Open main menu
Home
Random
Recent changes
Special pages
Community portal
Preferences
About Wikipedia
Disclaimers
Incubator escapee wiki
Search
User menu
Talk
Dark mode
Contributions
Create account
Log in
Editing
Modern Records
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
{{Short description|American record label (1945β1969)}} {{about|the American record label active from the 1940s through the 1960s|the 1980s record label|Modern Records (1980)}} {{Infobox record label <!-- See Wikipedia:WikiProject_Music --> | name = Modern Records | image = Jelly-Johnson-Modern.jpg | image_size = 200px | parent = Ace Records (UK) | founded ={{start date|1945}} | founder = <!-- name of founders, separate with commas or <br /> --> | fate = <!-- explain the reason of the closing--> | defunct = {{end date|1969}} | status = Defunct | distributor = <!-- distributors, separate with commas or <br /> --> | genre = [[Jazz]], [[blues]], [[rhythm and blues]], [[rock and roll|rock]] | country = U.S. | location = [[Los Angeles]], California | url = <!-- such as "{{URL|www.atlanticrecords.com}}" --> }} '''Modern Records''' ('''Modern Music Records''' before 1947)<ref>{{cite book |year=2006 |title=Encyclopedia of the Blues, Volume 1 |publisher=Routledge|page=700 }}</ref> was an American record company and label formed in 1945 in [[Los Angeles]] by the [[Bihari brothers]]. Modern's artists included [[Hadda Brooks]], [[Etta James]], [[Joe Houston]], [[Little Richard]], [[Ike & Tina Turner]] and [[John Lee Hooker]]. The label released some of the most influential [[blues]] and [[Rhythm and blues|R&B]] records of the 1940s and 1950s.<ref name=":0">{{Cite news|url=https://www.nytimes.com/2013/12/12/arts/music/joe-bihari-who-put-early-rb-on-record-dies-at-88.html|title=Joe Bihari, Who Put Early R&B on Record, Dies at 88|last=Yardley|first=William|date=December 11, 2013|work=[[The New York Times]]}}</ref> ==History== In the beginning, Modern bought master recordings from other small labels, as with the purchase of 32 unreleased [[Gold Star Records]] [[master recordings]] by [[Lightnin' Hopkins]] and [[Lil' Son Jackson]] for $2,500 from Bill Quinn in 1951.<ref name="BBSep1951">{{cite magazine|title=Modern Buys 32 Hopkins, Jackson Masters for $2,500|url=https://books.google.com/books?id=3UQEAAAAMBAJ&dq=september+1951+billboard+quinn+modern&pg=PA26|magazine=Billboard|page=26|date=September 29, 1951|access-date=August 21, 2024}}</ref> The Biharis also often used pseudonyms to give themselves writing credit on songs.<ref name=":0" /> Saul Bihari, for example, (whose middle name was Samuel) used the name Sam Ling as a songwriting pseudonym. Having started as an R&B label, Modern was later one of the few R&B labels to routinely cover rhythm and blues hits on other labels, apparently in an attempt to broaden their appeal and reach the popular market. In 1958, the Bihari brothers formed [[Kent Records]] and stopped issuing records on Modern.<ref>{{Cite magazine|date=March 24, 1958|title=Kent Launches R-B Singles|url=https://www.americanradiohistory.com/Archive-Billboard/50s/1958/Billboard%201958-03-23.pdf|magazine=[[Billboard (magazine)|Billboard]]|page=3}}</ref> In 1964, the Modern imprint was revived and [[the Ikettes]] released a few successful singles in 1965,<ref>{{Cite web|last=|first=|date=|title=The Ikettes Top Songs / Chart Singles Discography|url=https://www.musicvf.com/The+Ikettes.art|access-date=2021-01-28|website=musicvf.com}}</ref> but the company went bankrupt a few years later and ceased operations. The catalog went with the management into Kent Records. This back catalog was eventually licensed to the UK label [[Ace Records (United Kingdom)|Ace Records]] in the 1980s and later sold outright during the 1990s. Ace Records of the U.K. now owns the master tapes.<ref name="gillett">{{cite book | first=Charlie | last=Gillett|author-link=Charlie Gillett | year= 1996 | title= The Rise of Rock and Roll | edition= 2nd | publisher= Da Capo Press | location=New York | pages= 85β86 | isbn= 0-306-80683-5}}</ref> ==Management and staff== * Saul, Jules and Joe Bihari were the main people who ran the label. Their older brother Lester was only there sporadically.<ref name=King>{{cite book|title=The B.B. King Reader: 6 Decades of Commentary|editor1-last=Kostelanetz|editor1-first=Richard|editor1-link=Richard Kostelanetz|editor2-last=Reiswig|editor2-first=Jesse|url=https://archive.org/details/bbkingreader6dec00kost|url-access=registration|page=[https://books.google.com/books?id=gaD6PuSpq1IC&pg=PA7 7]|publisher=Hal Leonard|year=2005|isbn=9780634099274}}</ref> *[[Ike Turner]] was a talent scout and session musician for Modern Records in the 1950s.<ref name=":0" /> Artists Turner discovered for Modern include [[Bobby Bland|Bobby "Blue" Bland]], [[Howlin' Wolf]], and [[Rosco Gordon]].<ref>{{Cite book|title=Takin' Back My Name: The Confessions of Ike Turner|last1=Turner|first1=Ike|last2=Cawthorne|first2=Nigel|date=1999|publisher=Virgin|isbn=9781852278502|location=London|language=en|oclc=43321298}}</ref> According to [[B.B. King]] and Joe Bihari, Turner introduced King to the Bihari brothers which led to his [[RPM Records (United States)|RPM]] releases.<ref name=King /> *[[Tony Hilder]] was an [[Artists and repertoire|A&R man]] for Modern Records in the late 1950s. Later he went on to form his own labels, first CT Records<ref>{{AllMusic|class=artist|id=mn0000005010|title=Tony Hilder Biography}}</ref> and later owner and president of [[Impact Records (California)|Impact Records]].<ref>''Billboard Music Week'' May 8, 1961 [https://books.google.com/books?id=ACEEAAAAMBAJ&dq=%22IMpact+Records%22Tony+Hilder%22&pg=PA4 Page 4 Music As Written, Hollywood]</ref><ref>''[[Surfin' Guitars: Instrumental Surf Bands of the Sixties]]'', Robert J. Dalley [https://books.google.com/books?id=ACEEAAAAMBAJ&dq=Impact+Records+Tony+Hilder+owner&pg=PA4 Page 259, Page 298, Page 299]</ref> * Austin McCoy was an artist, session musician and recording session director with Modern Records. He left Modern in late 1950 to take up an A&R post with [[Mercury Records]] at their Beverly Hills office.<ref>''The Billboard'' December 16, 1950 [https://books.google.com/books?id=zB0EAAAAMBAJ&dq=%22Modern+Records%22Billboard+Manager&pg=PA12 Page 12 McCoy Joins Modern Staff]</ref> ==Albums== * ''Modern Music: The First Year β 1945'' ([[Ace Records (UK)|Ace]] CDTOP 1339, 2012) The following albums were released in [[Monaural|mono]] with catalogue numbers "M-70{{var|nn}}" and in [[Stereophonic sound|stereo]] with catalogue numbers "MST-8{{var|nn}}": {{div col|colwidth=20em}} * β00 Era of [[Tommy Dorsey]] * β01 Era of [[Benny Goodman]] * β02 Era of [[Charlie Barnet]] * β03 Era of [[Glenn Miller]] * β04 Era of [[Woody Herman]] * β05 Era of the [[Big Band]]s * β06 [[Dixieland]] * β07 Polka Party Time * β08 [[Tack piano#Honky-tonk piano|Honky Tonk Piano]] * β09 The [[List of compositions by Johann Strauss II#Waltzes|Strauss Waltzes]] * β10 Day Dreams * β11 Organ Gems * β12 [[Cha-cha-chΓ‘ (music)|Cha Cha Cha]] * β13 [[Sing-along|Sing-A-Long]] * β14 [[Rock and Roll]] Party * β15 The Heart of Spain * β16 Oldies and Goodies * β17 Progressive Percussion * β18 Hawaiian Holiday * β19 Era of [[Hank Williams]] * β20 Tradewinds to Hawaii * β21 Dynamic Percussion * β22 Mambo Cha Cha Cha * β23 [[The Ink Spots|The Fabulous Ink Spots]] {{div col end}} == Selected singles == {| class="wikitable" !Catalog No. !Release<br />date ![[Billboard Hot 100|US]] ![[Hot R&B/Hip-Hop Songs|US<br />R&B]] !Single (A-side, B-side) !Artist |- |624<ref>{{Cite magazine|date=November 6, 1948|title=Best-Selling Retail Race Records|url=https://www.americanradiohistory.com/Archive-Billboard/40s/1948/Billboard%201948-11-06.pdf|magazine=Billboard|pages=31}}</ref> |Oct 1948 |β |1 |"[[Blues After Hours]]"<br/><small>b/w "I'm Still In Love With You"</small> |[[Pee Wee Crayton]] |- |627<ref>{{Cite magazine|date=February 19, 1949|title=Most Played Juke Box Race Records|url=https://www.americanradiohistory.com/Archive-Billboard/40s/1949/Billboard%201949-02-19.pdf|magazine=Billboard|pages=32}}</ref> |Nov 1948 |β |1 |"[[Boogie Chillen'|Boogie Chillen]]"<br/><small>b/w "Sally May"</small> |[[John Lee Hooker]] |- |704<ref>{{Cite magazine|date=October 22, 1949|title=Advance Rhythm & Blues Record Releases|url=https://www.americanradiohistory.com/Archive-Billboard/40s/1949/Billboard%201949-10-22b.pdf|magazine=Billboard|pages=67}}</ref><ref>{{Cite magazine|date=January 14, 1950|title=Most-Played Juke Box Rhythm & Blues Records|url=https://www.americanradiohistory.com/Archive-Billboard/50s/1950/Billboard%201950-01-14.pdf|magazine=Billboard|pages=33}}</ref> |Oct 1949 |β |5 |"[[Good Morning, School Girl|Little School Girl]]"<br/><small>b/w Suitcase Blues"</small> |[[Smokey Hogg]] |- |714 |Oct 1949 |β |6 |"[[Crawling King Snake#John Lee Hooker versions|Crawlin' King Snake]]"<br/><small>b/w "Drifting from Door to Door"</small> |John Lee Hooker |- |835 |Sep 1951 |β |1 |"I'm in the Mood"<br/><small>b/w "How Can You Do It"</small> |John Lee Hooker |- |848 |Dec 1951 |β |β |"Crying All Night Long"<br/><small>b/w "Dry Up Baby"</small> |[[Bobby Bland|Robert Bland]] |- |857 |Feb 1952 |β |7 |"The Wind Is Blowin"<br/><small>b/w "Would My Baby Make A Change"</small> |[[Jimmy Witherspoon]] |- |860 |Mar 1952 |β |β |"Ramblin' On My Mind"<br/><small>b/w "Just An Army Boy"</small> |[[Boyd Gilmore]] |- |864 |Apr 1952 |β |β |"Bad Women Bad Whiskey"<br/><small>b/w "You're My Angel"</small> |[[Junior Parker|Little Junior Parker]] and the Blue Flames |- |947 |Jan 1955 |β |1 |"[[The Wallflower (Dance with Me, Henry)|The Wallflower]]"<br/><small>b/w "Hold Me, Squeeze Me"</small> |[[Etta James]] and "The Peaches" |- |961 |Jun 1955 |β |β |"Mary Lou"<br/><small>b/w "Don't Think I Will"</small> |[[Young Jessie]], [[Maxwell Davis]] & Orchestra |- |962 |Aug 1955 |β |6 |"Good Rockin' Daddy"<br/><small>b/w "Crazy Feeling"</small> |Etta James, Maxwell Davis & Orchestra |- |1002 |Sep 1956 |β |β |"Hit, Git And Split"<br/><small>b/w "Don't Happen No More"</small> |Young Jessie |- |1005 |Oct 1956 |β |7 |"[[Goodnight My Love (1956 song)|Goodnight My Love (Pleasant Dreams)]]"<br/><small>b/w "I Want You With Me Xmas"</small> |[[Jesse Belvin|Jessie Belvin]] |- |1022 |Jun 1957 |β |β |"[[By the Light of the Silvery Moon (song)|By The Light Of The Silvery Moon]]"<br/><small>b/w "Come What May"</small> |Etta James |- |1027 |Nov 1957 |β |β |"Just To Say Hello"<br/><small>b/w "My Satellite"</small> |Jesse Belvin |- |1003<ref>{{Cite magazine|last=|first=|date=February 13, 1965|title=Bubbling Under The Hot 100|url=https://worldradiohistory.com/Archive-All-Music/Billboard/60s/1965/Billboard%201965-02-13.pdf|magazine=Billboard|volume=|pages=28|via=}}</ref> |Dec 1964 |107 |β |"Camel Walk" <small>b/w "Nobody Loves Me"</small> |[[The Ikettes]] |- |1005<ref name=":1">{{Cite magazine|url=https://www.billboard.com/music/the-ikettes|title=The Ikettes Chart History|magazine=Billboard}}</ref> |Feb 1965 |36 |28 |"[[Peaches 'N' Cream]]"<br /><small>b/w "The Biggest Players"</small> |The Ikettes |- |1007<ref>{{Cite magazine|date=June 19, 1965|title=Top Selling Rhythm & Blues Singles|url=https://www.americanradiohistory.com/Archive-Billboard/60s/1965/Billboard%201965-06-19.pdf|magazine=Billboard|pages=43}}</ref> |May 1965 |107 |32 |"[[Good Bye, So Long]]"<br/><small>b/w "Hurt Is All You Gave Me"</small> |[[Ike & Tina Turner]] |- |1011<ref name=":1" /> |Jul 1965 |74 |12 |"[[I'm So Thankful]]"<br/><small>b/w "Don't Feel Sorry For Me"</small> |The Ikettes |- |1012<ref>{{Cite magazine|date=August 7, 1965|title=Bubbling Under The Hot 100|url=https://www.americanradiohistory.com/Archive-Billboard/60s/1965/Billboard%201965-08-07.pdf|magazine=Billboard|pages=20}}</ref> |Aug 1965 |134 |β |"[[I Don't Need]]"<br/><small>b/w "Gonna Have Fun"</small> |Ike & Tina Turner |- |1015<ref>{{Cite magazine|date=February 5, 1966|title=Bubbling Under The Hot 100|url=https://www.americanradiohistory.com/Archive-Billboard/60s/1966/Billboard%201966-02-05.pdf|magazine=Billboard|pages=24}}</ref> |Jan 1966 |122 |β |"(Never More) Lonely For You"<br/><small>b/w "[[Sally Go 'Round the Roses|Sally Go Round the Roses]]"</small> |The Ikettes |- |1030 |1967 |β |β |"[[Bring It On Home to Me|Bring It Back Home To Me]]"<br/><small>b/w "Slippin' And Slidin'"</small> |[[Little Richard]] |} ==Subsidiaries== *[[Kent Records]] *[[Crown Records]] *[[Flair Records]] *[[Meteor Records]] *[[RPM Records (United States)|RPM Records]] *[[Yuletide Records]] ([[Christmas music]]) ==References== {{Reflist}} ==External links== * [https://web.archive.org/web/20080605030318/http://forbiddeneye.com/labels/crown.html Crown Records Discography] * [http://www.bsnpubs.com/modern/modernstory.html Modern Records Story] * [https://archive.org/details/georgeblood?and%5B%5D=publisher:modern Modern Records] on the Internet Archive's [http://great78.archive.org/ Great 78 Project] {{Authority control}} [[Category:Record labels established in 1945]] [[Category:Defunct record labels of the United States]] [[Category:Rhythm and blues record labels]] [[Category:American jazz record labels]] [[Category:Record labels disestablished in 1969]]
Edit summary
(Briefly describe your changes)
By publishing changes, you agree to the
Terms of Use
, and you irrevocably agree to release your contribution under the
CC BY-SA 4.0 License
and the
GFDL
. You agree that a hyperlink or URL is sufficient attribution under the Creative Commons license.
Cancel
Editing help
(opens in new window)
Pages transcluded onto the current version of this page
(
help
)
:
Template:About
(
edit
)
Template:AllMusic
(
edit
)
Template:Authority control
(
edit
)
Template:Cite book
(
edit
)
Template:Cite magazine
(
edit
)
Template:Cite news
(
edit
)
Template:Cite web
(
edit
)
Template:Div col
(
edit
)
Template:Div col end
(
edit
)
Template:EditAtWikidata
(
edit
)
Template:First word
(
edit
)
Template:Infobox record label
(
edit
)
Template:Main other
(
edit
)
Template:PAGENAMEBASE
(
edit
)
Template:Reflist
(
edit
)
Template:Short description
(
edit
)
Template:Var
(
edit
)