Editing One, Two, Three

{{short description|1961 film by Billy Wilder}}
{{About|the 1961 film|the 2008 Hindi film|One Two Three|other uses|1-2-3 (disambiguation){{!}}1-2-3}}
{{Use American English|date=January 2025}}
{{Use mdy dates|date=September 2024}}
{{Infobox film
| name           = One, Two, Three
| image          = One two three43.jpg
| caption        = Theatrical release poster by [[Saul Bass]]
| alt            = 
| director       = [[Billy Wilder]]
| producer       = Billy Wilder
| screenplay     = [[I. A. L. Diamond]]<br/>Billy Wilder
| based_on       = {{based on|Egy, kettő, három|[[Ferenc Molnár]]}}
| starring       = [[James Cagney]]<br />[[Horst Buchholz]]<br />[[Pamela Tiffin]]<br />[[Arlene Francis]]
| music          = [[André Previn]]
| cinematography = [[Daniel L. Fapp]]
| editing        = [[Daniel Mandell]]
| studio         = [[The Mirisch Company]]<br/>Pyramid Productions, A. G.
| distributor    = [[United Artists]]
| released       = {{Film date|1961|12|15|United States}}
| runtime        = 104 minutes<ref name="nytbosley"/>
| country        = United States
| language       = {{Plainlist|
* English
* German
* Russian
}}
| budget         = $3 million<ref name="tino">{{cite book |last=Tino |first=Balio |title=United Artists: The Company That Changed the Film Industry |publisher=[[University of Wisconsin Press]] |year=1987 |page=170 |isbn=978-0-2991-1440-4}}</ref> or $2 million<ref>{{cite magazine|accessdate=18 March 2023|url=https://archive.org/details/variety-1961-10/page/n4/mode/1up?q=%22pix+cost%22|magazine=Variety|title=Distributors & Exhibitors Rule|date=4 October 1961|page=5}}</ref>
| gross          = $4 million<ref name="tino"/>
}}
[[File:One Two Three trailer (1961).webm|thumb|thumbtime=164|Theatrical trailer.]]
'''''One, Two, Three''''' is a 1961 American [[Political film|political]] [[comedy film]] directed by [[Billy Wilder]], and written by Wilder and [[I. A. L. Diamond]]. It is based on the 1929 Hungarian one-act play ''Egy, kettő, három'' by [[Ferenc Molnár]], with a "plot borrowed partly from" ''[[Ninotchka]]'', a 1939 film co-written by Wilder.<ref name="time61"/><ref name="time2011"/>  The film stars [[James Cagney]], [[Horst Buchholz]], [[Liselotte Pulver]], [[Pamela Tiffin]], [[Arlene Francis]], [[Leon Askin]] and [[Howard St. John]].<ref>{{IMDb title|id=0055256|title=One, Two, Three}}.</ref> It would be Cagney's last film appearance until ''[[Ragtime (film)|Ragtime]]'' in 1981, 20 years later.<ref>{{cite magazine| url= http://www.time.com/time/printout/0,8816,961095,00.html| archive-url= https://archive.today/20120917122722/http://www.time.com/time/printout/0,8816,961095,00.html| url-status= dead| archive-date= September 17, 2012| title=It Was All Big&mdash;and It Worked&mdash;James Cagney: 1899-1986| magazine= [[Time (magazine)|Time]] | date= April 14, 1986| access-date= 2011-09-11| first= Richard |last=Lacayo | quote= It was Forman who directed Cagney in Ragtime, the 1981 film that brought him back into the public eye after two decades of retirement. After completing Billy Wilder's 1961 comedy ''One, Two, Three'', Cagney vowed to quit filmmaking.}}</ref><ref name=gabler>Neal Gabler (commentary), ''Reel 13'', March 29, 2008.</ref>

The film is primarily set in [[West Berlin]] during the [[Cold War]], but before the construction of the [[Berlin Wall]], and politics is predominant in the premise.<ref>{{cite book |title=Berlin: The New Capital in the East |last=Daum |first=Andreas W. |author-link=Andreas Daum | editor1-last=Trommler |editor1-first=Frank | year=2000 |chapter=America’s Berlin, 1945‒2000: Between Myths and Visions|url=https://www.aicgs.org/site/wp-content/uploads/2011/11/berlin.pdf |access-date=March 2, 2021}}</ref> The film is known for its quick pace.<ref>{{cite encyclopedia|url=http://www.glencoe-nts.org.uk/Three-Sisters-g.asp?page=129|title=One, Two, Three|encyclopedia=Encyclopædia Britannica|access-date=July 13, 2012|url-status=dead|archive-url=https://web.archive.org/web/20120608235029/http://www.glencoe-nts.org.uk/Three-Sisters-g.asp?page=129|archive-date=June 8, 2012}}</ref>

==Plot==
C.R. "Mac" MacNamara is a high-ranking executive in [[the Coca-Cola Company]], assigned to [[West Berlin]] after a business fiasco a few years earlier in the [[Middle East]] (about which he is still bitter). While based in [[West Germany]] for now, Mac is angling to become head of Western European Coca-Cola Operations, based in London. After working on an arrangement to introduce Coke into the [[Soviet Union]], Mac receives a call from his boss, W.P. Hazeltine, at [[Coca-Cola headquarters]] in [[Atlanta]]. Scarlett Hazeltine, the boss's hot-blooded but slightly dim 17-year-old [[socialite]] daughter, is coming to West Berlin. Mac is assigned the unenviable task of taking care of her.

An expected two-week stay extends into two months, and Mac discovers just why Scarlett is so enamored of West Berlin: she surprises him by announcing that she's married to Otto Piffl, a young [[East Germany|East German]] [[Socialist Unity Party of Germany|Communist]] with ardent anti-capitalistic views. When the Southern belle is confronted about her foolishness in the matter of helping him blow up anti-American "Yankee Go Home" balloons (how the couple met) she simply replies with, "It's not [[Anti-Americanism|''anti-American'']], it's ''anti-Yankee''. Where I come from, everybody's against the [[Yankee]]s."
{{multiple image
   | direction = vertical
   | width     = 150
   | footer    = 
   | image1    = James Cagney in Love Me or Leave Me trailer crop bw.jpg
   | alt1      = 
   | caption1  = [[James Cagney]] plays “Mac” MacNamara, who must host his boss's daughter and scheme to deal with crises that threaten his promotion to head of Coca-Cola European Operations.
   | image2    =Arlene Francis 1958.JPG
   | alt2      =
   | caption2  =[[Arlene Francis]] plays Mac’s exasperated wife, Phyllis, who tries to keep him honest amid the chaos.
   | image3    = Pamela_Tiffin_1965.JPG
   | alt3      = 
   | caption3  =[[Pamela Tiffin]] plays Scarlett Hazeltine, impulsive daughter of the Coca Cola CEO, who creates the crises that Mac must deal with during her stay in West Berlin.
   | image4    = WP Horst Buchholz.jpg
   | alt4      = 
   | caption4  =[[Horst Buchholz|Horst Buchholz]] as Otto Piffl, card-carrying Communist from East Berlin whose marriage to Scarlett must be made acceptable to her conservative parents from Atlanta, Georgia.
   }}

Mac tries to come to terms with letting his boss's daughter marry a Communist and learns the horrible truth: the couple are bound for [[Moscow]] to make a new life for themselves ("They've assigned us a magnificent apartment, just a short walk from the bathroom!"). Since Hazeltine and his wife are coming to Berlin to collect their daughter the next day, Mac deals with the disaster by bribing East German officials to steal Scarlett’s marriage certificate from the archives. Mac also frames the young Communist firebrand Otto, resulting in his being arrested by the [[Volkspolizei|East German police]], by planting on his motorcycle a "Russky Go Home" balloon and presenting him with a wedding present of an [[Uncle Sam]] cuckoo clock wrapped in the ''[[The Wall Street Journal|Wall Street Journal]]''. After Otto, during interrogation, is forced to listen endlessly to a cover of the song "[[Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini]]" (which is intentionally badly distorted as it plays) he cracks and signs a confession saying that he is an American spy.

Under pressure from his exasperated and disapproving wife Phyllis (who wants to take her family back to live in the US), and with the revelation that Scarlett is pregnant—and, worse, unmarried with her East German marriage certificate gone—Mac must now fix the mess he has created. He must restore the marriage certificate and bring Otto back with the help of his new Soviet business associates on whom Mac uses all his wiles, as well as his sexy secretary, Fräulein Ingeborg. With the boss on the way, he finds that his only chance is to turn Otto into a son-in-law in good standing&mdash;which means, among other things, making him a capitalist with an aristocratic pedigree (albeit contrived by adoption).

Mac arranges to have Otto adopted by an impoverished count, who now works as a washroom attendant and includes a photo of the family castle with the price of adoption (destroyed in the 17th century by the [[Ottoman Empire|Ottoman Turks]]). Scarlett is dubious that her father will be fooled by the ruse, but is reassured that her baby will now be part of [[Haemophilia|a long line of bleeders]], which will please her snobbish mother. In a frenetic race against time and the arrival of the Hazeltines' plane, Mac outfits Otto in complete paraphernalia befitting his new aristocratic status, while Otto rails against being forced to join the detested [[bourgeoisie]] (his [[Communist party|Communist Party]] membership is paid up through the year). Meanwhile, Scarlett and Mac coach Otto on how to speak to her conservative [[Southern United States|Southern]] father ("The [[American Civil War|Civil War]] was a draw...").

In the end, the Hazeltines approve of their new son-in-law, Otto, who Mac learns from Hazeltine will be named the new head of Western European Operations, with a disappointed Mac getting a promotion to VP of Procurement back in Atlanta. Mac reconciles with his family at the airport, and to celebrate his promotion, buys them Cokes from a vending machine. After handing out the bottles, he discovers that the last one actually is a [[Pepsi-Cola]].

==Cast==
{{castlist|
* [[James Cagney]] as C.R. "Mac" MacNamara
* [[Horst Buchholz]] as Otto Ludwig Piffl
* [[Pamela Tiffin]] as Scarlett Hazeltine
* [[Arlene Francis]] as Phyllis MacNamara
* [[Liselotte Pulver]] as Fräulein Ingeborg (Mac's secretary)
* [[Hanns Lothar]] as Schlemmer (Mac's assistant and henchman)
* [[Howard St. John]] as Wendell P. Hazeltine
* [[Leon Askin]] as Peripetchikoff
* [[Ralf Wolter]] as Borodenko
* [[Peter Capell]] as Mishkin
* [[Karl Lieffen]] as Fritz (Mac's chauffeur)
* [[Hubert von Meyerinck]] as Count Waldemar von Droste-Schattenburg
* [[Sig Ruman]] as the English voice of Count von Droste-Schattenburg 
* [[Loïs Bolton]] as Melanie Hazeltine
* [[Til Kiwe]] as Reporter
* [[Henning Schlüter]] as Dr. Bauer
* [[Karl Ludwig Lindt]] as Zeidlitz, Mac's lawyer
* [[Friedrich Hollaender]] as conductor of the hotel orchestra
}}

==Production==
[[File:Lichterfelde Hildburghauser Straße Coca-Cola-003.JPG|thumb|Former Coca-Cola headquarters in Hildburghauser Strasse 224, used in the film.]]
{{Quote| We knew that we were going to have a comedy, we [were] not going to be waiting for the laughs. But we had to go with Cagney, because Cagney was the whole picture. He really had the rhythm, and that was very good. It was not funny. But just the speed was funny ... The general idea was, let's make the fastest picture in the world ... And yeah, we did not wait, for once, for the big laughs.|source= —From ''Conversations with Wilder'' (1999, {{ISBN|0-375-40660-3}}) by [[Cameron Crowe]]<ref name="tcm"/>}}

Cagney decided to take the role primarily because it was to be shot in Germany: while growing up in Manhattan's [[Yorkville, Manhattan|Yorkville neighborhood]], he had had fond memories of the area, which was "teeming with [[German American#19th century|German immigrants]]."<ref name="tcm"/>  [[Horst Buchholz]] was a young European actor who had recently finished ''[[The Magnificent Seven]]'' with [[Yul Brynner]], [[Eli Wallach]] and [[Steve McQueen]]; during the production, he became the only actor that Cagney ever openly disliked.<ref name="tcm"/>

{{Quote | It is very interesting that not until the very end of my career did I meet an unco-operative fellow actor. As I review the pictures I’ve been in, I realize that each and every actor I worked with had a part in shaping my summary views on acting. We all worked together rewardingly with what I hope was mutual enrichment. I never had the slightest difficulty with a fellow actor until the making of ''One, Two, Three''. In that picture, Horst Buchholz tried all kinds of scene-stealing didoes, and I had to depend on Billy Wilder to take some steps to correct this kid. If Billy hadn't, I was going to knock Buchholz on his ass, which at several points I would have been very happy to do. |source= —From ''Cagney By Cagney'' (1976, {{ISBN|0-385-04587-5}}) }}

Wilder was filming in Berlin the morning the [[Berlin Wall#Construction|Berlin Wall went up]], forcing the crew to move to [[Munich]].<ref name="time2011"/> During [[principal photography]], Wilder received a call from [[Joan Crawford]], recently appointed to the board of directors of [[Pepsi-Cola]] following her husband [[Alfred Steele]]'s death.  In response to Crawford's protests over the use of the Coca-Cola brand in the film, Wilder scattered some references to Pepsi, including the final scene.<ref>{{cite book| title=Joan Crawford, A Biography| year=1978 | first= Bob |last= Thomas| author-link= Bob Thomas (reporter) | page=212| publisher=[[Simon & Schuster]]}}</ref> Some scenes were shot at [[Bavaria Film Studios]].<ref name="tcm"/><ref>[https://www.ardmediathek.de/video/br-retro/bavaria-filmstudios-1961-aufbau-brandenburger-tor-fuer-billy-wilder-satire/br-fernsehen/Y3JpZDovL2JyLmRlL3ZpZGVvLzI2NDIyOWUxLTVmYzYtNGVkZS04YTRhLTBjNWZhNzRkNWJlMQ remake of the Brandenburger Tor at Bavaria Filmstudios 1961] filmed 21.07.1961 by BR, 4 min. b/w </ref>

The theatrical release poster for the film, with a woman holding three balloons, was designed by [[Saul Bass]]. The Bass designed poster that Wilder originally intended for the film's release featured a United States style flag sticking out of a Coca-Cola-style bottle. The poster had to be replaced, however, when [[Coca-Cola]] threatened legal action against [[United Artists]] for copyright infringement.<ref>Kirkham, Pat & Jennifer Bass (2011) ''Saul Bass: A Life in Film & Design''(p. 158). London: Laurence King</ref>

==Soundtrack==
[[Aram Khachaturian]]'s lively "[[Sabre Dance]]" marks the moments when Mac moves into energetic action (Ingeborg's table dance at Grand Hotel Potemkin and car chase) and is also played during the opening credits.{{Citation needed|date=September 2011}} The "[[Ride of the Valkyries]]" is played on the way to the Grand Hotel Potemkin. The conductor of the orchestra sings a German language version of "[[Yes! We Have No Bananas]]" on the arrival of Mac at the Grand Hotel Potemkin.

==Release==
When the movie opened, it came with a spoken preface by Cagney, added by Wilder:

<blockquote>On Sunday, August 13th, 1961, the eyes of America were on the nation's capital, where [[Roger Maris#1961|Roger Maris]] was [[1961 New York Yankees season|hitting home runs No. 44 and 45]] against the [[Washington Senators (1961–71)|Senators]]. On that same day, without any warning, the East German Communists sealed off the border between East and West Berlin. I only mention this to show the kind of people we're dealing with&mdash;''real shifty''.<ref name="time2011"/></blockquote>

==Reception==

===Critical response===
Critic [[Bosley Crowther]] applauded the work of Cagney and wrote,

<blockquote>With all due respect for all the others, all of whom are very good—Pamela Tiffin, a new young beauty, as Scarlett; Horst Buchholz as the East Berlin boy, Lilo Pulver as a German secretary, Leon Askin as a Communist stooge and several more—the burden is carried by Mr. Cagney, who is a good 50 per cent of the show. He has seldom worked so hard in any picture or had such a browbeating ball. His fellow is a free-wheeling rascal. His wife (Arlene Francis) hates his guts. He knows all the ways of beating the rackets and has no compunctions about their use. He is brutishly bold and brassy, wildly ingenious and glib. Mr. Cagney makes you mistrust him—but he sure makes you laugh with him.  And that's about the nature of the picture. It is one with which you can laugh&mdash;with its own impudence toward foreign crises&mdash;while laughing at its rowdy spinning jokes.<ref name="nytbosley"/></blockquote>

''[[Time (magazine)|Time]]'' magazine called it a "yell-mell, hard-sell, [[Mack Sennett|Sennett]]-with-a-sound-track satire of [[Iron Curtain|iron curtains]] and [[Color line (civil rights issue)|color lines]], of people's demockeracy, [[Cocacolonization|Coca-Colonization]], peaceful {{sic|noexistence}}, and the Deep Southern concept that all facilities are created separate but equal."<ref name="time61"/>  ''Time'' notes Wilder "purposely neglects the high precision of hilarity that made ''[[Some Like It Hot]]'' a screwball classic and ''[[The Apartment]]'' a peerless comedy of officemanship. But in the rapid, brutal, whambam style of a man swatting flies with a pile driver, he has produced a sometimes {{sic|beWildered|nolink=y}}, often wonderfully funny exercise in nonstop nuttiness." The film won kudos from the staff at ''[[Variety (magazine)|Variety]].'' They wrote, "Billy Wilder's ''One, Two, Three'' is a fast-paced, high-pitched, hard-hitting, lighthearted farce crammed with topical gags and spiced with satirical overtones. Story is so furiously quick-witted that some of its wit gets snarled and smothered in overlap. But total experience packs a considerable wallop."<ref>[https://www.variety.com/review/VE1117793729.html?categoryid=31&cs=1&p=0 ''Variety'']. Film review, 1961. Last accessed: January 31, 2008.</ref> [[Pauline Kael]], on the other hand, dismissed the film as a tiresome succession of stale and inane gags. She was also bemused by what seemed to her the forced enthusiasm of the favorable reviews.{{citation needed|date=June 2023}}

According to [[J. Hoberman]], screenwriter [[Abby Mann]] (who wrote ''[[Judgment at Nuremberg]]'') "deemed Wilder's [film] so tasteless, he felt obliged to apologize for it at the [[Moscow Film Festival]]."<ref name="time2011"/>

===Box office===
''One, Two, Three'' did not do well at either the U.S. or German box office. The lighthearted East-West Berlin story felt much more sinister at the release, since the [[Berlin Wall]] had been built after [[principal photography]] began.<ref name="spiegel"/> It earned rentals over $2 million in the US and Canada. <ref>{{cite magazine|url=https://archive.org/details/variety-1963-01/page/n69/mode/2up?q=1963|magazine=Variety|date=9 Jan 1963|page=13|title=Big Rental Pictures of 1962}} Please note these are rentals and not gross figures</ref>

The film recorded a loss of $1.6 million.<ref name="tino"/> However, it was re-released in 1985 in France and West Germany and became a box office success, especially in West Berlin.<ref name="spiegel"/>

===Censorship===
''One, Two, Three'' was banned in Finland, which had a policy of [[Finlandization]], from 1962 to 1986 on "political" grounds — it was feared that the film would harm relations between Finland and the Soviet Union.<ref>{{Cite web |url=http://www.elonet.fi/title/ek308l/tarkastus |title=ELONET — Tarkastustiedot: One, Two, Three (1961). |access-date=2013-09-21 |archive-url=https://web.archive.org/web/20130923074749/http://www.elonet.fi/title/ek308l/tarkastus |archive-date=2013-09-23 |url-status=dead }}</ref><ref>{{cite web|url=http://www.elonet.fi/title/ek308l/tarkastus|title=One, Two, Three|work=Elonet|access-date=2015-02-16|archive-url=https://web.archive.org/web/20130923074749/http://www.elonet.fi/title/ek308l/tarkastus|archive-date=2013-09-23|url-status=dead}}</ref><ref name="google5">{{cite book|url=https://books.google.com/books?id=QktG6a4YnQYC&pg=PA98 |title=Historical Dictionary of Scandinavian Cinema |author=John Sundholm |page=98 |date=2012-09-20 |publisher=Scarecrow Press |access-date=2016-01-11|display-authors=etal|isbn=9780810878990 }}</ref> United Pictures Finland tried to get the film released theatrically in 1962, 1966 and 1969 but it was only in 1986 that the [[Finnish Board of Film Classification]] allowed the film to be distributed.

===Awards===
'''Nominations'''
* [[Academy Awards]]: Oscar, Best Cinematography, Black-and-White, [[Daniel L. Fapp]]; 1962.
* [[Golden Globes]]: Golden Globe, Best Motion Picture – Comedy; Best Supporting Actress, Pamela Tiffin; 1962.
* [[Laurel Awards]]: Golden Laurel, Top Comedy, 4th place; Top Male Comedy Performance, James Cagney, 4th place; 1962.
* [[Writers Guild of America Award]]s: Best Written American Comedy (Screen), Billy Wilder and I.A.L. Diamond; 1962.

===Homages and references===
* The film makes several references to Cagney's earlier films, including a Cagney impression from [[Red Buttons]], and the grapefruit-to-the-face incident from ''[[The Public Enemy]]''. Additionally, the cuckoo clock in MacNamara's office plays "[[Yankee Doodle Dandy]]". Cagney also refers to his contemporary [[Edward G. Robinson]] by using Robinson's line "Mother of Mercy, is this the end of Rico?" from ''[[Little Caesar (film)|Little Caesar]]'', which was a competitor of ''The Public Enemy''.
* The [[Cold War]] is referenced, with one joke spoken by an ''[[apparatchik]]'' seeming to foreshadow the [[Cuban Missile Crisis]]: "We have trade agreement with Cuba: they send us [[Cuban cigar#Cuban cigars|cigars]], we send them rockets."<ref name="time2011"/> When Cagney's character retorts that they are "pretty crummy cigars," the Russian replies that they send the Cubans "pretty crummy rockets."
* Cagney noted that he quit Hollywood after this film due to fatigue from an inordinate number of lines in a lengthy movie helmed by a demanding Wilder and to a feeling of jealousy when he heard from a friend about to set off on a leisurely yachting trip.<ref name=gabler/>
* In the 2015 [[Steven Spielberg]]-directed film about an incident in the cold war, ''[[Bridge of Spies (film)|Bridge of Spies]]'', there is a scene with a Berlin movie-house showing the film ''Eins, Zwei, Drei'' in the background.

==Re-releases==
''One, Two, Three'' aired on ''[[The ABC Sunday Night Movie]]'' on January 31, 1965.<ref>{{cite magazine| url= http://www.time.com/time/magazine/article/0,9171,839139,00.html | archive-url= https://web.archive.org/web/20100715115653/http://www.time.com/time/magazine/article/0,9171,839139,00.html | url-status= dead | archive-date= July 15, 2010 | title=Television: Jan. 29, 1965 | magazine= [[Time (magazine)|Time]] | date= January 29, 1965| access-date= 2011-09-11}}</ref> It was received enthusiastically in Germany upon its 1985 re-release in cinemas.<ref name="spiegel"/> ''One, Two, Three'' was given a grand re-première at a large outdoor showing in West Berlin which was broadcast simultaneously on television. The film went on to spend a year in West Berlin cinemas, where it was rediscovered by West Berlin citizens.

==See also==
* [[List of American films of 1961]]

==References==
{{Reflist|2|refs=
<ref name="spiegel">{{cite web| first=Martin |last= Wolf| date= 10 August 2008 | url= http://einestages.spiegel.de/static/topicalbumbackground/2446/cola_gegen_kommunisten.html | title= Billy Wilder und der Kalte Krieg: Cola gegen Kommunisten | work= [[Spiegel Online]] |trans-title=Billy Wilder and the Cold War: Cola Against Communists | location= Germany | access-date= 2011-09-11 |quote=''Eins, zwei, drei'' widerfuhr historische Gerechtigkeit: Als der Film 1985 erneut in die Kinos kam, wurde er zum Publikumshit, vor allem in West-Berlin.|language=de}}</ref> 
<ref name="nytbosley">{{cite web| url= https://movies.nytimes.com/movie/review?res=9D07E0DF153AE13ABC4A51DFB467838A679EDE| title=Berlin Laughter: ''One, Two, Three'' Is at Astor and Fine Arts| series= NYT Critics' Pick|  last=Crowther | first=Bosley | author-link= Bosley Crowther| work=[[The New York Times]] | date= December 22, 1961 | access-date= 2008-01-31}}</ref>
<ref name="time61">{{cite magazine| url= http://www.time.com/time/magazine/article/0,9171,895803,00.html | archive-url= https://web.archive.org/web/20110205020730/http://www.time.com/time/magazine/article/0,9171,895803,00.html | url-status= dead | archive-date= February 5, 2011 | title=BeWildered Berlin | magazine= [[Time (magazine)|Time]] | date= December 8, 1961| access-date= 2011-09-11}}</ref>
<ref name="time2011">{{cite magazine| first= Richard | last= Corliss| author-link=Richard Corliss | url= https://entertainment.time.com/2011/08/11/top-10-berlin-wall-movies/slide/one-two-three-1961/ | title=One, Two, Three (1961) | series = Top 10 Berlin Wall Movies| magazine= [[Time (magazine)|Time]] | date= July 27, 2024| access-date= 2024-07-27}}</ref>
<ref name="tcm">{{cite web| url= https://www.tcm.com/tcmdb/title/17693/one-two-three#articles-reviews | title= Articles | publisher= [[Turner Classic Movies]] | first=Paul |last= Tatara | access-date= 2011-09-11}}</ref>
}}

{{wikiquote|One, Two, Three}}

==External links==
{{commons category|One, Two, Three}}
* {{IMDb title|id=0055256|title=One, Two, Three}}
* {{tcmdb title|id=17693|title=One, Two, Three}}
* {{YouTube|mwPqbnKXTLY|''One, Two, Three'' scenes}}

{{Billy Wilder|state=expanded}}
{{The Coca-Cola Company}}

[[Category:1961 films]]
[[Category:1961 comedy films]]
[[Category:1960s English-language films]]
[[Category:1960s political comedy films]]
[[Category:1960s satirical films]]
[[Category:American black-and-white films]]
[[Category:American political comedy films]]
[[Category:American satirical films]]
[[Category:Coca-Cola in popular culture]]
[[Category:Cold War films]]
[[Category:Defection in fiction]]
[[Category:English-language political comedy films]]
[[Category:Films based on works by Ferenc Molnár]]
[[Category:Films directed by Billy Wilder]]
[[Category:Films scored by André Previn]]
[[Category:Films set in Berlin]]
[[Category:Films shot in Berlin]]
[[Category:Films shot in Munich]]
[[Category:Films shot at Bavaria Studios]]
[[Category:Films with screenplays by Billy Wilder]]
[[Category:Films with screenplays by I. A. L. Diamond]]
[[Category:United Artists films]]
[[Category:Films set in West Germany]]
[[Category:Films set in East Germany]]
[[Category:1960s American films]]