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{{Other uses|Works (disambiguation){{!}}Works}} {{EngvarB|date=September 2013}} {{Use dmy dates|date=October 2024}} {{Infobox album | name = Works Volume 1 | type = studio | artist = [[Emerson, Lake & Palmer]] | cover = Emerson Lake and Palmer Works Volume 1 album cover.png | alt = | released = 25 March 1977 | recorded = 1976<ref>{{cite book|last1=Macan|first1=Edward|title=Endless Enigma|date=2006|publisher=Open Court|location=Peru, Illinois, United States of America|isbn=978-0-8126-9596-0|pages=353β355|ref=2}}</ref> | venue = | studio = [[De Lane Lea Studios]], London<br>[[Mountain Studios]], Montreux<br>PathΓ©-Marconi EMI Studios, Paris | genre = {{hlist|[[Contemporary classical music]]|[[folk rock]]|[[progressive rock]]|[[art rock]]<ref>{{cite web|url=http://www.allmusic.com/album/works-vol-2-mw0000197673|title=Works, Vol. 2 β Emerson, Lake & Palmer|first=David Ross|last=Smith|publisher=[[AllMusic]]|access-date=4 September 2012}}</ref>}} | length = 87:23 | label = [[Atlantic Records|Atlantic]] | producer = {{hlist|[[Keith Emerson]]|[[Greg Lake]]|[[Carl Palmer]]|[[Peter Sinfield]]}} | prev_title = [[Welcome Back My Friends to the Show That Never Ends β Ladies and Gentlemen]] | prev_year = 1974 | next_title = [[Works Volume 2]] | next_year = 1977 | misc = {{Singles | name = Works Volume 1 | type = studio | single1 = [[Fanfare for the Common Man (Emerson, Lake & Palmer song)|Fanfare for the Common Man]] | single1date = 27 May 1977<ref>{{cite web|url=https://www.worldradiohistory.com/UK/Music-Week/1977/Music-Week-1977-05-28.pdf|title=Music Week|page=56|website=Worldradiohistory.com}}</ref> | single2 = C'est La Vie | single2date = 26 August 1977<ref>{{cite web|url=https://www.worldradiohistory.com/UK/Music-Week/1977/Music-Week-1977-08-27.pdf|title=Music Week|page=48|website=Worldradiohistory.com}}</ref> }} }} '''''Works Volume 1''''' is the fifth studio album by English [[progressive rock]] band [[Emerson, Lake & Palmer]], released as a double album on 25 March 1977 on [[Atlantic Records]].<ref>{{Cite web|url=https://www.bpi.co.uk/award/8345-2097-2|title=Elvis Costello, Spike, Album|website=Bpi.co.uk|access-date=17 March 2025}}</ref> Following their world tour supporting ''[[Brain Salad Surgery]]'' (1973), the group took an extended break before they reconvened in 1976 to record a new album. They were now [[tax exile]]s and recorded new material in London and overseas in [[Montreux]], [[Switzerland]] and [[Paris]], [[France]]. ''Works Volume 1'' features a side dedicated for each member to write and arrange their own tracks, while the fourth side features songs performed collectively. [[Keith Emerson]] recorded his [[Piano Concerto No. 1 (Emerson)|Piano Concerto No. 1]], [[Greg Lake]] wrote several songs with lyricist [[Peter Sinfield]], and [[Carl Palmer]] recorded tracks of varied musical styles. The album peaked at No. 9 on the [[UK Albums Chart]] and No. 12 on the US [[Billboard 200|''Billboard'' 200]] and went gold in both countries, the latter for 500,000 copies sold. The group track "[[Fanfare for the Common Man (Emerson, Lake & Palmer song)|Fanfare for the Common Man]]", Emerson's adaptation of the [[Fanfare for the Common Man|1942 composition]] by [[Aaron Copland]], was released as a single in May 1977. It went to No. 2 on the [[UK singles chart]] to become the band's highest-charting single in the UK. Additional material recorded in 1976, plus songs from previous studio sessions, were released as ''[[Works Volume 2]]''. Both albums were supported with the 1977β1978 tour, which featured the band playing with an orchestra on stage for some early shows. ==Background== In August 1974, Emerson, Lake & Palmer finished their ten-month world tour in support of their fourth album, ''[[Brain Salad Surgery]]'' (1973). This was followed by the triple live album ''[[Welcome Back, My Friends, to the Show That Never Ends ο½ Ladies and Gentlemen]]'' (1974) which earned the group their highest charting position in the US with a peak of No. 4, and No. 6 in the UK. The trio took an extended break, having been on the recording and touring circuit each year since their formation in 1970. [[Keith Emerson]] said that at this point in their career, the group's musical direction had been "milked dry" and they wanted to spend time planning their next step.<ref name=MM107703>{{cite web|url=http://ladiesofthelake.com/cabinet/theworksonelp.html|title=The Works on ELP|author=Unknown|date=12 March 1977|work=Melody Maker|via=Ladies of the Lake|access-date=1 October 2019}}</ref> In 1976, the three had decided to start on a new studio album and became [[tax exile]]s, meaning they had to record overseas. Lake recalled that this was an unpopular opinion as the members had family based in England. They settled in [[Montreux]], Switzerland where they recorded at [[Mountain Studios]].<ref name=AV/> Lake recalled his time there was difficult for creativity: "It's so grey. There's nothing there. You get sod-all inspiration!" Emerson supported his view and called it "the end of the earth", but he and Palmer praised the studio facilities and the quality of the equipment.<ref name=MM107703/> Lyricist [[Pete Sinfield]] has claimed credit for the album's title, explaining, "I suppose if you're gonna be pretentious, you might as well do it big. They had all these bits floating around. But 'Bits' didn't really sound right."<ref name=Stump215>{{cite book|last=Stump|first=Paul|title=The Music's All that Matters: A History of Progressive Rock|date=1997|publisher=Quartet Books Limited|isbn=0-7043-8036-6|pages=215β8}}</ref> For ''Works'', Lake wanted to take a more serious approach in writing and singing ballads, and felt singing with an orchestra added greater variety to his songs.<ref name=MM107703/> Both tracks on side four feature Emerson playing a [[Yamaha GX-1]] synthesizer.<ref>Aaron Copland, "Interview With Aaron Copland 1997". Emerson Lake & Palmer, From The Beginning (box set, 5 CDs, 1 DVD), 2007 Sanctuary Records Group, Ltd.</ref> In March 1977, Lake said that the band had completed additional material that would be released on ''[[Works Volume 2]]''.<ref name=MM107703/> ==Music== ===Sides one to three=== Side one features Emerson's [[Piano Concerto No. 1 (Emerson)|Piano Concerto No. 1]], a three-movement work for piano and orchestra. Emerson performs on a Steinway grand piano with the [[London Philharmonic Orchestra]] conducted by [[John Mayer (composer)|John Mayer]], who assisted on the orchestral arrangements.<ref name=AV/> He wanted to write a serious piece that would not date itself, with the aim of having it performed by others in the future. Working hard on the score, Emerson looked back on it shortly after the album was released: "I've squeezed every ounce of myself into that thing. And I feel very satisfied."<ref name=MM107703/> An initial recording session took place at [[Kingsway Hall]] in London with mobile studio equipment, but the orchestra had difficulty understanding the score and performers complained of the hall's acoustics, resulting in Emerson "wasting a lot of money." A successful session arose when recording relocated to [[De Lane Lea Studios]].<ref name=MM107703/> When it came to preparing material for the album, Emerson dedicated a period to "think and write" following his depression after his Sussex home caught fire two years prior, burning his possessions and music he had put down.<ref>{{cite news|url=https://www.newspapers.com/image/383627280/|title=Emerson, Lake & Palmer's return|first=Robert|last=Hilburn|date=12 March 1977|newspaper=Los Angeles Times|page=Pt II, 11|via=Newspapers.com|access-date=1 October 2019}}</ref> The work's third movement reflected Emerson's mood at the time of the fire, and he was able to get "a lot of anger" out through the music.<ref name=MM107703/> In the band's ''Beyond the Beginning'' documentary, Lake recalled that Emerson invited composer [[Leonard Bernstein]] to listen to the work during his visit to the Paris studio where the recording was being mixed. Upon listening to the work, Bernstein said it "reminded him of [[Grandma Moses]]", a folk artist. Emerson, however, did not recall Bernstein saying this.{{sfn|Lake|2017|p=153}}<ref>Broadway World [https://www.broadwayworld.com/bwwclassical/article/BWW-Interviews-Keith-Emerson-of-THE-CLASSICAL-LEGACY-OF-A-ROCKSTAR-20141006 "Keith Emerson of THE CLASSICAL LEGACY OF A ROCKSTAR"], 6 October 2014. Retrieved on 31 October 2018.</ref> Side 2 is the [[Greg Lake]] side, and consists of acoustic ballads, all of which were written by Lake and [[Peter Sinfield]]. Side 3, the [[Carl Palmer]] side, includes a remake of "Tank" from the band's [[Emerson, Lake & Palmer (album)|self-titled debut album]] released in 1970, with orchestral accompaniment and minus the drum solo. "L.A. Nights" features [[Eagles (band)|Eagles]] guitarist [[Joe Walsh]] on lead and slide guitar and [[scat vocals]]. Two arrangements of classical pieces are included: [[Inventions and Sinfonias (Bach)|Two-Part Invention in D minor, BWV 775]] by [[Johann Sebastian Bach]] and a piece titled "The Enemy God Dances With the Black Spirits", an excerpt of the 2nd movement of the ''[[Scythian Suite]]'' by [[Sergei Prokofiev]]. ===Side four=== The fourth side features two group-performed pieces. "[[Fanfare for the Common Man (Emerson, Lake & Palmer song)|Fanfare for the Common Man]]" is an adaptation of the same-titled piece by American composer [[Aaron Copland]]. Emerson sought Copland's permission so the group could use it; Copland found their version appealing but was puzzled at the solo section in the middle of two fairly straightforward renditions of his piece. The 13-minute "Pirates" originated from a piece Emerson had written for a cancelled film version of [[Frederick Forsyth]]'s book ''[[The Dogs of War (novel)|The Dogs of War]]''. When Lake and Sinfield got together to write lyrics for the track, Emerson had told Lake that he wrote it with mercenaries in mind, which Lake found distasteful and wanted the song to be about something else. He conjured images of the sea upon listening to Emerson's piece, which made him think of pirates. Sinfield liked the idea, and the pair wrote words at Lake's mountain chalet.<ref name=AUDIOHOLICS12>{{cite web|url=https://www.audioholics.com/music-reviews/greg-lake|title=Greg Lake (Lead Singer of ELP) Interview|first=Steve|last=DellaSala|date=29 November 2012|publisher=Audioholics|access-date=18 December 2022}}</ref> "Pirates" was recorded in two separate studios; Lake had a falling out with the orchestra used in Montreux, so recording moved to Paris with the [[National Opera of Paris]] orchestra and conductor Godfrey Salmon. Sinfeld recalled the band wanting [[Leonard Bernstein]] to conduct the orchestral arrangements on "Pirates", and arranged for Bernstein, who was conducting at the nearby [[Palais Garnier|Opera House]], to visit the studio and hear the piece.<ref name=AUDIOHOLICS12/> Lake said: "I pressed the play button, and he put his head in his hands and from beginning to end, he didn't move [...] If he didn't like something, you would be told [...] he looked at me, and he said, 'The singing's not bad.' [...] I'm sure he didn't realize that I was the singer".<ref name=AUDIOHOLICS12/> Sinfield remembered Bernstein describing it as "primitive".<ref>{{cite book|title=Prog Rock FAQ: All That's Left to Know About Rock's Most Progressive Music|author=Will Romano|publisher=Hal Leonard Corporation|year=2014|isbn=978-1617136207}}</ref> ==Reception== {{Music ratings | rev1 =[[AllMusic]] | rev1Score = {{Rating|3.5|5}}<ref name="AllMusic">{{cite web|url={{AllMusic|class=album|id=works-vol-1-r1657259|tab=review|pure_url=yes}}|title=Works Vol. 1 β Emerson, Lake & Palmer|access-date=11 December 2011|last=Eder|first=Bruce|publisher=[[AllMusic]]}}</ref> | rev2 =''[[Classic Rock (magazine)|Classic Rock]]'' | rev2Score = {{Rating|2|5}}<ref>{{cite book|last1=Fielder|first1=Hugh|title=Classic Rock|chapter=Eight by Three|volume=76|date=February 2005|location=London, UK|pages=104|title-link=Classic Rock (magazine)}}</ref> | rev3 = ''[[MusicHound Rock]]'' | rev3Score = {{rating|2|5}}<ref>{{cite book|editor1-last=Graff|editor1-first=Gary|editor2-last=Durchholz|editor2-first=Daniel|title=MusicHound Rock: The Essential Album Guide|publisher=Visible Ink Press|location=Farmington Hills, MI|year=1999|section=Emerson, Lake & Palmer/Emerson, Lake & Powell|isbn=1-57859-061-2|pages=387β388}}</ref> | rev4 = ''[[Rolling Stone]]'' | rev4Score = (favorable)<ref>{{cite magazine|url=https://www.rollingstone.com/artists/emersonlakepalmer/albums/album/133206/review/5941527/works_vol_1|title=Emerson, Lake & Palmer: Works, Vol. 1 : Music Reviews|access-date=3 September 2012|last=Walters|first=Charley|magazine=[[Rolling Stone]]|date=2 June 1977|archive-url=https://web.archive.org/web/20071110210624/http://www.rollingstone.com/artists/emersonlakepalmer/albums/album/133206/review/5941527/works_vol_1|archive-date=10 November 2007|url-status=dead}}</ref> | rev5 = ''Louder'' | rev5Score = {{Rating|3.5|5}}<ref>{{cite web|url=https://www.loudersound.com/reviews/emerson-lake-palmer-reissues-album-review-1|title=Emerson Lake & Palmer: ''Works Volume 1''|last=Sharp|first=Johnny|author-link=Johnny Sharp|website=loudersound.com|date=24 May 2017|access-date=26 February 2019}}</ref> }} The album was originally released just as the punk era was getting underway, when bands like ELP were perceived as bloated "dinosaurs". As a result, ''Works Volume 1'' received mixed-to-poor reviews and is often viewed as marking the start of an artistic downturn in the group's career, despite the great success of "[[Fanfare for the Common Man (Emerson, Lake & Palmer song)|Fanfare for the Common Man]]" as a single. In a contemporary review, ''[[Rolling Stone]]'' did not care for either the Emerson or Lake sides but liked Palmer's selections, and reserved high praise for the two group numbers on side four. [[AllMusic]]'s retrospective review is mixed. They also criticize the solo sides of Keith Emerson ("on the level of a good music-student piece, without much original language") and Greg Lake ({{"'}}C'est la Vie', the featured single, says little that '[[Still...You Turn Me On]]', from their previous album, didn't say better and shorter"). They offer some praise for the Carl Palmer and group sides, but conclude that the group songs "cover a lot of old ground, albeit in ornate and stylish fashion."<ref name="AllMusic"/> Paul Stump's 1997 ''History of Progressive Rock'' characterized the album as excessive, indulgent, and "clodhoppingly stereotypical", but also asserted that it "is not without merit". In particular, he argued that while doing a piano concerto is a pompous and indulgent idea, Emerson pulls it off reasonably well, and his impressive virtuosity fits more comfortably in this context than in Emerson, Lake & Palmer's rock workouts.<ref name=Stump215/> ==Track listing== Source:<ref name=AV/> {{Track listing | headline = Side one: Keith Emerson | title1 = [[Piano Concerto No. 1 (Emerson)|Piano Concerto No. 1]]" *"First Movement: Allegro giojoso" *"Second Movement: Andante molto cantabile" *"Third Movement: Toccata con fuoco | writer1 = [[Keith Emerson]] | length1 = 18:18 }} {{Track listing | headline = Side two: Greg Lake | title1 = Lend Your Love to Me Tonight | writer1 = [[Greg Lake]], [[Peter Sinfield]] | length1 = 4:01 | title2 = C'est la Vie | writer2 = Lake, Sinfield | length2 = 4:16 | title3 = Hallowed Be Thy Name | writer3 = Lake, Sinfield | length3 = 4:35 | title4 = Nobody Loves You Like I Do | writer4 = Lake, Sinfield | length4 = 3:56 | title5 = Closer to Believing | writer5 = Lake, Sinfield | length5 = 5:33 }} {{Track listing | headline = Side three: Carl Palmer | title1 = [[Scythian Suite|The Enemy God Dances with the Black Spirits]] | writer1 = [[Sergei Prokofiev]], arr. Emerson, Lake, [[Carl Palmer]] | length1 = 3:20 | title2 = L.A. Nights | writer2 = Palmer | length2 = 5:42 | title3 = New Orleans | writer3 = Palmer | length3 = 2:45 | title4 = Two Part Invention in D Minor | writer4 = [[Johann Sebastian Bach|J. S. Bach]], arr. Palmer | length4 = 1:54 | title5 = Food for Your Soul | writer5 = Palmer, [[Harry South]] | length5 = 3:57 | title6 = Tank | writer6 = Emerson, Palmer | length6 = 5:08 }} {{Track listing | headline = Side four: Emerson, Lake & Palmer | title1 = [[Fanfare for the Common Man (Emerson, Lake & Palmer song)|Fanfare for the Common Man]] | writer1 = [[Aaron Copland]], arr. Emerson | length1 = 9:40 | title2 = Pirates | writer2 = Emerson, Lake, Sinfield | length2 = 13:18 }} {{Track listing | headline = 2004 reissue bonus tracks | title1 = Tank (Live in Indiana, 24 January 1978) | length1 = 9:49 | title2 = The Enemy God Dances with the Black Spirits (Live in Indiana, 24 January 1978) | length2 = 3:13 | title3 = [[Nut Rocker#Other recordings|Nut Rocker]] (Live in Indiana, 24 January 1978) | writer3 = [[Pyotr Ilyich Tchaikovsky]], [[Kim Fowley]] | length3 = 4:18 }} ==Personnel== Credits are taken from the album's liner notes.<ref name=AV>{{cite AV media notes|url=https://www.discogs.com/Emerson-Lake-Palmer-Works-Volume-1/release/5376042|title=Works Volume 1|others=Emerson, Lake & Palmer|year=1977|id=K 80009|publisher=Atlantic Records}}</ref> '''Emerson, Lake & Palmer''' *[[Keith Emerson]] β Steinway grand piano on side 1, keyboards on "L. A. Nights" and side 4 ([[Yamaha GX-1]] featured on "Fanfare for Common Man") *[[Greg Lake]] β vocals on side 2 and "Pirates," bass, acoustic and electric guitars on sides 2 and 4 *[[Carl Palmer]] β drums, xylophone, timpani on sides 3 and 4 '''Additional personnel''' *[[London Philharmonic Orchestra]] on "Piano Concerto No. 1" *[[John Mayer (composer)|John Mayer]] β conductor on "Piano Concerto No. 1" *[[Joe Walsh]] β guitars and scat vocals on "L.A. Nights" *[[Peter Sinfield]] β lyrics on side 2 and "Pirates" *Godfrey Salmon β orchestra and choir conductor on side 2 and "Pirates" *[[Orchestre de l'OpΓ©ra national de Paris]] on "Pirates" '''Production''' *Keith Emerson β production on side 1 *Greg Lake β production on sides 2 and 4 *Carl Palmer β production on side 3 *Peter Sinfield β production on side 2 *Tony Harris β orchestral arrangement on side 2 *Ashley Newton β art direction *Ian Murray β design, artwork *[[John Timperley (sound engineer)|John Timperley]] β engineer *Roger Cameron β engineer *[[David Montgomery (photographer)|David Montgomery]] β Emerson photography *Kenny Smith β Lake photography *Alex Grob β Palmer photography ==Charts== {{col-begin}} {{col-2}} ===Weekly charts=== {| class="wikitable sortable plainrowheaders" |+Weekly chart performance for ''Works Volume 1'' !scope="col"|Chart (1977) !scope="col"|Peak<br />position |- ! scope="row"| Australian Albums ([[Kent Music Report]])<ref name=aus>{{cite book|last=Kent|first=David|author-link=David Kent (historian)|title=Australian Chart Book 1970β1992|edition=illustrated|publisher=Australian Chart Book|location=St Ives, N.S.W.|year=1993|isbn=0-646-11917-6}}</ref> | align="center"| 6 |- {{album chart|Austria|11|artist=Emerson, Lake & Palmer|album=Works Volume 1|rowheader=true|access-date=17 October 2023}} |- {{Album chart|Canada|17|chartid=5348|artist=Emerson, Lake & Palmer|album=Works Volume 1|rowheader=true|accessdate=17 October 2023}} |- {{Album chart|Netherlands|17|artist=Emerson, Lake & Palmer|album=Works Volume 1|rowheader=true|accessdate=17 October 2023}} |- {{Album chart|Germany4|10|id=8289|artist=Emerson, Lake & Palmer|album=Works Volume 1|rowheader=true|accessdate=17 October 2023}} |- ! scope="row"|Italian Albums (''[[Musica e Dischi]]'')<ref>{{cite web|url=http://www.musicaedischi.it/classifiche_archivio.php|title=Classifiche|work=[[Musica e Dischi]]|language=it|access-date=17 October 2023}} Set "Tipo" on "Album". Then, in the "Artista" field, search "Emerson Lake & Palmer".</ref> | align="center"| 5 |- !scope="row"|Japanese Albums ([[Oricon]])<ref name="JPN">{{cite book|title=Oricon Album Chart Book: Complete Edition 1970β2005|publisher=[[Oricon|Oricon Entertainment]]|location=Roppongi, Tokyo|year=2006|isbn=4-87131-077-9|language=ja}}</ref> | align="center"| 13 |- {{Album chart|Norway|11|artist=Emerson, Lake & Palmer|album=Works Volume 1|rowheader=true|accessdate=17 October 2023}} |- {{Album chart|UK2|9|date=19770410|rowheader=true|accessdate=17 October 2023}} |- {{Album chart|Billboard200|12|artist=Emerson Lake Palmer|rowheader=true|accessdate=17 October 2023}} |} {| class="wikitable sortable plainrowheaders" |- !scope="col"|Chart (2017) !scope="col"|Peak<br>position |- {{Album chart|UKRock|37|date=20170602|rowheader=true|accessdate=17 October 2023}} |} {{col-2}} ===Year-end charts=== {| class="wikitable sortable plainrowheaders" |+Year-end chart performance for ''Works Volume 1'' !scope="col"|Chart (1977) !scope="col"|Position |- ! scope="row"| Australian Albums ([[Kent Music Report]])<ref>{{cite book|last=Kent|first=David|author-link=David Kent (historian)|title=Australian Chart Book 1970β1992|edition=illustrated|publisher=Australian Chart Book|location=St Ives, N.S.W.|year=1993|isbn=0-646-11917-6|page=429}}</ref> | align="center"| 16 |} {{col-end}} ==Certifications== {{Certification Table Top|caption=Certifications for ''Works Volume 1''}} {{Certification Table Entry | type = album | region = Canada | artist = Emerson, Lake & Palmer | title = Works, Volume I | award = Gold | relyear = 1977 | access-date = 4 June 2020 | refname = Music Canada}} {{Certification Table Entry | type = album | region = United Kingdom | artist = Emerson, Lake & Palmer | title = Works, Vol.1 | award = Gold | relyear = 1977 | certyear=1977 | id=8345-2097-2 |access-date = 4 June 2020 | refname = BPI}} {{Certification Table Entry | type = album | region = United States | artist = Lake Emerson & Palmer | title = Works, Volume I | award = Gold | relyear = 1977 | access-date = 4 June 2020 | refname = RIAA}} {{Certification Table Bottom | nosales=true}} ==Sampling== *The same verse and chorus melody as in the song "C'est la Vie" is used for the Zdravko ΔoliΔ's 1984 song "RuΕ‘ka" and the Divlji Kesten's 1995 song "Svrati ponekad". ==References== {{Reflist}} '''Sources''' *{{cite book|last=Lake|first=Greg|title=Lucky Man: The Autobiography|year=2017|publisher=Hachette UK|isbn=978-1-472-12647-4}} {{Emerson, Lake & Palmer}} {{Authority control}} [[Category:1977 albums]] [[Category:Emerson, Lake & Palmer albums]] [[Category:Atlantic Records albums]] [[Category:Albums produced by Keith Emerson]] [[Category:Albums produced by Greg Lake]] [[Category:Albums produced by Peter Sinfield]] [[Category:Art rock albums by English artists]]
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