Editing Inge Morath

{{Short description|Austrian photographer (1923–2002)}}
{{Use dmy dates|date=July 2021}}

{{Infobox artist
| name             = Inge Morath
| image            = 
| imagesize        = 550px
| caption          = Self-portrait of Inge Morath
| birth_name       = Ingeborg Hermine Morath<ref>{{cite web|url=http://www.enciclopedia.cat/enciclop%C3%A8dies/gran-enciclop%C3%A8dia-catalana/EC-GEC-0263807.xml?s.q=Robert+Capa|title=Ingeborg Hermine Morath|work=enciclopedia.cat}}</ref>
| birth_date       = {{birth date|1923|5|27|df=y}}
| birth_place      = [[Graz]], [[First Austrian Republic|Austrian Republic]]
| death_date       = {{death date and age|2002|1|30|1923|5|27|df=y}}
| death_place      = [[Manhattan]], [[New York (state)|New York]], U.S.
| field            = Photography
| spouse           = {{plainlist|
* {{marriage|Lionel Birch|1951|1953|reason=divorced}}
* {{marriage|[[Arthur Miller]]|1962}}
}}
| children         = 2, including [[Rebecca Miller|Rebecca]]
| relatives        = [[Daniel Day-Lewis]] (son-in-law)
| training         = 
| movement         = 
| works            = 
| patrons          = 
| awards           = 
}}

'''Ingeborg Hermine''' "'''Inge'''" '''Morath''' ({{IPA|de-AT|ˈɪŋɛbɔrɡ ˈmoːraːt|lang|De-Ingeborg Morath.oga}}; 27 May 1923 – 30 January 2002) was an Austrian photographer.<ref name=obit/> In 1953, she joined the [[Magnum Photos]] Agency, founded by top photographers in Paris, and became a full photographer with the agency in 1955. Morath was the third wife of [[Pulitzer Prize]]-winning playwright [[Arthur Miller]]; their daughter is screenwriter/director [[Rebecca Miller]].

==Early years (1923–1945)==
Morath was born in [[Graz]], Austria, to Mathilde (Wiesler) and Edgar Morath,<ref>{{cite book|url=https://books.google.com/books?id=xNpTAAAAMAAJ&q=Mathilde+Wiesler++Morath|title=Inge Morath|work=google.ca|isbn=9783791327730|last1=Strassegger|first1=Regina|last2=Morath|first2=Inge|year=2002|publisher=Prestel }}</ref> scientists whose work took them to different laboratories and universities in Europe during her childhood. Her parents had converted from Catholicism to Protestantism.<ref>{{cite web|url=https://www.telegraph.co.uk/news/obituaries/1383341/Inge-Morath.html|title=Obituary: Inge Morath|website=Telegraph}}</ref> First educated in French-speaking schools, Morath relocated in the 1930s with her family to [[Darmstadt]], a German intellectual center, and then to [[Berlin]], where Morath's father directed a laboratory specializing in wood chemistry. Morath was registered at the ''Luisenschule'' near [[Bahnhof Friedrichstraße]].<ref>Morath, Inge. "I Trust My Eyes" (Manuscript for Berlin Lecture), page 4. Unpublished: date unknown. Inge Morath Foundation.</ref>

Morath's first encounter with ''[[avant-garde]]'' art was the ''Entartete Kunst'' ([[Degenerate Art]]) exhibition organized by the [[Nazi]] Party in 1937, which sought to inflame public opinion against [[modern art]]. "I found a number of these paintings exciting and fell in love with [[Franz Marc]]'s ''Blue Horse''", Morath later wrote. "Only negative comments were allowed, and thus began a long period of keeping silent and concealing thoughts."<ref>Morath (n.d.) ''I Trust My Eyes'', p. 5</ref>

After finishing high school, Morath passed the ''[[Abitur]]'' and was obliged to complete six months of service for the ''[[Reichsarbeitsdienst]]'' (Reich Labour Service) before entering [[Berlin University]]. At university, Morath studied languages. She became fluent in French, English and [[Romanian language|Romanian]] in addition to her native German (to these she later added Spanish, Russian and Chinese). "I studied where I could find a quiet space, in the University and the Underground stations that served as air-raid shelters. I did not join the ''Studentenschaft'' (Student Body)."<ref>Morath (n.d.) ''I Trust My Eyes'', p. 9.</ref>

Toward the end of [[World War II]], Morath was drafted for factory service in [[Tempelhof]], a neighbourhood of Berlin, alongside Ukrainian prisoners of war.<ref>{{Cite web |last=Tulic |first=Sumeja |title=The pioneering legacy of Inge Morath - 1854 Photography |url=https://www.1854.photography/2021/08/the-pioneering-legacy-of-inge-morath/ |access-date=2023-06-27 |website=www.1854.photography |language=en-GB}}</ref>

During an attack on the factory by Russian bombers, she fled on foot to Austria. In later years, Morath refused to photograph war, preferring to work on stories that showed its consequences.<ref>{{Cite web |last=Kynoch |first=Gabby |date=2020-12-22 |title=Inge Morath - Austrian Photographer |url=https://hundredheroines.org/historical-heroines/inge-morath-2/ |access-date=2023-06-27 |website=Hundred Heroines |language=en-GB}}</ref>

==Middle years (1945–1962)==
[[Image:Im mrsnash.jpg|thumb|left|Mrs. Eveleigh Nash, London, 1953]]
After the war, Morath worked as a translator and journalist. In 1948, she was hired by Warren Trabant, first as Vienna Correspondent and later as the Austrian editor, for ''Heute'', an illustrated magazine published by the Office of War Information in [[Munich]].<ref>{{Cite web |last=AnOther |date=2018-11-15 |title=The Extraordinary Life and Work of 20th-Century Photographer Inge Morath |url=https://www.anothermag.com/art-photography/11322/the-extraordinary-life-and-work-of-20th-century-photographer-inge-morath |access-date=2023-06-27 |website=AnOther |language=en}}</ref> Morath encountered photographer [[Ernst Haas]] in post-war [[Vienna]], and brought his work to Trabant's attention.<ref>Trabant, Warren. ''Letter to Alex Haas''. Unpublished: August 1987. Ernst Haas Archive.</ref> Working together for ''Heute'', Morath wrote articles to accompany Haas' pictures. In 1949, Morath and Haas were invited by [[Robert Capa]] to join the newly founded [[Magnum Photos]] in Paris, where she started as an editor. Working with contact sheets sent into the Magnum office by founding member [[Henri Cartier-Bresson]] fascinated Morath. "I think that in studying his way of photographing I learned how to photograph myself, before I ever took a camera into my hand."<ref>Morath, Inge. ''I Trust My Eyes (Manuscript for Berlin Lecture)'', page 15. Unpublished: date unknown. Inge Morath Foundation.</ref>

Morath was briefly married to the British journalist Lionel Birch and relocated to London in 1951. That same year, she began to photograph during a visit to [[Venice]]. "It was instantly clear to me that from now on I would be a photographer", she wrote. "As I continued to photograph I became quite joyous. I knew that I could express the things I wanted to say by giving them form through my eyes."<ref>Morath, Inge. ''I Trust My Eyes (Manuscript for Berlin Lecture)'', page 17. Unpublished: date unknown. Inge Morath Foundation.</ref> Morath applied for an apprenticeship with Simon Guttman, who was then an editor for ''[[Picture Post]]'' and running the picture-agency Report. When Guttman asked what Morath wanted to photograph, and why, she answered that "after the isolation of [[Nazism]] I felt I had found my language in photography."<ref>Morath, Inge. ''I Trust My Eyes (Manuscript for Berlin Lecture)'', page 18. Unpublished: date unknown. Inge Morath Foundation.</ref> After Morath had spent several months working as Guttman's secretary, she had an opportunity to take photographs. She sold her first photographs - of opening nights, exhibitions, inaugurations, etc. - under the pseudonym "Egni Tharom", her names spelled backwards.<ref>Morath, Inge. "About Myself", in ''Inge Morath: Life as a Photographer'', page 15. Munich: Gina Keyahoff Verlag, 1999.</ref>

Morath divorced Birch and returned to Paris to pursue a career in photography. In 1953, after Morath presented her first large picture story, on the [[Worker Priest]]s of Paris, to Capa, he invited her to join Magnum as a photographer. Her first assignments were stories that did not interest "the big boys." She went to London on an early assignment to photograph the residents of Soho and Mayfair. Morath's portrait of Mrs. Eveleigh Nash, from that assignment, is among her best-known works.  At Capa's suggestion, in 1953–54, Morath worked with Cartier-Bresson as a researcher and assistant.  In 1955 she was invited to become a full member of Magnum Photos. During the late 1950s, Morath traveled widely, covering stories in Europe, the Middle East, Africa, the United States, and South America, for such publications as ''[[Holiday (magazine)|Holiday]]'', ''[[Paris Match]]'', and [[Vogue (magazine)|''Vogue'']].<ref>{{Cite web |date=2022-12-17 |title=Inge Morath: INGE MORATH HOMMAGE {{!}} MONOVISIONS - Black & White Photography Magazine |url=https://monovisions.com/inge-morath-inge-morath-hommage/ |access-date=2023-06-27 |language=en-GB}}</ref> In 1955 she published ''Guerre à la Tristesse'', photographs of Spain, with [[Robert Delpire]], followed by ''De la Perse à l'Iran'', photographs of Iran, in 1958. Morath published more than thirty monographs during her lifetime.

Like many Magnum members, Morath worked as a stills photographer on numerous [[motion picture]] sets. Having met director [[John Huston]] while she was living in London, Morath worked on several of his films. Huston's ''[[Moulin Rouge (1952 film)|Moulin Rouge]]'' (1952) was one of Morath's earliest assignments, and her first time working in a [[film studio]]. When Morath confessed to Huston that she had only one roll of [[color film]] to work with and asked for his help, Huston bought three more rolls for her, and occasionally waved to her to indicate the right moments to step in with her camera.<ref>Morath, Inge. ''I Trust My Eyes (Manuscript for Berlin Lecture)'', page 22. Unpublished: date unknown. Inge Morath Foundation.</ref> Huston later wrote of Morath that she "is a high priestess of photography. She has the rare ability to penetrate beyond surfaces and reveal what makes her subject tick."<ref name="Morath 1986">Morath, Inge. ''Portraits'', New York: Aperture Foundation, 1986.</ref>

In 1959, while photographing the making of ''[[The Unforgiven (1960 film)|The Unforgiven]]'', starring [[Audrey Hepburn]], [[Burt Lancaster]], and [[Audie Murphy]], Morath accompanied Huston and his friends duck hunting on a mountain lake outside [[Durango]], Mexico.<ref>{{Cite web |title=Inge Morath Remembered {{!}} Magnum Photos Magnum Photos |url=https://www.magnumphotos.com/theory-and-practice/inge-morath-in-commemoration/ |access-date=2025-03-02 |website=Magnum Photos |language=en-US}}</ref> Photographing the excursion, Morath saw through her [[telephoto lens]] that Murphy's companion had capsized their boat {{convert|350|yd|m|abbr=on}} from shore. She could see that Murphy was stunned, and the men were struggling. A skilled swimmer, Morath swam out, stripped down and used her bra straps to haul the two men ashore .<ref>{{cite web|url=http://www.time.com/time/magazine/article/0,9171,892368,00.html|archive-url=https://web.archive.org/web/20070930092433/http://www.time.com/time/magazine/article/0,9171,892368,00.html/|url-status=dead|archive-date=30 September 2007|title=Epic in Durango|work=TIME Magazine|date= 23 March 1959}}</ref>

[[Image:Im misfits.jpg|thumb|right|Marilyn Monroe, dancing with [[Eli Wallach]], and Clark Gable, rehearsing a scene during the filming of ''The Misfits'', 1960]]
Morath worked again with Huston in 1960 on the set of ''[[The Misfits (1961 film)|The Misfits]]'', a film featuring [[Marilyn Monroe]], [[Clark Gable]] and [[Montgomery Clift]], with a screenplay by [[Arthur Miller]]. Magnum Photos had been given exclusive rights to photograph the making of the movie, and Morath and Cartier-Bresson were the first of nine photographers to work on location outside [[Reno, Nevada]] during the process.<ref>{{cite book|author=Serge Toubiana and Arthur Miller|title= The Misfits: Story of a Shoot|publisher= New York: Phaidon, 2000}}</ref><ref>Inge Morath, ''The Road to Reno''. Göttingen, Steidl, 2006</ref> Morath met Miller while working on ''The Misfits''.

==Later years (1962–2002)==
{{No footnotes|section|date=September 2023}}
Morath married Arthur Miller on 17 February 1962 and relocated permanently to the United States. Miller and Morath's first child, [[Rebecca Miller|Rebecca]], was born in September 1962.<ref>{{Cite web |title=Arthur Miller and Inge Morath: In The Country • Magnum Photos Magnum Photos |url=https://www.magnumphotos.com/arts-culture/society-arts-culture/arthur-miller-inge-morath-country/ |access-date=2025-03-02 |website=Magnum Photos |language=en-US}}</ref> The couple's second child, Daniel, was born in 1966 with [[Down syndrome]] and was institutionalized shortly after his birth.<ref name="NYT1">{{cite magazine | first=Suzanna | last=Andrews | title=Arthur Miller's Missing Act | date=September 2007 | url =https://www.vanityfair.com/culture/2007/09/miller200709 | magazine =Vanity Fair | access-date = 26 December 2010 }}</ref> [[Rebecca Miller]] is a film director, actress, and writer who is married to the actor [[Daniel Day-Lewis]].

After re-locating to the United States, during the 1960s and 1970s Morath worked closer to home, raising a family with Miller and working with him on several projects. Their first collaboration was the book ''In Russia'' (1969), which, together with ''Chinese Encounters'' (1979), described their travels and meetings in the Soviet Union and the [[People's Republic of China]].<ref>{{Cite web |title=Books of The Times |url=https://archive.nytimes.com/www.nytimes.com/books/00/11/12/specials/miller-russia.html |access-date=2025-03-03 |website=archive.nytimes.com}}</ref> ''In the Country'', published in 1977, was an intimate look at their immediate surroundings. For both Miller, who had lived much of his life in New York City, and Morath, who had come to the US from Europe, the [[Connecticut]] countryside offered a fresh encounter with America.<ref>{{Cite web |title=Arthur Miller and Inge Morath: In The Country • Magnum Photos Magnum Photos |url=https://www.magnumphotos.com/arts-culture/society-arts-culture/arthur-miller-inge-morath-country/ |access-date=2025-03-03 |website=Magnum Photos |language=en-US}}</ref>

Reflecting on the importance of Morath's linguistic gifts, Miller wrote that "travel with her was a privilege because [alone] I would never been able to penetrate that way."<ref>Morath, Inge. ''The Road to Reno.'' Göttingen, Steidl, 2006. Page 111.</ref> In their travels Morath translated for Miller, while his literary work was the entrée for Morath to encounter an international artistic elite. The Austrian photographer [[Kurt Kaindl]], her long-time colleague, noted that "their cooperation develop[ed] without outward pressure and is solely motivated by their common interest in the people and the respective cultural sphere, a situation that corresponds to Inge Morath's working style, since she generally feels inhibited by assignments."<ref>Kurt Kaindl, "Inge Morath: A Photographer's Biography," in ''Inge Morath: Fotografien 1952–1992''. Salzburg: Edition Fotohof, p. 27</ref>

Morath sought out, befriended, and photographed artists and writers. During the 1950s she  photographed artists for Robert Delpire's magazine ''L'Oeil'', including [[Jean Arp]] and [[Alberto Giacometti]].  She met the artist [[Saul Steinberg]] in 1958. When she went to his home to make a portrait, Steinberg came to the door wearing a mask which he had fashioned from a paper bag. Over a period of several years, they collaborated on a series of portraits, inviting individuals and groups of people to pose for Morath wearing Steinberg's masks. Another long-term project was Morath's documentation of many of the most important productions of Arthur Miller's plays.

[[Image:Im bourgeois.jpg|thumb|right|[[Louise Bourgeois]] with her sculpture ''To Fall on Deaf Ears'', 1991]]
Some of Morath's signal achievements are in [[portrait photography|portraiture]], including posed images of celebrities as well as fleeting images of anonymous passersby. Her pictures of [[Boris Pasternak]]'s home, [[Pushkin]]'s library, [[Anton Chekhov|Chekhov]]'s house, [[Mao Zedong]]'s bedroom, as well as artists' studios and cemetery memorials, are permeated with the spirit of invisible people still present. The writer [[Philip Roth]], whom Morath photographed in 1965, described her as "the most engaging, sprightly, seemingly harmless [[voyeur]] I know. If you're one of her subjects, you hardly know your guard is down and your secret recorded until it's too late. She is a tender intruder with an invisible camera."<ref name="Morath 1986"/>

[[Image:Im cobbhoffman.jpg|thumb|left|Actor [[Dustin Hoffman]] with [[Lee J. Cobb]], who originated the role of [[Willy Loman]] in Arthur Miller's ''[[Death of a Salesman]]'', 1965]]

As the scope of her projects grew, Morath prepared extensively by studying the language, art, and literature of a country to encounter its culture fully. Although photography was the primary means through which Morath found expression, it was but one of her skills. In addition to the many languages in which she was fluent, Morath was also a prolific diary and letter-writer; her dual gift for words and pictures made her unusual among her colleagues. Morath wrote extensively, and often amusingly, about her photographic subjects. Although she rarely published these texts during her lifetime, posthumous publications have focused upon this aspect of her work.  They have brought together her photographs with journal writings, caption notes, and other archival materials relating to her various projects.

During the 1980s and 1990s, Morath continued to pursue both assignments and independent projects. The film ''Copyright by Inge Morath'' was made by German filmmaker [[Sabine Eckhard]] in 1992, and was one of several films selected for a presentation of Magnum Films at the [[Berlin International Film Festival]] in 2007. Eckhard filmed Morath at home and in her studio, and in New York and Paris with her colleagues, including Cartier-Bresson, [[Elliott Erwitt]] and others. In 2002, working with film director [[Regina Strassegger]], Morath fulfilled a long-held wish to revisit the lands of her ancestors, along the borderlands of [[Styria]] and [[Slovenia]]. This mountainous region, once part of the [[Austro-Hungarian Empire]], had become the faultline between two conflicting ideologies after World War II and until 1991, when attempts at rapprochement led to conflict on both sides of the border. The book ''Last Journey'' (2002), and Strasseger's film ''Grenz Räume'' (Border Space, 2002), document Morath's visits to her homeland during the final years of her life.

==Death==
Morath Miller died of cancer on January 30, 2002, at the age of 78.<ref name=obit>{{cite news |title= Inge Morath, Photographer With a Poetic Touch, Dies at 78|work=[[New York Times]] |date=31 January 2002}}</ref>

==Honors and legacy==
* 1983 State of Michigan Senate Resolution NO 295; Tribute to Inge Morath.<ref name=":0">{{Cite web |date=2017-12-12 |title=Inge Morath |url=https://clairbykahn.com/mies_portfolio/morath/ |access-date=2025-04-04 |website=ºCLAIRbyKahn |language=en-US}}</ref> 
* 1984 Doctor Honoris Causa Fine Arts, University of Connecticut, Hartford, US.<ref name=":0" /> 
* 1992 Great Austrian State Prize for Photography.{{citation needed|date=September 2023}}
* 2002, members of Magnum Photos established the [[Inge Morath Award]] in honor of their colleague as an annual award.  It is administered by the Inge Morath Foundation, and is given to a woman photographer under the age of 30, to support her work towards the completion of a long-term project.{{citation needed|date=September 2023}} 
* 2003, her family established the [[Inge Morath Foundation]] to preserve and share her legacy.<ref>{{Cite web |last=Padley |first=Gemma |title=Danube Revisited: The Inge Morath Truck Project goes on show - 1854 Photography |url=https://www.1854.photography/2017/03/danube-revisited-the-inge-morath-truck-project-goes-on-show/ |access-date=2025-04-04 |website=www.1854.photography |language=en-GB}}</ref>
* Since 2012 [[Salzburg]], Austria has an "Inge-Morath-Platz" in tribute to the photographer. It is also the location of the [[Fotohof]], a photographic institution which has collaborated with her since the beginning of the 1980s <ref>{{cite web|url=http://www.fotohof.at/content.php?id=27&kuenstlerid=69|title=Fotohof|work=fotohof.at}}</ref>

== Trivia ==

* Early in her photography career, Inge Morath sold her first photographs under the playful pseudonym "Egni Tharom"-her own name spelled backwards.<ref name="AnotherMag">{{cite web |date=2018-12-10 |title=The Extraordinary Life and Work of 20th-Century Photographer Inge Morath |url=https://www.anothermag.com/art-photography/11322/the-extraordinary-life-and-work-of-20th-century-photographer-inge-morath |access-date=2025-05-13 |website=Another Magazine}}</ref>

==Solo exhibitions==
{{Unreferenced section|date=August 2018}}
* 1964 ''Inge Morath: Photographs'', Gallery 104, Art Institute of Chicago, Illinois, US.
* 1979 ''Inge Morath: Photographs of China'', Grand Rapids Art Museum, Michigan, US.
* 1984 ''Salesman in Beijing'', Hong Kong Theatre Festival.
* 1988 ''Retrospective'', Union of Photojournalists, Moscow, Russia; Sala del Canal Museum, Madrid, Spain; Rupertinum Museum, Salzburg, Austria.
* 1989 ''Portraits'', Burden Gallery, Aperture Foundation, New York, New York, US; Norwich Cathedral, Norwich, UK; American Cultural Center, Brussels, Belgium.
* 1991 ''Portraits'', Kolbe Museum Berlin, Germany; Rupertinum Museum Salzburg, Austria
* 1992/94  ''Retrospective'', Neue Galerie Linz, Austria; America House, Frankfurt, Germany; Hardenberg Gallery, Velbert, Germany; Galerie Fotogramma, Milano, Italy; Royal Photographic Society, Bath, UK; Smith Gallery and Museum, Stirling, UK; America House, Berlin, Germany; Hradcin Gallery, Prague, Czech Republic.
* 1994 ''Spain in the fifties'', Spanish Institute, New York, US
* 1995 ''Spain in the fifties'', Museo de Arte Contemporaneo, Madrid, Spain; Museo de Navarra, Pamplona, Spain.
* 1996 ''Inge Morath: Danube'', Neues Schauspielhaus, Berlin, Germany; Leica Gallery, New York, US; Galeria Fotoforum, Bolzano, Italy.
* 1996 ''Women to Women'', Takashimaya Gallery, Tokyo, Japan
* 1997 ''Photographs 1950s to 1990s'', Tokyo Museum of Photography, Tokyo, Japan
* 1997 ''Inge Morath: Danube'', Keczkemet Museum, Esztergom Museum, Hungary
* 1997 ''Retrospective'' Kunsthal, Rotterdam, Netherlands.
* 1998 ''Celebrating 75 Years'' Leica Gallery, New York, US.
* 1998 ''Retrospective'', Edinburgh Festival, Edinburgh, UK; Museum of Photography in Charleroi, Belgium; Municipal Gallery, Pamplona, Spain.
* 1998 ''Inge Morath: Danube'', Festival of Central European Culture, London, UK; Museen d. Stadt Regensburg, Regensburg, Germany.
* 1999 ''Spain in the Fifties'', Museo del Cabilde, Montevideo, Uruguay.
* 1999 ''Retrospective'', Kunsthalle Wien, Austria; FNAC Etoile, Paris, France; FNAC, Barcelona, Spain.
* 2002 ''Inge Morath: New York'', Galerie Fotohof, Salzburg, Austria; Stadt Passau, Europäische; Wochen, Germany ESWE Forum, Wiesbaden; Esther Woerdehoff Galerie, Paris, France; Amerikahaus Tübingen, Germany.
* 2002 ''Inge Morath: Danube'', City Gallery of Russe, Russe, Bulgaria.
* 2003 ''Exposition'', [[Henri Cartier-Bresson Foundation]], Paris, France.
* 2004 ''Inge Morath: Chinese Encounters'', Pingyao International Photography Festival, Pingyao, China.
* 2004 ''Inge Morath: The Road to Reno'', Chicago Cultural Center, Illinois, US.
* 2008 ''Well Disposed and Trying to See: Inge Morath and Arthur Miller in China'', [[University of Michigan Museum of Art]], Ann Arbor, US.<ref>{{Cite web|url=https://annarborobserver.com/articles/morath_and_miller_full_article.html|title=Morath and Miller - China, 1978|website=Ann Arbor Observer|access-date=6 April 2020}}</ref>
* 2023 ''Where I See Color. For Her 100th Birthday'', [[Fotohof]], Salzburg, Austria<ref>{{Cite web|url=http://www.fotohof.net/content.php?id=24&ausstellung=421&details=1|title=Inge Morath - Where I See Color|website=Fotohof|access-date=15 October 2023}}</ref>

==Monographs==
* 1955 ''Guerre à la Tristesse''. [[Robert Delpire|Delpire]], France.
* 1956 ''Fiesta in Pamplona''. Universe Books, US.
* 1956 ''Venice Observed''. Reynal & Co., US.
* 1958 ''De la Perse à l'Iran''. Robert Delpire, France.
* 1960 ''Bring Forth the Children: A Journey to the Forgotten People of Europe and the Middle East''. McGraw-Hill, US.
* 1967 ''Le Masque (Drawings by Saul Steinberg)''. Maeght Editeur, France.
* 1969 ''In Russia''. Viking Press, US.
* 1972 ''In Russia'' Penguin. {{ISBN|978-0-670-02028-7}}
* 1973 ''East West Exercises''. Simon Walker & Co., US.
* 1975 ''Grosse Photographen unserer Zeit:  Inge Morath''. C.J. Bucher Verlag, Switzerland.
* 1977 ''In the Country''. Viking Press, US.
* 1979 ''Inge Morath: Photographs of China''. Grand Rapids Art Museum, US.
* 1979 ''Chinese Encounters''. with Arthur Miller. Straus & Giroux, US.
* 1981 ''Bilder aus Wien: Der Liebe Augustin''. Reich Verlag, Switzerland.
* 1984 ''Salesman in Beijing''. with Arthur Miller. Viking Press, US. {{ISBN|978-0-670-61601-5}}
* 1986 ''Portraits''. Aperture, US. {{ISBN|978-0-89381-244-7}}
* 1991 ''Russian Journal''. Aperture Foundation, US. {{ISBN|978-1-85619-102-9}}
* 1992 ''Inge Morath: Photographs 1952 to 1992''. Otto Müller/Verlag, Austria.
* 1994 ''Inge Morath: Spain in the Fifties''. Arte con Texto, Spain.
* 1995 ''Donau''. Verlag, Austria. {{ISBN|978-3-7013-0916-0}}
* 1996 ''Woman to Woman''. Magnum Photos, Japan.
* 1999 ''Inge Morath: Portraits''. Verlag, Austria.
* 1999 ''Arthur Miller:  Photographed by Inge Morath''. FNAC, Spain.
* 1999 ''Inge Morath: Life as a Photographer''. Kehayoff Books, Germany. {{ISBN|978-3-929078-92-3}}
* 2000 ''Saul Steinberg Masquerade''. Viking Studio, US. {{ISBN|978-0-670-89425-3}}
* 2002 ''New York''. Otto Müller/Verlag, Austria. {{ISBN|978-3-7013-1048-7}}
* 2003 ''Inge Morath: Last Journey'' Prestel. {{ISBN|978-3-7913-2773-0}}
* 2006 ''The Road to Reno''. Steidl, Germany. {{ISBN|978-3-86521-203-0}}
* 2009 ''Inge Morath: Iran''. Steidl, Germany. {{ISBN|978-3-86521-697-7}}
* 2009 ''Inge Morath: First Color''. Steidl, Germany. {{ISBN|978-3-86521-930-5}}
* 2015 ''History Travels Badly''. London: Fishbar. {{ISBN|978-0-9569959-6-4}}
* 2016 ''Inge Morath: On Style''. Abrams, US. {{ISBN|978-141972234-9}}
* 2018 ''Inge Morath: Magnum Legacy''. Prestel, US. {{ISBN|978-3-7913-8201-2}}

==Secondary Literature==
* 2023 Kurt Kaindl: ''After Work. In the Home of Inge Morath.''. Salzburg: FOTOHOF>EDITION. ISBN 978-3-903334-59-5

==See also==
* [[List of Austrian artists and architects]]
* [[List of Austrians]]
* [[List of street photographers]]

==References==
{{Reflist}}

==External links==
* {{official website|www.ingemorath.org}}
* [[hdl:10079/fa/beinecke.morath|Inge Morath Photographs and Papers]]. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.

{{Arthur Miller|state=collapsed}}
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{{DEFAULTSORT:Morath, Inge}}
[[Category:1923 births]]
[[Category:2002 deaths]]
[[Category:Magnum photographers]]
[[Category:Austrian photojournalists]]
[[Category:Street photographers]]
[[Category:Photography in China]]
[[Category:Photography in Iran]]
[[Category:Photography in Russia]]
[[Category:Photography in Spain]]
[[Category:Photography in the Soviet Union]]
[[Category:20th-century Austrian women photographers]]
[[Category:Reich Labour Service members]]
[[Category:Women photojournalists]]
[[Category:20th-century Austrian photographers]]