Editing Spoken word

{{Use dmy dates|date=May 2023}}
{{Short description|Type of performance art}}
{{About|a performance art|the 2009 film|Spoken Word (film){{!}}''Spoken Word'' (film)}}
{{more citations needed|date=March 2019}}
[[File:Erika Renee Land at the Newberry Library.png|thumb|[[MacDowell (artists' residency and workshop)|MacDowell Fellow]] [[Erika Renee Land]]  performing at the [[Newberry Library|Newberry Library in Chicago]] during the Surviving The Long Wars Triennial]]
'''Spoken word''' is an oral poetic [[performance art]] that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an [[oral tradition|ancient oral artistic tradition]] that focuses on the aesthetics of [[recitation]] and [[word play]], such as the performer's live [[Intonation (linguistics)|intonation]] and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, [[poetry slam]]s, [[jazz poetry]], pianologues, musical readings, and [[hip hop music]], and can include [[Sketch comedy|comedy routines]] and [[prose]] [[monologue]]s.<ref name="Glossary">{{cite book |last1=Hirsch |first1=Edward |title=A Poet's Glossary |date=8 April 2014 |publisher=Houghton Mifflin Harcourt |location=New York |isbn=978-0151011957}}</ref> Unlike written poetry, the quality of spoken word is shaped less by the visual aesthetics on a page, and more from [[phonaesthetics]] or the aesthetics of sound.

==History==
Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit to memory.<ref name="Hollander">{{cite book |last1=Hollander |first1=John |title=Committed to Memory |date=1996 |publisher=Riverhead Books |location=New York |isbn=9781573226462 |url=https://archive.org/details/committedtomemor00holl }}</ref> "There were poets long before there were printing presses, poetry is primarily oral utterance, to be said aloud, to be heard."<ref>{{cite journal|author=Knight, Etheridge|title=On the Oral Nature of Poetry|journal=The Black Scholar|volume=19|number=4–5|pages=92–96|year=1988|publisher= Taylor and Francis|location=Abingdon|doi=10.1080/00064246.1988.11412887}}</ref>

Poetry, like [[music]], appeals to the ear, an effect known as [[euphony]] or [[onomatopoeia]], a device to represent a thing or action by a word that imitates sound.<ref name="Kennedy">{{cite book |last1=Kennedy |first1=X. J. |last2=Gioia |first2=Dana |title=An Introduction to Poetry |date=1998 |publisher=Longman |isbn=9780321015563 |url=https://archive.org/details/introductiontopokenn00kenn }}</ref> "Speak again, Speak like rain" was how a poet of the [[Kikuyu people|Kikuyu]] people, an East African people, described her verse to author [[Karen Blixen|Isak Dinesen]],<ref>{{cite book|author=Dinesen, Isak|title=Out of Africa|publisher=Random House|location=New York|year=1972|isbn=978-0679600213}}</ref> confirming a comment by [[T. S. Eliot]] that "poetry remains one person talking to another".<ref>Eliot, T. S. (1942), "The Music of Poetry" (lecture). Glasgow: Jackson.</ref>

The oral tradition is one that is conveyed primarily by speech as opposed to writing,<ref name="Guide">{{cite book |title=The American Heritage Guide to Contemporary Usage and Style |date=2005 |publisher=Houghton Mifflin Harcourt |isbn=978-0618604999}}</ref> in predominantly oral cultures [[proverbs]] (also known as [[maxim (saying)|maxim]]s) are convenient vehicles for conveying simple beliefs and cultural attitudes.<ref name="Ong">{{cite book |last1=Ong |first1=Walter J. |title=Orality and Literacy: Cultural Attitudes |date=1982 |publisher=Metheun}}</ref> "The hearing knowledge we bring to a line of poetry is a knowledge of a pattern of speech we have known since we were infants".<ref name="Pinsky 1999">{{cite book |last1=Pinsky |first1=Robert |title=The Sounds of Poetry: A Brief Guide |date=1999 |publisher=Farrar Straus & Giroux |isbn=9780374526177 |url-access=registration |url=https://archive.org/details/soundsofpoetry00robe }}</ref>

[[Performance poetry]], which is kindred to performance art, is explicitly written to be performed aloud<ref name=Hirsch>{{cite book|author=Hirsch, Edward|title=A Poets Glossary|publisher=Houghton Mifflin Harcourt|location=New York|year=2014|isbn=9780151011957}}</ref> and consciously shuns the written form.<ref>{{cite web|author=Parker, Sam|title=Three-minute poetry? It's all the rage|work=[[The Times]] |date=16 December 2009|url=https://www.thetimes.com/culture/tv-radio/article/three-minute-poetry-its-all-the-rage-5gfz39rhqkx}}</ref> "Form", as [[Donald Hall]] records "was never more than an extension of content."<ref>{{cite web|author=Olson, Charles|title='Projective Verse': Essay on Poetic Theory|work=Pamphlet |year=1950|url=http://www.poetryfoundation.org/learning/essay/237880}}</ref>
Performance poetry in Africa dates to prehistorical times with the creation of hunting poetry, while elegiac and panegyric court poetry were developed extensively throughout the history of the empires of the Nile, Niger and Volta river valleys.<ref>Finnegan, Ruth (2012), [http://www.oapen.org/search?identifier=633751 ''Oral Literature in Africa''], Open Book Publishers.</ref> One of the best known [[griot]] epic poems was created for the founder of the [[Mali Empire]], the [[Epic of Sundiata]]. In African culture, performance poetry is a part of theatrics, which was present in all aspects of pre-colonial African life<ref>John Conteh-Morgan, John (1994), "African Traditional Drama and Issues in Theater and Performance Criticism", ''Comparative Drama''.</ref> and whose theatrical ceremonies had many different functions: political, educative, spiritual and entertainment.  Poetics were an element of theatrical performances of local oral artists, linguists and historians, accompanied by local instruments of the people such as the [[kora (instrument)|kora]], the [[xalam]], the [[mbira]] and the [[djembe]] drum. Drumming for accompaniment is not to be confused with performances of the "talking drum", which is a literature of its own, since it is a distinct method of communication that depends on conveying meaning through non-musical grammatical, tonal and rhythmic rules imitating speech.<ref>Finnegan (2012), ''Oral Literature in Africa'', pp. 467–484.</ref><ref>Stern, Theodore (1957), ''Drum and Whistle Languages: An Analysis of Speech Surrogates'', University of Oregon.</ref> Although, they could be included in performances of the griots.

The poet and ethnographer [[Jerzy Ficowski]] has studied and written extensively about the [[Polska Roma]] tradition of spoken word. Though the vast majority of Polish-Romani people of that generation did not read or write, oral folk traditions were very strong. The most famous example is [[Papusza]], who Ficowski discovered when he was following gypsy caravans on the road. Ficowski had her work translated and published, and she went on to become one of Poland's most iconic poets. <ref name="Ficowski">{{cite book |last1=Ficowski |first1=Jerzy J. |title=The Gypsies in Poland: History and Customs |date=1989 |publisher=Interpress Publishers |isbn=978-8322323212}}</ref>

In [[ancient Greece]], the spoken word was the most trusted repository for the best of their thought, and inducements would be offered to men (such as the [[rhapsode]]s) who set themselves the task of developing minds capable of retaining and voices capable of communicating the treasures of their culture.<ref name="Bahn">{{cite book |last1=Bahn |first1=Eugene |last2=Bahn |first2=Margaret L. |title=A History of Oral Performance |date=1970 |publisher=Burgess |location=Minneapolis, Minnesota |page=10}}</ref> The ancient Greeks included [[Greek lyric]], which is similar to spoken-word poetry, in their [[Olympic Games]].<ref name="Glazner">{{cite book |last1=Glazner |first1=Gary Mex |title=Poetry Slam: The Competitive Art of Performance Poetry |date=2000 |publisher=Manic D |location=San Francisco}}</ref>

===Development in the United States===
In 1849, the ''Home Journal'' wrote about concerts that combined spoken word recitations with music, as demonstrated by actresses [[Sophie Schröder|Sophie Schroder]] and [[Fanny Kemble]].<ref name=":0">{{Cite book |last=Kimber |first=Marian Wilson |title=The elocutionists: women, music, and the spoken word |date=2017 |publisher=University of Illinois Press |isbn=978-0-252-09915-1 |series=Music in American life |location=Urbana |pages=27, 213, 225}}</ref>

[[Vachel Lindsay]] helped maintain the tradition of poetry as spoken art in the early twentieth century.<ref>'Reading list, Biography – Vachel Lindsay' Poetry Foundation.org Chicago 2015</ref> Composers such as [[Marion Bauer]], [[Ruth Crawford Seeger|Ruth Crawford Seegar]], and [[Lalla Ryckoff]] composed music to be combined with spoken words.<ref name=":0" /> [[Robert Frost]] also spoke well, his meter accommodating his natural sentences.<ref name="Hall">{{cite magazine |last1=Hall |first1=Donald |title=Thank You Thank You |url=https://www.newyorker.com/books/page-turner/thank-you-thank-you |magazine=The New Yorker |access-date= 26 August 2018 |date= 26 October 2012}}</ref> Poet laureate [[Robert Pinsky]] said: "Poetry's proper culmination is to be read aloud by someone's voice, whoever reads a poem aloud becomes the proper medium for the poem."<ref name="Sleigh">{{cite journal |last1=Sleigh |first1=Tom |title=Robert Pinsky |journal=Bomb |date=Summer 1998}}</ref> "Every speaker intuitively courses through manipulation of sounds, it is almost as though 'we sing to one another all day'."<ref name="Pinsky 1999" /> "Sound once imagined through the eye gradually gave body to poems through performance, and late in the 1950s reading aloud erupted in the United States."<ref name="Hall" />

Some American spoken-word poetry originated from the poetry of the [[Harlem Renaissance]],<ref name="Face">{{cite book |last1=O'Keefe Aptowicz |first1=Cristin |title=Words in Your Face: A Guided Tour through Twenty Years of the New York City Poetry Slam |year=2008 |publisher=Soft Skull Press |location=New York |isbn=978-1-933368-82-5 |url-access=registration |url=https://archive.org/details/wordsinyourfaceg0000apto }}</ref> [[blues]], and the [[Beat Generation]] of the 1960s.<ref name="Neal">{{cite book |last1=Neal |first1=Mark Anthony |title=The Songs in the Key of Black Life: A Rhythm and Blues Nation |date=2003 |publisher=Routledge |location=New York |isbn=0-415-96571-3}}</ref> Spoken word in African-American culture drew on a rich literary and musical heritage. [[Langston Hughes]] and writers of the Harlem Renaissance were inspired by the feelings of the blues and [[spirituals]], [[hip-hop]], and [[slam poetry]] artists were inspired by poets such as Hughes in their word stylings.<ref name=Folkways />

The [[Civil Rights Movement]] also influenced spoken word. Notable speeches such as [[Martin Luther King Jr.]]'s "[[I Have a Dream]]", [[Sojourner Truth]]'s "[[Ain't I a Woman?]]", and [[Booker T. Washington]]'s "Cast Down Your Buckets" incorporated elements of oration that influenced the spoken-word movement within the African-American community.<ref name="Folkways">{{cite web |title=Say It Loud: African American Spoken Word |url=https://folkways.si.edu/say-loud-african-american-spoken-word/struggle-protest/article/smithsonian |website=Smithsonian Folkways Recordings |access-date= 15 February 2013}}</ref> [[The Last Poets]] was a poetry and political music group formed during the 1960s that was born out of the [[Civil Rights Movement]] and helped increase the popularity of spoken word within African-American culture.<ref name="last">{{cite web |title=The Last Poets |url=http://www.nsm.buffalo.edu/~sww/LAST-POETS/last_poets0.html |website=www.nsm.buffalo.edu |access-date=26 August 2018}}</ref> Spoken word poetry entered into wider American culture following the release of [[Gil Scott-Heron]]'s spoken-word poem "[[The Revolution Will Not Be Televised]]" on the album ''[[Small Talk at 125th and Lenox]]'' in 1970.<ref>Sisario, Ben (28 May 2011), [https://www.nytimes.com/2011/05/29/arts/music/gil-scott-heron-voice-of-black-culture-dies-at-62.html Ben Sisario, "Gil Scott-Heron, Voice of Black Protest Culture, Dies at 62"], ''The New York Times''.</ref>

The [[Nuyorican Poets Café]] on New York's Lower Eastside was founded in 1973, and is one of the oldest American venues for presenting spoken-word poetry.<ref>[http://www.verbsonasphalt.com/index.php?option=com_content&task=view&id=1&Itemid=2 "The History of Nuyorican Poetry Slam"] {{webarchive|url=https://web.archive.org/web/20111001055252/http://www.verbsonasphalt.com/index.php?option=com_content&task=view&id=1&Itemid=2 |date=1 October 2011 }}, Verbs on Asphalt.</ref>

In the 1980s, spoken-word poetry competitions, often with elimination rounds, emerged and were labelled "[[poetry slams]]". American poet [[Marc Smith (poet)|Marc Smith]] is credited with starting the poetry slam in November 1984.<ref name=Glazner /> In 1990, the first [[National Poetry Slam]] took place in Fort Mason, [[San Francisco]].<ref>{{cite web|url=http://www.poetryslam.com/faq/nps |title=PSI FAQ: National Poetry Slam |url-status=dead |archive-url=https://web.archive.org/web/20131029201141/http://www.poetryslam.com/faq/nps |archive-date=29 October 2013 }}</ref> The poetry slam movement reached a wider audience following [[Russell Simmons]]' ''[[Def Poetry]]'', which was aired on [[HBO]] between 2002 and 2007. The poets associated with the [[Buffalo Readings]] were active early in the 21st century.

Spoken word poets have served as [[List of U.S. states' poets laureate|poets laureate]] in US states and cities, for example, [[Yolanda Wisher]] named [[Poet Laureate of Philadelphia]] in 2016 and [[Jewel Rodgers]] named [[Nebraska State Poet]] in 2025.

===International development===

==== France ====
[[File:Mumbi Macharia Spoken Word Poet.jpg|thumb|right|200px|Kenyan spoken word poet Mumbi Macharia]]
Outside of the United States, artists such as French singer-songwriters [[Léo Ferré]] and [[Serge Gainsbourg]] made personal use of spoken word over rock or symphonic music from the beginning of the 1970s in such albums as ''[[Amour Anarchie]]'' (1970), ''[[Histoire de Melody Nelson]]'' (1971), and ''[[Il n'y a plus rien]]'' (1973), and contributed to the popularization of spoken word within French culture.

In 2003, the movement reached its peak in France with Fabien Marsaud aka [[Grand Corps Malade]] being a forerunner of the genre.<ref>{{cite web|url=http://www.billboard.com/artist/303071/grand-corps-malade/biography|title=Grand Corps Malade - Biography {{!}} Billboard|website=www.billboard.com|language=en|access-date=16 June 2017}}</ref><ref name="today">{{cite web |title=Grand Corps Malade |url=https://www.francetoday.com/archives/grand-corps-malade/ |website=France Today |access-date= 25 December 2018 |date= 11 July 2006}}</ref>

==== UK ====
In the UK, musicians who have performed spoken-word lyrics include [[Blur (band)|Blur]],<ref>{{cite web |author=DeGroot, Joey |date=23 April 2014 |title=7 Great songs with Spoken Word Lyrics |url=http://www.musictimes.com/articles/5677/20140423/6-great-songs-with-spoken-word-lyrics-blur-tom-waits-and-more.htm |work=MusicTimes.com}}</ref> [[The Streets]] and [[Kae Tempest]].

==== Zimbabwe ====
In [[Zimbabwe]], spoken word has been mostly active on stage through the House of Hunger Poetry slam in [[Harare]], Mlomo Wakho Poetry Slam in [[Bulawayo]] as well as the Charles Austin Theatre in [[Masvingo]]. Festivals such as [[Harare International Festival of the Arts]], [[Intwa Arts Festival KoBulawayo]] and [[Shoko Festival]] have supported the genre for a number of years.<ref>{{cite web |last1=Muchuri |first1=Tinashe |title=Honour Eludes local writers |url=https://www.newsday.co.zw/2016/05/14/honour-home-eludes-local-writers/ |website=NewsDay |location=Zimbabwe|date=14 May 2016|access-date= 15 May 2016 }}</ref>

==== Trinidad and Tobago ====
In [[Trinidad and Tobago]], this art form is widely used as a form of social commentary and is displayed all throughout the nation at all times of the year. The main poetry events in Trinidad and Tobago are overseen by an organization called the 2 Cent Movement. They host an annual event in partnership with the [[NGC Bocas Lit Fest]] and [[First Citizens Bank]] called "The First Citizens national Poetry Slam", formerly called "Verses". This organization also hosts poetry slams and workshops for primary and secondary schools. It is also involved in social work and issues.

==== Ghana ====
In [[Ghana]], the poetry group Ehalakasa, led by Kojo Yibor Kojo AKA Sir Black, holds monthly TalkParty events (collaborative endeavour with [[Nubuke Foundation]] and/ [[National Theatre of Ghana]]) and special events such as [https://www.ghanaweb.com/GhanaHomePage/NewsArchive/Mawuli-Senior-High-School-wins-Ehalakasa-poetry-slam-championship-1212142 Ehalakasa Slam Festival] and end-of-year events.<ref>{{Cite web|last=Tigo|first=Joshua|date=2018-07-22|title=Accra's biggest poetry and spoken word event set for September 2|url=https://www.adomonline.com/accras-biggest-poetry-and-spoken-word-event-set-for-september-2/|access-date=2021-05-01|website=Adomonline.com|language=en-US}}</ref><ref>{{Cite web|last=Somuah-Annan|first=Grace|date=2021-05-16|title=We must build a poetry community in Ghana -Spoken word artists advocate|url=https://3news.com/we-must-build-a-poetry-community-in-ghana-spoken-word-artists-advocate/|access-date=2021-05-22|website=3news|language=en-US}}</ref><ref>{{Cite web|title=Ehalakasa TalkParty Plus--Be There or Nowhere|url=https://freduagyeman.blogspot.com/2010/06/ehalakasa-talkparty-plus-be-there-or.html|access-date=2021-05-22|website=Ehalakasa TalkParty Plus--Be There or Nowhere}}</ref> This group has produced spoken-word poets including Mutombo da Poet,<ref>{{cite web | url=https://www.theafricandream.net/mutombo-poet-of-ghana-presents-africas/ | title=Mutombo The Poet of Ghana presents Africa's spoken word to the world | date=3 October 2012 | publisher=TheAfricanDream.net | access-date=4 December 2019}}</ref> Chief Moomen, Nana Asaase, [[Sonny Kwaku Bedwei|RhymeSonny]], [[Koo Kumi]], Hondred Percent, Jewel King, Faiba Bernard, Akambo, Wordrite, Natty Ogli, and Philipa.

The spoken-word movement in Ghana is rapidly growing that individual spoken-word artists like MEGBORNA,<ref>{{cite web |url=https://hypercitigh.com/personality-of-the-week/meet-knust-finest-spoken-word-artist-chris-edzordzi-parker-mogborna/ |title=Meet KNUST finest spoken word artist, Chris Parker 'Megborna' |website=hypercitigh.com |url-status=dead |archive-url=https://web.archive.org/web/20210228010756/https://hypercitigh.com/personality-of-the-week/meet-knust-finest-spoken-word-artist-chris-edzordzi-parker-mogborna/ |archive-date=28 February 2021}} </ref> are continuously carving a niche for themselves and stretching the borders of spoken word by combining spoken word with 3D animations and spoken-word video game, based on his yet to be released poem, Alkebulan.<ref>{{Cite web|date=2018-11-06|title=Meet KNUST finest spoken word artist, Chris Parker 'Megborna'|url=https://hypercitigh.com/campus-news/knust-updates/meet-knust-finest-spoken-word-artist-chris-edzordzi-parker-mogborna/|access-date=2021-05-22|website=Hypercitigh.com|language=en-US}}</ref>
[[File:The Megborna Concert 1st Kvngs Edition - 44.jpg|thumb|Megborna performing at the First Kvngs Edition of the Megborna Concert, 2019]]
In [[Kumasi]], the creative group CHASKELE holds an annual spoken-word event on the campus of [[KNUST]] giving platform to poets and other creatives. Poets like Elidior The Poet, Slimo, T-Maine are key members of this group.

==== Kenya ====
In [[Kenya]], poetry performance grew significantly between the late 1990s and early 2000s. This was through organisers and creative hubs such as Kwani Open Mic, Slam Africa, Waamathai's, Poetry at Discovery, Hisia Zangu Poetry, Poetry Slam Africa, Paza Sauti, Anika, Fatuma's Voice, ESPA, Sauti dada, Wenyewe poetry among others. Soon the movement moved to other counties and to universities throughout the country. Spoken word in Kenya has been a means of communication where poets can speak about issues affecting young people in Africa. Some of the well known poets in Kenya are Dorphan, Kenner B, Namatsi Lukoye, Raya Wambui, Wanjiku Mwaura, Teardrops, Mufasa, Mumbi Macharia, Qui Qarre, Sitawa Namwalie, Sitawa Wafula, Anne Moraa, Ngwatilo Mawiyo, Stephen Derwent.<ref>{{Cite journal|last=Ekesa|first=Beatrice Jane|date=18 August 2020|title=Integration of Work and Leisure in the Performance of Spoken Word Poetry in Kenya|url=https://jcsll.gta.org.uk/index.php/home/article/view/23|journal=Journal of Critical Studies in Language and Literature|volume=1|issue=3|pages=9–13|doi=10.46809/jcsll.v1i3.23|issn=2732-4605|doi-access=free}}</ref>

==Competitions==
[[File:Poetry slam judges 9050262.jpg|thumb|right|Judges from a [[poetry slam]] listen to the contestants.]]
Spoken-word poetry is often performed in a competitive setting. In 1990, the first [[National Poetry Slam]] was held in San Francisco.<ref name=Glazner /> It is the largest poetry slam competition event in the world, now held each year in different cities across the United States.<ref>[http://www.poetryslam.com Poetry Slam, Inc.] Web. 28 November 2012.</ref> The popularity of slam poetry has resulted in slam poetry competitions being held across the world, at venues ranging from [[coffeehouse]]s to large stages.

==Movement==
Spoken-word poetry is typically more than a hobby or expression of talent. This art form is often used to convey important or controversial messages to society. Such messages often include raising awareness of topics such as: racial inequality, sexual assault and/or [[rape culture]], anti-bullying messages, [[body positivity|body-positive]] campaigns, and LGBT topics. Slam poetry competitions often feature loud and radical poems that display both intense content and sound. Spoken-word poetry is also abundant on college campuses, YouTube, and through forums such as Button Poetry.<ref>{{cite web|url=https://buttonpoetry.com/|title=Home - Button Poetry|website=Button Poetry}}</ref>  Some spoken-word poems go viral and can then appear in articles, on [[TED talks]], and on social media sites such as [[Twitter]], [[Facebook]], and [[Instagram]].

==See also==
<!-- Alphabetical order please -->
{{columns-list|colwidth=30em|
*[[Greek lyric]]
*[[Griot]] 
*[[Haikai prose|''Haikai'' prose]]
*[[Hip hop]]
*[[List of performance poets]]
*[[Nuyorican Poets Café]]
*[[Oral poetry]]
*[[Orature]]
*[[Performance poetry]]
*[[Poetry reading]]
*[[Prose rhythm]]
*''[[Prosimetrum]]''
*[[Purple prose]]
*[[Rapping]]
*[[Recitative]]
*[[Rhymed prose]]
*[[Slam poetry]]
}}

==References==
{{Reflist|colwidth=30em}}

==Further reading==
*{{cite web|work=Power Poetry.org|title=5 Tips on Spoken Word|year=2015|url=http://www.powerpoetry.org/actions/5-tips-spoken-word}}

==External links==
*[http://library.uoregon.edu/music/Discographies/Poetry/poetdiscocollections.html Poetry aloud – examples]

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[[Category:Spoken word| ]]
[[Category:20th-century American literature]]
[[Category:African-American culture]]
[[Category:Genres of poetry]]
[[Category:History of poetry]]
[[Category:Poetry movements]]
[[Category:Oral literature]]
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