Editing Rabbit of Seville

{{short description|1950 Looney Tunes theatrical cartoon short}}
{{Use mdy dates|date=March 2025}}
{{Infobox film
| image = Rabbit_of_Seville_Titles.jpg
| caption = Title card
| director = [[Chuck Jones|Charles M. Jones]]
| story = [[Michael Maltese]]
| animator = {{ubl|[[Phil Monroe]]|[[Ben Washam]]|[[Lloyd Vaughan]]|[[Ken Harris]]|[[Emery Hawkins]]}}
| layout_artist = [[Robert Gribbroek]]
| background_artist = Philip De Guard
| starring = [[Mel Blanc]] (credited)<br>[[Arthur Q. Bryan]] (uncredited)
| music = [[Carl Stalling]]
| studio = [[Warner Bros. Cartoons]]
| distributor = {{ubl|[[Warner Bros. Pictures]]|[[The Vitaphone Corporation]]}}
| released = {{film date|1950|12|16|U.S.}}
| color_process = [[Technicolor]]
| runtime = 7:31
| language = English
}}

'''''Rabbit of Seville''''' is a [[Warner Bros.]] ''[[Looney Tunes]]'' theatrical [[Animated cartoon|cartoon]] short released on December 16, 1950.<ref name=Beck>{{cite book |last1=Beck |first1=Jerry |last2=Friedwald |first2=Will |title=Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons |date=1989 |publisher=Henry Holt and Co |isbn=0-8050-0894-2 |page=217}}</ref> It was directed by [[Chuck Jones]] and written by [[Michael Maltese]], and features [[Bugs Bunny]] and [[Elmer Fudd]].<ref>{{cite book |last1=Lenburg |first1=Jeff |title=The Encyclopedia of Animated Cartoons |date=1999 |publisher=Checkmark Books |isbn=0-8160-3831-7 |access-date=6 June 2020 |url=https://archive.org/details/isbn_9780816038312/page/60/mode/2up |pages=60–61}}</ref> The nonstop [[slapstick]] humor in the short is paced musically around the overture to Italian composer [[Gioachino Rossini]]'s 1816 [[opera buffa]] ''[[The Barber of Seville]]''.<ref>[https://www.operagr.org/remembering-the-classic-rabbit-of-seville/ "Remembering the classic 'Rabbit of Seville'"], originally posted April 20, 2017 by the Opera Grand Rapids, Betty Van Andel Opera Center, Grand Rapids, Michigan. Retrieved April 11, 2022.</ref> In 1994, ''Rabbit of Seville'' ranked number 12 in a list of "[[The 50 Greatest Cartoons]]" released in North America during the 20th century, a ranking compiled from votes cast by 1,000 artists, producers, directors, voice actors, and other professionals in the field of animation.<ref name="Beck1994">{{cite book |last1=Beck |first1=Jerry |title=The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals |date=1994 |publisher=Turner Publishing |isbn=978-1878685490}}</ref>

==Plot==
A local amphitheater bustles with spectators to view a rendition of ''[[The Barber of Seville]]''. Amidst the tranquil setting, Bugs Bunny is chased by hunter Elmer Fudd, traversing from the distant hills to the theater's backstage. Bugs raises the curtain, revealing Elmer to the audience.

Exploiting the theatrical milieu to his advantage, Bugs assumes various guises from the opera to outwit Elmer, from a temptress to a snake charmer and, in particular, a barber.

As the absurd escapade unfolds, a cacophony of comedic chaos ensues, culminating in a farcical exchange of increasingly outlandish weaponry. From pedicures to peculiar grooming rituals, Bugs subjects Elmer to a series of ludicrous predicaments.

In a climactic flourish, Bugs orchestrates a mock wedding ceremony, symbolizing the culmination of their absurd escapade. After the wedding, Bugs carries Elmer high into the rafters, opens the door to a prop house, and drops Elmer into the wedding cake reserved for the opera's second act far below. Bugs then chomps on a carrot and says "Ehhh... next!"

==Production==
In a plotline reminiscent of ''[[Stage Door Cartoon]]'', ''Rabbit of Seville'' features [[Bugs Bunny]] being chased by [[Elmer Fudd]] into the stage door of the [[Hollywood Bowl]], whereupon Bugs tricks Elmer into going onstage, and participating in a break-neck operatic production of their chase punctuated with gags and accompanied by musical arrangements by [[Carl Stalling]], focusing on [[Gioachino Rossini|Rossini's]] overture to the 1816 opera ''[[The Barber of Seville]]''.

In Stalling's arrangement, the overture's basic structure is kept relatively intact; some repeated passages are removed and the overall piece is conducted at a faster tempo to accommodate the cartoon's standard running length. In a short sequence where Bugs' scalp massage follows a piano solo, the character's hands are shown with five fingers, instead of his usual four, so the character can believably follow the tune.  In 1994 it was voted No. 12 of the [[50 Greatest Cartoons]] of all time by members of the animation field.<ref name="Beck1994"/>

The ''"Barber of Seville"'' poster that appears at the start of the film features three names: Eduardo Selzeri, Michele Maltese, and Carlo Jonzi, which are Italianized versions of the names of the producer ([[Edward Selzer]]), writer ([[Michael Maltese]]), and director ([[Chuck Jones]]) of the film.<ref name="bcdb">"[https://archive.today/20130110171205/http://www.bcdb.com/cartoon_information/91-Rabbit_Of_Seville.html Rabbit Of Seville Production Information]". ''bcdb.com'',  March 27, 2010</ref>

==Reception==
Animation historian [[Greg Ford]] writes, "Chuck Jones' two most beloved operatic extravaganzas starring Bugs Bunny, ''[[What's Opera, Doc?]]'' (1957) and ''Rabbit of Seville'', veer down somewhat different paths stylistically. ''What's Opera, Doc?'' relies on a more removed, high-concept graphic sense and the shock effect of [[Maurice Noble]]'s splendidly expressionistic set design. The humor of ''Rabbit of Seville'', staged against [[Robert Gribbroek]]'s straightforward backgrounds, depends more exclusively on the cartoon's intense synchronization whereby every bit of slapstick action, mini-movement by mini-movement, links to the accompanying Rossini score. In ''Seville'', Jones was really harking back to an older Warner Bros. legacy: director [[Friz Freleng]]'s ''[[Rhapsody in Rivets]]'' (1941) and ''[[Pigs in a Polka]]'' (1943), perhaps the two most insistently '[[Mickey Mousing|Mickey Moused]]' (perfectly synched) musical cartoons ever made."<ref>{{cite book |editor1-last=Beck |editor1-first=Jerry |title=The 100 Greatest Looney Tunes Cartoons |date=2020 |publisher=Insight Editions |isbn=978-1-64722-137-9 |page=150}}</ref>

==Home media==
''Rabbit of Seville'' is available, uncut and digitally remastered, on disc 1 of ''[[Looney Tunes Golden Collection: Volume 1]]'', disc 1 of ''[[The Essential Bugs Bunny]]'', on disc 1 of ''[[Looney Tunes Platinum Collection: Volume 1]]'', and on disc 2 of ''[[Bugs Bunny 80th Anniversary Collection]]''.

==References==
*Lawrence Van Gelder, [https://www.nytimes.com/1999/10/22/movies/film-review-with-that-wascally-wabbit-that-s-not-all-folks.html With That Wascally Wabbit, That's Not All, Folks], ''NY Times'',  October 22, 1999
*Richard Freedman, [https://web.archive.org/web/20070930155442/http://www.andante.com/article/article.cfm?id=16374 What's Opera, Doc?], ''Adante Magazine'', March 2002

===Notes===
{{Reflist}}

==External links==
{{wikiquote}}
*{{IMDb title|0042871}}

{{s-start}}
{{succession box |
before= [[Bushy Hare]] |
title= [[List of Bugs Bunny cartoons|Bugs Bunny Cartoons]] |
years= 1950 |
after= [[Hare We Go]]|}}
{{s-end}}

{{Bugs Bunny in animation}}
{{Elmer Fudd in animation}}
{{Chuck Jones}}
{{Figaro Trilogy}}
{{Authority control}}

[[Category:1950 films]]
[[Category:1950s Warner Bros. animated short films]]
[[Category:Short films directed by Chuck Jones]]
[[Category:Looney Tunes shorts]]
[[Category:Cross-dressing in American films]]
[[Category:Films based on The Barber of Seville]]
[[Category:1950 musical comedy films]]
[[Category:American musical comedy films]]
[[Category:Films scored by Carl Stalling]]
[[Category:Bugs Bunny films]]
[[Category:Elmer Fudd films]]
[[Category:Films with screenplays by Michael Maltese]]
[[Category:1950s English-language films]]
[[Category:Animated films set in a theatre]]
[[Category:English-language comedy short films]]
[[Category:English-language musical comedy films]]
[[Category:1950 animated short films]]
[[Category:American musical short films]]