusic]] |access-date=1 September 2012 |url-status=live |archive-url=https://web.archive.org/web/20120928232109/http://www.allmusic.com/album/singles-going-steady-mw0000651822 |archive-date=28 September 2012 }}</ref> Devoto left the band in 1977 and formed [[Magazine (band)|Magazine]], after which Pete Shelley became the principal singer-songwriter.<ref>{{cite magazine|url=https://www.rollingstone.com/music/artists/buzzcocks/biography|title=Buzzcocks Biography|magazine=[[Rolling Stone]]|access-date=15 March 2018|url-status=dead|archive-url=https://web.archive.org/web/20180316084836/https://www.rollingstone.com/music/artists/buzzcocks/biography|archive-date=16 March 2018}}</ref> The classic lineup of Shelley, [[Steve Diggle]] (guitar), [[Steve Garvey (musician)|Steve Garvey]] (bass) and [[John Maher (Buzzcocks drummer)|John Maher]] (drums) recorded Buzzcocks' first three albums, after which the band broke up in 1981 following a dispute with their record label. The band reunited in 1989 and released six more albums before Shelley's death in 2018.<ref name=bbc_shelley/> Prolific members during that time included [[Tony Barber (bassist)|Tony Barber]] (bass) and Phil Barker (drums). The band has remained active, being anchored by long-time guitarist Diggle, who has since also assumed lead vocal duties. As of 2019, the band consists of Diggle, [[Danny Farrant]] (drums), Chris Remington (bass) and touring member Mani Perazzoli (guitar, backing vocals). This line-up released the band's tenth album, ''[[Sonics in the Soul]]'' in 2022.<ref>{{cite web |last=Blistein |first=Jon |date=14 February 2020 |title=Buzzcocks Unveil First New Music Since Death Of Pete Shelley |url=https://www.rollingstone.com/music/music-news/buzzcocks-new-single-gotta-get-better-953454/ |access-date=4 May 2023 |publisher=[[Rolling Stone]]}}</ref> == Career == === Early years === [[Howard Trafford]], a student at [[University of Bolton|Bolton Institute of Technology]] who had been involved in electronic music, placed a notice in the college looking for musicians to play [[The Velvet Underground]]'s song "[[Sister Ray]]".<ref name="urbis" /><ref>{{cite web |url=http://pitchfork.com/features/interviews/7583-buzzcocks/ |title=Pitchfork: Buzzcocks interview |date=29 January 2009 |publisher=Pitchfork Media |access-date=15 April 2009 |url-status=live |archive-url=https://web.archive.org/web/20090313020230/http://pitchfork.com/features/interviews/7583-buzzcocks/ |archive-date=13 March 2009 }}</ref> Fellow student [[Peter McNeish]], who had played in a rock band called Jets of Air, responded to the notice.<ref name="urbis">{{cite web |author=Aidan O'Rourke |url=http://www.aidan.co.uk/article_urbis_buzzcocks.htm |title=Event Review: An Evening with Buzzcocks |date=12 August 2005 |publisher=Urbis Manchester |access-date=22 August 2009 |url-status=live |archive-url=https://web.archive.org/web/20051031010125/http://www.aidan.co.uk/article_urbis_buzzcocks.htm |archive-date=31 October 2005 }}</ref><ref name=":13"/> By late 1975, Trafford and McNeish had recruited a drummer and formed an early version of what would become Buzzcocks. The band formed in February 1976; McNeish assumed the stage name Pete Shelley and Trafford named himself Howard Devoto.<ref>Some sources claim the surname came from a "bus driver in Cambridge" mentioned by a philosophy tutor at Bolton (e.g. Dave Wilson, 2004, ''Rock Formations: Categorical Answers to how Band Names Were Formed'', San Jose:, Cidermill Books, pp. 38–9). Other accounts link it to US novelist [[Bernard DeVoto]]. (See, for example, Adrian Room, 2010, ''Dictionary of Pseudonyms: 13,000 Assumed Names and Their Origins, 5th ed.'', Jefferson, North Carolina/London, McFarland & Company, pp. 38, 144.)</ref> Devoto and Shelley chose the name "Buzzcocks" after reading the headline "It's the Buzz, Cock!" in a review of the television series ''[[Rock Follies]]'' in ''[[Time Out (company)|Time Out]]'' magazine.<ref>{{cite journal |last1=Nicholds |first1=Andrew |title="It's The Buzz, Cock!" |journal=Time Out |date=1976 |issue=310, 20-26 February 1976 |page=11}}</ref> The "buzz" is the excitement of playing on stage and "cock" is northern English slang meaning "friend". They thought the name captured the excitement of the nascent punk scene and had humorous sexual connotations following Pete Shelley's time working in a Bolton adult shop.<ref name="Gimarc">{{cite book |last=Gimarc |first=George |year=2005 |title=Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock 1970–1982 |publisher=Backbeat Books |isbn=0-87930-848-6 |page=27}}</ref> Buzzcocks performed live for the first time on 1 April 1976 at their college. [[Garth Davies]] played bass guitar and Mick Singleton, who also played in local band Black Cat Bone, played drums.<ref name="buzzcocksdiscography">{{cite web |title=Discography |url=http://www.buzzcocks.com/buzzcocksdiscography.txt |website=Buzzcocks.com |format=TXT |date=24 February 2004 |access-date=22 August 2009 |url-status=dead |archive-url=https://web.archive.org/web/20090905082535/http://www.buzzcocks.com/buzzcocksdiscography.txt |archive-date=5 September 2009 }}</ref> After reading an ''[[NME]]'' review of [[The Sex Pistols]]' first performance, in February 1976, Shelley and Devoto travelled to [[High Wycombe]] together to see the band.<ref name=":13">{{cite book |last1=Crampton |first1=Luke |title=The Q Book of Punk Legends |last2=Rees |first2=Dafydd |publisher=Guinness Publishing Ltd |year=1996 |location=Enfield, UK |pages=32–37}}</ref> Shelley and Devoto were impressed by the show and arranged for The Sex Pistols to perform at the [[Free Trade Hall|Lesser Free Trade Hall]] in Manchester in June 1976. Buzzcocks intended to play at this concert but the other musicians dropped out, and Shelley and Devoto were unable to recruit replacements in time for the gig. Once they had recruited bass guitarist [[Steve Diggle]] and drummer [[John Maher (Buzzcocks drummer)|John Maher]], Buzzcocks made their debut opening for The Sex Pistols' second Manchester concert on 20 July 1976 at the same venue.<ref name=":13"/> A brief clip of Devoto-era Buzzcocks performing [[the Troggs]]' "[[I Can't Control Myself]]" appears in the documentary ''Punk: Attitude'', which was directed by [[Don Letts]]. Buzzcocks made their London debut at [[The Screen on the Green]] in support of The Clash and The Sex Pistols, while the next month they played the two-day [[100 Club Punk Festival]], which was organised by [[Malcolm McLaren]], and would later replace [[The Damned (band)|the Damned]] on the Anarchy in the UK Tour.<ref name=":13"/><ref>{{Cite news |last=Welch |first=Jon |date=2016-12-03 |title=Sex Pistols: Anarchy in the UK and the tour they tried to ban |language=en-GB |work=BBC News |url=https://www.bbc.com/news/uk-england-norfolk-38165091 |access-date=2023-09-17}}</ref> In between these live performances, Buzzcocks began developing their own material and recorded an 11-track demo at Stockport Studios which was eventually released in 1991.<ref name=":13" /> By the end of the year, Buzzcocks had recorded and released a four-track [[Extended play|EP]] called ''[[Spiral Scratch]]'', which they released on their own label New Hormones, making them one of the first punk groups to establish an [[independent record label]].<ref name=":0" /> The EP was produced by [[Martin Hannett]] at Indigo Sound Studios; the music was roughly recorded, insistently repetitive and energetic.<ref>{{Citation |last=Ogg |first=Alex |title=Buzzcocks - Spiral Scratch Album Review |url=https://www.allmusic.com/album/spiral-scratch-mw0000605723 |access-date=2023-09-18 |language=en}}</ref> The EP was re-released in September 1979 and reached number 31 in the charts.<ref name=":13" /> In March 1977, Devoto announced his departure from the band, expressing his dissatisfaction at the direction punk was taking in his statement: "I don't like movements. What was once unhealthily fresh is now a clean old hat".<ref>{{Cite web |date=2008-12-12 |title=Howard Devoto on why it's the right time for a Magazine reunion |url=http://www.theguardian.com/music/2008/dec/12/magazine-howard-devoto |access-date=2022-06-23 |website=the Guardian |language=en}}</ref> He returned to college for a year then formed a band called [[Magazine (band)|Magazine]]. Pete Shelley took on the vocal duties for Buzzcocks and moved away from social commentary to adolescent themes.<ref name=":0" /> Steve Diggle switched from bass to guitar, and Garth Davies—also known as Garth Smith—rejoined Buzzcocks to play bass. The band joined The Clash as support on their White Riot tour.<ref name=":13" /> === Mainstream success === The new line-up signed with [[United Artists Records]] (UA) at [[Electric Circus, Manchester]], on 16 August 1977, the day [[Elvis Presley]] died. The first UA Buzzcocks single "[[Orgasm Addict]]" was released in October 1977;<ref name=":13" /> It was the start of a collaboration with producer [[Martin Rushent]] that would last until the end of the decade.<ref name=":0" /> The band embarked on a headlining tour, during which Smith was found to be unreliable and was replaced with [[Steve Garvey (musician)|Steve Garvey]].<ref name=":13" /> Buzzcocks' next single "[[What Do I Get?]]", which was released in February 1978, reached number 37 in the UK chart.<ref name="officialcharts">{{cite web |url = https://www.officialcharts.com/artists/ |title = The Official Charts Company – Buzzcocks |publisher = [[Official Charts Company]] |access-date = 31 July 2009 |df = dmy-all}}</ref> It was followed the next month by their debut album ''[[Another Music in a Different Kitchen]]'', which reached number 15 in the chart.<ref name=":13" /> In May, the band embarked on the Entertaining Friends tour while a third single "I Don't Mind" reached number 55 in the singles chart. In July, a fourth single "Love You More" reached number 34.<ref name=":13" /> The band spent mid 1978 recording their second album ''[[Love Bites (Buzzcocks album)|Love Bites]]'', which reached number 13 in the chart. After a 26-date UK tour, Buzzcocks gained success as their single "[[Ever Fallen in Love (With Someone You Shouldn't've)]]" reached number 12 in the UK chart in October 1978.<ref name=":13" /> In December, the band released the single "Promises", which reached number 20 in the UK chart.<ref name=":13" /> The single's B-side "Lipstick" shared the same ascending progression of notes in its chorus as [[Magazine (band)|Magazine's]] first single "Shot By Both Sides", which was released earlier that year.<ref name=":0" /> In 1979, Buzzcocks prepared for their first European tour while working on new material. In March, the band released the single "Everybody's Happy Nowadays", which reached number 29 in the chart. The tour that followed culminated at [[Hammersmith Odeon]]; the concert was recorded and released in 1992 as ''Entertaining Friends''.<ref name=":13" /> in mid 1979, the band completed the recording of their third album while a second single "Harmony in my Head" reached number 32 in August. Prior to their first venture to the US, [[I.R.S. Records]] released the band's singles compilation ''[[Singles Going Steady]]'' there.<ref name=":1">{{Cite book |last=Coleman |first=Mark |title=The Rolling Stone album guide: completely new reviews, every essential album, every essential artist |publisher=Virgin |year=1992 |isbn=978-0-86369-643-5 |editor-last=DeCurtis |editor-first=Anthony |edition=3rd |location=London |pages=100–1001 |editor-last2=Henke |editor-first2=James |editor-last3=George-Warren |editor-first3=Holly}}</ref> The band's third album ''[[A Different Kind of Tension]]'' was released the end of September 1979 and reached number 26 in the chart while the band completed a second UK tour.<ref name=":13" /> The album's single "You Say You Don't Love Me" failed to chart.<ref>{{Cite web |title=Buzzcocks You Say You Don't Love Me. Vintage Advert 1979 (ref AD14086) |url=https://www.thenostalgiashop.co.uk/products/buzzcocks-you-say-you-dont-love-me-vintage-advert-1979-ref-ad14086 |access-date=2023-09-18 |website=The Nostalgia Shop |language=en}}</ref><ref>{{Cite book |last1=Shelley |first1=Pete |url=https://books.google.com/books?id=ozD9DwAAQBAJ&dq=Buzzcocks+you+say+you+don't+love+me+1979&pg=PT228 |title=Ever Fallen in Love: The Lost Buzzcocks Tapes |last2=Shelley |first2=Louie |date=2021-06-10 |publisher=Octopus |isbn=978-1-78840-289-7 |pages=225 |language=en}}</ref> A period of inactivity lasted until September 1980 when the [[double-A side]] "Why She's A Girl From The Chainstore/Are Everything" was released. It reached number 61 and was the band's last charting single.<ref name=":13" /> Two further singles "Strange Thing" and "Running Free" failed to chart while the band embarked on a truncated UK tour.<ref name=":13" /><ref>{{Cite book |last=Savage |first=Jon |url=https://books.google.com/books?id=xNbgOXwwWhQC&dq=buzzcocks+strange+thing+1980&pg=PT435 |title=England's Dreaming |date=2011-02-17 |publisher=Faber & Faber |isbn=978-0-571-26119-2 |pages=435 |language=en}}</ref> === Break-up and reunion === After recording demos for a fourth album, Buzzcocks disbanded in 1981; Shelley took up a solo career, and Diggle and Maher formed [[Flag of Convenience (band)|Flag of Convenience]] and released several singles between 1982 and 1989.<ref name=":13" /> Garvey formed [[Motivation (band)|Motivation]] and joined [[Blue Orchids]], moving to New York shortly afterwards to continue with Motivation. Maher had joined [[Wah!]] by the time Buzzcocks broke up; as of 2012, he owned John Maher Racing, a vintage Volkswagen performance-tuning workshop on the [[Isle of Harris]], Scotland.<ref>{{cite web |title=John Maher Racing |url=http://www.johnmaherracing.co.uk/ |url-status=live |archive-url=https://web.archive.org/web/20120430102003/http://www.johnmaherracing.co.uk/ |archive-date=30 April 2012 |access-date=12 November 2023}}</ref> Between 1988 and 1989, EMI re-released much of Buzzcocks' back catalogue on Compact Disc (CD), as well as a [[Peel Sessions]] album and a box set called ''Product''.<ref name=":13" /> This prompted the band to reform with the original line-up for a world tour. Maher was briefly replaced with [[The Smiths]] drummer [[Mike Joyce (musician)|Mike Joyce]]. In 1991, Buzzcocks released new material on the four-track EP ''Alive Tonight''.<ref name=":13" /> In the US, interest in the band increased after I.R.S. Records released the compilation album ''[[Operator's Manual: Buzzcocks Best]]''.<ref name=":1" /> It was followed two years later by the fourth studio album ''[[Trade Test Transmissions]]''.<ref>{{cite journal |last=Stegall |first=Tim |date=March 1996 |title=Reviews |url=https://books.google.com/books?id=5ywEAAAAMBAJ&q=buzzcocks+%22trade+test+transmissions%22+review&pg=RA1-PA34 |journal=[[CMJ|CMJ New Music Monthly]] |page=34 |accessdate=1 January 2015}}</ref> In 1992, bassist [[Tony Barber (bassist)|Tony Barber]] and drummer Phil Barker joined Buzzcocks; this line-up toured with [[Nirvana (band)|Nirvana]] in 1994, one of Nirvana's last tours.<ref name=":2" /> In 1996, Buzzcocks released the live album ''French'', which was recorded in Paris the previous year.<ref name=":0" /> Also in 1996, the band's fifth studio album ''[[All Set]]'' was released. Buzzcocks continued to tour and in September 1999, they released the album ''Modern''.<ref>{{Citation |last=Erlewine |first=Stephen Thomas |title=Buzzcocks - Modern Album Review |url=https://www.allmusic.com/album/modern-mw0000247542 |work=allmusic.com |access-date=2023-09-24 |language=en}}</ref> In 2000, [[Mute Records]] released the 1976 demos that were recorded while Devoto was in the band as ''Time's Up'', which had long been available as a bootleg. This album includes alternative takes of all the tracks from the EP ''Spiral Scratch'' and early versions of tracks that later appeared on ''Another Music in a Different Kitchen''.<ref>{{Citation |last=Deming |first=Mark |title=Buzzcocks - Time's Up Album Review |url=https://www.allmusic.com/album/times-up-mw0000057355 |work=Allmusic.com |access-date=2023-09-18 |language=en}}</ref> ===21st century=== [[File:Buzzcocks in Porto Alegre, Brasil.jpg|thumb|Buzzcocks performing in [[Porto Alegre]], Brazil, 2006]] in 2002, Shelley and Devoto collaborated for the first time since 1976, producing the album ''[[Buzzkunst]]'', ''Kunst'' being the German word for 'Art'. The album is a mix of electronic music and punk.<ref name=":2">{{Cite book |last=Bryans |first=Chris |url=https://books.google.com/books?id=y2-CMAEACAAJ |title=Rock Chronicles: A Visual History of the Greatest 250 Rock Acts |publisher=Quintessence |year=2012 |isbn=978-1-84566-498-5 |editor-last=Roberts |editor-first=David |edition=1st |location=London |pages=90–91 |language=en |chapter=Buzzcocks}}</ref> Buzzcocks toured as support for [[Pearl Jam]] in 2003 and released their seventh, self-titled studio album.<ref>{{Citation |last=Demming |first=Marc |title=Buzzcocks - Buzzcocks Album Review |url=https://www.allmusic.com/album/buzzcocks-mw0000593646 |work=allmusic.com |access-date=2023-09-24 |language=en}}</ref> In 2005, as a tribute to [[BBC Radio 1]] disc jockey [[John Peel]], Shelley re-recorded "[[Ever Fallen in Love (With Someone You Shouldn't've)]]" with a group including [[Roger Daltrey]], [[David Gilmour]], [[Peter Hook]], [[Elton John]], [[Robert Plant]] and several contemporaneous bands. Proceeds from the single were donated to [[Amnesty International]].<ref>{{cite news|url=https://www.theguardian.com/arts/news/story/0,11711,1577076,00.html|title=Music legends unite for Peel tribute single|work=guardian.co.uk|date=23 September 2005|last1=Dickson|first1=Andrew|last2=agencies|location=London|publisher=Guardian News and Media}}</ref> Shelley also performed the song live with Plant, Daltrey, Gilmour, Hook and [[Jeff Beck]] at the 2005 [[UK Music Hall of Fame]].<ref>{{cite news |last1=Andrew |first1=Dickson |title=Music legends unite for Peel tribute single |url=https://www.theguardian.com/music/2005/sep/23/johnpeel.popandrock |access-date=14 March 2021 |work=The Guardian |date=23 September 2005 |language=en}}</ref> In April 2006, Barker left Buzzcocks and was replaced with [[Danny Farrant]]. In March 2006, the band released their eighth studio album ''[[Flat-Pack Philosophy]]'' on [[Cooking Vinyl Records]].<ref>{{Cite web |last=Raposa |first=David |date=14 March 2006 |title=Buzzcocks: Flat-Pack Philosophy |url=https://pitchfork.com/reviews/albums/1053-flat-pack-philosophy/ |access-date=2023-09-24 |website=Pitchfork |language=en-US}}</ref> On the supporting tour, Buzzcocks played on a leg of the mid-2006 [[Vans Warped Tour]] and made an appearance at [[Maxïmo Park]]'s homecoming gig in [[Newcastle upon Tyne]] on 15 December 2007. In April 2008, Barber left the band and was replaced with Chris Remington. [[File:W0809-Hellfest2013 Buzzcocks 71306.JPG|thumb|Left to right: [[Steve Diggle]], [[Pete Shelley]], [[Danny Farrant]] and Chris Remington, performing live at [[:fr:Hellfest#Édition 2013|Hellfest 2013]].]] In January 2009, Buzzcocks embarked on a UK and European tour, the "Another Bites Tour", in which they played their first two albums in full, as well as an encore of their other hits.<ref>{{cite web |url=http://www.buzzcocks.com/site/livedates.html |title=Live Dates |website=Buzzcocks.com |access-date=1 July 2011 |url-status=dead |archive-url=https://web.archive.org/web/20110708110139/http://www.buzzcocks.com/site/livedates.html |archive-date=8 July 2011 }}</ref> In the same year, Buzzcocks played in Serbia for the second time at the EXIT festival in [[Novi Sad]]. Their song "Why Can't I Touch It" was played in the second episode of the sixth season of the television series ''[[Entourage (U.S. TV series)|Entourage]]''. On 9 November 2009, Buzzcocks gave a performance on a small balcony overlooking Dame Street, Dublin, for the viral music show [[BalconyTV]].<ref>{{cite web |url=http://www.balconytv.com/v/buzzcocks--2 |title=BUZZCOCKS – Video Archive – BALCONYTV – Over 20 million video views – Music with a View |website=Balconytv.com |access-date=1 July 2011 |url-status=usurped |archive-url=https://web.archive.org/web/20101028023558/http://www.balconytv.com/v/buzzcocks--2 |archive-date=28 October 2010 }}</ref> In December 2009, the band played as the main support act for [[The Courteeners]].<ref>{{Cite web |last=Stokes |first=Paul |date=2009-09-02 |title=The Courteeners announce massive Manchester homecoming gig |url=https://www.nme.com/news/music/the-courteeners-86-1313542 |access-date=2023-09-24 |website=NME |language=en-GB}}</ref> In August 2011, they headlined the first night of The Rhythm Festival in [[Bedfordshire]].<ref>{{Cite web |title=Buzzcocks – The Vogue |url=https://thevogue.com/artists/buzzcocks/ |access-date=2025-02-03 |language=en}}</ref> On 25 May 2012 in Manchester at the [[O2 Apollo]] and on 26 May in Brixton at the [[O2 Academy]], Buzzcocks performed with the original line-up, including Devoto.<ref name=":2" /> On 26 May 2012, the band announced for the first time they would headline Thursday night at [[Empress Ballroom]] at Rebellion Festival in Blackpool, performing with [[Rancid (band)|Rancid]], [[Public Image Limited]] and [[Social Distortion]].<ref>{{cite web|url=http://www.ents24.com/web/news/Buzzcocks_are_back_00178165.html|title=Announcement of Back To Front tour|website=Ents24.com|access-date=29 November 2011|url-status=dead|archive-url=https://web.archive.org/web/20111203040129/http://www.ents24.com/web/news/Buzzcocks_are_back_00178165.html|archive-date=3 December 2011}}</ref> On 1 May 2014, Buzzcocks released the album ''[[The Way (Buzzcocks album)|The Way]]'' via [[PledgeMusic]]. On 13 September 2014, they played "a brief but triumphant set" at [[Riot Fest]] in Chicago, Illinois, US.<ref name="McGartland">{{cite book| first=Tony| last= McGartland| title= Buzzcocks: The Complete History| chapter= 1997–2017| chapter-url= https://books.google.com/books?id=LKGpDgAAQBAJ&q=%22Buzzcocks+played+a+brief+but+triumphant+set%22&pg=PT189 | publisher= John Blake Publishing Ltd.| date=25 May 2017| isbn= 978-1-78606-520-9 }}</ref> In October 2014, they toured the UK for three weeks with [[The Dollyrots]] as main support.{{cn|date=November 2023}} In 2016, the band embarked on their 40th-anniversary tour "Buzzcocks 40".{{cn|date=November 2023}} In 2017, "Why Can't I Touch It" was featured in the opening segment of the [[Telltale Games|Telltale]] game '''[[Guardians of the Galaxy: The Telltale Series|Guardians of the Galaxy]]''.{{cn|date=November 2023}} === Shelley's death and aftermath === Pete Shelley died on 6 December 2018 from a suspected heart attack at his home in [[Tallinn]], Estonia.<ref name=bbc_shelley>{{cite web|url=https://www.bbc.com/news/entertainment-arts-46476369|title=Buzzcocks singer Pete Shelley dies at 63|date=6 December 2018|access-date=6 December 2018|website=Bbc.com}}</ref> In June 2019, Buzzcocks performed with several guest vocalists as a tribute to Shelley. The concert had been planned before his death.<ref>{{Cite web|url=https://www.nme.com/reviews/live/buzzcocks-at-royal-albert-hall-a-holy-celebration-of-music-memories-and-pete-shelley|title=Buzzcocks at Royal Albert Hall: a holy celebration of music, memories and Pete Shelley|last=McMahon|first=James|website=NME|date=22 June 2019|language=en-US|access-date=2019-09-21}}</ref> Steve Diggle said that Buzzcocks would continue, with the post-Shelley Buzzcocks being a 'new era'.<ref name=peekaboo>{{Cite web|url=http://www.peek-a-boo-magazine.be/en/interviews/steve-diggle-buzzcocks-2019/|title=STEVE DIGGLE (BUZZCOCKS) - interview by Peek-A-Boo magazine|website=www.peek-a-boo-magazine.be|language=en|access-date=2019-09-21}}</ref> ''[[Sonics in the Soul]]'', the band's first album without Shelley, was released in September 2022.<ref>{{cite web|url=https://www.clashmusic.com/news/buzzcocks-announce-new-album-sonics-in-the-soul/|title=Buzzcocks Announce New Album 'Sonics In The Soul'|work=Clash|date=31 May 2022|access-date=20 July 2022}}</ref> It featured Diggle on all vocals, and included a tribute to Shelley in the form of the track "You've Changed Everything Now". == Style == {{Refimprove section|date=November 2023}} Buzzcocks are a [[punk rock]] band that exhibit "crisp melodies", "driving guitars" and "biting lyrics". According to Mark Deming of [[AllMusic]], that instead of drawing on political lyrical themes, the band "brought an intense, brilliant vigor to the three-minute pop song, powered by Shelley's alternately funny and anguished lyrics about [[adolescence]] and love, backed by melodies and hooks that were concise and memorable."<ref>{{Cite web |title=Buzzcocks Songs, Albums, Reviews, Bio & More {{!}}... |url=https://www.allmusic.com/artist/buzzcocks-mn0000629564#biography |access-date=2024-11-30 |website=AllMusic |language=en}}</ref> Buzzcocks' distinctive sound combines catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section. They grew in musical and lyrical sophistication; by the end, they were quoting American writer [[William S. Burroughs]]' "A Different Kind of Tension", declaiming their catechism in the anthem "I Believe", and tuning in to a fantasy radio station on which their songs could be heard ("Radio Nine").{{Cn|date=November 2024}} == Legacy == Buzzcocks have had a significant impact on American punk, [[Hardcore punk|hardcore]], and [[indie rock]] acts, being cited as an influence by [[Dead Kennedys]] guitarist [[East Bay Ray]],<ref>{{Cite web |last=Tauber |first=Dani |date=June 18, 2014 |title=An Interview with The Dead Kennedys: The Great American Rip-Off |url=https://www.theaquarian.com/2014/06/18/an-interview-with-the-dead-kennedys-the-great-american-rip-off/ |url-status=live |archive-url=https://web.archive.org/web/20230923032319/https://www.theaquarian.com/2014/06/18/an-interview-with-the-dead-kennedys-the-great-american-rip-off/ |archive-date=September 23, 2023 |access-date=August 31, 2024 |website=[[The Aquarian Weekly]] |quote="Everyone’s always surprised by my influences," [Ray] laughs. "I really was into The Buzzcocks and [[Ramones | The Ramones]] and [[The Undertones]]."}}</ref> [[Parquet Courts]],<ref>{{Cite web |last=Noyd |first=John |date=May 2013 |title=An Interview with Parquet Courts Lead Singer Andrew Savage |url=https://www.maximumink.com/index.php/articles/permalink/parquet_courts |url-status=dead |archive-url=https://web.archive.org/web/20240522212222/https://www.maximumink.com/index.php/articles/permalink/parquet_courts |archive-date=May 22, 2024 |access-date=January 12, 2025 |website=Max Ink |quote=I feel like we wear our influences on our sleeve. In, ''[[Light Up Gold]]'' I hear [[Ramones]], [[Black Flag (band) | Black Flag]], Buzzcocks, [[The Fall (band) | The Fall]], [[Guided By Voices]], [[Tyvek]]… I think a lot of people in the indie world assume we listen to a lot of current [[indie rock]] bands, but we really don’t.}}</ref> [[Hüsker Dü]],<ref>{{Cite web |last=Woods |first=Austin |date=April 2004 |title=GREG NORTON - On Hüsker Dü's Zen Arcade and his new band Ultrabomb |url=https://www.furious.com/perfect/huskerdugregnorton.html |url-status=live |archive-url=https://web.archive.org/web/20240528174615/https://www.furious.com/perfect/huskerdugregnorton.html |archive-date=May 28, 2024 |access-date=June 12, 2024 |website=Perfect Sound Forever |quote=The Buzzcocks were a big influence on us.}}</ref> [[Superchunk]],<ref>{{Cite web |last=Panetta |first=Giovanni |date=January 20, 2022 |title=Mac McCaughan, Superchunk, New Springtime Sounds: "The bands that clearly influenced our early records – Buzzcocks, Hüsker Dü, etc – were also bands that were known for catchy, great pop songs with loud guitars" |url=https://www.iyezine.com/en/mac-mccaughan-superchunk-new-springtime-sounds |url-status=dead |archive-url=https://web.archive.org/web/20230508024334/https://www.iyezine.com/en/mac-mccaughan-superchunk-new-springtime-sounds |archive-date=May 8, 2023 |access-date=May 7, 2023 |website=iye zine}}</ref> and [[Dag Nasty]].<ref>{{Cite web |date=19 February 2023 |title=Dag Nasty |url=http://www.fearandloathingfanzine.com/dag-nasty.html |url-status=live |archive-url=https://web.archive.org/web/20230528220856/http://www.fearandloathingfanzine.com/dag-nasty.html |archive-date=May 28, 2023 |access-date=February 19, 2023 |website=Fear and Loathing Fanzine |quote=The Buzzcocks and [[The Clash]] were also big influences. We loved the bands with high energy.}}</ref> [[The Smiths]]' [[Johnny Marr]] has stated that Buzzcocks influenced them "massively in the way we approached our record sleeves and our choice of independent record company – because of the Buzzcocks we took on a Mancunian DIY ethic."<ref>{{Cite web |last=Freeman |first=John |date=June 16, 2015 |title=Rubber Rings: Johnny Marr's Favourite Albums – 9. Buzzcocks – Another Music In A Different Kitchen |url=https://thequietus.com/interviews/bakers-dozen/johnny-marr-favourite-albums-interview/10/ |url-status=live |archive-url=https://web.archive.org/web/20240910072713/https://thequietus.com/interviews/bakers-dozen/johnny-marr-favourite-albums-interview/10/ |archive-date=September 10, 2024 |access-date=April 11, 2025 |website=[[The Quietus]]}}</ref> Buzzcocks' name was combined with the title of Sex Pistols' album ''[[Never Mind the Bollocks, Here's the Sex Pistols]]'' to create the title of the long-running UK comedy television panel game show ''[[Never Mind the Buzzcocks]]''. Diggle said in his autobiography he and Shelley only granted the [[BBC]] use of their name under the impression it would be a one-off, probably unsuccessful, pilot, and that they are now mildly disgruntled the name is more readily associated in Britain with the series than with their band.<ref>{{cite book |last1=Diggle |first1=S. |last2=Rawlings |first2=T. |title=Harmony in My Head |publisher=Helter Skelter |year=2003 |isbn=1-900924-37-4}}</ref> Shelley appeared on the programme in 2000, when host [[Mark Lamarr]] introduced Shelley by saying without Buzzcocks "there'd be no Smiths or Radiohead, and this show would be called ''Never Mind [[Joan Armatrading]]''{{sp}}".<ref>{{Cite web |title=Obituary: Pete Shelley, influential songwriter who brought melody to punk rock |url=https://www.scotsman.com/news/obituary-pete-shelley-influential-songwriter-who-brought-melody-punk-rock-1425523 |access-date=May 3, 2023 |website=The Scotsman}}</ref> Mark Deming of [[AllMusic]] called Buzzcocks "one of the best, most influential punk bands of all time".<ref>{{Cite web |title=Buzzcocks Songs, Albums, Reviews, Bio & More {{!}}... |url=https://www.allmusic.com/artist/buzzcocks-mn0000629564#biography |access-date=2024-11-30 |website=AllMusic |language=en}}</ref> == Band members == [[File:The band photo of the Buzzcocks.jpg|thumb|right|Band photo, at the [[Cropredy Festival]], 13 August 2009]] '''Current''' * [[Steve Diggle]] – vocals, guitar (1977–1981, 1989–present); bass (1976–1977) * [[Danny Farrant]] – drums (2006–present) * Chris Remington – bass (2008–present) '''Touring''' * Mani Perazzoli – guitar, backing vocals (2019–present)<ref>[https://www.buzzcocks.com/press Press – Buzzcocks]. ''Buzzcocks''. November 2019. Retrieved 26 May 2024.</ref> '''Former''' * [[Pete Shelley]] – vocals, guitar (1976–1981, 1989–2018; died 2018) * [[Howard Devoto]] – lead vocals (1976–1977, 2012) * [[Garth Smith]] – bass (1976, 1977) *Mick Singleton – drums (1976) * [[John Maher (Buzzcocks drummer)|John Maher]] – drums (1976–1981, 1989, 1992, 2012) * [[Barry Adamson]] – bass (1977) * [[Steve Garvey (musician)|Steve Garvey]] – bass (1977–1981, 1989–1992, 2012) * [[Mike Joyce (musician)|Mike Joyce]] – drums (1990–1991) *Steve Gibson – drums (1992) * [[Tony Barber (bassist)|Tony Barber]] – bass (1992–2008) *Phil Barker – drums (1992–2006) '''Timeline''' {{#tag:timeline| ImageSize = width:1000 height:auto barincrement:20 PlotArea = left:100 bottom:60 top:5 right:20 Alignbars = justify DateFormat = mm/dd/yyyy Period = from:01/01/1976 till:{{#time:m/d/Y}} TimeAxis = orientation:horizontal format:yyyy Colors = id:Vocals value:red legend:Vocals id:Guitar value:green legend:Guitar id:Bass value:blue legend:Bass id:Drums value:orange legend:Drums id:album value:black legend:Studio_album id:bars value:gray(0.95) BackgroundColors = bars:bars Legend = orientation:horizontal position:bottom ScaleMajor = increment:5 start:1980 ScaleMinor = unit:year increment:1 start:1976 LineData = layer:back color:album at:03/10/1978 at:09/22/1978 at:09/01/1979 at:06/02/1993 at:05/14/1996 at:09/07/1999 at:02/18/2003 at:03/07/2006 at:05/01/2014 at:09/23/2022 BarData = bar:Devoto text:"Howard Devoto" bar:Shelley text:"Pete Shelley" bar:Smith text:"Garth Smith" bar:Diggle text:"Steve Diggle" bar:Anderson text:"Barry Adamson" bar:Garvey text:"Steve Garvey" bar:Barber text:"Tony Barber" bar:Remmington text:"Chris Remmington" bar:Singleton text:"Mick Singleton" bar:Maher text:"John Maher" bar:Joyce text:"Mike Joyce" bar:Gibson text:"Steve Gibson" bar:Barker text:"Phil Barker" bar:Farrant text:"Danny Farrant" PlotData= width:11 textcolor:black align:left anchor:from shift:(10,-4) bar:Devoto from:01/01/1976 till:02/01/1977 color:Vocals bar:Devoto from:05/25/2012 till:05/26/2012 color:Vocals bar:Shelley from:01/01/1976 till:02/01/1977 color:Guitar bar:Shelley from:01/01/1976 till:02/01/1977 color:Vocals width:3 bar:Shelley from:02/01/1977 till:03/06/1981 color:Vocals bar:Shelley from:02/01/1977 till:03/06/1981 color:Guitar width:3 bar:Shelley from:01/01/1989 till:05/25/2012 color:Vocals bar:Shelley from:01/01/1989 till:05/25/2012 color:Guitar width:3 bar:Shelley from:05/25/2012 till:05/26/2012 color:Guitar bar:Shelley from:05/26/2012 till:12/06/2018 color:Vocals bar:Shelley from:05/26/2012 till:12/06/2018 color:Guitar width:3 bar:Smith from:04/01/1976 till:04/01/1976 color:Bass bar:Smith from:03/11/1977 till:10/07/1977 color:Bass bar:Diggle from:07/20/1976 till:03/11/1977 color:Bass bar:Diggle from:03/11/1977 till:03/06/1981 color:Guitar bar:Diggle from:03/11/1977 till:03/06/1981 color:Vocals width:3 bar:Diggle from:01/01/1989 till:12/06/2018 color:Guitar bar:Diggle from:01/01/1989 till:end color:Guitar width:3 bar:Diggle from:01/01/1989 till:end color:vocals bar:Anderson from:11/01/1977 till:11/15/1977 color:Bass bar:Garvey from:11/15/1977 till:03/06/1981 color:Bass bar:Garvey from:01/01/1989 till:09/01/1992 color:Bass bar:Garvey from:05/25/2012 till:05/26/2012 color:Bass bar:Barber from:09/01/1992 till:04/01/2008 color:Bass bar:Remmington from:04/01/2008 till:end color:Bass bar:Singleton from:04/01/1976 till:04/01/1976 color:Drums bar:Maher from:07/20/1976 till:03/06/1981 color:Drums bar:Maher from:01/01/1989 till:12/31/1989 color:Drums bar:Maher from:05/25/2012 till:05/26/2012 color:Drums bar:Joyce from:01/01/1990 till:12/31/1991 color:Drums bar:Maher from:01/01/1992 till:06/15/1992 color:Drums bar:Gibson from:06/15/1992 till:09/01/1992 color:Drums bar:Barker from:09/01/1992 till:04/11/2006 color:Drums bar:Farrant from:04/11/2006 till:end color:Drums }} == Discography == {{Main|Buzzcocks discography}} ===Studio albums=== {{div col|colwidth=25em}} * ''[[Another Music in a Different Kitchen]]'' (1978) * ''[[Love Bites (album)|Love Bites]]'' (1978) * ''[[A Different Kind of Tension]]'' (1979) * ''Time's Up'' (1991) * ''[[Trade Test Transmissions]]'' (1993) * ''[[All Set]]'' (1996) * ''[[Modern (Buzzcocks album)|Modern]]'' (1999) * ''[[Buzzcocks (album)|Buzzcocks]]'' (2003) * ''[[Flat-Pack Philosophy]]'' (2006) * ''[[The Way (Buzzcocks album)|The Way]]'' (2014) * ''[[Sonics in the Soul]]'' (2022) {{div col end}} == References == {{Reflist}} == External links == {{Commons category|Buzzcocks}} * {{Official website}} * {{AllMusic|id=p3809|label=Buzzcocks}} {{Buzzcocks}} {{Authority control}} [[Category:Buzzcocks| ]] [[Category:1976 establishments in England]] [[Category:English punk rock groups]] [[Category:English new wave musical groups]] [[Category:English pop punk groups]] [[Category:English power pop groups]] [[Category:United Artists Records artists]] [[Category:I.R.S. Records artists]] [[Category:Parlophone artists]] [[Category:Musicians from the Metropolitan Borough of Bolton]] [[Category:Musical groups established in 1976]] [[Category:Musical groups disestablished in 1981]] [[Category:Musical groups reestablished in 1989]] [[Category:Rock music groups from Greater Manchester]] [[Category:ROIR artists]] [[Category:Merge Records artists]] [[Category:Domino Recording Company artists]]
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