Template:Short description {{#invoke:other uses|otheruses}} Template:Greek myth (nymph)
Salmacis (Template:Langx) was an atypical Naiad nymph of Greek mythology. She rejected the ways of the virginal Greek goddess Artemis in favour of vanity and idleness.
MythologyEdit
Ovid's versionEdit
Salmacis' attempted rape of Hermaphroditus is narrated in the fourth book of Ovid's Metamorphoses (see also Dercetis).
One day, Hermaphroditus went swimming in his pool. Upon seeing him, Salmacis was struck with love for him, approached him and confessed her love to him; but he was not interested, and demanded she leave. She did so, but her passion took her back, unable to stay away from him.<ref>Ovid, Metamorphoses 4.317-345</ref> As Hermaphroditus emerged from the pool, she threw herself at him, and forcibly kissed him as he tried to escape. Salmacis then cried to the gods and begged them to let them stay together forever; and the gods answered by fusing them together for all time, into a deity that had both male and female parts. She thus becomes one with Hermaphroditus and he curses the fountain to have the same effect on every other person who would bathe there.<ref>Ovid, Metamorphoses 4.346-388</ref>
Other versionsEdit
In a description found on the remains of a wall in Halicarnassus, Hermaphroditus' mother Aphrodite names Salmacis as the nymph who nursed and took care of an infant Hermaphroditus after his parents put him in her care, a very different version than the one presented by Ovid.<ref>Romano, Allen J. “The Invention of Marriage: Hermaphroditus and Salmacis at Halicarnassus and in Ovid.” The Classical Quarterly, vol. 59, no. 2, [The Classical Association, Cambridge University Press], 2009, pp. 543–61.</ref>
Lucian of Samosata also implies that Hermaphroditus was born like that, rather than becoming later in life against his will, and blames it on the identity of the boy's father Hermes.<ref>Lucian, Dialogues of the Gods Apollo and Dionysus</ref>
Salmacis fountainEdit
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} Salmacis was the name of a fountain or spring located in modern-day Bodrum, Turkey. According to some classical authors, the water had the reputation of making men effeminate and soft. This legend lies at the heart of Ovid's tale of Salmacis and Hermaphroditus.
Ancient artEdit
A fresco in Room 10 of the Casa della Venere in Conchiglia (House of Venus in the Shell) in Pompeii depicts Eros standing in between Hermaphroditus and Salmacis. The fresco is possibly the earliest (before 79 AD) and the only ancient artwork of the water nymph before her union with Hermaphroditus.<ref>Pompeii in Pictures: II.3.3 Pompeii. Casa della Venere in Conchiglia</ref>
Post-Classical receptionEdit
LiteratureEdit
Francis Beaumont, a poet and playwright, wrote a poem Salmacis and Hermaphroditus based on Ovid's work. The poem was published anonymously in London in 1602.<ref>Francis Beaumont, Salmacis and Hermaphroditus - Luminarium.org</ref>
Algernon Charles Swinburne's 1863 poem "Hermaphroditus", based on the Bernini sculpture of the same name in the Louvre, makes mention of Salmacis in the final stanza.
A novel of short stories by Italian writer Mario Soldati called Salmace (Salmacis), a title that spans the entire collection. In the story it tells of the transformation of a man into a woman, in a highly metaphorical context.<ref>Template:Cite book</ref>
SculptureEdit
A sculpture by François-Joseph Bosio, La nymphe Salmacis from 1826, can be seen on display at the Louvre Museum in Paris.<ref>Sculpture: The Nymph Salmacis by François-Joseph Bosio, Louvre Museum, Paris</ref>
A sculpture by Sir Thomas Brock of Salmacis (aka The Bather Surprised)<ref>Bather surprised | Museum of Royal Worcester</ref> was designed in 1868. It was modelled and exhibited at the Royal Academy, London in 1869. A variety of porcelain replicas were made from 1875 and an example was exhibited at the Paris Exhibition of 1878.<ref>Sir Thomas Brock | Museum of Royal Worcester</ref>
The Fontana Greca ("Greek Fountain") is a fountain from the Renaissance period located in Gallipoli, southern Italy. The fountain has bas-reliefs depicting three metamorphoses in Greek mythology. The center bas-relief shows Eros flying beside Aphrodite, while Hermaphroditus and Salmacis are shown below laying together and embracing.
PaintingEdit
A painting of Salmacis in 1877 by French artist Charles Landelle was one of the most admired works at the Paris Exhibition according to The Art Journal of 1878. The painting depicts a startled Salmacis seated among reeds, clutching her drapery to her chest in alarm.<ref>Salmacis: Landelle, Charles - The Art Journal (1878)</ref>
MusicEdit
The British progressive rock band Genesis wrote and performed a song entitled "Fountain of Salmacis" on their 1971 album Nursery Cryme. It tells the story of Salmacis' attempted rape of Hermaphroditus. At the end of the song, the lyrics state that Salmacis and Hermaphroditus were "joined as one" and forever live beneath the lake from which the fountain appears.Template:Citation needed
ReferencesEdit
BibliographyEdit
- Lucian, Dialogues of the Gods; translated by Fowler, H W and F G. Oxford: The Clarendon Press. 1905.
- Ovid. Metamorphoses, Volume I: Books 1-8. Translated by Frank Justus Miller. Revised by G. P. Goold. Loeb Classical Library No. 42. Cambridge, Massachusetts: Harvard University Press, 1977, first published 1916. Template:ISBN.
External linksEdit
- Salmacis: Naiad nymph of Halicarnassus in Caria - Theoi Project
- Nymphai Kariai: Naiad Nymphs of the Land of Caria - Theoi Project
- The Salmakis Fountain - University of Southern Denmark
Template:Greek mythology (deities) Template:Metamorphoses in Greco-Roman mythology Template:Authority control