Editing Susan Howe

{{Short description|American poet (born 1937)}}

{{Infobox writer
| name         = Susan Howe
| image        = Susan Howe in Speaking Portraits c.2004.jpg
| imagesize    = 
| caption       = Susan Howe circa 2004
| birth_name    = 
| birth_date    = {{birth date and age|1937|6|10|mf=y}}
| birth_place   = [[Boston]], [[Massachusetts]], U.S.
| death_date    = 
| death_place   = 
| occupation   = Poet, scholar
| alma_mater   = [[School of the Museum of Fine Arts, Boston|Boston Museum School of Fine Arts]] (1961)
| spouse       = [[Harvey Quaytman]], [[David von Schlegell]], [[Peter Hewitt Hare]]
| subject      = 
| period       = 
| genre        = [[Poetry]], [[essay]]
| movement     = [[Postmodern literature|Postmodern]] 
| notableworks =
| awards       = [[Bollingen Prize in American Poetry]] (2011); [[Guggenheim Fellowship]]; Roy Harvey Pearce Prize for Lifetime Achievement; [[Robert Frost Medal]], [[Poetry Society of America]] (2017)
| signature    = 
}}
[[File:Susan-howe2004.jpg|thumb|Susan Howe, c. 2007]]
'''Susan Howe''' (born June 10, 1937) is an [[Americans|American]] [[poet]], [[scholar]], [[essayist]], and [[critic]], who has been closely associated with the [[Language poets]], among other poetry movements.<ref name="Poetry">[http://www.poetryfoundation.org/bio/susan-howe "Susan Howe"], The Poetry Foundation, Retrieved 24 December 2014.</ref> Her work is often classified as [[Postmodern]] because it expands traditional notions of genre ([[fiction]], [[essay]], [[prose]] and [[poetry]]). Many of Howe's books are layered with historical, mythical, and other references, often presented in an unorthodox format. Her work contains lyrical echoes of sound, and yet is not pinned down by a consistent [[Poetry#Metrical patterns|metrical pattern]] or a conventional [[Rhyme scheme|poetic rhyme scheme]].<ref>{{cite news |last=Bamidele |first=Jeremy |title=Susan Howe and David Grubbs perform at Armado Hall |newspaper=34th Street Magazine|location=Philadelphia }}</ref><ref>{{cite web | url=https://www.poetryfoundation.org/poems-and-poets/poets/detail/susan-howe |title = Susan Howe|date = 2019-08-06}}</ref>

Howe received the 2017 [[Robert Frost Medal]] awarded by the [[Poetry Society of America]], and the 2011 [[Bollingen Prize in American Poetry]]. She is a member of the [[American Academy of Arts and Sciences]].

==Personal life==
Howe was born on June 10, 1937, in [[Boston, Massachusetts]].<ref>[http://www.poets.org/poetsorg/poet/susan-howe "Susan Howe"], Academy of American Poets, Retrieved 24 December 2014.</ref> She grew up in nearby [[Cambridge, Massachusetts|Cambridge]]. Her mother, [[Mary Manning (writer)|Mary Manning]], was an Irish playwright and acted for Dublin's [[Gate Theatre]].<ref>Marjorie Perloff, ''Unoriginal Genius ''</ref> Manning was a close friend of [[Samuel Beckett]], with whom she had a brief affair a year before Susan was born; this led to a rumour that Beckett might be her biological father, although Susan Howe has stated that DNA tests show Beckett was not her father. <ref>https://www.the-tls.co.uk/lives/biography/becketts-children-michael-coffey-book-review-w-j-davies?utm_medium=Social&utm_source=Twitter#Echobox=1738929421</ref> Her father Mark De Wolfe Howe, was a professor at Harvard Law School and became the official biographer of Supreme Court Justice [[Oliver Wendell Holmes Jr.|Oliver Wendell Holmes]]. Her aunt [[Helen Howe]] was a [[Monologist|monologuist]] and [[novelist]].<ref>McLane, Maureen. [http://www.theparisreview.org/interviews/6189/the-art-of-poetry-no-97-susan-howe "The Art of Poetry No.97 Susan Howe"], ''The Paris Review,'' Retrieved 25 December 2014.</ref> Howe has two younger sisters, [[Fanny Howe]], who is also a poet; and Helen Howe Braider. Howe graduated from the [[School of the Museum of Fine Arts, Boston|Boston Museum School of Fine Arts]] in 1961.<ref name=Poetry/> 

Howe married painter [[Harvey Quaytman]] in 1961; they had met at the art school. They separated when their daughter was young. Howe and her daughter lived with [[sculptor]] [[David von Schlegell]] for several years before the couple married. They were together until his death in 1992. The widowed poet married again, to [[Peter Hewitt Hare]], a [[philosopher]] and professor at the [[University at Buffalo, The State University of New York|University of Buffalo]]. He died in January 2008. 

Howe has two grown children, [[painter]] [[R.H. Quaytman]], and writer [[Mark von Schlegell]]. She lives in [[Guilford, Connecticut]].<ref>Will Montgomery, ''The Poetry of Susan Howe'', New York: Palgrave, 2010</ref>

==Publications==
Howe is an author of a number of books of poetry, including ''Europe of Trusts: Selected Poems'' (1990), ''Frame Structures: Early Poems 1974−1979'' (1996) and ''The Midnight'' (2003), ''Pierce-Arrow'' (1999), ''Bed Hangings'' with [[Susan Bee]] (2001),''Souls of the Labadie Track,'' (2007) ''Frolic Architecture,'' (2010), "Spontaneous Particulars: The Telepathy of Archives" (2014) and ''That This'' (2010), and three books of criticism, ''The Birth-Mark: Unsettling the Wilderness in American Literary History'' (1993), "The Gorgeous Nothings: Emily Dickinson's Envelope Poems" (2013) and ''My Emily Dickinson'' (1985). Howe began publishing poetry with ''Hinge Picture'' in 1974 and was initially received as a part of the amorphous grouping of experimental writers known as the language poets-writers such as [[Charles Bernstein (poet)|Charles Bernstein]], [[Bruce Andrews]], [[Lyn Hejinian]], [[Carla Harryman]], [[Barrett Watten]], and [[Ron Silliman]].<ref>Will Montgomery, ''The Poetry of Susan Howe'' New York: Palgrave, 20100, ix</ref> Her work has appeared in numerous anthologies, including [[The Norton Anthology of Modern and Contemporary Poetry]], the L=A=N=G=U=A=G=E poetry anthology ''[[In the American Tree]],'' and [[The Norton Anthology of Postmodern Poetry.]]<ref>{{cite web|url=https://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&field-author=Susan+Howe&search-alias=books&text=Susan+Howe&sort=relevancerank |title=Search: Suan Howe |publisher=Amazon.com |date= |accessdate=2022-08-05}} {{better source needed|date=August 2022}}</ref>

In 2003, Howe started collaborating with experimental musician [[David Grubbs]].<ref>[http://writing.upenn.edu/pennsound/x/Howe-Grubbs.php "PennSound: Susan Howe and David Grubbs"], University of Pennsylvania, Retrieved 25 December 2014.</ref> The results were released on five CD's: ''[[Thiefth]]'' (featuring the poems ''Thorow'' and ''Melville's Marginalia''), ''Songs of the Labadie Tract'',  ''Frolic Architecture'', ''Woodslippercounterclatter'', and ''Concordance''.

==Other activities==
After graduating from high school, Howe spent a year in [[Dublin]] as an apprentice at the [[Gate Theatre]].<ref>{{cite journal|url=http://www.theparisreview.org/interviews/6189/the-art-of-poetry-no-97-susan-howe|title=Susan Howe, The Art of Poetry No. 97|journal=Paris Review|volume=Winter 2012|issue=203|date=Spring 2013|author=Maureen N. McLane}}</ref>  After graduating from the [[School of the Museum of Fine Arts at Tufts|Boston Museum School]] in 1961, she moved to New York, where she painted.<ref>Kaplan Harris, Contemporary Literature</ref> In 1975, she began to produce a series of poetry programs for [[WBAI]]/[[Pacifica Foundation|Pacifica Radio]].<ref>{{Cite web |title=PennSound: Susan Howe - Pacifica |url=https://writing.upenn.edu/pennsound/x/Howe-Pacifica.php |access-date=2023-11-17 |website=writing.upenn.edu}}</ref> In 1988 she had her first visiting professorship in English at the [[University at Buffalo, The State University of New York]], becoming a full professor and core faculty of the Poetics Program in 1991,<ref>Charles Bernstein, ''Attack of the Difficult Poems''</ref> later being appointed Capen Chair and Distinguished Professor. She retired in 2006. Recently, Howe has held the following positions: Distinguished Fellow, Stanford Institute of the Humanities; faculty, [[Princeton University]], [[University of Chicago]], [[University of Utah]], and [[Wesleyan University]] (English Department's Distinguished Visiting Writer, 2010–11).<ref name="buffalo news 12324">{{cite web|title=Susan Howe, UB Professor Emerita, Takes Yale Bollingen Prize in American Poetry|url=http://www.buffalo.edu/news/12324|publisher=University of Buffalo|accessdate=September 18, 2012|date=March 1, 2011}}</ref><ref>{{cite web|title=Welcome New Faculty Fall 2010|work=Center For Faculty Career Development|publisher=Wesleyan University}}</ref>

==Awards==
Susan Howe was awarded with the American Book Awards organized by the [[Before Columbus Foundation]] in both 1981 and 1986.<ref>{{cite web | url=http://www.beforecolumbusfoundation.com/american-book-awards/ | title=American Book Awards &#124; Before Columbus Foundation | access-date=2017-04-11 | archive-date=2019-04-07 | archive-url=https://web.archive.org/web/20190407160124/http://www.beforecolumbusfoundation.com/american-book-awards/ | url-status=dead }}</ref> "She was elected a member of the [[American Academy of Arts and Sciences]] in 1999 and a Chancellor of The Academy of American Poets in 2000."<ref name="buffalo news 12324" /> She was the fall 2009 Anna-Maria Kellen Fellow at the [[American Academy in Berlin]].<ref>Susan Howe EPC page</ref> In 2009, she was awarded a [[Berlin Prize]] fellowship. In 2011, Howe was awarded the Yale [[Bollingen Prize in American Poetry]].<ref>{{cite news|last=Drake|first=Olivia|title=Howe Awarded Bollingen Prize for Poetry|url=http://newsletter.blogs.wesleyan.edu/2011/03/01/howe-awarded-bollingen-prize-for-poetry/|accessdate=September 18, 2012|newspaper=The Wesleyan Connection|date=March 1, 2011}}</ref>

==Bibliography==

* ''Hinge Picture'' (1974)
* ''Chanting at the Crystal Sea'' (1975)
* ''The Western Borders'' (1976)
* ''Thorn, thistle, apron leaf'' (1976)
* ''Secret History of the Dividing Line'' (1978)
* ''Cabbage Gardens'' (1979)
* ''The Liberties'' (1980)
* ''Pythagorean Silence'' (1982)
* ''Defenestration of Prague'' (1983)
** "The Liberties"
* ''My Emily Dickinson'' (1985; reissued 2007)
* ''Incloser'' (1985)
* ''Heliopathy'' (1986)
* ''Articulation of Sound Forms in Time'' (1987)
* ''A Bibliography of the King's Book, or Eikon Basilike'' (1989)
* ''The Europe of Trusts'' (1990)
** "Pythagorean Silence"
** "Defenestration of Prague"
** "The Liberties"
* ''Singularities'' (1990)
** "Articulation of Sound Forms in Time"
** "Thorow"
** "Scattering as Behavior Towards Risk"
* ''Silence Wager Stories'' (1992)
* ''The Nonconformist’s Memorial'' (1993)
** "The Nonconformist’s Memorial"
** "Silence Wager Stories"
** "A Bibliography of the King’s Book, or Eikon Basilike"
** "Melville’s Marginalia"	
* ''The Birth-mark: Unsettling the Wilderness in American Literary History'' (1993)
** "Submarginalia"
** "Incloser"
** "Quasi-marginalia"
** "The Captivity and Restoration of Mrs. Mary Rowlandson"
** "These Flames and Generosities of the Heart"
** "Talisman interview with Edward Foster"
* ''Interview with Lynn Keller'' (1995)
* ''Frame Structures'' (1996)
** "Hinge Picture"
** "Chanting at the Crystal Sea"
** "Cabbage Gardens"
** "Secret History of the Dividing Line"
* ''Pierce-Arrow'' (1999)
* ''Deux Et'' (1998)
* ''Bed Hangings I'' (2001)
* ''Bed Hangings II'' (2002)
* ''Kidnapped'' (2002)
* ''The Midnight'' (2003)
** "Bed Hangings I + II"
** "Scare Quotes I + II"
** "Kidnapped"
* ''Souls of the Labadie Tract'' (2007)
* ''My Emily Dickinson'' (2007 reissue of 1985 publication)
* ''THAT THIS'' (2010) (includes six black and white [[Photgrams|photograms]] by [[James Welling]])
* ''Sorting Facts, or Nineteen Ways of Looking at Marker'' (New Directions Poetry Pamphlets) (2013) {{ISBN|978-0811220392}}
* ''Tom Tit Tot'' (2013)
* ''Spontaneous Particulars: The Telepathy of Archives'' (2014)
* ''The Quarry: Essays'' (2015)
* ''Debths'' (2017) (winner of the 2018 [[Griffin Poetry Prize]])
* ''Concordance'' (2020)

==Exhibitions==
* ''Tom Tit Tot'', Yale Union, 2013.

==Some critical works on Howe's writing==
* [[Rachel Tzvia Back|Back, Rachel Tzvia]]. ''Led By Language: The Poetry and Poetics of Susan Howe''. Tuscaloosa, AL: University of Alabama Press, 2002.
* Collis, Stephen. ''Through Words of Others: Susan Howe and Anarcho-Scholasticism''. Victoria, BC: English Literary Studies Editions, 2006.
* Crown, Kathleen. "Documentary Memory and Textual Agency: H.D. and Susan Howe." ''How2'', v. 1, n° 3, Feb. 2000.
* Daly, Lew. ''Swallowing the Scroll: Late in a Prophetic Tradition with the Poetry of Susan Howe and John Taggart.'' Buffalo, NY: M Press, 1999.
* Davidson, Michael. "Palimptexts: Postmodern Poetry and the Material Text", ''Postmodern Genres''. Marjorie Perloff, ed. Norman, OK: University of Oklahoma Press, 1988/89. (Coll.: n° 5 of Oklahoma Project for Discourse and Theory.) pp.&nbsp;75–95.
* "The Difficulties Interview", issue dedicated to Susan Howe. ''The Difficulties'', 3.2, 1989. pp.&nbsp;17–27.
* Duplessis, Rachel Blau. "Our law /vocables /of shape or sound: The work of Susan Howe", ''How(ever)'' v.1 n° 4, May 1984.
* Foster, Ed. "An Interview with Susan Howe", ''Talisman: A Journal of Contemporary Poetry and Poetics'', n° 4: special issue on Susan Howe, 1990. pp.&nbsp;14–38.
* Howard, W. Scott. "Literal/Littoral Crossings: Re-Articulating Hope Atherton’s Story After Susan Howe’s Articulation of Sound Forms in Time." ''Water: Resources and Discourses''. Ed. Justin Scott Coe and W. Scott Howard. ''Reconstruction: Studies in Contemporary Culture'' 6.3 (2006): [https://archive.today/20130414185043/http://reconstruction.eserver.org/063/howard.shtml].
* Howard, W. Scott. “Teaching, How/e?: not per se.” ''Denver Quarterly'' 35.2 (2000): 81–93.
* Howard, W. Scott. “‘writing ghost writing’: A Discursive Poetics of History; or, Howe's hau in ‘a bibliography of the king’s book; or, eikon basilike’.” ''Talisman'' 14 (1995): 108-30.
* Joyce, Elisabeth. ''"The Small Space of a Pause": Susan Howe's Poetry and the Spaces Between''. Lewisburg, PA: Bucknell University Press, 2010.
* Keller, Lynn. ''Forms of Expansion: Recent Long Poems by Women''. Chicago, IL: University of Chicago Press, 1997.
* Ma, Ming-Qian. "Articulating the Inarticulate: Singularities and the Countermethod in Susan Howe,"  ''Contemporary Literature'' v.36 n° 3, 1995, pp.&nbsp;466–489.
* Montgomery, Will. ''The Poetry of Susan Howe: History, Theology, Authority''. New York, NY: Palgrave, 2010.
* Naylor, Paul. ''Poetic Investigations: Singing the Holes In History''. Evanston, IL: Northwestern University Press, 1999.
* Nicholls, Peter. "Unsettling the Wilderness: Susan Howe and American History", ''Contemporary Literature'', v.37, n° 4, 1996, pp.&nbsp;586–601.
* Perloff, Marjorie. "Against Transparency : From the Radiant Cluster to the Word as Such" & "How it Means: Making Poetic Sense in Media Society"  in ''Radical Artifice'', Chicago: University of Chicago Press, 1998.
* Perloff, Marjorie. "Language Poetry and the Lyric Subject: Ron Silliman's ''Albany'', Susan Howe's ''Buffalo''", ''Critical Inquiry'', n° 25, Spring 1999, pp 405–434.
* Perloff, Marjorie. ''Poetic License: Essays on Modernist and Postmodernist Lyric''. Evanston, IL: Northwestern University Press, 1990.
* Quartermain, Peter. ''Disjunctive Poetics: From Gertrude Stein and Louis Zukovsky to Susan Howe''. Cambridge: Cambridge University Press, 1992.
* Rankine, Claudia, and Spahr, Juliana. ''American Women Poets in the 21st Century: Where Lyric Meets Language''. Middletown, CT: [[Wesleyan University Press]], 2002.
* Reinfeld, Linda M. ''Language Poetry: Writing as Rescue''. Baton Rouge, LA: Louisiana State University Press, 1992.
* Swensen, Cole. "Against the Limits of Language: The Geometries of Anne-Marie Albiach and Susan Howe", in ''Moving Borders: Three Decades of Innovative Writing By Women'', Mary Margaret Sloan, ed. Jersey City, NJ: Talisman House Publishers, 1998. pp.&nbsp;630–641
* Ziarek, Krzysztof. ''The Historicity of Experience: Modernity, the Avant-Garde, and the Event''. Evanston, IL: Northwestern University Press, 2001.

== References ==
{{reflist}}

==External links==
* [http://epc.buffalo.edu/authors/howe/ Susan Howe Homepage @ the EPC]
* [http://libraries.ucsd.edu/speccoll/findingaids/mss0201.html Susan Howe Papers] MSS 0201. [http://libraries.ucsd.edu/collections/sca/ Special Collections & Archives], UC San Diego Library.
* Susan Howe audio at [http://writing.upenn.edu/pennsound/x/Howe.html PennSound]
* [http://www.english.uiuc.edu/maps/poets/g_l/howe/howe.htm Susan Howe Page @ Modern American Poetry] {{Webarchive|url=https://web.archive.org/web/20070202173422/http://www.english.uiuc.edu/maps/poets/g_l/howe/howe.htm |date=2007-02-02 }}
* Susan Howe at [https://web.archive.org/web/20101017033715/http://www.poetryfoundation.org/bio/susan-howe the Poetry Foundation]
* Jon THOMPSON's “Interview with Susan Howe” from ''Free Verse: A journal of contemporary poetry and poetics'', 2005. at: [http://english.chass.ncsu.edu/freeverse/Pages/interviews.html] {{Webarchive|url=https://web.archive.org/web/20171004212251/https://english.chass.ncsu.edu/freeverse/Pages/Interviews.html |date=2017-10-04 }}
* [http://www.lanaturnerjournal.com/essays/lernerletter.html A review]{{dead link|date=March 2018 |bot=InternetArchiveBot |fix-attempted=yes }} of Susan Howe's collaboration with [[David Grubbs]] by [[Ben Lerner]]
* Susan SCHULTZ's « Exaggerated History. » ''Postmodern Culture''. v. 4, n° 2, Jan. 1994. online at: [www.english.upenn.edu]
* Cole SWENSEN's « To Writewithize (as in "to hybridize" to "harmonize" to "ionize" etc.)» ''American Letters & Commentary'', Winter 2001. at: [https://web.archive.org/web/20030510100014/http://www.du.edu/~cswensen/writewithize.html]
* Cole SWENSEN's  « Seeing reading: Susan Howe's Moving Margins. » Conference: Louisville Conference on Modern Literature. April 1999. at: [https://web.archive.org/web/20040321221807/http://www.du.edu/~cswensen/howe.html]
* Brian MCHALE's « HER William Shakespeare: On the interventionist poetics of Susan Howe (in the male literary canon) » Conference on contemporary poetry: Poetry and the Public Sphere. Rutger's University, April 24–27, 1997. at: [http://eng.rutgers.edu/brian.html]{{dead link|date=March 2018 |bot=InternetArchiveBot |fix-attempted=yes }}
* METCALF Paul. "Untitled: on Hope Atherton's Wandernings." on Modern American Poetry Website: [http://www.english.uiuc.edu/maps/poets/g_l/howe/about.htm] {{Webarchive|url=https://web.archive.org/web/20080705042545/http://www.english.uiuc.edu/maps/poets/g_l/howe/about.htm |date=2008-07-05 }}
* Bruce Campbell and Susan Howe, [http://www.english.uiuc.edu/maps:poets:g_1/howe/history.html ''On Susan Howe and History'']{{Dead link|date=June 2018 |bot=InternetArchiveBot |fix-attempted=no }}, Modern American Poetry
* INTERVIEW in FRENCH with Omar BERRADA. « the space between: Poésie, cinéma, histoire. Entretien avec Susan Howe. » publié dans ''Vacarme'', n° 32, été 2005. Disponible sur : [http://www.vacarme.eu.org/article610.html]
* [[hdl:10079/fa/beinecke.howesu|Susan Howe Papers]]. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.

{{American Book Awards}}

{{Authority control}}

{{DEFAULTSORT:Howe, Susan}}
[[Category:1937 births]]
[[Category:20th-century American essayists]]
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