Template:Short description {{#invoke:Other people|otherPeople}} Template:Use dmy dates Template:Infobox artist
Jamie Macgregor Reid (16 January 1947 – 8 August 2023) was an English visual artist. His best known works include the record cover for the Sex Pistols single "God Save the Queen", which was lauded as "the single most iconic image of the punk era."<ref name="ohagan" />
Early life and educationEdit
Jamie Macgregor Reid was born in London on 16 January 1947 and grew up in Croydon.<ref name="WaPo-obit">Template:Cite news</ref> He was educated at John Ruskin Grammar School.<ref name="Guardian-Obit" /> In 1962, he began to study at Wimbledon Art School, then enrolled in Croydon Art School in 1964.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> With Malcolm McLaren, he took part in a sit-in at Croydon Art School.<ref name="Ross" /><ref name="BBC">Template:Cite news</ref>
CareerEdit
Reid's work often featured letters cut from newspaper headlines in the style of a ransom note, particularly in the UK; he created the ransom-note style while he was designing for Suburban Press, a radical political magazine he founded in 1970.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His best known works include the Sex Pistols album Never Mind the Bollocks, Here's the Sex Pistols, and the singles "Anarchy in the U.K.", "God Save the Queen" (based on a Cecil Beaton photograph of Queen Elizabeth II, with an added safety pin through her nose and swastikas in her eyes, described by Sean O'Hagan of The Observer as "the single most iconic image of the punk era"),<ref name="Heard">Heard, Chris (2004) "Art and style of punk's shocking past", BBC, 7 October 2004. Retrieved 2 February 2010</ref><ref name="ohagan">O'Hagan, Sean (2007) "Art anarchy in the UK", The Observer, 3 June 2007. Retrieved 2 February 2010</ref><ref name="Donald">Donald, Ann (1998) "The angry revolt into style; Punk's explosion still reverberates in the world of graphic design. Ann Donald catches the echoes", Glasgow Herald, 9 February 1998.</ref> "Pretty Vacant", and "Holidays in the Sun".<ref name="Ross">Ross, Peter (2001) "Toxteth Shock", Sunday Herald, 4 March 2001. Retrieved 2 February 2010</ref> The image from "God Save the Queen" was named "the greatest record cover of all time" by Q magazine in 2011<ref name="BBC" /> and later became part of the collection in the National Portrait Gallery.<ref name="Guardian-Obit" /><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Reid produced a series of screen prints in 1997, the twentieth anniversary of the birth of punk rock. Ten years later, on the thirtieth anniversary of the release of "God Save the Queen", Reid produced a new print entitled "Never Trust a Punk", based on his original design which was exhibited at London Art Fair in the Islington area of the city.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He also produced artwork for the world music fusion band Afro Celt Sound System.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Reid's exhibitions included Peace is Tough at The Arches in Glasgow, and at the Microzine Gallery in Liverpool, where he lived.<ref name="Ross" /><ref name="Post">"Pistols cover man Reid continues to pierce consciousness", Liverpool Daily Post, 19 December 2005</ref> From 2004, he exhibited and published prints with the Aquarium Gallery, where a career retrospective, May Day, May Day, was held in May 2007.<ref name="NME">"Sex Pistols artist announces exhibition", NME, 20 March 2007. Retrieved 2 February 2010</ref> Starting in 2004, he exhibited and published work at Steve Lowe's new project space the L-13 Light Industrial Workshop in Clerkenwell, London.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In 2009, following allegations Damien Hirst was to sue a student for copyright infringement, Reid called him a "hypocritical and greedy art bully" and, in collaboration with Jimmy Cauty, produced his For the Love of Disruptive Strategies and Utopian Visions in Contemporary Art and Culture image as a pastiche, replacing the God Save The Queen with God Save Damien Hirst.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>
In October 2010, U.S. activist David Jacobs, founder of the early 1970s Situationist group Point-Blank!, challenged claims that Reid created the "Nowhere Buses" graphic which appeared on the sleeve to the Sex Pistols' 1977 single "Pretty Vacant" and has subsequently been used many times for limited edition prints. Jacobs said he created the design, which first appeared in a pamphlet as part of a protest about mass transit in San Francisco in 1973.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Reid was also involved in direct action campaigns on issues including the poll tax, Clause 28, and the Criminal Justice Bill.<ref name="Ross" />
Personal lifeEdit
His former partner was actress Margi Clarke, with whom he had a daughter.<ref name="ObitTelegraph">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Reid's great-uncle was George Watson MacGregor Reid, a modern Druid who established and led the Church of the Universal Bond.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Reid was an honorary bard in the Order of Bards, Ovates and Druids<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and worked with Philip Carr-Gomm, the order's former Chosen Chief, to produce a book on the eight festivals of the Druidic calendar.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Reid died on 8 August 2023, at the age of 76, at home in Liverpool.<ref name="WaPo-obit" /><ref name="BBC" /><ref name="Guardian-Obit">Template:Cite news</ref><ref>Template:Cite news</ref>
ReferencesEdit
Further readingEdit
External linksEdit
- John Marchant Gallery
- Official site
- {{#if:Jamie Reid|Template:PAGENAMEBASE discography at Discogs|{{#if:Template:Wikidata|Template:Wikidata Template:PAGENAMEBASE discography at DiscogsTemplate:EditAtWikidata|Template:PAGENAMEBASE discography at Discogs}}}}
- Interview with Reid at 3:AM Magazine