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{{other uses}} {{good article}} {{Use mdy dates|date=December 2021}} {{Infobox album | name = Nihil | type = studio | artist = [[KMFDM]] | cover = KMFDM - 1995 - Nihil (original).jpg | alt = | released = {{start date|1995|4|4}} | recorded = 1994 | venue = | studio = [[Bad Animals Studio|Bad Animals]], Seattle, Washington | genre = {{flatlist| * [[Industrial rock]] * [[industrial metal]] * [[industrial dance music|industrial dance]] }} | length = 49:03 | label = [[Wax Trax! Records|Wax Trax!]] | producer = {{flatlist| * [[Sascha Konietzko]] * Chris Shepard }} | prev_title = [[Angst (KMFDM album)|Angst]] | prev_year = 1993 | next_title = [[Xtort]] | next_year = 1996 | misc = {{Singles | name = Nihil | type = studio | single1 = [[Juke Joint Jezebel]] | single1date = 28 February 1995 | single2 = [[Juke Joint Jezebel]] | single2date = 30 May 1995 | single3 = [[Brute (song)|Brute]] | single3date = 31 October 1995 | single4 = Trust/Juke Joint Jezebel | single4date = 31 October 1995 }} }} '''''Nihil''''' is the seventh [[studio album]] by German [[industrial music|industrial]] band [[KMFDM]], released on April 4, 1995, by [[Wax Trax! Records]]. The album marked the return of former band member [[Raymond Watts]] and the first appearance of session drummer [[Bill Rieflin]], and was mostly written by frontman [[Sascha Konietzko]]. The album's first single "[[Juke Joint Jezebel]]" is the band's most widely known song, with millions of copies sold over various releases. Widely praised by critics, ''Nihil'' is the band's best-selling album. After the original release went out of print, a remastered version was released in 2007. ==Background== In late 1993, [[Sascha Konietzko]] and fellow [[multi-instrumentalist]] [[En Esch]] both left Chicago, moving to Seattle and New Orleans, respectively.<ref name="KMFDM History">{{cite web | url=http://www.kmfdm.net/history.html | title=KMFDM History on April 4, 1997 from archive.org | publisher=KMFDM.net | access-date=March 15, 2010 |archive-url = https://web.archive.org/web/19970408173452/http://www.kmfdm.net/history.html |archive-date = April 8, 1997}}</ref><ref name=nihil-2007>{{cite AV media notes | title=Nihil | others=KMFDM | year=2007 | type=CD booklet | pages=2β3 | publisher=[[Metropolis Records]] | location=Philadelphia, Pennsylvania}}</ref> Lead guitarist [[GΓΌnter Schulz]] left the country, moving to Kelowna, British Columbia.<ref name=nihil-2007/> In early 1994, Konietzko started working on new material, and Schulz came to Seattle to begin adding guitars to the tracks.<ref name=nihil-2007/> Later that year, the group assembled in Los Angeles to rehearse for the upcoming Angstfest tour in support of ''[[Angst (KMFDM album)|Angst]]'', which spanned April and May.<ref name=nihil-2007/> Konietzko, Schulz, Esch, and guitarist [[Mark Durante]] were joined by another guitarist, Mike Jensen,<ref name=nihil-2007/> for a live show that featured up to four guitarists playing at once.<ref>{{cite news | url=https://www.nytimes.com/1994/05/26/arts/review-rock-heavy-metal-with-an-emphasis-on-heavy.html | author=Strauss, Neil |title=Review/Rock; Heavy Metal, With an Emphasis on Heavy | work=[[The New York Times]] | date=May 26, 1994 | access-date=July 15, 2012}}</ref> Konietzko and Schulz, along with Dutch singer [[Dorona Alberti]], returned to Seattle to begin recording vocals for ''Nihil''.<ref name=nihil-2007/> Konietzko later said he was not happy with the sessions, explaining that nothing was coming together, and only two songs from the upcoming album, "Trust" and "Brute", had been completed to his satisfaction.<ref name=nihil-2007/> Former KMFDM member [[Raymond Watts]], last seen contributing vocals, programming, and production to 1988's ''[[Don't Blow Your Top (album)|Don't Blow Your Top]]''<ref>{{cite AV media notes | title=Don't Blow Your Top | others=KMFDM | year=2006 | type=CD booklet | publisher=[[Metropolis Records]] | location=Philadelphia, Pennsylvania}}</ref> before starting his own band, Pig,<ref>{{cite web | url=http://www.raymondwatts.com/interviews/convulsionmagazine.html | title=Raymond Watts Interview | work=Convulsion Magazine | year=1992 | access-date=February 28, 2010}}</ref> called Konietzko and asked if he would be interested in working on a small musical collaboration.<ref name=nihil-2007/> Konietzko agreed, and Watts flew to Seattle, where the pair, along with Schulz, worked on an EP entitled ''[[Sin Sex & Salvation]]''.<ref name=nihil-2007/> Konietzko said of the trio's working together, "It was the breath of fresh air I had been hoping and waiting for. This short project took my mind off the problems with the KMFDM album and gave me a welcome change of perspective."<ref name=nihil-2007/> Watts then stayed on with the group to begin work on ''Nihil'',<ref name=bruin/> which featured a core group of Konietzko, Schulz, Watts, and Esch, along with some input from [[steel guitar]] specialist Durante<ref name=durante>{{cite web | url=http://regenmag.com/interviews/returning-to-earth/ | author=YΓΌcel, Ilker | title=Returning to Earth | date=December 6, 2011 | access-date=July 15, 2012}}</ref> and drummer [[Bill Rieflin]]. ==Production== Discussing the change in songwriting from ''Angst'', Konietzko said: "I wasn't comfortable with the band scenario on that album, where everybody had input. It allowed for too many compromises. ''Angst'' seems not organic to me."<ref name=tribune/> In another interview, he explained: "Contrary to the past, I wrote all the songs for ''Nihil''," adding that doing things that way caused "minimal problems".<ref>{{cite news | url=https://www.deseret.com/1995/5/5/19173610/no-political-rage-just-life-normal-stuff-for-kmfdm/ | author=Iwasaki, Scott | title=No Political Rage, Just 'Life, Normal Stuff' for KMFDM | work=[[Deseret News]] | date=May 5, 1995 | access-date=2016-11-16}}</ref> Konietzko stated that the band overused guitars on their previous album, ''Angst'',<ref name=westnet>{{cite web | url=http://www.westnet.com/consumable/1995/April19.1995/revkmfdm.html | author=Roberts, Jamie | title=Interview: KMFDM's Sascha Konietzko | work=Consumable Online | editor=Bob Gajarsky | date=April 19, 1995 | access-date=2016-11-16 | url-status=dead | archive-url=https://web.archive.org/web/20000209210206/http://westnet.com/consumable/1995/April19.1995/revkmfdm.html | archive-date=February 9, 2000 }}</ref> saying it sounded "like guitarists jacking off".<ref name="bruin">{{cite news | access-date=2016-11-16 | url=http://www.dailybruin.com/index.php/article/1995/05/kmfdm-delves-deeper-into-metal | title=KMFDM delves deeper into metal-industrial | publisher=The Daily Bruin | url-status=dead | work=[[Daily Bruin]] | date=May 3, 1995 | author=Gopalan, Nisha | archive-url=https://web.archive.org/web/20140203022704/http://dailybruin.com/1995/05/02/kmfdm-delves-deeper-into-metal/ | archive-date=3 February 2014}}</ref> On ''Nihil'', the guitars were mixed in last.<ref name=westnet/> Durante had recently purchased a triple-neck Fender steel guitar in Houston, and used it during recording sessions, but added a significant amount of distortion to it, making it sound like a "regular" guitar but giving it what he called a "sliding" sound.<ref name=durante/> Konietzko also brought in a trio of horn players to perform on "Disobedience", saying he had always wanted a horn section in a KMFDM song, but that he had never been able to afford it before.<ref name=nihil-2007/> Konietzko originally wrote thirty songs over a period of eight or nine months for ''Nihil'' before settling on ten final tracks.<ref name=bruin/> Watts came into the studio after the songs were mostly complete and added lyrics to a handful of songs, which he said was "actually quite liberating" in contrast to writing his own music from scratch.<ref>{{cite web | url=http://www.raymondwatts.com/interviews/sonicenvelope.html | title=Raymond Watts Interview | work=Sonic Envelope | date=October 20, 1995 | access-date=2016-11-16}}</ref> Konietzko described the album as being entirely foreplay, without any resolution,<ref name="hypno">{{cite journal|url=http://my.inil.com/~cwphish/EPOWELL_.HTM |author=Powell, Eric |title=KMFDM |journal=Hypno Magazine |year=1995 |access-date=February 24, 2011 |url-status=dead |archive-url=https://web.archive.org/web/20110713034143/http://my.inil.com/~cwphish/EPOWELL_.HTM |archive-date=July 13, 2011 }}</ref> and said it was the band's best album to date, a statement he believed he would be standing by for years.<ref name=bruin/> He also said its poppier sound was more his style.<ref name=daily-press>{{cite news | url=http://articles.dailypress.com/1995-10-20/features/9510200261_1_kmfdm-sascha-konietzko-en-esch | author=McDonald, Sam | title=Moral Minority German-born Industrial Rock Group Kmfdm Has 'No Pity For The Majority' | work=[[Daily Press (Virginia)|Daily Press]] | date=October 20, 1995 | access-date=July 14, 2012 | archive-date=June 26, 2015 | archive-url=https://web.archive.org/web/20150626174735/http://articles.dailypress.com/1995-10-20/features/9510200261_1_kmfdm-sascha-konietzko-en-esch | url-status=dead }}</ref> Konietzko produced the album with [[sound engineer]] [[Chris Shepard]],<ref name=Nihil-1995/> who had also engineered the band's previous album.<ref>{{cite AV media notes | title=Angst | others=KMFDM | year=1993 | type=CD booklet | publisher=[[Wax Trax! Records]] | location=Chicago, Illinois}}</ref> ==Release== {{listen |filename=Juke Joint Jezebel chorus.ogg |title="Juke Joint Jezebel" |description=The "swooping, gospelish chorus"<ref name=tribune/> from "Juke Joint Jezebel", KMFDM's biggest hit<ref name="allmusic"/>}} ''Nihil'' was originally released on April 4, 1995. A digitally remastered re-release of ''Nihil'' was released on March 6, 2007, along with a similar re-release of KMFDM's 1996 album ''Xtort''. The band toured twice in 1995 in support of the album, first doing the Beat by Beat tour shortly after the album's release, and then the In Your Face tour later in the year.<ref name="KMFDM History"/> The album, which had "major buzz", had an initial shipment of 75,000 copies.<ref>{{cite news | url=https://www.chicagotribune.com/1995/04/14/new-rock-order-migrates-from-wicker-park/ | author=Rothschild, David | title=New Rock Order Migrates From Wicker Park | work=[[Chicago Tribune]] | date=April 14, 1995 | access-date=July 14, 2012}}</ref> The album's first track, "Ultra", was featured in the U.S. release of ''[[Street Fighter II: The Animated Movie]]'', and was the theme song for [[Manga Entertainment]]'s anime catalog trailer. "[[Juke Joint Jezebel]]", the band's biggest hit, was featured in the film ''[[Bad Boys (1995 film)|Bad Boys]]'' and in an episode of ''[[Beverly Hills 90210]]''.<ref>{{cite web | url=http://www.tv.com/beverly-hills-90210/home-is-where-the-tart-is/episode/27577/summary.html | title=Beverly Hills 90210: Home Is Where the Tart Is | publisher=[[TV.com]]. [[CBS Interactive Inc.]] | access-date=September 2, 2010 | archive-date=May 12, 2009 | archive-url=https://web.archive.org/web/20090512193059/http://www.tv.com/beverly-hills-90210/home-is-where-the-tart-is/episode/27577/summary.html | url-status=dead }}</ref> "Juke Joint Jezebel (Metropolis Mix)" was featured in the film ''[[Mortal Kombat (1995 film)|Mortal Kombat]]''. The video for "Juke Joint Jezebel" includes footage from the ''[[Patlabor 1]]'' [[anime]].<ref>{{cite news | url=https://www.chicagotribune.com/1995/07/28/cutting-edge-music-rides-japanimation-wave/ | author=Rothschild, David | title=Cutting-edge Music Rides Japanimation Wave | work=[[Chicago Tribune]] | date=July 28, 1995 | access-date=July 14, 2012}}</ref> More than two million copies of the song sold in 1995 alone.<ref name=deseret-sept>{{cite news | url=http://www.deseretnews.com/article/441624/KMFDM-WILL-LET-IT-RIP-MONDAY-AT-SALTAIR-PAVILION.html?pg=all | archive-url=https://web.archive.org/web/20150627114358/http://www.deseretnews.com/article/441624/KMFDM-WILL-LET-IT-RIP-MONDAY-AT-SALTAIR-PAVILION.html?pg=all | url-status=dead | archive-date=June 27, 2015 | author=Curtis, Larry D. | title=KMFDM Will Let It Rip Monday at Saltair Pavilion | work=[[Deseret News]] | date=September 29, 1995 | access-date=July 14, 2012}}</ref> ''Nihil'' was Wax Trax!'s best-selling album to date by the end of 1995,<ref>{{cite news | url=https://www.chicagotribune.com/1995/12/31/the-keys-to-the-city/ | first1=Alan | last1=Artner | first2=Richard | last2=Christiansen | first3=Blair | last3=Kamin | first4=Larry | last4=Kart | first5=Greg | last5=Kot | first6=Howard | last6=Reich | first7=Sid | last7=Smith | first8=John | last8=von Rhein | first9=Michael | last9=Wilmington <!--exactly 9 authors--> | title=The Keys To The City: People Who Opened Doors In Chicago And The Arts In '95 | work=[[Chicago Tribune]] | date=December 31, 1995 | access-date=October 31, 2017}}</ref> and went on to sell over 120,000 copies by August 1996.<ref name="RS740">{{cite magazine| url=http://www.waste.org/~alone/kmfdm/rsinterview.html | title=KMFDM make industrial music the old-fashioned way. They trash their hardware. | author=Wiederhorn, Jon | magazine=[[Rolling Stone]] | issue=740 | page=24 | date=August 8, 1996 | access-date=March 22, 2010}}</ref> ''Nihil'' reached No. 16 on the ''[[Billboard (magazine)|Billboard]]'' Heatseekers chart,<ref>{{cite web | url=http://www.allmusic.com/album/nihil-mw0000175076/awards | title=Nihil Awards | publisher=[[Allmusic]]. [[All Media Network]] | access-date=July 14, 2012}}</ref> and was later labelled one of Wax Trax!'s commercial high points.<ref name=tribune2011>{{cite news | url=http://leisureblogs.chicagotribune.com/turn_it_up/2011/04/wax-traxs-greatest-hits.html | author=Kot, Greg | title=Wax Trax's greatest hits | work=[[Chicago Tribune]] | date=April 6, 2011 | access-date=July 14, 2012|archive-url=https://web.archive.org/web/20121108135527/http://leisureblogs.chicagotribune.com/turn_it_up/2011/04/wax-traxs-greatest-hits.html|archive-date=2012-11-08}}</ref> By 2016, the album had sold a total of 209,000 copies, making it the band's top-selling album of all time, according to [[Nielsen SoundScan]].<ref>{{cite magazine | url=http://www.billboard.com/articles/columns/rock/7503681/kmfdm-milestones-rocks-reloaded-interview | first=Katy | last=Kroll | title=KMFDM Reflect on 3-Decade Career & Hating Their Biggest Hit | magazine=[[Billboard (magazine)|Billboard]] | date=September 12, 2016 | access-date=September 15, 2016}}</ref> ''Nihil'' is one of only two KMFDM studio albums (''[[Opium (KMFDM album)|Opium]]'' being the other) that does not feature cover artwork by pop-artist [[Aidan Hughes|Brute!]] Instead, the cover was designed by Rieflin's wife [[Francesca Sundsten]].<ref name=nihil-2007/><ref name=bruin/> The band would return to using Brute!'s work on the next album, ''[[Xtort]]''.<ref>{{cite AV media notes | title=Xtort | others=KMFDM | year=1996 | type=CD booklet | publisher=[[Wax Trax! Records]] | location=Chicago, Illinois}}</ref> ==Critical reception== {{Album ratings | rev1 = [[AllMusic]] | rev1Score = {{Rating|4|5}}<ref name="allmusic"/> | rev2 = ''[[Chicago Tribune]]'' | rev2Score = favorable<ref name=tribune/><ref name=tribune2011/> | rev3 = ''[[CMJ New Music Monthly]]'' | rev3Score = favorable<ref name="CMJ"/> | rev4 = ''[[Guitar Player]]'' | rev4Score = favorable<ref name=guitar-player/> | rev5 = ''[[Keyboard (magazine)|Keyboard]]'' | rev5Score = favorable<ref name=keyboard/> | rev6 = ''[[Washington Post]]'' | rev6Score = favorable<ref name="WaPo"/> }} ''Nihil'' received very favorable reviews from music critics. Heidi MacDonald of ''[[CMJ New Music Monthly]]'' called ''Nihil'' "a superb album that takes no prisoners from beginning to end,"<ref name="CMJ">{{cite book | url=https://books.google.com/books?id=LC0EAAAAMBAJ&pg=PA15 | title = Best New Music: KMFDM Nihil | author= MacDonald, Heidi | page=15 | publisher=Robert K. Haber | date=May 1995 | access-date=March 10, 2010}}</ref> saying that the first three tracks are "nearly flawless"<ref name="CMJ"/> and calling "Disobedience" a "real standout."<ref name="CMJ"/> Andy Hinds of [[AllMusic]] also praised the album, calling "Juke-Joint Jezebel" "an enduring and indispensable dancefloor favorite at goth/industrial clubs around the world."<ref name="allmusic">{{cite web | url=http://www.allmusic.com/album/nihil-mw0000175076 | title=Nihil Review | author=Hinds, Andy | publisher=[[Allmusic]]. [[All Media Network]] | access-date=July 15, 2012}}</ref> He further said that the production on ''Nihil'' was "state of the art"<ref name="allmusic"/> and that KMFDM's sound was "quite polished and tight."<ref name="allmusic"/> Mark Jenkins of ''[[The Washington Post]]'' said the album "manages to stay fresh through the use of assorted sonic spices,"<ref name="WaPo">{{cite news | url=http://www.highbeam.com/doc/1P2-834134.html | archive-url=https://web.archive.org/web/20121105203816/http://www.highbeam.com/doc/1P2-834134.html | url-status=dead | archive-date=November 5, 2012 | title=KMFDM Keeps Industrial Fresh | author=Jenkins, Mark | newspaper=[[Washington Post]] | date= May 19, 1995 | access-date=March 19, 2010}}</ref> adding that the album has "some canny accents."<ref name="WaPo"/> ''[[Keyboard (magazine)|Keyboard]]'' praised the album, describing "milky organ pads" on "Disobedience" and "snarling guitars <nowiki>[</nowiki>wrapped<nowiki>]</nowiki> in spiky synth barbed wire" on "Juke Joint Jezebel", and saying of band leader Konietzko, "You won't find a more imaginative or effective keyboardist on the hard-core scene."<ref name=keyboard>{{cite journal | title=[[Keyboard (magazine)|Keyboard]] | journal=[[Keyboard (magazine)|Keyboard]] | page=120 | volume=21 | year=1995 | publisher=GPI Publications}}</ref> Chris Gill of ''[[Guitar Player]]'', conversely, said "the most interesting parts are Durante's steel guitar lines, which howl like revving engines".<ref name=guitar-player>{{cite journal | url=http://www.highbeam.com/doc/1G1-16822563.html | archive-url=https://web.archive.org/web/20140611094845/http://www.highbeam.com/doc/1G1-16822563.html | url-status=dead | archive-date=June 11, 2014 | author=Gill, Chris | title=Nihil | journal=Guitar Player | date=June 1, 1995 | access-date=October 10, 2012|via=[[HighBeam Research]]}}</ref> [[Greg Kot]] of the ''[[Chicago Tribune]]'' said that "Juke Joint Jezebel" "swaggers like a Bourbon Street hooker, with crunching guitars and a swooping, gospelish chorus" at the time of the album's release,<ref name=tribune>{{cite news | url=https://www.chicagotribune.com/1995/05/26/industrial-arts/ | author=Kot, Greg | title=Industrial Arts: Kmfdm Crafts The Lighter, Brighter Side Of Machine Rock | work=[[Chicago Tribune]] | date=May 26, 1995 | access-date=July 11, 2012}}</ref> and in 2011, said the album put "a polished pop spin on industrial's characteristic harshness".<ref name=tribune2011/> Gill had similar praise, saying "few have succeeded in making the combination [of techno rhythms and thrash guitars] sound as natural as this".<ref name=guitar-player/> ==Track listing== {{ tracklist | total_length = 48:00 | title1 = Ultra | writer1 = [[Mark Durante]], [[En Esch]], [[Sascha Konietzko]], [[GΓΌnter Schulz]], [[Chris Shepard]], [[Raymond Watts]] | length1 = 4:34 | title2 = [[Juke Joint Jezebel]] | writer2 = Esch, Konietzko, Schulz, Watts | length2 = 5:40 | title3 = Flesh | writer3 = Esch, Konietzko, Schulz, Watts | length3 = 5:02 | title4 = Beast | writer4 = Konietzko, Schulz | length4 = 5:06 | title5 = Terror | writer5 = Durante, Esch, Konietzko, Schulz, Shepard, Watts | length5 = 4:50 | title6 = Search & Destroy | writer6 = Esch, Konietzko, Schulz | length6 = 3:26 | title7 = Disobedience | writer7 = Durante, Esch, Konietzko, Schulz, Shepard, Watts | length7 = 4:43 | title8 = Revolution | writer8 = Esch, Konietzko, Schulz | length8 = 4:27 | title9 = [[Brute (song)|Brute]] | writer9 = Esch, Konietzko, Schulz, Watts | length9 = 4:25 | title10 = Trust | writer10 = Konietzko, Schulz | length10 = 3:43 | title11 = Nihil | note11 = hidden at the end of "Trust" on the Wax Trax!/TVT release | writer11 = Konietzko | length11 = 2:04 }} ==Personnel== All information from 1995 release booklet except where noted.<ref name=Nihil-1995>{{cite AV media notes | title=Nihil | others=KMFDM | year=1995 | type=CD booklet | publisher=[[Wax Trax! Records]] | location=Chicago, Illinois}}</ref> ===Musicians=== *[[Sascha Konietzko]] β [[synthesizer]]s, [[Singing|vocals]] (1β7, 9β10), [[Bass guitar|bass]] (6), [[Drum kit|drums]] (10), [[Programming (music)|programming]] *[[En Esch]] β vocals (1β3, 5β8), [[Electric guitar|guitar]]s (1, 3, 6), drums (6, 9), percussion (2, 3), [[harmonica]] (5) *[[GΓΌnter Schulz]] β guitars, vocals (2, 6), bass (5), pre-production *[[Mark Durante]] β guitars (1, 5, 7, 9) *[[Raymond Watts]] β vocals (1β3, 5, 7, 9), bass (5), [[Drum machine|drum programming]] (5) ====Additional personnel==== *[[Dorona Alberti]] β vocals (4, 8, 10) *Jim Christiansen β [[trombone]] (7) *Jennifer Ginsberg β vocals (2) *Jeff Olson β [[trumpet]] (7) *[[Bill Rieflin]] β drums (1, 3, 7) *Fritz Whitney β [[Baritone saxophone|bari sax]] (7) ===Production=== *Sascha Konietzko β [[Audio engineering|engineering]], [[Audio mixing (recorded music)|mixing]], [[Record producer|production]] *[[Chris Shepard]] β engineering, production, mixing *Sam Hofstedt β assistant engineering *David Collins β [[Audio mastering|mastering]] *[[Francesca Sundsten]] β [[cover art]] *Chris Z β type (1995 release) *Justin Gammon β layout (2007 release)<ref name=nihil-2007/> ==References== {{reflist|30em}} ==External links== * ''[http://www.discogs.com/KMFDM-Nihil/master/8931 Nihil]'' at [[Discogs]] {{KMFDM}} {{Authority control}} [[Category:1995 albums]] [[Category:KMFDM albums]] [[Category:Wax Trax! Records albums]] [[Category:TVT Records albums]] [[Category:Metropolis Records albums]] [[Category:Albums produced by Sascha Konietzko]]
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