Editing Trevor Pinnock

{{Short description|English harpsichordist and conductor}}
{{Use British English|date=January 2013}}
{{Use dmy dates|date=January 2022}}
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[[File:Trevor Pinnock.jpg|210px|thumb|Pinnock in December 2006]]

'''Trevor David Pinnock''' {{post-nominals|country=GBR|CBE}} (born 16 December 1946 in [[Canterbury]], [[England]]) is a British [[harpsichordist]] and [[Conductor (music)|conductor]].

He is best known for his association with the [[historically informed performance|period-performance]] orchestra [[The English Concert]], which he helped found and directed from the keyboard for over 30 years in [[Baroque music|baroque]] and [[Classical music era|classical]] music. He is a former artistic director of Canada's [[National Arts Centre Orchestra]] and founded The Classical Band in New York.

Since his resignation from The English Concert in 2003, Pinnock has continued his career as a conductor, appearing with major orchestras and opera companies around the world. He has also performed and recorded as a harpsichordist in solo and chamber music and conducted and otherwise trained student groups at [[conservatoire]]s. Trevor Pinnock won a [[Gramophone Award]] for his recording of Bach's ''[[Brandenburg Concertos]]'' with the European Brandenburg Ensemble, an occasional orchestra formed to mark his 60th birthday.

==Biography and career==

===Early life===
Trevor Pinnock was born in [[Canterbury]], where his grandfather had run a [[Salvation Army]] band. His father was Kenneth Alfred Thomas Pinnock, a [[publisher]], and his mother, Joyce Edith, née Muggleton, was an amateur singer.<ref name=debrett>{{cite book|date =April 2007| author=Pinnock, Trevor David| title =Debrett's People of Today| publisher =Debrett's Peerage Ltd.| isbn =978-1-870520-26-3| url =http://www.knowuk.co.uk/| editor1=Zöe Gullen|editor2=Daniel Sefton}}</ref><ref name=australian>{{cite web| url = http://www.hpschd.nu/pr/pr-17.html| title = Born to the baroque| access-date =14 April 2007| last = Cosic| first = Miriam|date = 21 July 2005| work = The Australian}}</ref> In Canterbury, the Pinnock family lived near the pianist [[Ronald Smith (musician)|Ronald Smith]], from whose sister Pinnock had piano lessons. He became a chorister at [[Canterbury Cathedral]] when he was seven, attending the choir school from 1956 to 1961 and subsequently [[Simon Langton Grammar School for Boys]].<ref name=debrett/><ref>Page, Anne ''Of Choristers, ancient and modern'', [http://www.ofchoristers.net/Chapters/Canterbury.htm  Canterbury, St Edmund’s Junior School] {{webarchive|url=https://web.archive.org/web/20070514180233/http://www.ofchoristers.net/Chapters/Canterbury.htm |date=14 May 2007 }}. Retrieved 16 February 2010.</ref> After receiving instruction in piano and [[Pipe organ|organ]], he served as a church organist; by the time he was 15, he began to play the [[harpsichord]].<ref name=australian/> At age 19, he won a Foundation Scholarship to the [[Royal College of Music]] to study organ and he also studied harpsichord, winning prizes for performance on both instruments.<ref name=debrett/><ref name=gramophone>{{cite journal| url = http://www.gramophone.net/Issue/Page/August%202000/15/825271/The+first+time+I+met+Trevor+Pinnock%2C+years+ago+in+the+bar+at+the+Royal+Academy+of+Music%2C+he+let+fall+a+remark+that+Ive+prized+as+a+kernel+of+wisdom+ever+since%2C+a+slogan+of+musical+integrity.+Ive+got+to+the+stage%2C+he+declared+in+response+to+some+naive+question+of+mine%2C+where| title = Direct, blazing simplicity| access-date = 15 February 2010| last = Owen Norris| first = David| date = August 2000| journal = Gramophone| page = 15}}{{Dead link|date=July 2018 |bot=InternetArchiveBot |fix-attempted=no }}</ref> His teachers were [[Ralph Downes]] and [[Millicent Silver]].<ref name=crd>Noted in the biography in the liner notes of his recording ''16th Century English Keyboard Music'', CRD records.</ref> A strong early influence was [[Gustav Leonhardt]], though he did not study with him.<ref name=gramophone/>

===Instrumentalist===
As a harpsichordist, Pinnock toured Europe with the [[Academy of St Martin in the Fields]].<ref name=hutchinson>{{cite book| date =March 2005| author =Pinnock, Trevor| title =Hutchinson Encyclopedia of Britain| publisher =Helicon Publishing| isbn =1-85986-275-6| url =https://archive.org/details/encyclopediaofbr0000unse_e8k2}}</ref> While a student at the RCM, he was told by the registrar, John Stainer, that it would be impossible to make a living as a [[harpsichordist]].<ref name=gramophone/> He made his London debut at the [[Royal Festival Hall]] in 1966 with the Galliard Harpsichord Trio, which he co-founded with [[Stephen Preston (flautist)|Stephen Preston]], flute, and [[Anthony Pleeth]], cello. At this stage, they were playing baroque music on modern instruments.<ref name=gramophone/> His solo harpsichord debut was in 1968 at the [[Purcell Room]] in London.<ref name=who>{{cite book| date =January 2007| author=Pinnock, Trevor| title =Who's Who| publisher =A & C Black| isbn =978-0-7136-7527-6| url =http://www.knowuk.co.uk/}}</ref>

To maximise his possibilities for work early on in his career, he included in his repertoire not only the regular baroque repertoire, but also modern [[harpsichord concerto]]s, including [[Roberto Gerhard]]'s concerto for harpsichord, percussion and strings, [[Manuel de Falla]]'s concerto for harpsichord, [[Frank Martin (composer)|Frank Martin]]'s ''[[Petite symphonie concertante]]'' for harp, harpsichord, piano and double string orchestra and [[Francis Poulenc]]'s ''[[Concert Champêtre]]''.<ref name=crd/><ref name=poulenc>{{Cite news| last = Richmond| first = Jonathan| title = Sparkling performance of wotty Poulenc by Pinnock| newspaper = The Tech| volume = 111| issue = 55| date = 3 December 1991| url = http://tech.mit.edu/V111/N55/bso.55a.html| access-date = 8 May 2009| archive-date = 9 August 2020| archive-url = https://web.archive.org/web/20200809110857/http://tech.mit.edu/V111/N55/bso.55a.html| url-status = dead}} – He performed and recorded the ''Concert Champêtre'' in 1991.</ref> Pinnock and [[Maxim Vengerov]] toured together in 2000, with Vengerov taking up the [[baroque violin]] for the first time and Pinnock taking up the modern [[grand piano]]. These concerts consisted of a first half of harpsichord and baroque violin, followed by a second half of piano and modern violin.<ref>{{cite web| url = http://www.culturekiosque.com/klassik/concert/rheveng.html| title = Maxim Vengerov: Baroque Violinist| access-date = 26 April 2007| last = Sidgwick| first = John| date = 29 March 2000| work = Culturekiosque Klassiknet| archive-date = 6 July 2000| archive-url = https://web.archive.org/web/20000706193715/http://www.culturekiosque.com/klassik/concert/rheveng.html| url-status = dead}}</ref><ref>{{cite web| url = http://arts.guardian.co.uk/reviews/story/0,,700216,00.html| title = Baroque adventure|access-date =26 April 2007|last = Service|first = Tom|date = 16 February 2000|work = The Guardian}}</ref>

===The English Concert===
In November 1972 the Galliard Trio expanded to become [[The English Concert]], an orchestra specialising in performances of [[Baroque music|baroque]] and [[Classical music era|classical]] music on [[period instruments]].<ref name=gramophone/><ref>[[The Academy of Ancient Music]] was founded by fellow English harpsichordist-conductor [[Christopher Hogwood]] at around the same time.</ref> The orchestra initially started with seven members but soon grew in size. The decision to move to [[period performance]] was taken for a number of reasons:<ref name=autumn>{{Cite news| last = Marceau| first = Guy| title = Trevor Pinnock – Autumn Thoughts| newspaper = La Scena Musicale| volume = 10| issue= 1| date = 9 September 2004| url = http://www.scena.org/lsm/sm10-1/Trevor-Pinnock-en.htm}} "When the members of the English Concert were looking for a new conductor and artistic director, they decided on Andrew Manze, and I think they made a good choice. But it was their decision."</ref>
{{blockquote|What I really had in mind was a journey of discovery into the unknown. Although I felt there were excellent interpretations of baroque music performed on modern instruments, I sensed that we'd come to the end of the road – and yet I knew that there were still discoveries to be made. I was thinking about the interesting experiments made by [[Nikolaus Harnoncourt]] and Gustav Leonhardt, although I knew we'd have to experiment in our own way. It was a huge challenge; playing period instruments wasn't as easy as it is today, and finding out their secrets was a difficult process. Nowadays an extraordinarily high technical level has been achieved and the upcoming generations don't have any of the problems we pioneers faced. We cleared the way.}}

[[File:Trevor Pinnock 2.jpg|thumb|left|250px|Pinnock at the harpsichord]]
Pinnock was at the forefront of the period performance movement and the revitalisation of the baroque repertoire; the reaction of [[Leonard Bernstein]] to his performances is typical: "In my opinion, the work of the conductor Trevor Pinnock in this area is particularly exciting – his performances of Bach and Handel make me jump out of my seat!"<ref>{{Cite book| last =Cott| first =Jonathan| date =1 April 2003| title =Back to a Shadow in the Night: Music Journalism and Writings: 1968–2001| publisher =Hal Leonard| edition =1st| isbn =0-634-03596-7| page =[https://archive.org/details/backtoshadowinni00cott/page/207 207]| url =https://archive.org/details/backtoshadowinni00cott/page/207}}</ref>

The English Concert's London debut was at the English Bach Festival in 1973.<ref name=grove>{{cite web| title = Pinnock, Trevor| access-date =1 May 2007| last =Pratt| first =George| work =Grove Music Online | year =2001| doi =10.1093/gmo/9781561592630.article.43632| isbn =978-1-56159-263-0|url=https://www.oxfordmusiconline.com/grovemusic/abstract/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000043632 |editor= L. Macy}}</ref> In 1975, Pinnock played the harpsichord in the first-ever performance of [[Rameau]]'s last opera, ''[[Les Boréades]]'', under [[John Eliot Gardiner]].<ref>{{cite journal | journal= Early Music | first=Robert |last=Donington | title=Rameau's ''Les Boréades'' | page=263 | year=1975 |volume=3 | issue=3 | doi=10.1093/earlyj/3.3.263}}</ref>
He toured North America with The English Concert for the first time in 1983; he had earlier spent two periods as ''Artist in Residence'' at [[Washington University in St. Louis]].<ref name="crd" /> His debut at [[The Proms]] was in 1980; he later directed [[George Frideric Handel|Handel]]'s oratorio ''[[Solomon (oratorio)|Solomon]]'' in 1986 and many other large-scale works with his orchestra.<ref name="hutchinson" /> They toured worldwide and made numerous recordings, Pinnock directing "with a characteristic energy and enthusiasm which are readily communicated to audiences."<ref name="grove" /> The Choir of the English Concert was at first an ad-hoc group of singers assembled as needed, originally in 1983 for the first 20th-century performance of Rameau's ''[[Acante et Céphise]]''; it became an established choir for a period from the mid-1990s at the time they were performing Bach's [[Mass in B minor]]. This allowed the ensemble to regularly perform [[baroque opera]]s, [[oratorio]]s and other vocal works; a series of Bach's major choral works followed.<ref name=goldberg>{{cite journal| title = Interview : The English Concert| last = Argent| first = Mark| date = 25 October 2005| journal = Goldberg Magazine}}</ref>

He directed The English Concert, usually from the harpsichord or [[chamber organ]],<ref>"Trevor’s preference was always to direct from the keyboard. He regarded the conductor as an essentially 19th century invention." – Felix Warnock, see above</ref> for over 30 years, deciding, with the other orchestra members, to hand it over to violinist [[Andrew Manze]] in 2003.<ref name=autumn/><ref name=guardian>{{cite web| url = http://arts.guardian.co.uk/reviews/story/0,,994757,00.html| title = English Concert/Pinnock| access-date =14 April 2007| last = Jeal| first = Erica| date = 8 July 2003| work = The Guardian}} – Review of his final performance directing The English Concert, at which he was joined by fellow harpsichord-conductor [[Ton Koopman]] in some of Bach's harpsichord concertos</ref> He explained the decision as follows:<ref name=torch>{{cite web| url = http://www.andante.com/article/article.cfm?id=16111| title = Passing the (Authentic 18th-Century) Torch: Andrew Manze Succeeds Trevor Pinnock as Director of The English Concert| access-date = 15 April 2007| last = Vickers| first = David| date = February 2002| work = andante| url-status = dead| archive-url = https://web.archive.org/web/20070811222719/http://www.andante.com/article/article.cfm?id=16111| archive-date = 11 August 2007}}</ref>

{{blockquote|There are other things I want to develop – or rather come back to. Having done The English Concert for 18–20 weeks per year, and guest conducting the rest of the time, I'd sacrificed playing the harpsichord rather more than I wanted to. I had to make a decision to move forward: there were certain solo projects I wanted to do, and I wanted to make the decision now rather than wait until after I am 60 and it's too late to do half of them. [...] There's a wealth of keyboard repertoire I want to revisit. I especially want to go back to the rich English repertoire such as [[Thomas Tomkins|Tomkins]], [[William Byrd|Byrd]], [[John Bull (composer)|Bull]] and [[Orlando Gibbons|Gibbons]].}}

===Other conducting projects===
In 1989 Pinnock founded The Classical Band in New York, signing an 18-disc recording contract with [[Deutsche Grammophon]] before the ensemble's first rehearsal.<ref>{{cite web| url = https://query.nytimes.com/gst/fullpage.html?res=9C0CE5DD173EF934A25757C0A966958260| title = Review/Music; 2 Nights, 2 Ensembles And Much Mozart| access-date =14 April 2007| last = Kozinn| first = Allan| date = 17 April 1990| work = The New York Times| quote = The Classical Band was born last year with the music world equivalent of a silver spoon.}}</ref> He led the group in performances of the classical and [[Romantic music|romantic]] repertoire from [[Joseph Haydn|Haydn]] to [[Felix Mendelssohn|Mendelssohn]] on period instruments, including playing as [[fortepiano]] soloist.<ref>{{cite web| url = https://query.nytimes.com/gst/fullpage.html?res=950DEFDA163DF931A25756C0A96F948260| title = Review/Concert; Pinnock and New Ensemble Play Mozart as He Heard It| access-date =14 April 2007| last = Henahan| first = Donal| date = 12 May 1989| work = The New York Times}} – A review of The Classical Band's debut.</ref> After a disappointing series of concerts, he resigned in 1990 and was succeeded by [[Bruno Weil]].<ref>{{cite web| url = https://query.nytimes.com/gst/fullpage.html?res=9D0CEFDA1F38F933A2575BC0A967958260| title = Review/Music; Authenticity: No More a Goal in Itself| access-date =14 April 2007| last = Rothstein| first = Edward| date = 10 August 1991| work = The New York Times}} – A review discussing Pinnock's resignation. Despite this failure, The English Concert went on to record the complete Mozart symphonies and other classical repertoire.</ref>

From 1991 to 1996 he was artistic director and principal conductor of the [[National Arts Centre Orchestra]] in [[Ottawa]], a group he had first directed in 1985.<ref name=nac>National Arts Centre [https://www.nac-cna.ca/en/news/viewnews.cfm?ID=1537&cat=catNACO Esteemed Baroque interpreter Trevor Pinnock leads the NAC Orchestra's 2007 Messiah on  18–19 December] {{webarchive|url=https://archive.today/20110706190822/https://www.nac-cna.ca/en/news/viewnews.cfm?ID=1537&cat=catNACO |date=6 July 2011 }} 11 December 2007</ref> He subsequently served as its artistic advisor during the 1996–1997 and 1997–1998 seasons, including a tour of the US with the performance and recording of [[Ludwig van Beethoven|Beethoven's]] [[Piano Concerto No. 1 (Beethoven)|1st]] and [[Piano Concerto No. 5 (Beethoven)|5th]] piano concertos with [[Grigory Sokolov]] as soloist.<ref>{{cite web| url = http://www.rogev.com/sokolov/reviews/Sokolov%20records%20Beethoven.htm| title = Russian pianist enjoys harmonious relationship with NAC| access-date = 14 April 2007| last = Mazey| first = Steven| date = 16 July 1996| work = Ottawa Citizen| url-status = dead| archive-url = https://web.archive.org/web/20070213030823/http://www.rogev.com/sokolov/reviews/Sokolov%20records%20Beethoven.htm| archive-date = 13 February 2007}} – Discussion of the recording of the Beethoven piano concertos, which has not been released.</ref> He has made occasional return visits to the orchestra since relinquishing his formal position with them.<ref name=nac />

====Guest conducting====
He has appeared frequently as a guest conductor with many of the world's leading orchestras, including the [[Boston Symphony Orchestra|Boston]], [[City of Birmingham Symphony Orchestra|City of Birmingham]], [[San Francisco Symphony|San Francisco]] and [[Detroit Symphony Orchestra|Detroit]] [[symphony orchestra]]s, the [[Saint Paul Chamber Orchestra|Saint Paul]], Los Angeles and Mito<ref>Tetsuya Sekine (2001) [http://www.arttowermito.or.jp/music/pinnockint.html MCO The 48th Regular Concert Interview with Maestro Trevor Pinnock] {{Webarchive|url=https://web.archive.org/web/20060207144539/http://www.arttowermito.or.jp/music/pinnockint.html |date=7 February 2006 }}, Mito Art Tower. Retrieved 16 February 2010.</ref> [[chamber orchestra]]s, the [[Freiburger Barockorchester]], [[Philharmonia Baroque Orchestra]],<ref>{{cite web|last=Sargent|first=Joseph|url=http://www.sfcv.org/arts_revs/philbaroque_12_7_04.php|title=Early Music Review: All in the Family|publisher=San Francisco Classical Voice|date=4 December 2004|access-date=17 February 2010|url-status=dead|archive-url=https://web.archive.org/web/20100213082930/http://www.sfcv.org/arts_revs/philbaroque_12_7_04.php|archive-date=13 February 2010}}</ref> [[Mozarteum Orchestra of Salzburg]], [[Berlin Philharmoniker]], [[Vienna Philharmonic Orchestra]], Austro-Hungarian Haydn Orchestra, the [[Chicago Symphony Orchestra]] and [[London Philharmonic Orchestra]] and at the [[Tanglewood]], [[Mostly Mozart]] and [[Salzburg Festival|Salzburg]] festivals.<ref name=grove/><ref name=AskonasHolt /> He is a regular guest conductor of the [[Leipzig Gewandhaus Orchestra]] and [[Deutsche Kammerphilharmonie]]<ref name=ebe>European Brandenburg Ensemble [http://www.europeanbrandenburg.com/About_Trevor_Pinnock.htm Trevor Pinnock]. Retrieved 18 February 2010.</ref>

He made his [[Metropolitan Opera]] debut in 1988 conducting Handel's opera ''[[Giulio Cesare]]'', the same year he made his debut at the [[Salzburg Festival]] with Handel's ''[[Messiah (Handel)|Messiah]]''.<ref name=debrett/><ref name=hutchinson/>
He conducted [[Opera Australia]] and [[Michael Chance]] in Handel's ''[[Rinaldo (opera)|Rinaldo]]'' at the [[Sydney Opera House]] in 2005.<ref name=ford>Ford, Andrew "[http://www.abc.net.au/rn/music/mshow/s1458221.htm Trevor Pinnock discusses Handel's Rinaldo] {{Webarchive|url=https://web.archive.org/web/20110619051701/http://www.abc.net.au/rn/music/mshow/s1458221.htm |date=19 June 2011 }}", Australian Broadcasting Corporation, transcript of ''The Music Show'' uncertain date. Retrieved 16 February 2010.</ref> He also played [[William Babell]]'s virtuoso harpsichord transcriptions with some of the arias (which Babell claimed were of Handel's actual improvisations).<ref>Carey Beebe Harpsichords [http://www.hpschd.nu/s/rinaldo-s.html A sound clip of part of the 'Vò far guerra' from Act II of ''Rinaldo''] with Emma Matthews and Trevor Pinnock directing the Australian Opera & Ballet Orchestra from the harpsichord. Retrieved 16 February 2010.</ref>

===Recent years===
[[File:Trevor Pinnock 3.jpg|thumb|right|400px|Pinnock directs the European Brandenburg Ensemble.]]
Since resigning his position with The English Concert, Pinnock has divided his time between performing as a harpsichordist and conducting both modern- and period-instrument orchestras. He has also taken an interest in educational projects.<ref name=AskonasHolt>Askonas Holt [http://www.askonasholt.co.uk/artists/conductors/trevor-pinnock Trevor Pinnock] {{Webarchive|url=https://web.archive.org/web/20160303171510/http://www.askonasholt.co.uk/artists/conductors/trevor-pinnock |date=3 March 2016 }} Profile on agent's webpage. Retrieved 15 February 2010.</ref>

In 2004 he commissioned [[contemporary classical music|modern]] harpsichord music by English composer [[John Webb (composer)|John Webb]], whose ''Surge'' (2004) "is built up over an implacable rhythmic repeat-figure. Though neither is explicitly tonal, each skilfully avoids the merely percussive effect that the harpsichord's complex overtones can all too easily impart to more densely dissonant music."<ref name=Northcott /> He has also played the same composer's ''Ebb'' (2000), which "comprises a spasmodic discourse against a manic background of descending scale patterns like a kind of out-of-kilter change-ringing".<ref name=Northcott>{{cite web|url=http://enjoyment.independent.co.uk/music/reviews/article12325.ece |title=Trevor Pinnock, Wigmore Hall, London |access-date=20 February 2010 |last=Northcott |first=Bayan |date=23 February 2005 |work=The Independent }}{{dead link|date=August 2021|bot=medic}}{{cbignore|bot=medic}}</ref>

He toured Europe and the Far East in 2007 with the European Brandenburg Ensemble, a [[baroque orchestra]], formed to mark his 60th birthday by recording Bach's ''[[Brandenburg Concertos]]'' and performing popular baroque music.<ref name="Church">{{cite web|url=http://enjoyment.independent.co.uk/music/features/article2073176.ece |title=Happy Bach day to you, Mr Pinnock |access-date=27 April 2007 |last=Church |first=Michael |date=14 December 2006 |work=The Independent }}{{dead link|date=August 2021|bot=medic}}{{cbignore|bot=medic}}</ref><ref>{{cite web| url = http://thestar.com.my/lifestyle/story.asp?file=/2007/4/22/lifearts/17496152&sec=lifearts| title = Baroque balm| access-date = 27 April 2007| last = Cheah| first = Jason| date = 22 April 2006| work = The Star|location=Malaysia| url-status = dead| archive-url = https://web.archive.org/web/20110521054939/http://thestar.com.my/lifestyle/story.asp?file=%2F2007%2F4%2F22%2Flifearts%2F17496152&sec=lifearts| archive-date = 21 May 2011}}</ref><ref>European Brandenburg Ensemble [http://www.europeanbrandenburg.com/Concerts_EuroFarEast.htm 2007 Concert Dates]. Retrieved 15 February 2010.</ref> Its recording of the concertos won the [[Gramophone Award]] for Baroque Instrumental in 2008.<ref>[https://web.archive.org/web/20090508054923/http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article4825370.ece 2008 Gramophone Award Winners], ''Times online'', 25 September 2008. Retrieved 13 February 2010.
</ref> The band was not a permanent orchestra, but planned to reconvene in 2011 when Bach's ''[[St John Passion]]'' was to be the focus of their work.<ref>[http://www.europeanbrandenburg.com/About.htm Trevor Pinnock and the European Brandenburg Ensemble], European Brandenburg Ensemble website accessed 13 February 2010.</ref>

Pinnock's educational work takes place both in the United Kingdom and elsewhere. It includes being principal guest conductor of the [[Royal Academy of Music]]'s Concert Orchestra,<ref>Royal Academy of Music, [http://www.ram.ac.uk/study/selectadepartment/biogs/pages/trevor%20pinnock%20cbe.aspx Trevor Pinnock CBE], staff biographies. Retrieved 18 February 2010.</ref> taking masterclasses or workshops at other British universities,<ref>Birmingham Conservatires [http://www.conservatoire.bcu.ac.uk/departments/early-music Early Music] {{Webarchive|url=https://web.archive.org/web/20100806122527/http://www.conservatoire.bcu.ac.uk/departments/early-music |date=6 August 2010 }}. Retrieved 18 February 2010.</ref> and conducting the orchestras of such establishments as [[Mozarteum University of Salzburg]] and [[The Hong Kong Academy for Performing Arts]].<ref name=AskonasHolt /> He has also taught a handful of harpsichordists including [[Lars Ulrik Mortensen]], Nicholas Parle, Carole Cerasi and [[Julian Perkins]].

== Degrees, honours and awards ==
Pinnock gained ARCM Hons (organ) (1965), FRCM (1996), and [[Royal Academy of Music#Honorary Awards of the Royal Academy of Music|Hon. FRAM]] (1988).<ref name=who/> His honorary doctorates include those from the [[University of Ottawa]] (D. University) in 1993,<ref>University of Ottawa "[http://www.president.uottawa.ca/doctorates-search-results.html?search=alpha_name#P Honorary Doctorates] {{Webarchive|url=https://web.archive.org/web/20140531052006/http://www.president.uottawa.ca/doctorates-search-results.html?search=alpha_name#P |date=31 May 2014 }}". Retrieved 18 February 2010.</ref> the [[University of Kent]] (DMus) in 1995,<ref>University of Kent "[http://www.kent.ac.uk/about/hongrads/honorary-grad90.html Honorary graduates 1990–99] {{Webarchive|url=https://web.archive.org/web/20121109120704/http://www.kent.ac.uk/about/hongrads/honorary-grad90.html |date=9 November 2012 }}". Retrieved 18 February 2010.</ref> and the [[University of Sheffield]] (DMus) in 2005.<ref>University of Sheffield ''[http://calendar.dept.shef.ac.uk/calendar/21_hon_grad.pdf Honorary Graduates] {{Webarchive|url=https://web.archive.org/web/20131029192732/http://calendar.dept.shef.ac.uk/calendar/21_hon_grad.pdf |date=29 October 2013 }}'', p. 7. Retrieved 18 February 2010</ref>

He was appointed a [[Commander of the Order of the British Empire]] in 1992 and an ''Officier'' of the French ''[[Ordre des Arts et des Lettres]]'' in 1998.<ref name=debrett/>

Pinnock received three nominations for [[Grammy Awards]] for his recordings of [[Handel]]'s [[Coronation anthem|Coronation Anthems]] (1984), [[Antonio Vivaldi|Vivaldi]]'s ''[[Gloria (Vivaldi)|Gloria]]'' and [[Alessandro Scarlatti]]'s ''Dixit Dominus'' (1989) and Handel's ''[[Messiah (Handel)|Messiah]]'' (1990).<ref>{{Cite web |title=Trevor Pinnock {{!}} Artist {{!}} GRAMMY.com |url=https://grammy.com/artists/trevor-pinnock/5202 |access-date=2024-04-14 |website=grammy.com}}</ref>

== Recordings ==
Each original release is listed. Years are those of recording.<ref>Sources for this list are the notes to each recording</ref> Recordings on [[Archiv Produktion]] unless otherwise indicated.<ref>Trevor Pinnock and The English Concert recorded with CRD from 1974 to 1978, Archiv from 1978 to 1995, Avie in 2001, and EMI in 2012</ref>

===Solo harpsichord===
====By composer====
*[[J. S. Bach]]: toccatas 910 & 912, prelude and fugue in A minor BWV 894, fantasia in C minor BWV 906, ''[[Chromatic Fantasia and Fugue]]'' BWV 903 (1978)
*J. S. Bach: toccatas 911, 913–916 (1977)
*J. S. Bach: ''[[Partitas, BWV 825-830|Partitas]]'' for harpsichord BWV 825–830 (1985)
*J. S. Bach: ''Partitas'' for harpsichord BWV 825–830, [[Hänssler]] (1998–1999)
*J. S. Bach: ''[[Goldberg Variations]]'' BWV 988 (1980)
*J. S. Bach: ''[[Italian Concerto, BWV 971|Italian Concerto]]'' BWV 971, concerto after Vivaldi (op.3 no.9) BWV 972 and ''French Overture'' BWV 831 (1979)
*J. S. Bach: ''[[French Suites, BWV 812-817|French suite]]'' no.5 BWV 816, ''[[English Suites, BWV 806-811|English suite]]'' no.3 BWV 808, chromatic fantasia and fugue BWV 903 and preludes and fugues BWV 846, 876, 881 from ''[[The Well-Tempered Clavier]]'' (1992)
*J. S. Bach: ''The Well-Tempered Clavier'' I, [[Deutsche Grammophon]] (2020)
*J. S. Bach: ''The Well-Tempered Clavier'' II, Deutsche Grammophon (2022)
*[[George Frideric Handel|Handel]]: harpsichord suites and chaconne HWV 434, 441, 436, 438, 435 (1983)
*[[Jean-Philippe Rameau|Rameau]]: [[Pieces de clavecin (Rameau)|Complete harpsichord works]], [[CRD Records]] (1988)
*Rameau: ''Les Cyclopes'' (Suites in A minor and E minor), [[Avie Records]] (2005)
*[[Domenico Scarlatti|Scarlatti]]: Sonatas Kk. 46, 87, 95, 99, 124, 201, 204a, 490, 491, 492, 513, 520, 521, CRD Records (1981)
*Scarlatti: Sonatas Kk. 460, 461, 478, 479, 502, 516, 517, 518, 519, 529, 544, 545, 546, 547 (1986)

====Collections====
*''16th Century English Keyboard Music'', CRD Records<ref>Byrd: Watkins Ale, Lavolta, Lady Morley, Rowland, Carman's Whis; Anon: My Lady Carey's Dompe; [[Thomas Tallis|Tallis]]: O Ye Tender Babes; Gibbons: The Woods So Wild, Mask: The Fairest Nymph, Lord Salisbury his pavan and galliard; Bull: The King's Hunt, My Grief, My Self; [[John Dowland|Dowland]]: Lachrymae and Galliard; Randall: 'Can She Excuse'; [[Giles Farnaby|Farnaby]]: Muscadin, Loath to Depart; Tomkins: Barafostus' Dream</ref> (1976)
*''A Choice Collection of Lessons and Ayres (17th and 18th Century English Keyboard Music)'', CRD Records<ref>Anon: The Grange; Gibbs: Lord Monck's March; Anon: Gerard's Mistress; Locke: Suite No.4 in D major; Purcell: A New Irish Tune (Lillibullero); Draghi: Ground (Socca Pur); Purcell – Suite No.2 in G minor; Blow: [Mortlack's Ground]; Greene: Overture in D major; Arne – Sonata No.6 in G; Nares – Lesson No.2 in D major; Paradies – Sonata No.6 in A major</ref> (1978)
*''At the [[Victoria and Albert Museum]]'', CRD Records<ref>Anon: My Lady Wynkfylds Rownde; Byrd: The Queenes Alman, The Bells; Handel: Suite no.5 in E major HWV 430; Croft: Suite no.3 in C minor; Arne: Sonata no.3 in G major; J. C. Bach: Sonata in C minor op.5 no.6</ref> (1974)
*''[[The Harmonious Blacksmith]]: Favourite Harpsichord Works''<ref>Handel: Air and Variations 'The Harmonious Blacksmith'; [[J. C. F. Fischer|Fischer]]: Passacaglia in D minor; Couperin: Les Baricades Mysterieuses; Bach: Italian Concerto in F major; Rameau: Gavotte avec 6 Doubles; Scarlatti: Sonatas in E major K. 380 and 381; Fiocco: Adagio in G major; [[Daquin]]: Le Coucou; [[Balbastre]]: La Suzanne</ref> (1983)
*''Suites by Purcell and Handel and Sonatas by Haydn'', [[Wigmore Hall Live]]<ref>[[Henry Purcell|Purcell]]: Suite No.4 in A minor; [[Haydn]]: Sonata in D major, Hob.XVI/14; Handel: Suite No.7 in G minor; Handel: Suite No.2 in F major; Purcell: Suite No.2 in G minor; Haydn: Sonata in G major, Hob.XVI/27; Haydn Sonata in D major, Hob.XVII/D1: Finale (Allegro); Purcell: A new Ground in E minor. Recorded live at [[Wigmore Hall]]: {{cite web |url=http://www.wigmore-hall.org.uk/wigmore-hall-live/buy-cds/view/cd033-trevor-pinnock-25358 |title=Wigmore Hall Live |access-date=2010-01-13 |url-status=dead |archive-url=https://web.archive.org/web/20100109025502/http://www.wigmore-hall.org.uk/wigmore-hall-live/buy-cds/view/cd033-trevor-pinnock-25358 |archive-date=9 January 2010 }}</ref> (2009)

===Harpsichord concertos===
*[[J. S. Bach]]: [[harpsichord concertos (J. S. Bach)|harpsichord concerto]]s BWV 1052–1058, concertos for 2, 3 and 4 harpsichords 1060–1065 ([[Kenneth Gilbert]], [[Lars Ulrik Mortensen]] and [[Nicholas Kraemer]], harpsichords 2–4) (1979–1981)
*J. S. Bach: concerto for harpsichord, violin and flute BWV 1044 (on the recording ''3 concerti'') (1984)
*J. S. Bach: ''[[Brandenburg Concerto No. 5]]'' BWV 1050 (on his two recordings of the Brandenburg concertos) (1979–1982 and 2006)
*''Sons of Bach harpsichord concertos'': [[C. P. E. Bach]]: Wq.14, Wq.43; [[J. C. Bach]]/Mozart: concerto in D major, CRD Records (1974)
*[[Thomas Arne|Arne]]: Harpsichord concerto no.5 in G minor (on ''A Grand Concert of Musick'') (1979)
*[[Haydn]]: [[Keyboard Concerto No. 11 (Haydn)|Concerto for Harpsichord and Orchestra Hob. XVIII:11]] (on ''Haydn: concertos'' and ''Pachelbel: Canon and Gigue'') (1985)
*[[Walter Leigh|Leigh]]: [[Concertino for Harpsichord and String Orchestra]] with [[Nicholas Braithwaite]] conducting the [[London Philharmonic Orchestra]]; he also plays in Leigh's ''Midsummer Night's Dream'' suite, [[Lyrita]] (1980)<ref>Lyrita [http://www.lyrita.co.uk/cgi-bin/lyrita_build.pl?filename=SRCD0289.txt Walter Leigh – * Overture, Agincourt • Concertino for Harpsichord • Music for String Orchestra • A Midsummer Night's Dream Suite • The Frogs • * Jolly Roger Overture], lyrita.co.uk accessed 18 February 2010.</ref>
*[[Francis Poulenc|Poulenc]]: ''[[Concert champêtre]]'' with [[Seiji Ozawa]] conducting the [[Boston Symphony Orchestra]], Deutsche Grammophon (live recording) (1991)<ref>For the ''Concert champêtre'', Pinnock played a rare triple manual harpsichord, disposition 16' 8' 8' 4' 2', lute stop, 2 buff stops, 2 couplers, by [[Robert Goble]] & Son, Oxford ([http://www.gobleharpsichords.co.uk/images/hass1740.jpg?*MPImage%3D%23*MPImageX%3D0*MPImageY%3D0*MPTitle%3Dafter%20H.%20A.%20Hass%2C%20Hamburg%201740* picture] {{Webarchive|url=https://web.archive.org/web/20070927230629/http://www.gobleharpsichords.co.uk/images/hass1740.jpg?*MPImage=%23*MPImageX=0*MPImageY=0*MPTitle=after%20H.%20A.%20Hass,%20Hamburg%201740* |date=27 September 2007 }}) after [[H. A. Hass]], Hamburg, 1740. The original is apparently in the collection of [[Rafael Puyana]].</ref>

===Chamber music===
*[[J. C. Bach]]: ''3 Quintets, [[Sextet]]''<ref>Quintets: op.22 no.1, op.11 no.1, op.11 no.6</ref> (also playing [[fortepiano]] and [[square piano]]) with members of The English Concert (1988)
*[[J. S. Bach]]: [[6 Sonatas for Harpsichord and Violin BWV 1014-1019 (Bach)|sonatas for violin and harpsichord BWV 1014–1019]], 1019a with [[Rachel Podger]] (violin) and sonatas for violin and continuo BWV 1021, 1023 with the addition of [[Jonathan Manson]] ([[viola da gamba]]), [[Channel Classics Records]] (2000)
*J. S. Bach: [[Viola da Gamba Sonatas (Bach)|sonatas for viola da gamba and harpsichord BWV 1027–1029]], 1030b (an early version of the flute sonata) with Jonathan Manson (viola da gamba), Avie Records (2006)
*J. S. Bach: sonatas for flute and harpsichord BWV 1030–1032 with [[Stephen Preston (flautist)|Stephen Preston]] (baroque flute) and sonatas for flute and continuo BWV 1033–1035 with the addition of [[Jordi Savall]] (viola da gamba), CRD Records (1975)
*J. S. Bach: sonatas for flute and harpsichord BWV 1020, 1030–1032 with [[Jean-Pierre Rampal]] (modern flute) and sonatas for flute and continuo BWV 1033–1035 with the addition of [[Roland Pidoux]] (cello), [[Columbia Records|CBS Records]] (1985)
*J. S. Bach: sonatas for flute and harpsichord BWV 1020, 1030–1032 with [[Emmanuel Pahud]] (modern flute), sonatas for flute and continuo BWV 1033–1035 with the addition of Jonathan Manson (cello) and sonata for two flutes and continuo BWV 1039 with the further addition of {{ill|Silvia Careddu|it}} (modern flute), [[EMI Classics]] (2008)
*[[Arcangelo Corelli|Corelli]]: Trio Sonatas<ref>Op.1 nos.1, 3, 7, 9, 11, 12; op.2 nos.4, 6, 9, 12.</ref> with members of The English Concert (1987)
*[[George Frideric Handel|Handel]]: Trio Sonatas<ref>For 2 violins: op.5 no.2, op.5 no.4, HWV 393, op.2 no.3; for violin and flute: op.2 no.1; for violin: op.1 no.3.</ref> with members of The English Concert (1985)
*[[Rameau]]: ''[[Pièces de Clavecin en Concerts]]'' with Rachel Podger and Jonathan Manson, Channel Classics (2002)
*[[Antonio Soler (composer)|Soler]]: ''Six Concertos for Two Keyboard Instruments'' (playing harpsichord and fortepiano) with [[Kenneth Gilbert]] (1979)
*[[Samuel Wesley (composer, born 1766)|Wesley]]: Duet for Organ in C major with [[Simon Preston]] on his recording ''Early English Keyboard Music'' (1986)
*''The [[prostitute|Punckes]] Delight'' and other seventeenth-century English music for [[viol]] and keyboard ([[virginal]] and [[chamber organ]])<ref>Anon.: Divisions on the 'Barafostus Dream'; [[Alfonso Ferrabosco the younger|Alfonso Ferrabosco]]: Pieces for the [[lyra-viol]]; [[Orlando Gibbons]]: Fantasia for organ; [[Christopher Simpson (musician)|Christopher Simpson]]: Prelude and Divisions in E minor; [[William Corkine]]: The Punckes Delight, Coranto I, Coranto II, Walsingham; [[John Bull (composer)|John Bull]]: Coranto; Anon.: The King's Morisk; John Bull: The Duchess of Brunswick's Toy; [[Tobias Hume]]: Musical Humors: Touch me lightly, Harke, harke, A Souldiers Resolution; John Bull: My Jewel; Christopher Simpson: Divisions in B flat</ref> with [[Jordi Savall]], [[Argo Records (UK)|Argo Records]] (1978)<ref>Pierre-F. Roberge "[http://www.medieval.org/emfaq/cds/arg37.htm The Punckes Delight]" Medieval Music & Arts Foundation. Retrieved 18 February 2010.</ref><ref name=lp>Only released on vinyl LP</ref>
*''The Flute King'': Music from the court of [[Frederick the Great]].<ref>Concertos: [[C. P. E. Bach]]: Flute Concerto in A major, Wq.168/H.438; [[Franz Benda]]: Flute Concerto in E minor; [[Frederick II of Prussia]]: Flute Concerto No. 3 in C major; [[Johann Joachim Quantz]]: Flute Concerto, QV 5:174 in G major (No. 161). Sonatas: J. S. Bach: Trio Sonata from the Musical Offering, [[BWV 1079]] (Matthew Truscott, violin); [[Anna Amalia, Abbess of Quedlinburg|Anna Amalia of Prussia]]: Flute sonata in F major; C. P. E. Bach: [[Sonata in A minor for Solo Flute]], Wq.132/H.562; [[Johann Friedrich Agricola]]: Flute sonata in A major; Frederick II: Flute Sonata in B minor; C. P. E. Bach: Flute Sonata in G major, Wq.133/H.564.</ref> Featuring [[Emmanuel Pahud]] on [[flute]]. One disc of flute concertos and one of flute sonatas; Trevor Pinnock directs the {{ill|Kammerakademie Potsdam|de}} orchestra and plays harpsichord continuo. Jonathan Manson plays cello continuo, EMI Classics (2011)<ref>{{cite web|url=http://www.emiclassics.com/releaseabout.php?rid=52024 |title=The Flute King: Music from the Court of Frederick the Great – Release Details |publisher=EMI Classics |access-date=12 June 2012}}</ref>

===Orchestral works with The English Concert===
Trevor Pinnock generally directs while playing harpsichord [[Basso continuo|continuo]].

====By composer====
*[[C. P. E. Bach]]: 6 symphonies for strings, Wq.182 (1979)
*C. P. E. Bach: flute concertos Wq.166 and Wq.167 ([[Stephen Preston (flautist)|Stephen Preston]], flute) (1980)
*[[J. S. Bach]]: ''[[Brandenburg concertos]]'' (1982)
*J. S. Bach: ''Orchestral Suites nos. 1 & 3'' (1978)
*J. S. Bach: ''Orchestral Suite no. 2 and concerto for harpsichord, violin and flute BWV 1044'' (Trevor Pinnock, harpsichord; [[Simon Standage]], violin; [[Stephen Preston (flautist)|Stephen Preston]], flute) (1978)
*J. S. Bach: ''Orchestral Suite no. 4 and Brandenburg concerto no. 5'' (1979)
*J. S. Bach: ''[[Orchestral suites (Bach)|Orchestral Suites]]'' and cantata sinfonias BWV 42, 52, 110, [[BWV 174|174]], 249 (1995)
*J. S. Bach: single and double violin concertos ([[Simon Standage]], Elizabeth Wilcock, violins) (1983)
*J. S. Bach: ''3 concerti'': concerto for harpsichord, violin and flute BWV 1044, concerto for oboe and violin BWV 1060 and concerto for oboe d'amore BWV 1055 (Simon Standage, violin; [[David Reichenberg]], oboe and oboe d'amore; [[Lisa Beznosiuk]], flute; Trevor Pinnock, harpsichord) (1984)
*[[William Boyce (composer)|Boyce]]: ''8 Symphonies, op.2'' (1986)
*[[Arcangelo Corelli|Corelli]]: ''[[Twelve concerti grossi, Op. 6 (Corelli)|12 concerti grossi op.6]]'' (1988)
*[[Johann Friedrich Fasch|Fasch]]: ''Concertos and Orchestral Suite''<ref>Concerto à 8 for trumpet, 2 oboes, strings and continuo FWV L:D1, concerto for bassoon, 2 oboes, strings and continuo FWV L:c2, orchestral suite for violin, oboe, 2 flutes, bassoon, strings and continuo FWV K:g2, concerto for [[chalumeau]], 2 oboes, bassoon, strings and continuo FWV L:B1, concerto for 2 trumpets, 2 horns, 2 oboes, bassoon, strings and continuo FWV L:D14</ref> (1995)
*[[George Frideric Handel|Handel]]: [[Concerti grossi, Op. 3 (Handel)|''6 concerti grossi op.3'']] (1984)<ref>Pinnock plays the organ concerto movement of Handel's concerto grosso op.3 no.6</ref>
*Handel: [[Concerti grossi, Op. 6 (Handel)|''12 concerti grossi op.6'']] (1982)
*Handel: ''[[Water Music (Handel)|Water Music]]'' (1983)
*Handel: ''[[Music for the Royal Fireworks]]'' and ''concerti a due cori'' nos.2 and 3 (no.1 is on ''Christmas Concertos'') (1985)
*Handel: ''Music for the Royal Fireworks'' (original version of 1749), concertos, occasional suite (1995)
*Handel: Concerto grosso ''[[Alexander's Feast (Handel)|Alexander's Feast]]'' HWV 318, Sonata a 5 HWV 288, Oboe concertos [[Oboe Concerto No. 3 (Handel)|HWV 287]], [[Oboe Concerto No. 1 (Handel)|301]], [[Oboe Concerto No. 2 (Handel)|302a]] (Simon Standage, violin; David Reichenberg, oboe) (1984)
*Handel: ''[[Overture]]s'' from ''[[Samson (oratorio)|Samson]]'', ''[[il pastor fido]]'', ''[[Agrippina (opera)|Agrippina]]'', ''[[Alceste (Handel)|Alceste]]'', ''[[Saul (Handel)|Saul]]''<ref>Pinnock plays the organ concerto movements of ''Saul's'' act I sinfonia and act II sinfonia: ''Wedding Symphony''</ref> and ''[[Teseo]]'' (1986)
*Handel: [[Organ concertos, Op. 4 (Handel)|Organ concertos op.4]], [[Organ concertos, Op. 7 (Handel)|op.7]] and [[HWV]] 295, 296, 304 ([[Simon Preston]], organ)<ref>Vickers, David [http://www.gfhandel.org/interviews/2002Dec.htm ''GFHandel.org exclusives! Interviews'' Issue 7 December 2002] {{webarchive|url=https://web.archive.org/web/20051215133041/http://gfhandel.org/interviews/2002Dec.htm |date=15 December 2005 }}, G. F. Handel.org, 25 December 2002. Retrieved 18 February 2010</ref> (1984)
*Handel: [[Coronation Anthems (Handel)|Coronation Anthems]] (with Simon Preston conducting the choir of [[Westminster Abbey]]) (1982)
*Handel: ''[[Battle of Dettingen|Dettingen]] [[Te Deum]]'', ''Dettingen [[Anthem]]'' (with Simon Preston conducting the choir of Westminster Abbey) (1984)
*Handel: ''[[Ode for St. Cecilia's Day (Handel)|Ode for St. Cecilia's Day]]'' ([[Felicity Lott]], soprano; [[Anthony Rolfe Johnson]], tenor) (1985)
*Handel: ''Italian [[cantata]]s'': ''Silete venti'' HWV 242; ''Cecilia, vogli un sguardo'' HWV 89 ([[Jennifer Smith (opera singer)|Jennifer Smith]], soprano; [[John Elwes (tenor)|John Elwes]], tenor) (1987)
*Handel: ''[[Messiah (Handel)|Messiah]]'' ([[Arleen Auger]], soprano; [[Anne Sofie von Otter]], contralto; [[Michael Chance]], countertenor; [[Howard Crook]], tenor; [[John Tomlinson (bass)|John Tomlinson]], bass) (1988)<ref>Trevor Pinnock also wrote the preface to this book on the oratorio: {{cite book|last= Barber|first= David W.|others= illustrated by Dave Donald|title= Getting a Handel on Messiah|year= 1994|publisher= Sound And Vision Publishing Ltd, Canada|isbn= 0-920151-17-5|url= https://archive.org/details/gettinghandelonm0000barb}}</ref>
*Handel: ''[[Belshazzar (Handel)|Belshazzar]]'' (1990)
*Handel: ''[[Acis and Galatea (Handel)|Acis and Galatea]]'' in Mozart's arrangement K.566 (1991)
*Handel: ''[[Tamerlano]]'', CD: Avie Records (live recording, London), DVD: [[Arthaus (video label)|Arthaus]] (live recording, Halle) (2001)<ref>Arthbaus Musik [http://www.arthaus-musik.com/templates/tyCatalogueDetail.php?id=180&topic=homepage ''Tamerlano'': Georg Frideric Handel] {{webarchive|url=https://web.archive.org/web/20070928022153/http://www.arthaus-musik.com/templates/tyCatalogueDetail.php?id=180&topic=homepage |date=28 September 2007 }}, arthaus-musik.com. Retrieved 18 February 2010.</ref>
*[[Haydn]]: concertos for [[Oboe Concerto (attributed to Haydn)|oboe]], [[Trumpet concerto (Haydn)|trumpet]] and harpsichord (Hob.XVIII:11) ([[Paul Goodwin (conductor)|Paul Goodwin]], oboe; Mark Bennett, trumpet; Trevor Pinnock, harpsichord) (1985)
*Haydn: violin concertos; [[Johann Peter Salomon|Salomon]]: Romance for violin (Simon Standage, violin) (1989)
*Haydn: ''[[Stabat Mater (Haydn)|Stabat Mater]]'' (1990)
*Haydn: ''[[Nelson Mass|missa in angustiis "Nelson Mass"]]'', ''[[te deum]]'' (1987)
*Haydn: ''[[missa Sancti Nicolai]]'', ''[[Theresienmesse]]'' (1993)
*Haydn: symphonies ''le matin, le midi, le soir'', (nos. [[Symphony No. 6 (Haydn)|6]], [[Symphony No. 7 (Haydn)|7]], [[Symphony No. 8 (Haydn)|8]]) (1987)
*Haydn: ''[[Sturm und Drang]]'' symphonies (nos. [[Symphony No. 26 (Haydn)|26]], [[Symphony No. 35 (Haydn)|35]], [[Symphony No. 38 (Haydn)|38]], [[Symphony No. 39 (Haydn)|39]], [[Symphony No. 41 (Haydn)|41]], [[Symphony No. 42 (Haydn)|42]], [[Symphony No. 43 (Haydn)|43]], [[Symphony No. 44 (Haydn)|44]], [[Symphony No. 45 (Haydn)|45]], [[Symphony No. 46 (Haydn)|46]], [[Symphony No. 47 (Haydn)|47]], [[Symphony No. 48 (Haydn)|48]], [[Symphony No. 49 (Haydn)|49]], [[Symphony No. 50 (Haydn)|50]], [[Symphony No. 51 (Haydn)|51]], [[Symphony No. 52 (Haydn)|52]], [[Symphony No. 58 (Haydn)|58]], [[Symphony No. 59 (Haydn)|59]], [[Symphony No. 65 (Haydn)|65]]) (1989–1990)
*[[Mozart]]: [[List of symphonies by Wolfgang Amadeus Mozart|complete symphonies]] (1993–1995)
*Mozart: ''[[Krönungsmesse "Coronation Mass"]]'', ''[[Exsultate jubilate]]'' and ''[[Vesperae solennes de confessore]]'' (1994)
*[[Henry Purcell|Purcell]]: ''[[Dido and Aeneas]]'' (1989)
*Purcell: ''[[Dioclesian]]'' and ''[[Timon of Athens]]'' (1995)
*Purcell: ''[[King Arthur (opera)|King Arthur]]'' (1991)
*Purcell: ''[[Ode]]s'': ''Come, ye sons of art, away''; ''Welcome to all the pleasures''; ''Of old, when heroes thought it base'' (the [[Yorkshire]] feast song) (1989)
*Purcell: choral works with the choir of [[Christ Church, Oxford]], conducted by Simon Preston<ref>Service in B-flat, Z.230; Te Deum & Jubilate in D, Z.232; Evening Service in G minor, Z.231; O God, thou has cast us out, Z.36; O Lord God of Hosts, Z.37; [[Remember not, Lord, our offences]], Z.50; Lord, how long wilt thou be angry, Z.25; O God, thou art my God, Z.35; Man that is born of a woman, Z.27; Thou knowest, Lord, the secrets of our hearts, Z.58c; Jehovah, quam multi sunt hostes mei, Z.135; My heart is inditing, Z.30; O sing unto the Lord, Z.44; My beloved spake, Z.28; They that go down to the sea in ships, Z.57; Praise the Lord, O Jerusalem, Z.46.</ref> (1981)
*[[Telemann]]: ''3 Orchestral Suites'' for 3 oboes and bassoon TWV 55: C6 and B10, for 2 hunting horns TWV 55: D19 (1993)
*Telemann: ''2 Orchestral Suites'' for 3 oboes & bassoon TWV 55: g4, for oboe, trumpet, bassoon, 2 violins, viola and cello TWV 55: D1, ''Concerto in D Major'' for 3 trumpets and 2 oboes TWV 54: D3 (1994)
*[[Antonio Vivaldi|Vivaldi]]: 12 concertos ''[[il cimento dell'armonia e dell'inventione]]'' op.8 (Simon Standage, violin); flute concerto RV 429 (Stephen Preston, flute); cello concerto RV 424 ([[Anthony Pleeth]], cello), CRD Records (1978)
*Vivaldi: ''[[The Four Seasons (Vivaldi)|le quattro stagioni]]'' (Simon Standage, violin) (1982)
*Vivaldi: 12 concertos for 1,2 and 4 violins ''[[l'estro armonico]]'' op.3 (Simon Standage, [[Micaela Comberti]], Elizabeth Wilcock, [[Miles Golding]], violins) (1987)
*Vivaldi: 12 concertos for violin ''[[la stravaganza]]'' op.4 (Simon Standage, violin) (1990)
*Vivaldi: ''7 concerti for woodwind and strings''<ref>Concerto for strings RV 156; concerto for oboe RV 449 (op.8 no.12); concerto for bassoon RV 485; concerto for strings RV 166; concerto for violin, 2 recorders and 2 oboes 'per l'orchestra di Dresda' RV 577; concerto for recorder RV 444; concerto for 2 violins and 2 cellos RV 575.</ref> (1995)
*Vivaldi: ''[[Concerto alla rustica]]''<ref>Concerto alla rustica RV 151; concerto for oboe and violin RV 548; concerto con molti stromenti RV 558; concerto for oboe RV 461; concerto for 2 violins RV 516; concerto for 2 mandolins RV 532.</ref> (1986)
*Vivaldi: ''concerti l'amoroso''<ref>Concerto for strings RV 159; concerto for violin 'l'amoroso' RV 271; concerto for bassoon RV 484; concerto for flute RV 436; concerto for viola d'amore and lute RV 540; concerto for oboe and bassoon RV 545.</ref> (1987)
*Vivaldi: ''[[Six Flute Concertos, Op. 10 (Vivaldi)|6 concerti for flute op.10]]'' (Lisa Beznosiuk, flute) (1988)
*Vivaldi: ''[[Gloria (Vivaldi)|Gloria]]''; [[A. Scarlatti]]: ''dixit dominus'' (1988)
*Vivaldi: ''[[Stabat Mater]]'', ''[[Salve Regina]]'', ''Nisi Dominus'' (Michael Chance, countertenor); sinfonia for strings RV 169 (1995)

====Collections====
*''Christmas Concertos''<ref>[[Marc-Antoine Charpentier]]: Noëls sur les instruments H.531, 534; [[Johann Melchior Molter]]: concerto pastorale in G major; Vivaldi: concerto for 2 trumpets RV 537; [[Giuseppe Sammartini]]: Pastorale in G major from op.5 no.6; Telemann: concerto polonois in G major; Handel: concerto a due cori no.3 HWV 332; Corelli: Christmas concerto, op.6 no.8.</ref> (1988)
*''[[Johann Pachelbel|Pachelbel]]: Canon and Gigue''<ref>[[Johann Pachelbel]]: Canon & Gigue; Handel: [[The Arrival of the Queen of Sheba]]; Vivaldi: sinfonia for strings RV 149; Purcell: Chacony Z.730; [[Tomaso Albinoni]]: concerto a cinque op.9 no.2; Charles Avison: concerto grosso no.9 after Domenico Scarlatti; Haydn: harpsichord concerto Hob.XVIII:11.</ref> (1985)
*''A Grand Concert of Musick: English Baroque Concertos''<ref>[[John Stanley (composer)|John Stanley]]: Concerto for strings, op.2 no.3; Thomas Arne: Harpsichord concerto no.5; William Boyce: Symphony op.2 no.1; [[Francesco Geminiani]]: concerto grosso after Corelli's op.5 no.12 (variations on 'la folia'); [[Pieter Hellendaal]]: concerto op.3 no.4; [[Charles Avison]]: concerto grosso no.9 after Domenico Scarlatti.</ref> (1979)
*''Christmas in Rome'': Vivaldi: ''Gloria''; Corelli: ''[[Christmas Concerto (Corelli)|Christmas Concerto]]''; A. Scarlatti: ''O di Betlemme altera povertà'' (on video and CD) (1992)
*''Opera Arias'' by Mozart, Haydn and [[Gluck]] (Anne-Sofie von Otter, mezzo-soprano) (1995)
*''Oboe Concertos'': C. P. E. Bach, Wq.165; [[Ludwig August Lebrun|Lebrun]], no.1; Mozart, [[Oboe Concerto (Mozart)|K.314]] (Paul Goodwin, oboe) (1991)
*''Sound the trumpet: Royal music of Purcell & Handel'' ([[Alison Balsom]], natural trumpet; [[Iestyn Davies]], countertenor; [[Lucy Crowe]], soprano), EMI Classics<ref>Handel: ''[[Amadigi di Gaula]]'' - "Sento la gioia"; Purcell: ''King Arthur'' - Suite; Handel: ''[[Atalanta (opera)|Atalanta]]'' - Overture; Handel: ''[[Ode for the Birthday of Queen Anne]]'' - "Eternal source of light divine"; Purcell: ''[[The Fairy-Queen]]'' - Suite of musicks and dances; Purcell: ''[[Come Ye Sons of Art]]'' - "Sound the trumpet"; Handel: Suite in D ''Water Piece''; Purcell: ''The Fairy-Queen'' - "The Plaint"; Handel: Oboe Concerto No. 1 in B flat</ref> (2012)

===Conducting===
*''Exquisite Fires: Music of [[Linda Bouchard]]'' with the [[National Arts Centre Orchestra]], [[Marquis Classics]]<ref>Marquis Music [http://www.marquisclassics.com/219_exqu.asp ''Exquisite Fires: Music of Linda Bouchard''] {{webarchive|url=https://web.archive.org/web/20060515071743/http://www.marquisclassics.com/219_exqu.asp |date=15 May 2006 }} Marquisclassics.com. Retrieved 18 February 2010.</ref> (1998)
*''[[Renée Fleming]]: Sacred Songs in Concert from [[Mainz Cathedral]]'' with the [[Deutsche Kammerphilharmonie]] Bremen and the [[Mainzer Domchor]], [[Decca Records]] (on DVD only) (2005)<ref>PBS [https://www.pbs.org/wnet/gperf/shows/sacredsongs/songlist.html Renée Fleming ''Sacred Songs and Carols''] {{Webarchive|url=https://web.archive.org/web/20140221113105/http://www.pbs.org/wnet/gperf/shows/sacredsongs/songlist.html |date=21 February 2014 }}, PBS ''Great Performances'' website. Retrieved 18 February 2010.</ref>
*J. S. Bach: ''Six Concertos for the Margrave of Brandenburg'' with the European Brandenburg Ensemble, Avie Records (2007)
*G. Mahler: ''Symphony No. 4 (Chamber arrangement by Erwin Stein)'' with the [[Royal Academy of Music]] Soloists Ensemble, [[Linn Records]]<ref>[[Gustav Mahler]]: [[Symphony No. 4 (Mahler)|Symphony No. 4 in G major]] (arr. [[Erwin Stein]]); [[Claude Debussy]]: [[Prélude à l'après-midi d'un faune]]</ref> (2013)
*A. Bruckner: ''Symphony No. 2 (Chamber arrangement by Anthony Payne)'' with the Royal Academy of Music Soloists Ensemble, Linn Records<ref>[[Anton Bruckner]]: [[Symphony No. 2 (Bruckner)|Symphony No. 2 in C minor]] (arr. [[Anthony Payne]]); [[Johann Strauss II]]: [[Wein, Weib und Gesang|Wein, Weib und Gesang, Op. 333]] (arr. [[Alban Berg]])</ref> (2014)
*G. Mahler: ''Lieder eines fahrenden Gesellen (arr. Schoenberg) (Chamber arrangement of Zemlinsky, Busoni and Wagner)'' with the Royal Academy of Music Soloists Ensemble, Linn Records<ref>[[Gustav Mahler]]: [[Lieder eines fahrenden Gesellen]] (arr. [[Arnold Schoenberg]]); [[Ferruccio Busoni]]: [[Berceuse élégiaque|Berceuse élégiaque, Op. 42]] (arr. [[Erwin Stein]]); [[Alexander von Zemlinsky]]: Sechs Gesänge, Op. 13 (arr. [[Christopher Austin]]); [[Richard Wagner]]: [[Siegfried Idyll|Siegfried Idyll, WWV. 103]]</ref> (2015)
*W. A. Mozart: ''Gran Partita'' with the Royal Academy of Music Soloists Ensemble, Linn Records<ref>[[Wolfgang Amadeus Mozart]]: [[Serenade No. 10 (Mozart)|Serenade in B flat major, K. 361, 'Gran Partita']]; [[Joseph Haydn]]: Notturno No. 8 in G major, Hob. II:27</ref> (2016)
*C. P. E. Bach: ''Flute Concertos'' with [[Emmanuel Pahud]] (flute) and the {{ill|Kammerakademie Potsdam|de}}, [[Warner Classics]]<ref>[[Carl Philipp Emanuel Bach]]: Concerto in A minor Wq 166, H 430; Concerto in G Wq 169, H 445; Concerto in D minor Wq 22, H 425</ref> (2016)
*J. S. Bach: ''Goldberg Variations (arranged for small orchestra by [[Józef Koffler]])'' with the Royal Academy of Music Soloists Ensemble and guests from [[The Glenn Gould School]], Linn Records (2020)
*''Baroque Concertos'' with [[Alison Balsom]] (piccolo trumpet) and the Pinnock's Players, Warner Classics<ref>[[Antonio Vivaldi]]: Concerto in G minor RC 316a (Op. 4 No. 6); [[Tomaso Albinoni]]: Concerto in D minor Op. 9 No. 2; Antonio Vivaldi: Concerto in D RV 230 (Op. 3 No. 9); [[Alessandro Marcello]]: Concerto in D minor S. D935; [[Georg Philipp Telemann]]: Concerto in F minor TWV 51:f1; [[George Frideric Handel]]: Concerto Grosso in D HWV 323 (Op. 6 No. 5)</ref> (2024)

==Notes and references==
{{Reflist}}

==External links==
* {{official|http://www.trevorpinnock.com}}
* [http://www.jackpeters.com/pinnock1.htm Buying a harpsichord] – by Trevor Pinnock
* [http://www.bach-cantatas.com/Bio/Pinnock-Trevor.htm Bach-cantatas.com: Trevor Pinnock] – good selection of photos
* {{YouTube|cGL_kYKu9HA|Audio – Pinnock playing the virginal}}


{{s-start}}
{{s-culture}}
{{succession box | title=[[The English Concert|Music Director, The English Concert]] | before=no predecessor | years=1972&ndash;2003 | after=[[Andrew Manze]]}}
{{s-end}}

{{Handel Prize}}
{{Gramophone Hall of Fame}}

{{Good article}}

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{{DEFAULTSORT:Pinnock, Trevor David}}
[[Category:British choral conductors]]
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