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A press camera is a medium or large format view camera that was predominantly used by press photographers in the early to mid-20th century. It was largely replaced for press photography by 35mm film cameras in the 1960s, and subsequently, by digital cameras. The quintessential press camera was the Speed Graphic.<ref name=Weegee>Template:Cite book</ref> Press cameras are still used as portable and rugged view cameras.
DetailsEdit
Press cameras were widely used from the 1900s through the early 1960s and commonly have the following features:<ref name=Takahashi>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=Adams1>Template:Cite book</ref>Template:Rp
- collapsible into strong, compact boxes
- flexible bellows, attached to a flatbed track
- easily interchangeable lenses, mounted on a solid support
- ability to accept sheet film, film packs, and roll film, through the use of interchangeable film backs and holders
- ground glass focusing screen
- optical viewfinder
- handheld operation Template:Efn
- reduced number, reduced range or absence of movements, in contrast to field cameras or other view camera formats
- optical rangefinder focusing in some models
- Flash-synchronized internal iris lens shutter
Some models have both a focal plane shutter and an iris lens shutter. The focal plane shutter allows for fast shutter speeds and the use of lenses which do not have an integral shutter (known as a barrel lens),<ref name=Takahashi/> while the iris shutter allows for flash synchronization at any speed. The Graphlex Speed Graphic models <ref name=FAQ/> and the Ihagee Zweiverschluss ("two shutters") Duplex<ref name="ihagee">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> are examples of press cameras that had both focal plane and iris shutters.
The most common sheet film size for press cameras was the 4×5 inch film format.<ref name=Weegee/><ref name=Takahashi/> Models have also been produced for the 2.25×3.25 inch format (6×9 cm), 3.25×4.25 inch format and various 120 film formats <ref name=Adams1/> from 6×6 cm. through 6×12 cm. European press cameras, such as the Goerz and Van Neck, used the 9×12cm format, marginally smaller than the 4"×5" format.
The press camera is still used as a portable medium or large format film camera for photojournalism and among fine art photographers who use it as a low cost, more portable alternative to a view camera. In news photography, the press camera has been largely supplanted by the smaller formats of 120 film and 135 film, and more recently by digital cameras. The advantage of the 4×5 inch format over 35 mm format is that the size of the film negative is 16 times that of a 35 mm film negative image.<ref name=Takahashi/>Template:Efn
Press cameras were largely superseded by the 6x6cm medium format Rolleiflex in the early to mid-1960s and later by 35 mm rangefinder or single-lens reflex cameras. The smaller formats gained acceptance as film technology advanced and quality of the smaller negatives was deemed acceptable by picture editors. The smaller cameras generally offered lenses with faster maximum apertures and by the nature of their smaller size, were easier to transport and use. The bulk and weight of the camera itself, as well as the size of the film holders (two pictures per film holder), limited the number of exposures photographers could make on an assignment; this was less of an issue with 12 exposures on a roll of 120 film, or 36 exposures on 35 mm film.<ref name=Millett>Template:Cite book</ref>
Compared to view cameras, press cameras do not have the range of swing/tilt movements of the front standard, and rarely have back movements because many were fitted with focal plane shutters.<ref name=Takahashi/>
List of press camerasEdit
- Beseler<ref>{{#invoke:citation/CS1|citation
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- Beseler 4×5
- Burke & James Press, Burke & James Inc., Chicago, U.S.A.<ref>{{#invoke:citation/CS1|citation
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- B & J Press (4×5)
- Watson (2×3)
- Busch Pressman<ref>{{#invoke:citation/CS1|citation
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- Model C (2×3)
- Model D (4×5)
- Tower Press (2×3, 4×5) = Sears Tower branded Busch Pressman
- Goerz Anschutz
- Ango series
- Graflex,<ref>{{#invoke:citation/CS1|citation
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- Speed Graphic (3¼×4¼, 4×5")Template:Efn
- Miniature Speed Graphic (2¼x3¼")
- Crown Graphic (3¼×4¼, 4×5")
- Miniature Crown Graphic (2¼x3¼")
- Century Graphic (2¼x3¼")
- Super Crown Graphic (4×5")
- Super Speed Graphic (4×5")
- Pacemaker Speed Graphic (2¼x3¼, 3¼×4¼, 4×5")
- Pacemaker Crown Graphic (2¼x3¼, 3¼×4¼, 4×5")
- Ihagee
- Zweiverschluss Duplex (6.5x9 cm, 9x12 cm and 10x15 cm)<ref name="ihagee" />
- Kalart Press (3×4)<ref>{{#invoke:citation/CS1|citation
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- Linhof<ref>{{#invoke:citation/CS1|citation
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- Super Technika
- Linhof Technika Press, model of both Graflex XL and Mamiya Press
- Linhof Press 70
- Linhof Press (4×5) = Technika III with limited movements
- Mamiya
- Mamiya Press
- Mamiya Universal
- Meridan 45 (A, B, maybe C)<ref>{{#invoke:citation/CS1|citation
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- Micro Precision Products
- MPP MicroPress—English design focal plane shutter camera from 1950s, based on Speed Graphic model with the rangefinder mounted horizontally at the top
- Omega
- Koni Omega<ref>{{#invoke:citation/CS1|citation
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- Rapid Omega
- Plaubel Makina<ref>{{#invoke:citation/CS1|citation
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- Polaroid
- Polaroid 600/600 SE
- Press King, B&W Manufacturing Co., Ontario, Canada<ref>{{#invoke:citation/CS1|citation
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- Ramlose Model A (4×5)
- Thornton-Pickard,<ref>{{#invoke:citation/CS1|citation
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- Topcon / Komamura
- Topcon Horseman (2¼ x 3¼) Models 760, 960, 970, 980, 985, VH and VHR
- Toyo Super Graphic (4×5)
- Van Neck,<ref>{{#invoke:citation/CS1|citation
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- Wista 45RF<ref name=Which/>
See alsoEdit
NotesEdit
ReferencesEdit
External linksEdit
- Graflex cameras
- The MPP Users Club – cameras and photographic equipment manufactured by Micro Precision Products Ltd. of London, England.
- Jo Lommen's site about Classic Press Cameras
- The Meridian 45B
- 'Must See: He Kept His Speed Graphic' By Kerri Macdonald' on Louis Mendes, New York Times Lens Blog
- Collection of presscameras
- Template:Usurped
- – View and field cameras of the United States: 1870s-1930s