Editing Simon Vouet

{{Short description|French painter (1590–1649)}}
{{Infobox artist
| name          = Simon Vouet
| image         = Vouet-autoportrait-lyon.jpg
| caption       = Self-portrait (c. 1626–1627) <br>[[Musée des Beaux-Arts de Lyon]]
| birth_name    = 
| birth_date    = {{Birth date|1590|1|9|df=y}}
| birth_place   = [[Paris]], France
| death_date    = {{Death date and age|1649|6|30|1590|1|9|df=y}}
| death_place   = Paris, France
| nationality   = 
| field         = [[Painting]], [[Drawing]]
| training      = Father's studio, years in Italy (1613–1627)
| movement      = [[Baroque painting|Baroque]]
| works         = 
| patrons       = [[Louis XIII]], [[Cardinal Richelieu]]
}}
'''Simon Vouet''' ({{IPA|fr|simɔ̃ vwɛ}}; 9 January 1590 – 30 June 1649) was a [[French language|French]] painter who studied and rose to prominence in Italy before being summoned by [[Louis XIII of France|Louis XIII]] to serve as [[Premier peintre du Roi]] in [[France]]. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including [[Armand Jean du Plessis de Richelieu|Richelieu]]. During this time, "Vouet was indisputably the leading artist in Paris,"<ref name="Posner">Posner, Donald. "''The Paintings of Simon Vouet'' " (book review), ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291.</ref> and was immensely influential in introducing the Italian [[Baroque painting|Baroque style of painting]] to France. He was also, according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to [[Annibale Carracci]] and [[Giovanni Lanfranco|Lanfranco]]."<ref>Rosenberg, Pierre."''Musée du Louvre, Cabinet des Dessins, Inventaire général des dessins, École française, Dessins de Simon Vouet 1590–1649'' by Barbara Brejon de Lavergnée" (book review). ''Master Drawings'', Vol. 25, No. 4 (Winter, 1987), p. 414.</ref>

==Career==
Simon Vouet was born on January 9, 1590, in Paris.<ref>{{Britannica|633069}}</ref> His father Laurent was a painter in Paris and taught him the rudiments of art. Simon's brother [[Aubin Vouet]] was also a painter, as also was Simon's wife [[Virginia da Vezzo]], their son Louis-René Vouet, their two sons-in-law, [[Michel Dorigny]] and [[François Tortebat]], and their grandson [[Ludovico Dorigny]].[[File:Virginia da Vezzo, the Artist's Wife, as the Magdalen LACMA M.83.201.jpg|thumbnail|left|260px|''Virginia da Vezzo, the Artist's Wife, as the Magdalen'' (c. 1627), [[LACMA]]]]
 
Simon began his career as a portrait painter. At age 14 he travelled to England to paint a commissioned portrait and in 1611 was part of the entourage of the [[Achille de Harlay de Sancy|Baron de Sancy]], French ambassador to the Ottoman Empire, for the same purpose.  From [[Constantinople]] he went to Venice in 1612 and was in Rome by 1614.<ref name="Lavergnee">Brejon de Lavergnée, Barbara. 'Simon Vouet', ''Oxford Art Online''.</ref><ref>{{cite web|url=https://www.nga.gov/content/ngaweb/Collection/artist-info.1959.html|title=Artist Info|website=www.nga.gov|access-date=20 April 2018}}</ref>

[[File:Simon Vouet - David with the Head of Goliath - Google Art Project.jpg|thumbnail|260px|[http://www.museidigenova.it/it/content/david-con-la-testa-di-golia-1620-1622 ''David with the Head of Goliath''] (1620–1622), [[Palazzo Bianco]], Genoa]]He remained in Italy until 1627, mostly in Rome where the [[Baroque]] style was becoming dominant. He received a pension from the King of France and his patrons included the [[Barberini family]], [[Cassiano dal Pozzo]], [[Paolo Giordano II Orsini|Paolo Giordano Orsini]] and [[Vincenzo Giustiniani]].<ref name="Lavergnee" /> He also visited other parts of Italy: Venice; Bologna (where the [[The Carracci|Carracci family]] had their academy); Genoa (where, from 1620 to 1622, he worked for the [[Doria (family)|Doria princes]]); and Naples. 

He was a natural [[Academic art|academic]], who absorbed what he saw and studied, and distilled it in his painting: [[Michelangelo Merisi|Caravaggio]]'s dramatic lighting; Italian Mannerism; [[Paolo Veronese]]'s color and ''[[di sotto in su]]'' or foreshortened perspective; and the art of [[Annibale Carracci|Carracci]], [[Guercino]], [[Giovanni Lanfranco|Lanfranco]] and [[Guido Reni]].

While in Rome he befriended artist [[Artemisia Gentileschi|Artimesia Gentileschi]] and painted her portrait in 1623.<ref>{{Cite web |last=Universalis |first=Encyclopædia |title=ARTEMISIA GENTILESCHI |url=https://www.universalis.fr/encyclopedie/artemisia-gentileschi/ |access-date=2022-12-11 |website=Encyclopædia Universalis |date=25 July 2012 |language=fr-FR}}</ref>

Vouet's immense success in Rome led to his election as president of the [[Accademia di San Luca]] in 1624.<ref name="Bissell">{{cite journal|last1=Bissell|first1=R. Ward|author-link1=R. Ward Bissell|title=Simon Vouet, Raphael, and the Accademia di San Luca in Rome|journal=Artibus et Historiae|date=2011|volume=32|issue=63|pages=55–72|jstor=41479737}}</ref> His most prominent official commission of the Italian period was an altarpiece for St Peter's in Rome (1625–1626), destroyed at some time after 1725 (though fragments remain.)<ref name=Bozzetto>Schleier, Erich. "A Bozzetto by Vouet, Not by Lanfranco." ''The Burlington Magazine'', Vol. 109, No. 770 (May, 1967), pp. 272, 274–276.</ref>

[[File:Giuditta e Oloferne - Vezzi.png|thumbnail|260px|left|''Judith with the Head of Holofernes'' (c. 1624–1626) painted by [[Virginia da Vezzo]], the first wife of Simon Vouet, at the [[Musée des Beaux-Arts de Nantes]]]]In response to a royal summons, Vouet returned to France in 1627, where he was made [[Premier peintre du Roi]]. [[Louis XIII]] commissioned portraits, tapestry cartoons and paintings from him for the [[Louvre|Palais du Louvre]], the [[Luxembourg Palace|Palais du Luxembourg]] and the [[Château de Saint-Germain-en-Laye]]. In 1632, he worked for [[Armand Jean du Plessis de Richelieu|Cardinal Richelieu]] at the [[Palais-Royal]] and the [[Château de Malmaison]]. In 1631 he decorated the château of the président de Fourcy, at Chessy, the hôtel Bullion, the château of [[Antoine Coiffier de Ruzé, marquis d'Effiat|Marshal d'Effiat]] at [[Chilly-Mazarin|Chilly]], the hôtel of the Duc d’Aumont, the Séguier chapel, and the gallery of the [[Château de Wideville]].

Today, a number of Vouet's paintings are lost, and "only two major decorative schemes survive, those for the chateaux of Colombes and Chessy,"<ref name="LavergnéeExhibitReview" /> but the details and imagery of many lost works are known from engravings by [[Michel Dorigny]], [[François Tortebat]], and [[Claude Mellan]].<ref name="Lavergnee" />

==Personal life==
[[File:Family Tree of the artist Simon Vouet.jpg|thumb|260px|Vouet family tree, simplified to show those known to be artists: Simon and his father, brother, wife, son, sons-in-law, and grandson]]In 1626 he married [[Virginia Vezzi|Virginia da Vezzo]], "a painter in her own right... known for her beauty,"{{r|Crelly|p=10}} who modeled as the Madonna and female saints for Vouet's religious commissions. The couple would have five children. Virginia Vouet died in France in 1638. Two years later Vouet married a French widow, Radegonde Béranger, with whom he had three more children.{{r|Crelly|p=13}}

==Legacy==
[[File:Vouet--St Francis of Paola resuscitating a child--1648--Quebec-- église-Saint-Henri-de-Lévis.jpg|thumb|260px|[[Francis of Paola|''St Francis of Paola'']] ''Resuscitating a Child'' (1648), L'église-Saint-Henri de Lévis, Quebec, "the apogee of French seventeenth-century painting."]]
As one art historian writes, "When Vouet returned to Paris in 1627, French art was painfully provincial and, by Italian standards, more than a quarter of a century behind the times. Vouet introduced the latest fashions, educated a group of talented young artists—and the public as well—and brought Paris up to date."<ref name="Posner" />

Vouet's style became uniquely his own, but was distinctly Italian, importing the Italian Baroque into France. A French contemporary, lacking the term "Baroque," said, "In his time the art of painting began to be practiced here in a nobler and more beautiful way than ever before." In his anticipation of the "two-dimensional, curvilinear freedom of rococo compositions a hundred years later...Vouet should perhaps be counted among the more important sources of eighteenth-century painting."{{r|Crelly|p=60}} In his works for the French royal court, "Vouet's importance as a formulator of official decorations is in some ways comparable to that of [[Rubens]]."{{r|Crelly|p=85}}

[[File:Vouet-Dorignt--Anne of Austria initials--grotesques--1647.jpg|thumb|left|An engraving by [[Michel Dorigny]] reproduces a section of the elaborate murals Vouet painted in the Palais-Royal in Paris for [[Anne of Austria]], a decorative scheme no longer extant.]]
Vouet's sizeable ''atelier'' or workshop produced a whole school of French painters for the following generation. His most influential pupil was [[Charles le Brun]], who organized all the interior decorative painting at [[Palace of Versailles|Versailles]] and dictated the official style at the court of [[Louis XIV of France]], but who jealously excluded Vouet from the [[Académie royale de peinture et de sculpture|Académie Royale]] in 1648.
 
Vouet's other students included [[Valentin de Boulogne]] (the main figure of the French [[Michelangelo Merisi|"''Caravaggisti''"]]), [[François Perrier (painter)|François Perrier]], [[Nicolas Chaperon]], [[Michel Corneille the Elder]], [[Charles Poërson]], [[Pierre Daret]], [[Charles Alphonse du Fresnoy]], [[Pierre Mignard]], [[Eustache Le Sueur]], [[Claude Mellan]], the Flemish artist [[Abraham Willaerts]], [[Michel Dorigny]], and [[François Tortebat]]. These last two became his sons-in-law. [[André Le Nôtre]], the garden designer of [[Versailles]], was a student of Vouet. Also in Vouet's circle was a friend from his Italian years, [[Claude Vignon]].

During his lifetime, writes Arnaud Brejon de Lavergnée, "Vouet's stature increased continually, his paintings becoming ever more beautiful, particularly in the last decade." But, "although his career was as brilliant as can be imagined," Vouet "played no role in the foundation of the [[Académie Royale]]" that was to be so dominant after his death, "and was neglected by the biographers and more influential amateurs. Between 1660 and 1690 only [[Poussin]] and [[Rubens]] were taken seriously...and later generations drew their own conclusions from this." Further eroding his legacy, "Vouet was undoubtedly at his greatest in these ensembles [his magnificent decorative schemes for chateaux and churches], most of which were destroyed during the [[French Revolution|Revolution]]" of the next century.<ref name="LavergnéeExhibitReview">Brejon de Lavergnée, Arnauld. "Paris: Vouet at the Grand Palais" (review of the exhibition). ''The Burlington Magazine'', Vol. 133, No. 1055 (Feb. 1991), pp. 136–140.</ref>

Though never entirely forgotten by connoisseurs and collectors (such as [[William Suida]]), Vouet fell into a relative obscurity that was not remedied until William R. Crelly's monograph of 1962,<ref name=Crelly /> and then by the major retrospective of Vouet's work at the Grand Palais in Paris in 1990–1991 with its colloquium<ref name="Loire">Loire Stéphane, editor. ''Simon Vouet: actes du colloque international Galeries nationales du Grand Palais, 5-6-7 février 1991'', Paris: Publication Information, c1992.</ref> and catalogue,<ref name="Thuillier">Thuillier, Jacques. ''Vouet: Galeries nationales du Grand Palais, Paris, 6 novembre 1990-11 février 1991'' (catalogue of the exhibition). Paris: Réunion des musées nationaux, c. 1990.</ref> which Brejon de Lavergnée says fulfilled "its aim of rehabilitating the artist."<ref name="LavergnéeExhibitReview" /> "The Simon Vouet retrospective…is still vividly remembered. Since then, studies of the painter, his circle and his students have abounded, defining the image of the artist and his workshop ever more clearly."<ref>{{cite web |url= http://www.thearttribune.com/Simon-Vouet-the-Italian-years-1613.html |author=Rykner, Didier |title = Simon Vouet: The Italian Years 1613/1617 (review of the exhibit) |access-date= 2019-10-24 |publisher= thearttribune.com }}</ref>

The exhibition's organizer, Jacques Thuillier, "is surely justified in claiming the altarpiece of the ''Presentation of Jesus in the Temple'' as among the greatest masterpieces of seventeenth-century monumental painting," writes Brejon de Lavergnée, who further asserts that in the artist's works of the 1640s, such as ''Saint Francis of Paola Resuscitating a Child'', "one can see Vouet concluding his career with pictures of an immense gravity informed by an intense spiritual energy. Images of the greatest force, these paintings constitute the apogee of French seventeenth-century painting."<ref name="LavergnéeExhibitReview" />

<gallery mode="packed" heights="220px">
File:Simon Vouet--Two Modelli for Altarpiece in St-Peters--1625--LACMA.jpg|''Two Modelli for Altarpiece in St. Peter's'' (1625), [[LACMA]]
</gallery>

==Exhibitions==
*1967: ''Vouet to Rigaud: French Masters of the Seventeenth Century'', Finch College Museum of Art, New York, 20 April 1967 – 18 June 1967.
*1971: ''Simon Vouet 1590–1649: First Painter to the King'', University of Maryland Art Gallery, College Park, MD, 18 February 1971 – 28 March 1971.
*1990–1991: ''Vouet'', Galeries Nationales of the [[Grand Palais]], Paris, 6 November – 11 February 1991; a major retrospective of Simon Vouet's work.
*1991: ''Simon Vouet : 100 neuentdeckte Zeichnungen'', [[Neue Pinakothek]], Munich, 9 May – 30 June 1991; exhibition of 100 newly discovered drawings from the holdings of the [[Bavarian State Library]].
*2002–2003: ''Simon Vouet ou l'éloquence sensible'', [[Musée des Beaux-Arts de Nantes]], 5 December 2002 – 20 February 2003; exhibition of drawings from the Bavarian State Library in Munich.
*2005–2006: Loth et ses filles ''de Simon Vouet: Éclairages sur un chef-d'œuvre'', [[Musée des Beaux-Arts de Strasbourg]], 22 October 2005 – 22 January 2006. 
*2008–2009: [http://exponantessimonvouet.free.fr/site_1024/accueil_francais.html ''Simon Vouet, les années italiennes (1613–1627)''], Musée des Beaux-Arts de Nantes, 21 November 2008 – 23 February 2009, and [[Museum of Fine Arts and Archeology of Besançon|Musée des Beaux-Arts et d'Archéologie de Besançon]], 27 March – 29 June 2009.

[[Image:Vouet temple louvre.jpg|thumb|260px|right|''Presentation of Jesus in the Temple'' (1641), Louvre, "among the greatest masterpieces of seventeenth-century monumental painting."<ref name="LavergnéeExhibitReview" />]]
[[File:La_Crucifixion_-_Simon_Vouet_(A_139).jpg|thumb|260px|right|''Crucifixion'' (1636–1637), [[Musée des Beaux-Arts de Lyon]]]]
[[File:Apparition de la Vierge et de l Enfant-Jesus a saint Antoine - Simon Vouet.jpg|thumb|260px|right|''Apparition of the Virgin and the Infant Jesus to Saint Anthony'' (1630–1631), [[Saint-Roch Church (Quebec City)|L’église Saint-Roch de Quebec]]; displayed in Canada in 2017 and in France in 2018 in the exhibition [https://www.mnbaq.org/en/exhibition/the-fabulous-destiny-of-the-paintings-of-the-abbes-desjardins-1247 The Fabulous Destiny of the Paintings of the Abbés Desjardins /''Le Fabuleux Destin des Tableaux des Abbés Desjardins'']. A Can$30,573 restoration in 2016 removed a 19th-century Canadian artist's overpainting, including a dog and a pilgrim's flask that had changed Saint Anthony into Saint Roch.<ref>Durox, Solenne. [http://www.leparisien.fr/culture-loisirs/confisques-pendant-la-revolution-ces-tableaux-ont-beaucoup-voyage-04-11-2017-7371879.php "Confisqués pendant la Révolution, ces tableaux ont beaucoup voyagé."] ''Le Parisien'', 4 November 2017.
</ref><ref>{{cite web|title=Patrimoine religieux : aide financière pour les églises Saint-Roch et Saint-Sauveur|url=http://monsaintroch.com/2017/patrimoine-religieux-aide-financiere-pour-les-eglises-saint-roch-et-saint-sauveur/|access-date=2019-10-16|work=monsaintroch.com|date=10 March 2017 }}</ref>]]

==Works==
===Paintings===
Crelly's catalogue raisonné of 1962<ref name=Crelly>{{cite book |last=Crelly |first=William R.|title=The Paintings of Simon Vouet|publisher=Yale University Press, 1962.}}</ref>{{rp|147}} lists more than 150 preserved paintings by Vouet. Since that publication, "a number of paintings, some of them of considerable importance, have turned up in various parts of the world and the list of his work continues to grow."<ref name="Hearst">Fredericksen, Burton B. "Two Newly Discovered Ceiling Paintings by Simon Vouet." ''The J. Paul Getty Museum Journal'', Vol. 5 (1977), pp. 95–100.</ref> A new catalogue raisonné, by Arnauld and Barbara Brejon de Lavergnée, is forthcoming.<ref>{{cite web |url= https://www.sothebys.com/fr/auctions/ecatalogue/lot.27.html/2019/old-master-evening-l19033 |title = Simon Vouet, ''Study of a Young Woman as the Virgin'' |access-date= 2019-10-18 |publisher= sothebys.com }}</ref> This is a partial list by present location, and then, as possible, by date.

====[[Louvre]], Paris====
*''Prince Marcantonio Doria d'Angri'' (1621)
*''Saint William of Aquitaine'' (1622–1627)
*''The Holy Family with St Elisabeth and the Infant St John the Baptist'' (1625–1650)
*''Woman Wearing a White Veil'' (1630s)
*''Allegory of Wealth'' (c. 1635–1640)
*''Allegory of Charity'' (1630–1635)
*''Gaucher de Châtillon'' (1632–1635)
*''Allegory of Virtue'' (c. 1634)
*''Heavenly Charity'' (c. 1640)
*''Presentation of Jesus in the Temple'' (1641)
*''Hesselin Madonna'' or ''Madonna of the Oak Cutting'' (c.1640–1645)
*''Portrait of Louis XIII between two female figures symbolising France and Navarre'' (1643)
*''Portrait of a Young Man''
*''Polymnia, Muse of Eloquence''

====Elsewhere in France====
*Presumed portrait of [[Aubin Vouet]], the artist's brother (c. 1620), [[Musée Réattu]], Arles
*''Anges portant les instruments de la Passion'' (1625), [[Museum of Fine Arts and Archeology of Besançon|Musée des Beaux-Arts et d'Archéologie de Besançon]]
*''Cupid and Psyche'' (1626–1629), [[Musée des Beaux-Arts de Lyon]]
*''Self-portrait'' (1626–1627), [[Musée des Beaux-Arts de Lyon]]
*''Suite of the loves of [[Rinaldo (Jerusalem Delivered)|Rinaldo]] and [[Armida]]'' (1631), based on [[Torquato Tasso|Tasso]]'s epic poem ''[[Jerusalem Delivered]]'', collection of Guyot de Villeneuve, Paris
*''Repentant Magdalen'' (1633), [[Musée de Picardie]], Amiens
*''Ceres Trampling the Attributes of War'' (1635), [[Musée Thomas-Henry|Musée des Beaux-arts Thomas Henry]], [[Cherbourg-Octeville]]
*''Deposition of Christ'' (c.1635), [http://www.muma-lehavre.fr/en Musée d'art moderne André Malraux], Le Havre
*''Lot and his Daughters'' (1633), [[Musée des Beaux-Arts de Strasbourg]], subject of a special exhibit in 2005–2006<ref>{{cite web|url=https://www.musees.strasbourg.eu/edition-musee-des-beaux-arts/-/entity/id/277740|title= ''Loth et ses filles'' de Simon Vouet: Éclairages sur un chef-d'œuvre|website=www.musees.strasbourg.eu}}</ref>
*''Crucifixion'' (1636–1637), [[Musée des Beaux-Arts de Lyon]]
*''The Four Cardinal Virtues—Allegory of Temperance, Allegory of Force, Allegory of Prudence, Allegory of Justice'' (1638), Salon de Mars, [[Palace of Versailles|Versailles]]
*''Death of Dido'' (c. 1641), [[Museum of Fine Arts, Dole|Musée des Beaux-Arts de Dole]]
*''Time Vanquished by Love, Venus and Hope'' (1640–1645), Musée des Arts Décoratifs, [[Bourges]]
*''Allégorie de la Charité'' (1640–1645; possibly a studio work), Musée d'Art et d'Histoire de [[Draguignan]]
*''Last Supper'', [[Musée des Beaux-Arts de Lyon]]

====Italy====
*''[[Mary Magdalene (Vouet)|Mary Magdalene]]'' (1614–1615), [[Quirinal Palace]], Rome
*''Angel with Dice and Tunic'' and ''Angel with Spear of the Passion'' (1615–1625), [[Museo di Capodimonte]], Naples
*''Last Supper'' (1616–1620), Palazzo Comunale, [[Loreto, Marche|Loreto]]
*''Crucifixion'' (1621–6122), [[Church of the Gesù|Chiesa del Gesù]], Genoa
*''Young Man with a ruff'' (1620), [[Luigi Koeliker Collezione]], Milano
*''David with the Head of Goliath'' (1620–1622), [[Palazzo Bianco]], Genoa
*''Nativity of the Virgin'' (c. 1629), [[San Francesco a Ripa]], Rome
*''Annunciation'' (c. 1621–1622), [[Uffizi]], Florence
*''Circumcision of Jesus'' (1622), [[Museo di Capodimonte]], Naples
*''Portrait of Artemisia Gentileschi with Painting Implements'' (c. 1623–1625), private collection
*''Temptation of Saint Francis'' and ''Saint Francis Renouncing His Goods'' (1624–1625), [[San Lorenzo in Lucina]], Rome
*''Saint Agatha's Vision of Saint Peter in Prison'' (c. 1625), [[Palazzo Abatellis]], Palermo

====Elsewhere in Europe====
*''The Annunciation'' (n.d.), [[Pushkin Museum]], Moscow
*''Lovers'' (1614–1618), [[Pushkin Museum]], Moscow
*''Judith'' (1620–1622), [[Kunsthistorisches Museum]], Vienna
*''The Ill-Matched Couple (Vanitas)'' (c. 1621), [[National Museum, Warsaw|National Museum]], Warsaw
*''Sophonisba Receiving the Poisoned Chalice'' (c. 1623), [[Gemäldegalerie Alte Meister]], Dresden
*''Time Vanquished by Love, Beauty and Hope'' (1627), [[Prado]], Madrid
*''Diana'' (1637), Cumberland Gallery, [[Hampton Court Palace]], England
*''Sleeping Venus'' (1630–1640), [[Museum of Fine Arts (Budapest)|Museum of Fine Arts]], Budapest
*''Parnassus, or Apollo and the Muses'' (c. 1640) [[Museum of Fine Arts (Budapest)|Museum of Fine Arts]], Budapest
*''The Awakening of Europa'' (1640), Museum Thyssen-Bornemisza, Madrid
*''Artemisia Building the Mausoleum'' (early 1640s), [[Nationalmuseum]], Stockholm
*''Judith'', [[Alte Pinakothek]], Munich
*''Saint Jerome'' (c.1620), [[National Library of Wales]], Wales

====United States====
*''Saint Agnes'' (c. 1615), [[Blanton Museum of Art]], Austin
*''The Halberdier'' (c. 1615–1620), [[Dayton Art Institute]]
*''Woman Playing a Guitar'' (c. 1618), [[Metropolitan Museum of Art]], New York
*''Portrait of a Gentleman'' (c. 1620), [[Blanton Museum of Art]], Austin
*''Saint Luke'' and ''Saint John'' (1622–1625), [[Philadelphia Museum of Art]]
*''Saint Jerome and the Angel'' (c. 1622–1625), [[National Gallery of Art]], Washington, D.C.
*''Two Modelli for Altarpiece in St. Peter's'' (1625), [[LACMA]], Los Angeles
*''Saint Sebastian'' (c. 1625), [[Museum of Fine Arts, Houston]]
*''The Holy Family with the Infant Saint John the Baptist'' (1626), [[Legion of Honor (museum)|Legion of Honor]], San Francisco
*''Saint Cecilia'' (c. 1626), [[Blanton Museum of Art]], Austin
*''Salome'' (1626–1627), [[Crocker Art Museum]], Sacramento
*''Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate'' and ''Angel with the Superscription from the Cross'' (1627), [[Minneapolis Institute of Arts]]
*''Virginia da Vezzo, the Artist's Wife, as the Magdalen'' (c. 1627), [[LACMA]], Los Angeles
*''Saint Mary Magdalen'' (c. 1630), [[Cleveland Museum of Art]]
*''Diana and Endymion'' and ''Neptune and Amphitrite'' (1630s),<ref name="Hearst"/> [[Hearst Castle]], San Simeon
*''Madonna and Child'' (1633), [[National Gallery of Art]], Washington, D.C.
*''The Muses Urania and Calliope'' (1634), [[National Gallery of Art]], Washington, D.C.
*''Aeneas and His Father Fleeing Troy'' (c. 1635), [[San Diego Museum of Art]]
*''The Toilet of Venus'' (1640), [[Carnegie Museum of Art]], Pittsburgh
*''Sacrifice of Isacc'' (1642), [[Milwaukee Museum of Art]], Milwaukee
*''Venus and Adonis'' (1642), [[J. Paul Getty Museum]], Los Angeles
*''King David Playing the Harp'' (c. 1630s), [https://museumandgallery.org/object-of-the-month-july-2022/ Museum & Gallery, Inc.], Greenville, SC
*''Bellona'' (1630), [[Indianapolis Museum of Art at Newfields]], Indianapolis

====Canada====
*''The Fortune-teller'' (c. 1620), [[National Gallery of Canada]], Ottawa
*''Apparition of the Virgin and the Infant Jesus to Saint Anthony'' (1630–1631), by Vouet in collaboration with [[François Perrier (painter)|François Perrier]], [[Saint-Roch Church (Quebec City)|L’église Saint-Roch de Quebec]], Quebec City
*''Saint Francis of Paola Resuscitating a Child'' (1648), L'église-Saint-Henri de Lévis, Quebec

====Japan====
*''St. Catherine'' (n.d.), [[National Museum of Western Art]], Tokyo

[[File:"Chariclea Led Away by Pirates" (ca. 1634-35), tapestry from the workshop of Raphael de la Planche based on design by Simon Vouet.jpg|thumb|260px|right|''Chariclea Led Away by Pirates'' (c. 1634–35), one of six Vouet tapestries at the [[Legion of Honor (museum)|Legion of Honor]], San Francisco]]

===Tapestries===
Compositions by Vouet preserved in tapestries{{r|Crelly|p=266}} include:
*Twelve tapestries based on scenes from [[Torquato Tasso|Tasso]]'s epic poem ''[[Jerusalem Delivered]]'', including ''[[Rinaldo (Jerusalem Delivered)|Rinaldo]] in the Arms of [[Armida]]'' at the Louvre.
*Six tapestries from the series [https://art.famsf.org/search?search_api_views_fulltext=vouet&f%5B0%5D=field_art_class%3A2977 ''The Story of Theagenes and Chariclea''] (1634–1635), based on scenes from the [[ancient Greek novel]] ''[[Aethiopica]]'', at the [[Legion of Honor (museum)|Legion of Honor]], San Francisco.
*Eight tapestries based on scenes from the Old Testament, including ''[https://www.louvre.fr/en/oeuvre-notices/moses-saved-waters Moses Saved from the Waters (The Finding of Moses)]'' (c. 1630) at the Louvre.
*Eight tapestries based on scenes from the [[Odyssey]].
*Twenty-three tapestries based on Loves of the Gods, including ''Neptune and Ceres'' and ''Aurora and Cephalus'' at the [[Hôtel de Sully]].

==Gallery of paintings (chronological)==
<gallery mode="packed" heights="220px">
File:Simon_Vouet_-_Parnassus_or_Apollo_and_the_Muses_-_WGA25372.jpg|''Parnassus, or Apollo and the Muses'' (c. 1640), [[Museum of Fine Arts (Budapest)|Museum of Fine Arts]], Budapest
</gallery>
<gallery mode="nolines" widths="200" heights="200">
File:Simon Vouet - St. Catherine - Google Art Project.jpg|''St. Catherine'' (n.d.), [[National Museum of Western Art]], Tokyo
File:Simon Vouet - Magdalene - WGA25347.jpg|''Mary Magdalen'' (1614–1615), [[Quirinal Palace]], Rome
File:Amanti - Vouet.jpg|''Lovers'' (1614–1618), [[Pushkin Museum]], Moscow
File:Saint Agnes by Simon Vouet, Paris, c. 1615, oil on canvas - Blanton Museum of Art - Austin, Texas - DSC07774.jpg|[[Saint Agnes]] (c. 1615), [[Blanton Museum of Art]]
File:Woman Playing a Guitar MET DP-12928-001.jpg|''Woman Playing a Guitar'' (c.&nbsp;1618), [[Metropolitan Museum of Art]]
File:'The Halberdier' by Simon Vouet, Dayton Art Institute.JPG|''The Halberdier'' (c. 1615–1620), [[Dayton Art Institute]]
File:Angelo con dadi e tunica - Vouet.jpg|''Angel with Dice and Tunic'' (1615–1625), [[Museo di Capodimonte]], Naples
File:Angelo con la lancia della Passione - Vouet.jpg|''Angel with Spear of the Passion'' (1615–1625), [[Museo di Capodimonte]], Naples
File:Vouet Portrait of a Gentleman.tif|''Portrait of a Gentleman'' (c. 1620), [[Blanton Museum of Art]]
File:Saint Jerome (c.347–420) (kwf00534).jpg|''Saint Jerome'' (c.&nbsp;1620), [[National Library of Wales]], [[Aberystwyth]]
File:Simon Vouet - The Fortune Teller - WGA25350.jpg|''The Fortune-teller'' (c. 1620), [[National Gallery of Canada]]
File:Vouet Vanitas.JPG|''The Ill-Matched Couple (Vanitas)'' (c. 1621), [[National Museum, Warsaw|National Museum]], [[Warsaw]]
File:SimonVouet.JudithHolofernes01.jpg|''Judith'' (1620–1622), [[Kunsthistorisches Museum]], Vienna
File:Circoncisione di Gesù - Vouet.jpg|''Circumcision of Jesus'' (1622), [[Museo di Capodimonte]], Naples
File:Vouet - Judith.JPG|''Judith'' (c.&nbsp;1620–1625), [[Alte Pinakothek]], Munich
File:Simon Vouet--Saint Luke--1622-1625--Philadelphia Museum of Art.jpg|''Saint Luke'' (1622–1625), [[Philadelphia Museum of Art]]
File:Simon Vouet--Saint John--1622-1625--Philadelphia Museum of Art.jpg|''Saint John'' (1622–1625), [[Philadelphia Museum of Art]]
File:Simon Vouet, Saint Jerome and the Angel, c. 1622-1625, NGA 46151.jpg|''Saint Jerome and the Angel'' (c. 1622–1625), [[National Gallery of Art]], Washington, D.C.
File:Vouet-guillaume-louvre.jpg|''Saint William of Aquitaine'' (1622–1627), Louvre
File:Simon Vouet - Sophonisba Receiving the Poisoned Chalice - WGA25358.jpg|''Sophonisba Receiving the Poisoned Chalice'' (c. 1623), [[Gemäldegalerie Alte Meister]]
File:Portrait of Artemisia Lomi Gentileschi by Simon Vouet ca. 1623-1626.jpg|''Portrait of [[Artemisia Gentileschi]] with Painting Implements'' (c. 1623–1625), private collection
File:Vouet-Anges-instruments de la passion-Besançon.jpg|Angels Carrying Instruments of the Passion (1625), [[Museum of Fine Arts and Archeology of Besançon|Musée des Beaux-Arts et d'Archéologie de Besançon]]
File:Sant'Agata in carcere visitata da San Pietro - Vouet.jpg|''Saint Agatha's Vision of Saint Peter in Prison'' (c. 1625), [[Palazzo Abatellis]], Palermo
File:Simon Vouet - Saint Sebastian - 1990.5 - Museum of Fine Arts.jpg|''Saint Sebastian'' (c. 1625), [[Museum of Fine Arts, Houston]]
File:Vouet, Simon - Saint Cecilia - c. 1626.jpg|''Saint Cecilia'' (c. 1626), [[Blanton Museum of Art]]
File:The Holy Family by Simon Vouet, California Palace of the Legion of Honor.JPG|''The Holy Family with the Infant Saint John the Baptist'' (1626), [[Legion of Honor (museum)|Legion of Honor]], San Francisco
File:Simon Vouet--Salome--1626-1627--Crocker Art Museum--Sacramento.jpg|''Salome'' (1626–1627), [[Crocker Art Museum]], Sacramento
File:Vouet-Psyché-Lyon.jpg|''Cupid and Psyche'' (1626–1629), Musée des Beaux-Arts de Lyon
File:Simon Vouet - Angels with Attributes of the Passion Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate - 69.36.1 - Minneapolis Institute of Arts.jpg|''Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate'' (1627), [[Minneapolis Institute of Arts]]
File:Simon Vouet - Angels with Attributes of the Passion, the Superscription from the Cross - 69.36.2 - Minneapolis Institute of Arts.jpg|''Angel with the Superscription from the Cross'' (1627), [[Minneapolis Institute of Arts]]
File:Vouet, Simon - Father Time Overcome by Love, Hope and Beauty - 1627.jpg|''Time Vanquished by Love, Beauty and Hope'' (1627), [[Prado]]
File:Simon vouet, natività della vergine, 1620 ca. 04.jpg|''Nativity of the Virgin'' (c. 1629), [[San Francesco a Ripa]], Rome
File:Simon Vouet - Saint Mary Magdalen - 1988.108 - Cleveland Museum of Art.tif|''Saint Mary Magdalene'' (c. 1630), [[Cleveland Museum of Art]]
File:Simon Vouet--Neptune and Amphitrite--Hearst Castle--1630s.jpg|''Neptune and Amphitrite'' (1630s) [[Hearst Castle]]
File:Simon Vouet--Woman wearing a white veil--Louvre.jpg|''Woman Wearing a White Veil'' (1630s), Louvre
File:Simon Vouet, Madonna and Child, 1633, NGA 206070.jpg|''Madonna and Child'' (1633), [[National Gallery of Art]], Washington, D.C.
File:Loth and his daughters mg 0028.jpg|''Lot and His Daughters'' (1633), [[Musée des Beaux-Arts de Strasbourg]]
File:Simon Vouet--portrait of a man of 75--1634.jpg|''Portrait of a Man Aged 75'' (1634), chalk, pastel and ink on paper, private collection
File:Simon Vouet - The Muses Urania and Calliope.JPG| ''The Muses Urania and Calliope'' (1634), [[National Gallery of Art]], Washington, D.C.
File:Cérès foulant aux pieds les attributs de la guerre, Vouet.jpg|''Ceres Trampling the Attributes of War'' (1635), [[Musée Thomas-Henry|Musée des Beaux-arts Thomas Henry]], Cherbourg-Octeville
File:Aeneas and his Father Fleeing Troy by Simon Vouet, San Diego Museum of Art.JPG|''Aeneas and his Father Fleeing Troy'' (c. 1635), [[San Diego Museum of Art]]
File:Simon Vouet--Deposition of Christ--c 1635--Le Havre--Musée Malraux.jpg|''Deposition of Christ'' (c.&nbsp;1635), [http://www.muma-lehavre.fr/en Musée d'art moderne André Malraux], Le Havre
File:Simon Vouet 001.jpg|''Allegory of Wealth'' (c.&nbsp;1635–1640), Louvre
File:Simon Vouet (1590-1649) - Diana - RCIN 403930 - Hampton Court Palace.jpg|''Diana'' (1637), Cumberland Gallery, [[Hampton Court Palace]]
File:Simon Vouet - Sleeping Venus - WGA25370.jpg|''Sleeping Venus'' (1630–1640), [[Museum of Fine Arts (Budapest)|Museum of Fine Arts]], Budapest
File:Simon Vouet - Heavenly Charity - WGA25376.jpg|''Heavenly Charity'' (c. 1640), Louvre
File:Simon Vouet--The Toilet of Venus--1640--Carnegie Museum of Art--Pittsburgh.jpg|''The Toilet of Venus'' (c. 1640), [[Carnegie Museum of Art]], Pittsburgh
File:Simon Vouet--The Death-of-Dido--c 1641.jpg|''The Death of Dido'' (c. 1641), [[Museum of Fine Arts, Dole|Musée des Beaux-Arts de Dole]]
File:Artemisia Building the Mausolaeum (Simon Vouet) - Nationalmuseum - 22229.tif|''Artemisia Building the Mausoleum'' (early 1640s), [[Nationalmuseum]], Stockholm
File:Simon Vouet (French - Venus and Adonis - Google Art Project.jpg|''Venus and Adonis'' (1642), [[J. Paul Getty Museum]]
File:Louis XIII by Vouet Louvre INV 8506) n01.jpg|''Portrait of Louis XIII'' (1643), Louvre
File:Vouet Simon Vierge Hesselin.jpg|''Hesselin Madonna'' or ''Madonna of the Oak Cutting'' (c.&nbsp;1640–1645), Louvre
File:Simon Vouet Time Vanquished by Love Venus and Hope.jpg|''Time Vanquished by Love, Venus and Hope'' (1640–1645), Musée des Arts Décoratifs, Bourges
File:VouetDraguignan (cropped).jpg|''Allégorie de la Charité'' (1640–1645; possibly a studio work), Musée d'Art et d'Histoire de [[Draguignan]]
File:Simon vouet--portrait dhomme de profil tourne vers la gauche.jpg|''Portrait of man in profile, turned to the left'', n.d., private collection.
File:Simon vouet portrait du cardinal jules mazarin.jpg|''Portrait of Cardinal [[Jules Mazarin]]'', n.d., private collection
File:Cabinet, attributed to Pierre Gole, Paris, c. 1650, ebony, pine, interior applied with rosewood, tulipwood, oak, stained ivory, gilt bronze, mirror - California Palace of the Legion of Honor - DSC07720.JPG|Cabinet attributed to [[Pierre Gole]]<ref>"The carvings on the exterior doors may derive from Simon Vouet," according to Renée Dreyfus, ''Legion of Honor: Selected Works'', Fine Arts Museums of San Francisco: 2007, p. 51.</ref> (c.&nbsp;1620–1684), [[Legion of Honor (museum)|Legion of Honor]], San Francisco

</gallery>

==Gallery: Images of Vouet and his family==
<gallery mode="nolines" widths="200" heights="200">
File:Simon Vouet--Self-portrait--Uffizi.tif|Simon Vouet, ''Self-portrait'', [[Uffizi]]
File:Vouet--presumed self-portrait--1620-1625--Musée de Picardie.jpg|Simon Vouet, presumed self-portrait (c. 1620–1625), [[Musée de Picardie]]
File:Ottavio Leoni, Simon Vouet, 1625, NGA 945.jpg|[[Ottavio Leoni]], Portrait of Simon Vouet (1625)
File:Vouet-autoportrait-lyon.jpg|Simon Vouet, ''Self-portrait'' (c.1626–1627) [[Musée des Beaux-Arts de Lyon]]
File:Simon Vouet by Nicolas Mignard.jpg|[[Nicolas Mignard]], Portrait of Simon Vouet
File:Perrier--Simon Vouet--engraving--1632.jpg|[[François Perrier (painter)|François Perrier]], Portrait of Simon Vouet (1632)
File:Simon Vouet by Robert Van Voerst after Anthony van Dyck.jpg|[[Robert Van Voerst]] (after [[Anthony van Dyck]]), Portrait of Simon Vouet
File:Francois Tortebat--Portrait of Simon Vouet.jpg|Portrait of Simon Vouet by his son-in-law, [[François Tortebat]], [[Versailles]]
File:Frederic Hillemacher--portrait of Simon Vouet--etching--1854--British Museum.jpg|Frédéric Hillemacher, Portrait of Simon Vouet (etching, 1854), [[British Museum]]
File:Simon Vouet - presumed portrait of Aubin Vouet - without frame.jpg|Simon Vouet, Presumed portrait of [[Aubin Vouet]], the artist's brother (c. 1620), [[Musée Réattu]], Arles
File:Vouet--Urulsa da Vezzo as St Catherine--1620s.jpg|Simon Vouet, ''Portrait of a Woman, Probably Urulsa da Vezzo, Sister-in-Law of the Artist, as St. Catherine'' (c. 1620s), private collection
File:Simon Vouet Portrait of Virginia da Vezzo.JPG|Simon Vouet, fragment of a possible portrait of Virginia da Vezzo (c. 1624–26), [[Gemäldegalerie]], Berlin
File:Claude_Mellan,_Virginia_da_Vezzo,_1626,_NGA_73730.jpg|[[Claude Mellan]], Portrait of [[Virginia da Vezzo]] (1626), wife of Simon Vouet
File:Virginia da Vezzo, the Artist's Wife, as the Magdalen LACMA M.83.201.jpg|Simon Vouet, ''Virginia da Vezzo, the Artist's Wife, as the Magdalen'' (c. 1627), [[LACMA]]
File:Simon Vouet--Portrait of Angelique Vouet--Louvre.jpg|Simon Vouet, [http://ag.louvre.fr/detail/oeuvres/0/514396-Portrait-dAngelique-Vouet-vue-a-mi-corps-de-face-tenant-une-colombe-entre-ses-mains ''Portrait of Angélique Vouet''] (his daughter), pastel, [[Louvre]]
</gallery>

==References==
{{reflist|2}}

==Bibliography==
*Bissell, R. Ward (2011). "Simon Vouet, Raphael, and the Accademia di San Luca in Rome." ''Artibus et Historiae'', Vol. 32, No. 63 (2011), pp.&nbsp;55–72.
*Blunt, Anthony. "Some Portraits by Simon Vouet." ''The Burlington Magazine for Connoisseurs'', Vol. 88, No. 524 (Nov., 1946), pp.&nbsp;268+270-271+273.
*Brejon de Lavergnée, Arnauld. "Four New Paintings by Simon Vouet." ''The Burlington Magazine'', Vol. 124, No. 956 (Nov., 1982), pp.&nbsp;685–689.
*Brejon de Lavergnée, Arnauld. "Paris: Vouet at the Grand Palais" (review of the exhibition). ''The Burlington Magazine'', Vol. 133, No. 1055 (Feb., 1991), pp.&nbsp;136–140.
*Brejon de Lavergnée, Arnauld. "Simon Vouet. Nantes and Besançon" (review of the exhibition). ''The Burlington Magazine'', Vol. 151, No. 1272 (Mar., 2009), pp.&nbsp;187–189.
*Brejon de Lavergnée, Barbara. ''Musée du Louvre, Cabinet des Dessins, Inventaire général des dessins, École française, Dessins de Simon Vouet 1590–1649.'' Paris: Réunion des musées nationaux, 1987. (Comprehensive catalogue of the drawings of Vouet in the Louvre and elsewhere.)
*Brejon de Lavergnée, Barbara. "New Attributions around Simon Vouet." ''Master Drawings'', Vol. 23/24, No. 3 (1985/1986), pp.&nbsp;347–351+425-432.
*Brejon de Lavergnée, Barbara. "Some New Pastels by Simon Vouet: Portraits of the Court of Louis XIII." ''The Burlington Magazine'', Vol. 124, No. 956 (Nov., 1982), pp.&nbsp;688–691+693.
*Crelly, William R. ''The Painting of Simon Vouet.'' Yale University Press, 1962.
*Fredericksen, Burton B. "Two Newly Discovered Ceiling Paintings by Simon Vouet." ''The J. Paul Getty Museum Journal'', Vol. 5 (1977), pp.&nbsp;95–100.
*Gomez, Susana. [https://www.academia.edu/18432285/The_Encounter_of_the_Emblematic_Tradition_with_Optics._The_Anamorphic_Elephant_of_Simon_Vouet "The Encounter of the Emblematic Tradition with Optics. The Anamorphic Elephant of Simon Vouet"]. ''Nuncius: Journal of the Material and Visual History of Science'', vol. 31, issue 2, pp.&nbsp;288–331.
*Loire Stéphane, editor. ''Simon Vouet: actes du colloque international Galeries nationales du Grand Palais, 5-6-7 février 1991''. Paris: Publication Information, c1992.
*Loth et ses filles ''de Simon Vouet: Éclairages sur un chef-d'œuvre'' (catalogue of the exhibition). Strasbourg: Musée des Beaux-Arts de Strasbourg, 2005. 
*Lurie, Ann Tzeutschler. "''The Repentant Magdalene'' by Simon Vouet." ''The Bulletin of the Cleveland Museum of Art'', Vol. 80, No. 4 (Apr., 1993), pp.&nbsp;158–163.
*Manning, Robert. "Some Important Paintings by Simon Vouet in America" in ''Studies in the History of Art, Dedicated to William E. Suida on His Eightieth Birthday.'' Kress Foundation/Phaidon Press, 1959. 
*Markova, Vittoria. "A New Painting by Vouet in Russia." ''The Burlington Magazine'', Vol. 132, No. 1050 (Sept., 1990), pp.&nbsp;632–633.
*Posner, Donald. ''"The Painting of Simon Vouet'' " (book review). ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291.
*Rice, Louise. "Simon Vouet's ''Hesperus'' and the Mythopoetics of Praise." ''Studies in the History of Art'', Vol. 74, Symposium Papers LI: Dialogues in Art History, from Mesopotamian to Modern: Readings for a New Century (2009), pp. 236–251.
*Schleier, Erich. "A Bozzetto by Vouet, Not by Lanfranco." ''The Burlington Magazine'', Vol. 109, No. 770 (May, 1967), pp. 272+274-276.
*Schleier, Erich. "Two New Modelli for Vouet's St. Peter's Altarpiece." ''The Burlington Magazine'' Vol. 114, No. 827 (Feb., 1972), pp. 90–94.
*Schleier, Erich. "Vouet's Destroyed St Peter Altar-Piece: Further Evidence." ''The Burlington Magazine'', Vol. 110, No. 787 (Oct., 1968), pp. 572–575.
*''Simon Vouet: 100 neuentdeckte Zeichnungen: aus den Beständen der Bayerischen Staatsbibliothek'' (catalogue of the exhibition). München: Staatliche Graphische Sammlung München, 1991.
*''Simon Vouet ou l'éloquence sensible: Dessins de la Staatsbibliothek de Munich'' (catalogue of the exhibition). Paris: Réunion des musées nationaux; Nantes: Musée des beaux-arts de Nantes, c. 2002.
*''Simon Vouet: les années italiennes, 1613–1627'' (catalogue of the exhibition). Paris: Hazan; Nantes: Musée des beaux-arts; Besançon: Musée des beaux-arts et d'archéologie, 2008.
*Thuillier, Jacques. ''Vouet: Galeries nationales du Grand Palais, Paris, 6 novembre 1990-11 février 1991'' (catalogue of the exhibition). Paris: Réunion des musées nationaux, c. 1990.

==External links==
{{Commons category|Simon Vouet}}
*[https://www.christies.com/features/Simon-Vouet-portraits-made-for-King-Louis-XIII-10343-1.aspx Three portraits by the artist who taught Louis XIII to draw], [https://www.christies.com/lotfinder/print_sale.aspx?saleid=28435&lid=1 auctioned at Christie's 27 May 2020]
* {{Art UK bio}}
*[https://artsandculture.google.com/entity/%2Fm%2F03d8f_ Simon Vouet] at Google Arts & Culture
*[http://www.wga.hu/frames-e.html?/html/v/vouet/ Works] at WGA
*Simon Vouet paintings at the [http://hearstcastle.org/history-behind-hearst-castle/art/pieces/neptune/ Hearst Castle] in California
*Simon Vouet's [http://utw10658.utweb.utexas.edu/items/show/2887 Saint Agnes], [http://utw10658.utweb.utexas.edu/items/show/2880 Saint Cecilia], and [http://utw10658.utweb.utexas.edu/items/show/2949 Portrait of a Gentleman] at the [[Blanton Museum of Art]]
*[http://www.getty.edu/art/collection/artists/221/simon-vouet-french-1590-1649/ Simon Vouet] at the [[J. Paul Getty Museum]]
*[http://artemoda.unibg.it/page.asp?menu1=3&cerca=1&aut=104&mac=0&sog=0 Self-Portrait of Vouet, with fashion notes] at Arte|Moda Archive, [[University of Bergamo]]
*[https://www.storiedellarte.com/2015/02/quando-il-matrimonio-e-darte-simon-vouet-virginia-da-vezzo-e-la-sua-giuditta-con-la-testa-di-oloferne.html Article about Vouet and his wife and fellow painter Virginia da Vezzo] (in Italian)
*[http://www.dhistoire-et-dart.com/Fortunecritique/VouetEffigiesItalie.html Sylvain Kerspern on portraits depicting Simon Vouet] (in French)
*[https://france3-regions.francetvinfo.fr/normandie/calvados/caen/homme-figue-simon-vouet-sens-cache-tableau-du-musee-beaux-arts-caen-1683220.html ''L'homme à la figue (Man with figs)''], a look at the coded sexual meaning of Vouet's painting at Caen (in French)

{{Simon Vouet}}
{{Caravaggisti}}
{{Authority control (arts)}}

{{DEFAULTSORT:Vouet, Simon}}
[[Category:1590 births]]
[[Category:1649 deaths]]
[[Category:Painters from Paris]]
[[Category:Baroque painters]]
[[Category:French Baroque painters]]
[[Category:French draughtsmen]]
[[Category:17th-century French painters]]
[[Category:French male painters]]
[[Category:French tapestry artists]]
[[Category:Premiers peintres du Roi]]
[[Category:Caravaggisti]]
[[Category:Catholic painters]]
[[Category:Catholic decorative artists]]