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Chesney and Wolfe

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Template:Use dmy dates Template:Short description Template:Infobox person Chesney and Wolfe, were a British television comedy screenwriting duo consisting of Ronald Chesney (born René Lucien Cadier; 4 May 1920 – 12 April 2018)<ref name="TimesChesney"/> and Ronald Wolfe (born Harvey Ronald Wolfe-Luberoff;<ref name="Stage2011">Template:Cite news</ref> 8 August 1922 – 18 December 2011).<ref name = "BBCWolfe">Template:Cite news</ref> They were best known for their sitcoms The Rag Trade (1961–1963, 1977–1978), Meet the Wife (1963–1966), On the Buses (1969–1973) and Romany Jones (1972–1975). When their partnership began in the mid-1950s, Chesney was already known to the public as a harmonica player.

Early lifeEdit

Ronald ChesneyEdit

Chesney, was born in London of French descent, the son of Marius, a silk trader, and Jeanne (née Basset). He left the French Lycée school in London at the age of 16, and began using his English name.<ref name="Hayward2018">Template:Cite news</ref>

Chesney initially learned piano, but decided instead a career as a chromatic harmonica player, performing professionally from the age of 17.<ref name="NHL">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Touring the ABC Cinema chain, he played on BBC Radio broadcasts from 1937, the first being Palace of Varieties. Declared unfit to serve in the Second World War because of the removal of a tuberculosis-infected kidney,<ref name="Hayward2018"/> he taught the harmonica to troops in a BBC radio series, which ran for 42 weeks, beginning in 1940.<ref name="Hayward2018"/><ref name="NHL"/> After the war, he began to diversify into the classical repertoire.<ref name="NHL"/>

Chesney became a well-known performer, entertaining troops, performing at the London Palladium and Royal Albert Hall, and working with Duke Ellington and Gracie Fields.<ref name="Smith">Template:Cite news</ref> He was President of the National Hohner Song Band League (later the National Harmonica League) from 1951.<ref name="NHL"/>

Ronald WolfeEdit

Wolfe was born in London, a cousin of actor Warren Mitchell, and the grandson of Russian Jewish immigrants.<ref name="Hayward2011">Template:Cite news</ref><ref name="Telegraph2011">Template:Cite news</ref> His parents ran a kosher restaurant in Whitechapel, which served performers from the variety theatre across the road.<ref name="TimesWolfe">Template:Cite news Template:Subscription required</ref> He was educated at the Central Foundation Boys' Grammar School in Islington.<ref name="Telegraph2011"/> For a while he was a stand-up comedian. "I came from vaudeville and music halls", he once said.<ref name="Gaughan">Template:Cite news</ref> During the Second World War, he was an army radio operator, and after being demobbed he worked as a radio engineer for Marconi.<ref name="TimesWolfe"/>

In the early 1950s, he began to write for the Jewish comedian Max Bacon;<ref name="Telegraph2011"/> after Bacon introduced him to the BBC, Wolfe contributed material for radio shows.<ref name="TimesWolfe"/> Starlight Hour (1951), broadcast on the BBC Light Programme, was a series which featured Beryl Reid. Wolfe became Reid's regular writer, providing material for her characters, Brummie Marlene and the naughty schoolgirl, Monica.<ref name="Stage2011"/><ref name="Gaughan"/> After Reid joined the cast of the radio comedy series Educating Archie, Wolfe joined the writing team for the series which Eric Sykes had created.<ref name="Gaughan"/> The series featured ventriloquist Peter Brough and his dummy Archie Andrews.

Chesney and Wolfe's projectsEdit

Early collaborationsEdit

Chesney's harmonica playing was featured as a musical interlude on Educating Archie; this led to his first meeting with Wolfe in 1955.<ref name="Hayward2018"/> They wrote the show's last four seasons, initially with another of the show's writers, Marty Feldman. A one-off special for BBC Television in 1956, entitled Here's Archie, was written by Wolfe, but still featured Chesney with his harmonica act.<ref name="Oliver">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It also starred Irene Handl.<ref name="Scotsman2011">Template:Cite news</ref>

The first regular television work for Chesney and Wolfe, writing in partnership with Feldman, was in 1958 when ITV franchise holder Associated-Rediffusion made a television version of Educating Archie.<ref name="TimesWolfe"/> Persuaded by Wolfe, Chesney soon gave up performing professionally, so that they could form a writing partnership.<ref name="Renard">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He did, however, tutor Sylvia Syms for her harmonica-playing role in the film No Trees in the Street (1959).<ref name="Smith"/> By this time, they had also written material for Tommy Steele and Ken Dodd, including pantomimes for both.<ref name="Scotsman2011"/> The sitcom It's A Deal (1961) turned out to be their last work for radio. It starred Sid James as a dishonest property developer, with Dennis Price as his partner, but lasted for only a single series of 13 episodes.Template:Sfn

The Rag TradeEdit

Around the same time, the two men created The Rag Trade (1961–63), starring Peter Jones as Harold Fenner, ungenerous head of Fenner Fashions, Miriam Karlin as the shop steward, Paddy, and Reg Varney as the foreman trying to mediate the conflict between employer and employed in a London East End sweat-shop.<ref name="AClark">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Sheila Hancock and Barbara Windsor were also in the cast, plus the diminutive Esma Cannon.Template:Sfn Directed (and produced) by Dennis Main Wilson, Karlin wrote in her autobiography that Main Wilson had an "amazing capacity for picking the right people" for a cast.Template:Sfn

Rejected by Associated-Rediffusion, who thought factory workers would not watch it, the pitch was picked up by Frank Muir and Denis Norden who were then comedy advisers for BBC Television.<ref name="TimesWolfe"/> Unusually for the time, the series featured strong female roles,Template:Sfn who it has been said gained the best lines, and it was a popular and critical success, being watched by more than 11 million viewers.<ref name="AClark"/><ref name="Gaughan"/> Karlin's chain-smoking character had the catchphrase "Everybody out!"<ref name="Telegraph2011"/> "I know all about working people and the struggles of the small businessman," Ronald Wolfe once said. "Writers who come from orthodox middle-class backgrounds can’t write The Rag Trade-type show. They just don’t know what makes the man in the street laugh."<ref name="TimesWolfe"/> The show was turned into a stage version which had a run in London's West End at the Piccadilly Theatre in 1962.<ref name="Stage2011"/>

Later 1960s showsEdit

Chesney and Wolfe repeated their success with the BBC sitcom Meet the Wife (1964–66) starring Thora Hird and Freddie Frinton. It was originally a one-off Comedy Playhouse pilot called "The Bed" (1963).<ref name="Telegraph2011"/> Again, this featured working class characters and humour. Frinton's character was a plumber, while Hird's had social aspirations. It ran for five series.<ref name="TimesWolfe"/> In 1964, for Australian television, they wrote the first six episodes of a 13 episode comedy series, Barley Charlie, concerning the inheritance by two sisters of a run down garage with one lazy employee.<ref name="Oliver"/>

The partnership wrote The Bed-Sit Girl (1965–66) for Sheila Hancock, who played a young typist frustrated by her current life.Template:Sfn One of the series' characters, a neighbour (played by Derek Nimmo) of Hancock's title character, carried over to a follow-up series: Sorry I'm Single (1967) starred Nimmo as a callow mature student sharing a house with three young women. Wild, Wild Women (1969), starring Barbara Windsor and Pat Coombs<ref name="Stage2011"/> and set in 1902, was effectively a period-drama variation on The Rag Trade, but only one series was produced.Template:Sfn

On the BusesEdit

Their next series was ITV's On the Buses, which ran from 1969 to 1973, leading them to be called the Other Two Ronnies.<ref name="Smith"/> Rejected by the BBC,<ref name="BBCWolfe"/> it was commissioned by Frank Muir, now Head of Entertainment at the then recently established London Weekend Television, who said it was "rather at the baked beans end of my menu".<ref name="TimesChesney">Template:Cite news Template:Subscription required</ref> The series had an audience of up to 20 million, and was more popular at the time than Dad's Army.<ref name="Gaughan"/>

It starred Reg Varney as bus driver Stan Butler, with Bob Grant as his bus conductor Jack Harper.<ref name="Standard2011">Template:Cite news</ref> Doris Hare was his Mum (originally played by Cicely Courtneidge),<ref name="Stubbs"/> Michael Robbins his brother-in-law Arthur, Anna Karen as his plain sister Olive.<ref name="Hayward2011"/> Stephen Lewis as bus inspector Cyril Blake, usually referred to as 'Blakey', delivered the series' catchphrases "I 'ate you, Butler" and "I'll get you for this, Butler".<ref name="Dixon">Template:Cite news</ref> Both Varney and Grant's characters were womanisers. As David Stubbs wrote for The Guardian in 2008, Grant and Varney were playing "two conspicuously middle-aged men" pursuing "an endless array of improbably available 'dolly birds'".<ref name="Stubbs">Template:Cite news</ref>

The series, although a rating success, was nevertheless critically derided at the time of its first broadcast. It led to three film spin-offs, which Chesney and Wolfe both co-wrote and co-produced. The first of these was more successful at the British box office than the year's James Bond film Diamonds Are Forever (1971).<ref name="TimesWolfe"/> On the Buses American remake, Lotsa Luck (1973–74), ran for a season on NBC.<ref name="Hayward2018"/> When On the Buses ended, Wolfe and Chesney followed it with Don't Drink the Water (1974–75), which starred Stephen Lewis's Blakey character abroad in Spain with his sister (played by Pat Coombs).<ref name="Stage2011"/> It lasted for two series.

Later workEdit

The ITV sitcom Romany Jones ran from 1973 to 1975, with an initial pilot in 1972, was set on a caravan site. Originally it starred Dad's Army actor James Beck (who died in 1973, after recording the second series) with Jo Rowbottom and Jonathan Cecil also appearing.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It lasted four series, being the most successful in the ratings of their series after On the Buses.<ref name="TimesWolfe"/> It led to a sequel, featuring the characters played by Arthur Mullard and Queenie Watts moving into a council house, entitled Yus, My Dear (1976).<ref name="Smith"/> The latter series, which had comparatively low ratings,<ref>Template:Cite news Template:Subscription required</ref> has a reputation, shared with Romany Jones, of being one of the worst-ever sitcoms.<ref>Template:Cite news</ref>

In 1977, following the BBC's rejection of a new pilot episode, The Rag Trade was revived by LWT for the ITV network, with Peter Jones and Miriam Karlin returning; it lasted for two series. Anna Karen was "transplanted" into the cast (as Anthony Hayward expressed it in 2011) to play her Olive character from On The Buses.<ref name="Hayward2011"/><ref name="AClark"/> Karlin, however, encouraged to return to the role by a promise from Chesney and Wolfe of a more ethnically diverse cast, ultimately regretted her involvement, believing the sole black character was merely a token.Template:Sfn

Their last two series as a comedy scriptwriting partnership were Watch This Space (BBC 1980) set in an advertising agency with Liza Goddard, Peter Blake and Christopher Biggins,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Take a Letter, Mr. Jones (Southern 1981), a role-reversal comedy created for John Inman, which also starred Rula Lenska.<ref name="Smith"/>

An episode of 'Allo 'Allo! (1989) and Fredrikssons Fabrik – The Movie (1994) were the partnership's last scripts.<ref name="Stage2011"/>

Later lifeEdit

From the 1980s, Wolfe taught comedy writing at London's City University in 1986 and 1988. His text book Writing Comedy first appeared in 1992.<ref name="Gaughan"/> He was also a contributor to The Stage newspaper.<ref name="Stage2011"/> Ronnie Wolfe – My Life in Memoirs appeared in 2010. Written 20 years earlier, it was launched at BAFTA in November 2010.<ref>Template:Cite news</ref> Chesney was no longer a regular harmonica player in his last years; he preferred to play jazz on his grand piano at home.<ref name="NHL"/>

Wolfe died on Sunday 18 December 2011, aged 89, three days after sustaining head injuries from a fall at a care home in London. He had married Rose Krieger in 1953; she served as his secretary and estimated that she had typed 95% of his scripts. The couple had two daughters.<ref name="Telegraph2011"/> "He was the most incredible husband and we had 58 years of superb marriage harmony", his wife said in tribute.<ref name="BBCWolfe"/>

Chesney died at Kingston Hospital on 12 April 2018, aged 97.<ref name="Hayward2018"/><ref name="BBCChesney">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He was survived by his wife Patricia, to whom he was married for 70 years, and their two children, Marianne and Michael.<ref>Template:Cite news</ref>

Television creditsEdit

Film creditsEdit

ReferencesEdit

Template:Reflist

BibliographyEdit

External linksEdit

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