Slash's Snakepit

Slash's Snakepit was an American rock supergroup from Los Angeles, California, formed by Guns N' Roses guitarist Slash in 1994. Though often described as a solo or side project, Slash stated that Snakepit was a band with equal contributions by all members. The first lineup of the band consisted of: Slash, two of his Guns N' Roses bandmates—drummer Matt Sorum and guitarist Gilby Clarke—as well as Alice in Chains bassist Mike Inez and former Jellyfish guitarist Eric Dover on lead vocals.

Their debut album, It's Five O'Clock Somewhere, was released in 1995. For the supporting tour, Slash enlisted James LoMenzo and Brian Tichy, of Pride & Glory, in place of Inez and Sorum, who had other commitments. They played shows in the US, Europe, Japan and Australia before Geffen Records pulled their financial support for the tour, with Slash returning to Guns N' Roses and Slash's Snakepit disbanding.

Following his departure from Guns N' Roses in 1996, Slash formed the cover band Slash's Blues Ball. After a tour in 1997, Slash approached Blues Ball bassist Johnny Griparic about forming a new lineup of Slash's Snakepit. The new lineup consisted of Slash, Griparic, singer Rod Jackson, guitarist Ryan Roxie, and drummer Matt Laug (Roxie and Laug were both former members of Alice Cooper's solo band). They recorded and released their second album, entitled Ain't Life Grand, in 2000, which was preceded by a tour supporting AC/DC and followed by their own headlining tour. For the tour, Keri Kelli joined the group in place of Ryan Roxie, who departed following the completion of the album. However, after the final show, Slash disbanded Snakepit due to a lack of commitment from his band members. Shortly after, Slash formed Velvet Revolver in 2002, along with drummer Matt Sorum, and Bassist Duff McKagan, both fellows Guns N' Roses members.

History

Formation (1993–1994)

Following the two and a half year world tour in support of the albums Use Your Illusion I and Use Your Illusion II,<ref>Template:Cite book</ref><ref name="Slash p.372">Template:Cite book</ref> Guns N' Roses guitarist Slash returned to Los Angeles.<ref name="Slash p.372"/> He soon sold his home, the Walnut House, and moved to Mulholland Drive.<ref name="Slash p.373">Template:Cite book</ref> He built a small home studio, nicknamed The Snakepit,<ref name="Classic Rock Snakepit">Template:Citation</ref> over his garage and began working on demos for songs he had written during the tour.<ref name="Slash p.373"/><ref name="Slash's Snakepit AMG">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Slash worked on the demos with Guns N' Roses bandmate and drummer Matt Sorum. They were later joined by fellow Guns N' Roses bandmate Gilby Clarke and Alice in Chains bassist Mike Inez, jamming and recording most nights.<ref name="Slash p.373"/><ref name="Slash's Snakepit AMG"/> Slash played the demos for Guns N' Roses singer Axl Rose who rejected the material,<ref name="Slash p.373"/><ref name="Classic Rock Snakepit"/><ref name="Slash's Snakepit AMG"/> though he would later want to use them for the next Guns N' Roses album.<ref name="Slash's Snakepit AMG"/> They had recorded twelve songs by 1994,<ref>Template:Cite book</ref> the same year that Guns N' Roses went on hiatus.<ref name="Classic Rock Snakepit"/>

Slash decided to record the Snakepit demos with Sorum, Clarke and Inez,<ref name="Slash AMG">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> later adding former Jellyfish live guitarist Eric Dover as lead vocalist.<ref name="Slash's Snakepit AMG"/><ref name="Slash AMG"/><ref name="Slash p.375">Template:Cite book</ref> The decision to record with Dover led to a disagreement between Slash and Sorum, due to Slash not seeking Sorum's approval before hiring Dover.<ref name="Slash p.375"/>

It's Five O'Clock Somewhere and breakup (1994–1996)

{{#invoke:Listen|main}} Slash and Dover wrote the lyrics to all twelve songs with Slash using the songwriting to vent his frustrations at Guns N' Roses singer Rose.<ref name="Slash p.375"/> Clarke contributed the song "Monkey Chow" to the album<ref name="It's Five O'Clock Somewhere booklet">Template:Cite AV media notes</ref> while "Jizz da Pit" is an instrumental by Slash and Inez.<ref name="It's Five O'Clock Somewhere booklet"/> They recorded the album at Conway Recording Studios and The Record Plant<ref name="It's Five O'Clock Somewhere booklet"/> with Mike Clink<ref name="Slash p.375"/> and Slash co-producing<ref name="It's Five O'Clock Somewhere booklet"/> and Steven Thompson and Michael Barbiero mixing,<ref name="It's Five O'Clock Somewhere booklet"/> all of whom had worked with Guns N' Roses on their debut album Appetite for Destruction.<ref>Template:Cite book</ref><ref>Template:Cite book</ref> The album featured contributions by Duff McKagan (who co-wrote "Beggars & Hangers-On"),<ref name="Classic Rock Snakepit"/><ref name="It's Five O'Clock Somewhere RS">Template:Cite magazine</ref> Dizzy Reed on keyboards,<ref name="It's Five O'Clock Somewhere RS"/> Teddy Andreadis on harmonica, and Paulinho da Costa on percussion.<ref name="It's Five O'Clock Somewhere booklet"/> Slash's brother, Ash Hudson, designed the album's cover.<ref name="Classic Rock Snakepit"/>

The resulting album, titled It's Five O'Clock Somewhere, was released in February 1995 through Geffen Records.<ref name="It's Five O'Clock Somewhere AMG">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album's title was taken from a phrase Slash overheard at an airport.<ref name="Classic Rock Snakepit"/> At the insistence of the record label, the album was released under the name Slash's Snakepit, instead of The Snakepit, despite Slash not wanting his name used.<ref name="Classic Rock Snakepit"/> Upon release, the album charted at number 70 on the Billboard 200<ref name="Slash's Snakepit Charts">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and number 15 on the UK Albums Chart.<ref name="Classic Rock Snakepit"/> "Beggars & Hangers-On" was released as the first, and only, single from the album;<ref name="Slash p.376">Template:Cite book</ref> while a music video was also shot for "Good to Be Alive", directed by August Jakobsson.<ref name="Slash p.375"/><ref name="MVDB">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Template:Quote box Critically, the album received mainly positive reviews. Metal Hammer stated that "the sleazy, downtrodden blues hard rock [...] breaks new ground."<ref name="Classic Rock Snakepit"/> AllMusic reviewer Stephen Thomas Erlewine called Slash's contributions "quite amazing", though criticized the song-writing, stating "it's too bad that nobody in the band bothered to write any songs."<ref name="It's Five O'Clock Somewhere AMG"/> Devon Jackson of Entertainment Weekly described the album as "relaxed headbanging and Southern-tinged blues-rock"<ref name="It's Five O'Clock Somewhere EW">Template:Cite magazine</ref> while Classic Rock reviewer Malcolm Dome stated "musically, it's a loose-limbed record that has a lot of heavy guitar-led punk-style pop-rock."<ref name="Classic Rock Snakepit"/> Slash's Snakepit toured in support of the album, with bassist James LoMenzo and drummer Brian Tichy, of Pride & Glory, replacing Inez and Sorum,<ref name="Classic Rock Snakepit"/><ref name="Slash AMG"/><ref name="Slash p.376"/> who had opted out of touring, with Sorum returning to Guns N' Roses.<ref name="Classic Rock Snakepit"/> They toured the US, Europe, Japan and Australia<ref name="Slash p.376"/> with Slash stating that "for the first time in years, touring was easy, [his] band mates were loads of fun and low on drama, and every gig was about playing rock and roll."<ref name="Slash p.381"/> While booking another leg of the tour, Slash was informed by Geffen that Rose was ready to begin work on the new Guns N' Roses album and that he was to return to Los Angeles.<ref name="Slash p.381"/> Geffen pulled financial support for the band's tour with Slash's Snakepit disbanding soon after.<ref name="Slash p.381"/>

Slash's Blues Ball and reformation (1996–1999)

{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} Slash departed Guns N' Roses in 1996,<ref name="Slash AMG"/><ref>Template:Cite book</ref> due to musical differences between himself and singer Axl Rose.<ref name="Slash AMG"/><ref>Template:Cite book</ref> Following his departure, Slash toured Japan for two weeks with Chic,<ref>Template:Cite book</ref> and worked on the soundtrack to the film Curdled.<ref>Template:Cite book</ref> He later began touring in a blues cover band that eventually became Slash's Blues Ball.<ref name="Slash's Snakepit AMG"/><ref name="Slash AMG"/><ref name="Slash p.404">Template:Cite book</ref> Aside from Slash, the band consisted of Teddy Andreadis, guitarist Bobby Schneck, bassist Johnny Griparic, saxophonist Dave McClarem and drummer Alvino Bennett.<ref name="Slash AMG"/><ref name="Slash p.404"/> The band toured on and off until 1998,<ref name="Slash AMG"/> which included a headline slot at a jazz festival in Budapest.<ref name="Slash p.404"/> They covered various artists and bands such as B.B. King, Steppenwolf, Otis Redding, as well as Guns N' Roses and early Slash's Snakepit material.<ref name="Slash AMG"/><ref name="Slash p.404"/>

Following a tour in 1997,<ref name="MTV June 1997">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Slash approached Griparic about forming a new lineup of Slash's Snakepit<ref name="Slash p.404"/> They began looking for a singer,<ref name="MTV June 1997"/> receiving over 300 audition tapes<ref name="Slash p.404"/> from mostly unknown singers.<ref name="MTV June 1997"/> Jon Stevens of Noiseworks, who had been recording with Slash, was seen as a potential singer in early 1998.<ref name="MTV July 2000">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> However, he returned to Australia to continue his solo career.<ref name="MTV July 2000"/> They eventually chose Rod Jackson (earlier of Virginia-based band Ragdoll) after Griparic played a tape of him for Slash.<ref>Template:Cite book</ref> Completing the lineup were guitarist Ryan Roxie, formerly of Alice Cooper, and drummer Matt Laug, also from Alice Cooper and the band Venice.<ref name="Classic Rock Snakepit"/><ref name="Slash's Snakepit AMG"/><ref name="Slash AMG"/><ref name="Slash p.406">Template:Cite book</ref> They began rehearsing at Mates Studio before rehearsing and recording in Slash's new home studio in Beverly Hills.<ref name="MTV July 2000"/><ref name="Slash p.406"/>

Ain't Life Grand and second breakup (1999–2002)

{{#invoke:Listen|main}}

The band began recording material with producer Jack Douglas<ref name="Classic Rock Snakepit"/><ref name="MTV June 1999">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> at Slash's home studio as well as Ocean Way Recording.<ref name="Ain't Life Grand booklet">Template:Cite AV media notes</ref> The recording featured contributions by Teddy Andreadis, Jimmy Zavala and Lee Thornburg, amongst others.<ref name="Ain't Life Grand booklet"/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Initially, the label was positive about the album,<ref name="Slash p.407">Template:Cite book</ref> setting a release date for February 22, 2000.<ref name="MTV December 1999">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> However, when Slash was informed by Geffen, who had folded into Interscope Records, that the album was not the type of music the label produced, he bought the album back<ref name="Slash p.407"/> and signed a deal with Koch Records.<ref name="Slash p.408">Template:Cite book</ref> Following the completion of the album, Roxie departed the band<ref name="Classic Rock Snakepit"/> with former Big Bang Babies, Warrant and Ratt guitarist Keri Kelli joining in his place.<ref name="Slash's Snakepit AMG"/><ref name="Slash AMG"/>

Ain't Life Grand was released on October 20, 2000<ref name="Classic Rock Snakepit"/><ref name="MTV July 14, 2000">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> through Koch<ref name="Slash p.408"/><ref name="MTV July 14, 2000"/> with "Mean Bone" released as the first single.<ref name="MTV March 2001">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album did not sell as well as its predecessor,<ref name="Classic Rock Snakepit"/> and critical reception to it was mixed. Entertainment Weekly reviewer Tony Scherman stated that "Slash's playing is as flashily incendiary as ever, but the songs and arrangements recycle hard-rock cliches worthier of Ratt than of a bona fide guitar god".<ref name="Ain't Life Grand EW">Template:Cite magazine</ref> Rob Sheffield of Rolling Stone noted that "great guitarists need great bands, and the Snakepit dudes are barely functional backup peons".<ref name="Ain't Life Grand RS">Template:Cite magazine</ref> Steve Huey of Allmusic noted that "the new Snakepit does kick up a lot of noise as the album rushes by, and the strong chemistry between the members is immediately obvious". However, he stated that songwriting was the main problem, and that "it never rises above the level of solid, and too many tracks are by-the-numbers hard rock at best (and pedestrian at worst)".<ref name="Ain't Life Grand AMG"/> The band were dropped by Koch two months following the album's release.<ref name="Slash p.409">Template:Cite book</ref>

Prior to the album's release, Slash's Snakepit supported AC/DC on their Stiff Upper Lip tour from August to September,<ref name="Slash p.408"/><ref name="MTV July 14, 2000"/> followed by their own headlining tour of theaters.<ref name="Slash p.409"/> They played only the first two shows on the winter leg of AC/DC's tour.<ref name="MTV March 2001"/> After falling ill and checking into a hospital in Pittsburgh,<ref name="Slash p.410">Template:Cite book</ref><ref name="MTV May 2001">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Slash was ordered by his doctor to stay at home to recuperate, reportedly from pneumonia.<ref name="MTV March 2001"/> Due to this, Slash's Snakepit pulled out of supporting AC/DC in early 2001.<ref name="MTV March 2001"/> Slash later revealed in his self-titled biography that he had actually suffered cardiac myopathy caused by years of alcohol and drug abuse, with his heart swelling to the point of rupture.<ref name="Slash p.410"/> After being fitted with a defibrillator and undergoing physical therapy, Slash returned to the group to continue touring.<ref name="Slash p.410"/><ref name="MTV May 2001"/> They later rescheduled their US tour, performing shows from June 16 – July 18,<ref name="MTV May 2001"/><ref>Template:Cite news</ref><ref>Template:Cite news</ref> co-headlining three shows with Billy Idol.<ref name="MTV May 2001"/><ref>Template:Cite news</ref><ref name="Slash p.410"/> Following the tour, Slash hid in the tour bus, waiting for the rest of the band to go home. He then announced the disbanding of Slash's Snakepit in an announcement made in early 2002. He cited, in particular, Jackson's poor work ethic and unreliability.<ref>405</ref><ref name="Slash Blabbermouth">Template:Cite news</ref>

Post–breakup activities

Following the breakup of Slash's Snakepit, Slash announced he was to begin working on a solo album.<ref name="Slash Blabbermouth"/> Instead he later worked with The Black Crowes drummer Steve Gorman and an unnamed bassist on a new project.<ref name="VR Ultimate Guitar">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Together with his former Guns N' Roses bandmates Duff McKagan and Matt Sorum, they formed The Project, that eventually became the hard rock supergroup Velvet Revolver following the addition of former Wasted Youth guitarist Dave Kushner, and then-former Stone Temple Pilots singer Scott Weiland.<ref name="Velvet Revolver AMG">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> They released their debut album Contraband, in 2004,<ref name="Velvet Revolver AMG"/> followed by Libertad in 2007,<ref name="Velvet Revolver AMG"/> before they parted ways with Weiland and went on hiatus in 2008.<ref>Template:Cite news</ref> With Velvet Revolver on hiatus, Slash began work on his debut solo album.<ref name="Classic Slash">Template:Citation</ref> Slash was released on March 31, 2010, and featured a number of guests such as Andrew Stockdale of Wolfmother, M. Shadows of Avenged Sevenfold, Kid Rock, Ozzy Osbourne, Myles Kennedy of Alter Bridge, and Fergie.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His band for the tour in support of the album consisted of Kennedy, bassist Todd Kerns, and drummer Brent Fitz. It also included guitarist Bobby Schneck, formerly of Slash's Blues Ball.<ref>Template:Cite news</ref>

Musical style

Slash's Snakepit's music was often described as hard rock<ref name="Classic Rock Snakepit"/><ref name="Ain't Life Grand AMG"/><ref name="Ain't Life Grand EW"/> and blues rock<ref name="Classic Rock Snakepit"/><ref name="It's Five O'Clock Somewhere RS"/><ref name="Ain't Life Grand AMG"/> with elements of southern rock.<ref name="It's Five O'Clock Somewhere RS"/><ref name="It's Five O'Clock Somewhere EW"/> The band were also often described as Slash's solo or side project<ref name="It's Five O'Clock Somewhere RS"/><ref name="It's Five O'Clock Somewhere AMG"/><ref name="Slash Rolling Stone">Template:Cite magazine</ref> though Slash maintained that they were a band, stating "everybody wrote, everybody had equal input even though I had my name on it."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Rolling Stone reviewer J.D. Considine noted the differences between Guns N' Roses and Slash's Snakepit on their first album, stating that "Guns [N]' Roses typically treat the melody as the most important part of the song, most of what slithers out of the Snakepit emphasizes the playing."<ref name="It's Five O'Clock Somewhere RS"/> He noted that singer Eric Dover "conveys the raw-throated intensity of a hard-rock frontman" and "he avoids the genre's most obvious excesses."<ref name="It's Five O'Clock Somewhere RS"/> The riff to "Good to Be Alive" drew a comparison to Chuck Berry while the musicianship on the album was praised.<ref name="It's Five O'Clock Somewhere RS"/> Stephen Thomas Erlewine of Allmusic stated that "there's little argument that Slash is a great guitarist" who is "capable of making rock and blues clichés sound fresh".<ref name="It's Five O'Clock Somewhere AMG"/> Reviewing Ain't Life Grand for Allmusic, Steve Huey described second singer Rod Jackson as "a combination of '80s pop-metal bluster and Faces-era Rod Stewart" with a "touch of Aerosmith", a description that he felt also fitted the band as a whole.<ref name="Ain't Life Grand AMG"/> He noted, though, that Slash's guitar playing was "tame" and stated that the main problem of the album was the songwriting, though it was "still a passable, workmanlike record that will definitely appeal to fans of grimy, old-school hard rock."<ref name="Ain't Life Grand AMG"/> Malcolm Dome of Classic Rock stated that "from the moment that "Been There Lately" opens, there's a vibe here that was missing before" and that Ain't Life Grand showed "purpose, direction and individuality."<ref name="Classic Rock Snakepit"/>

Personnel

Final line-up

• Slash – lead guitar (1994–1995, 1998–2002)
• Rod Jackson – lead vocals (1998–2002)
• Johnny Griparic – bass, backing vocals (1998–2002)
• Matt Laug – drums, percussion, backing vocals (1998–2002)
• Keri Kelli – rhythm guitar, backing vocals (2000–2002)

Former members

• Gilby Clarke – rhythm guitar, backing vocals (1994–1995)
• Eric Dover – lead vocals (1994–1995)
• Mike Inez – bass, backing vocals (1994–1995)
• Matt Sorum – drums, percussion, backing vocals (1994–1995)
• James LoMenzo – bass, backing vocals (1995)
• Brian Tichy – drums, backing vocals (1995)
• Ryan Roxie – rhythm guitar, backing vocals (1998–2000)

Timeline

<timeline> ImageSize = width:900 height:auto barincrement:20 PlotArea = left:90 bottom:100 top:10 right:10 Alignbars = justify DateFormat = dd/mm/yyyy Period = from:01/01/1994 till:08/01/2002 TimeAxis = orientation:horizontal format:yyyy Legend = orientation:vertical position:bottom columns:3 ScaleMajor = increment:2 start:1994 ScaleMinor = increment:1 start:1994

Colors =

 id:vocals  value:red          legend:Lead_vocals
 id:lguitar value:teal         legend:Lead_guitar
 id:rguitar value:brightgreen legend:Rhythm_guitar,_backing_vocals
 id:bass    value:blue         legend:Bass,_backing_vocals
 id:drums   value:orange       legend:Drums,_backing_vocals
 id:Lines   value:black        legend:Studio_album

BarData =

 bar:Dover      text:Eric Dover
 bar:Jackson    text:Rod Jackson
 bar:Slash      text:Slash
 bar:Gilby      text:Gilby Clarke
 bar:Roxie      text:Ryan Roxie
 bar:Kelli      text:Keri Kelli
 bar:Inez       text:Mike Inez
 bar:LoMenzo    text:James LoMenzo
 bar:Griparic   text:Johnny Griparic
 bar:Sorum      text:Matt Sorum
 bar:Tichy      text:Brian Tichy
 bar:Laug       text:Matt Laug

PlotData=

 width:11 textcolor:black align:left anchor:from shift:(10,-4)
 bar:Slash       from:01/01/1994 till:01/08/1995   color:lguitar
 bar:Slash       from:01/01/1998 till:08/01/2002   color:lguitar
 bar:Gilby       from:01/01/1994 till:01/08/1995   color:rguitar
 bar:Dover       from:01/01/1994 till:01/08/1995   color:vocals
 bar:Jackson     from:01/01/1998 till:08/01/2002   color:vocals
 bar:Inez        from:01/01/1994 till:14/02/1995   color:bass
 bar:LoMenzo     from:15/03/1995 till:01/08/1995   color:bass
 bar:Griparic    from:01/01/1998 till:08/01/2002   color:bass
 bar:Roxie       from:01/01/1998 till:01/01/2000   color:rguitar
 bar:Kelli       from:01/01/2000 till:08/01/2002   color:rguitar
 bar:Sorum       from:01/01/1994 till:14/02/1995   color:drums
 bar:Tichy       from:15/03/1995 till:01/08/1995   color:drums
 bar:Laug        from:01/01/1998 till:08/01/2002   color:drums

LineData =

 at:14/02/1995 color:black layer:back
 at:10/10/2000 color:black layer:back

</timeline>

Discography

Studio albums

List of studio albums, with selected details and chart positions

Title	Album details	Peak chart positions
		US <ref name="US200">Template:Cite magazine</ref>	AUS <ref name="AUS">Australian (ARIA) chart peaks: Top 50 peaks: {{#invoke:citation/CS1|citation	CitationClass=web }} Top 100 peaks to December 2010: Template:Cite Ryan "Beggars & Hangers-On": {{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	AUT <ref name="AUT">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	CAN <ref name="CAN">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	GER <ref name="GER">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	NED <ref name="NED">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	NOR <ref name="NOR">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	SWE <ref name="SWE">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	SWI <ref name="SWI">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	UK <ref name="UK">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>
It's Five O'Clock Somewhere	Released: February 14, 1995 Label: Geffen Formats: CD, LP, CS	70	26	15	19	19	19	27	11	15	15
Ain't Life Grand	Released: October 10, 2000 Label: Koch Format: CD	—	56	—	—	58	—	—	—	96	146

Singles

List of singles, with selected chart positions

Title	Year	Peak chart positions		Album
		US Main. <ref name="USmain">Template:Cite magazine</ref>	AUS <ref name="AUS"/>
"Beggars & Hangers-On"	1995	21	85	It's Five O'Clock Somewhere
"Good to Be Alive"		—	—
"Been There Lately"	2000	—	—	Ain't Life Grand
"Mean Bone"		—	—

External links

• {{#if:Slash's Snakepit|Template:PAGENAMEBASE discography at Discogs|{{#if:Template:Wikidata|Template:Wikidata Template:PAGENAMEBASE discography at DiscogsTemplate:EditAtWikidata|Template:PAGENAMEBASE discography at Discogs}}}}