Charles Goddard (playwright)

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Charles William Goddard (November 26, 1879 – January 11, 1951) was an American journalist, playwright, author, and screenwriter. From 1913 through 1921 he was widely known for the Broadway plays he co-authored with Paul Dickey, but by his death the silent movie serial he wrote for actress Pearl White, The Perils of Pauline, was better remembered.

Early yearsEdit

Goddard was born November 26, 1879 in Portland, Maine to Charles W. Goddard and Rowena C. Morrill Goddard.<ref name="mbc1879">Charles W Goddard in the Maine, U.S., Birth Records, 1715-1922, retrieved from Ancestry.com</ref> He was the youngest of seven children for his father's second marriage. His father was Postmaster for Portland and a former US District judge.<ref name="pdp030989">Template:Cite news</ref><ref name="pdp031189">Template:Cite news</ref> His grandfather Anson Morrill had been Governor of Maine, while his granduncle Lot Morrill had also been Governor, United States Senator from Maine, and Secretary of the Treasury under Ulysses S. Grant.<ref name="ph011211">Template:Cite news</ref> Goddard's father died when he was nine-years-old.<ref name="pdp030989" /> His mother and sisters were in Europe at the time, so his three older brothers cared for him until they returned a year later.<ref name="ee042690">Template:Cite news</ref> Goddard graduated from Dartmouth College in 1902, and went to work on The Boston Post in 1903.<ref name="ph011211" />

Goddard started at a salary of $8 a week. Many years later he told an interviewer he wasn't worth that much at first, but "the editors were so tough they beat a lot of newspapering into my head in the shortest possible time".<ref name="ct102448">Template:Cite news</ref> Goddard himself featured in a newspaper story when he chased down a thief who had stolen his colleague's overcoat.<ref name="bp122203">Template:Cite news</ref> From the Post, he joined the New York American.<ref name="ph011211" /> He was an early enthusiast for motorcycles, and was ticketed by Brooklyn police in 1907 for racing one against a motorcar at 25mph on Ocean Parkway.<ref name="bdt050207">Template:Cite news</ref>

PlaywritingEdit

Goddard clashed with another young fellow over a room in a Manhattan 46th Street boarding house they both claimed. This was actor Paul Dickey from Chicago. After a night arguing, they struck up a friendship.<ref name="wmmay13">Template:Cite magazine</ref> Dickey was impressed with the dramatic potential of a scenario Goddard had written called The Ghost Breaker.<ref name="dc062814">Template:Cite news</ref> They would spend several months expanding it to a four-act "melodramatic farce".<ref name="dgtitle">Template:Cite book</ref> They were able to sell it to Henry B. Harris in 1909,<ref name="nyt040909">Template:Cite news</ref> but it remained unproduced until 1913, when Maurice S. Campbell had The Ghost Breaker staged on Broadway.<ref name="tr030413">Template:Cite news</ref>

Goddard and Dickey's first collaboration to be performed widely was a one-act play for vaudeville called The Man from the Sea. Dickey performed in this starting in 1910 on the Orpheum circuit.<ref name="eb083110">Template:Cite news</ref> Goddard became romantically involved with Dickey's younger sister Ruth,<ref name="nyt113013">Template:Cite news</ref> a professional violinist.<ref name="uspp">U.S., Passport Applications, 1795-1925, for Ruth Dickey, retrieved from Ancestry.com</ref> They were married in Chicago, during December 1911.<ref name="dgwed">Ruth Dickey in the Cook County, Illinois, U.S., Marriage Index, 1871-1920, retrieved from Ancestry.com</ref>

The Ghost Breaker was a minor success, followed by an even bigger one, The Misleading Lady for the 1913-1914 Broadway season.<ref name="bde112613">Template:Cite news</ref> The team of Dickey and Goddard would write three more plays that were produced for Broadway: The Last Laugh (1915), a Frankenstein parody;<ref name="ew073015">Template:Cite news</ref> Miss Information (1915), a commissioned vehicle for Elsie Janis;<ref name="nyt100615">Template:Cite news</ref> and most successful of all, The Broken Wing (1920).<ref name="dn113020">Template:Cite news</ref>

ScreenwritingEdit

With two successful Broadway plays to his reputation in 1913, Goddard found himself in a conference with William Randolph Hearst "who had the notion of making a continued moving picture". Hearst asked for "a complete outline of all the chapters by the next day."<ref name="ct102448" /> Goddard obliged and was hired to write The Perils of Pauline. Goddard said Hearst named the serial, which was a Hearst-Pathé joint venture, and was involved in plot details.<ref name="so121546">Template:Cite news</ref>

Goddard also adapted a number of his stage works to film, and co-wrote other serials, such as The Exploits of Elaine, which has been selected for preservation in the United States National Film Registry. He said in 1948 that he never understood why The Perils of Pauline remained famous when he had so little time to put effort into writing it, while other serials which he labored over had become obscure.<ref name="ct102448" />

Later years and deathEdit

From 1923 on Goddard was a staff writer for The American Weekly, a magazine insert for Sunday newspapers. His last known article for it was written in 1943, and from later interviews it appears he had retired, spending part of the year in Asheville, North Carolina and winters in Miami.<ref name="ct102448" />

Goddard died at his home in Miami, Florida on January 11, 1951.<ref name="mn011151">Template:Cite news</ref> He was unmarried at the time and survived by his sisters.<ref name="kj011251">Template:Cite news</ref> Obituaries put out by the United Press (UP) and Associated Press (AP) wire services mentioned only his movie serials and journalism. More extensive obituaries were published by Maine newspapers.<ref name="ph011211" /> Goddard was interred in Evergreen Cemetery in Portland, Maine.<ref name="kj011251" />

A reporter for a Rochester, New York newspaper, writing from the standpoint of those who grew up watching the serials, contrasted the death of the unknown Goddard with that a day earlier of the celebrated Sinclair Lewis. "Somehow we can't recall the name of the principal character of Main Street, but we remember exactly what happened to the villain in the 13th installment of The Hooded Terror."<ref name="dc011351">Template:Cite news</ref>

WorksEdit

PlaysEdit

  • The Ghost Breaker (1909) - Written with Paul Dickey, from a story by Goddard.<ref name="wmmay13" />
  • The Man From the Sea (1910) - One-act play for vaudeville, written with Paul Dickey.<ref name="eb083110" />
  • The Misleading Lady (1913) - Written with Paul Dickey.<ref name="bde112613" />
  • The Last Laugh (1915) - Written with Paul Dickey.<ref name="ew073015" />
  • Miss Information (1915) - Written with Paul Dickey.<ref name="nyt100615" />
  • The Broken Wing (1920) - Written with Paul Dickey.<ref name="dn113020" />
  • The Rainbow Bridge (1921) - Not produced, written with Paul Dickey.<ref name="bde021021">Template:Cite news</ref>
  • The Great Light (1921) - Not produced, written with Paul Dickey.<ref name="es080321">Template:Cite news</ref>

Scenarios/ScreenplaysEdit

ReferencesEdit

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External linksEdit

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