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I Know Where I'm Going!

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Template:Short description Template:EngvarB Template:Use dmy dates Template:Infobox film I Know Where I'm Going! is a 1945 romance film directed and written by the British filmmakers Michael Powell and Emeric Pressburger.<ref name="BFIsearch">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It stars Wendy Hiller and Roger Livesey, and features Pamela Brown.

PlotEdit

Joan Webster is a 25-year-old, upper middle class Englishwoman with an ambitious, independent spirit, who always "knows where she's going". She travels from her home in Manchester to the isle of Kiloran in the Hebrides to marry Sir Robert Bellinger, a very wealthy, much older industrialist.

When bad weather postpones the final leg of her journey (the boat trip to Kiloran), she is forced to wait it out on the Isle of Mull, among a community of people whose values are quite different from hers. There she meets Torquil MacNeil, a Royal Navy officer trying to go home to Kiloran while on shore leave. She also meets some of the residents, such as the boatman Ruairidh Mhór, the eccentric falconer Colonel Barnstaple, and the poor but proud Catriona Potts, a friend of Torquil's who takes them in for the night.

The next day, on their way to catch a bus to Tobermory to use the radio, Joan and Torquil come upon the ruins of Moy Castle. Joan wants to look inside, but Torquil refuses to enter. When she reminds him that the terrible curse associated with it only applies to the laird of Kiloran, he reveals that he is the laird; Bellinger is only renting his island. On the bus, the locals, unaware of Joan's identity, recount disparaging stories about Bellinger.

In Tobermory, Joan and Torquil use the radio, and Torquil gets two hotel rooms. When they go into the hotel's restaurant, she asks him to sit at a different table. As the bad weather worsens into a full-scale gale, Torquil spends more time with Joan, who becomes torn between her ambition and her growing attraction to him. The two attend a ceilidh celebrating a couple's diamond wedding anniversary; the three bagpipers hired to play at Joan's wedding perform. Torquil translates the song "Nut-Brown Maiden" for Joan, emphasising the line "You're the maid for me." Despite Joan's hesitancy, Torquil persuades her to dance.

Desperate to salvage her carefully laid plans, Joan convinces Ruairidh Mhór's young assistant, Kenny, to attempt the crossing for £20. Unable to talk Joan out of the highly dangerous trip, Torquil invites himself aboard after Catriona tells him that Joan is running away from him. En route, the boat is caught in the Corryvreckan whirlpool, but Torquil restarts the flooded engine just in time. The trio return safely to Mull.

Finally, the weather clears. Before going their separate ways Torquil asks Joan if she would somewhere, sometime have the pipers play "Nut-Brown Maiden". Joan then asks Torquil for a parting kiss. After Joan leaves, Torquil enters Moy Castle and finds the inscription of the curse placed centuries earlier on Torquil's ancestor who had stormed the castle and captured his unfaithful wife and her lover. He had the lovers bound together and cast into the water-filled well/dungeon, which had a stone just big enough for one person to stand on. When the lovers' strength finally gave out, they dragged one another down into the water. Before she died, the woman cursed Kiloran and every future MacNeil of Kiloran: "If he shall ever cross the threshold of Moy never shall he leave it a free man. He shall be chained to a woman to the end of his days and shall die in his chains." From the battlements, Torquil sees Joan marching towards him, preceded by the three pipers playing "Nut-Brown Maiden". The couple meet in the castle and embrace. "I Know Where I'm Going" is sung as the end credits roll.

CastEdit

In order of appearance, as per ending credits:

ProductionEdit

DevelopmentEdit

Powell and Pressburger wanted to make A Matter of Life and Death but filming was held up because they wanted to do the film in colour and there was a shortage of Technicolor film stock—it was all being used for Ministry of Information training films.<ref>Powell (1986) p. 443</ref>

Pressburger suggested that instead they make a film that was part of the "crusade against materialism", a theme they had tackled in A Canterbury Tale, only in a more accessible romantic comedy format.<ref>Template:Cite book</ref>

The story was originally called The Misty Island. Pressburger wanted to make a film about a girl who wants to get to an island, but by the end of the film no longer wants to. Powell suggested an island on Scotland's west coast. He and Pressburger spent several weeks researching locations and decided on the Isle of Mull.<ref>Template:Cite thesis</ref>

Pressburger wrote the screenplay in four days. "It just burst out, you couldn't hold back," he said.<ref name=MacD243>MacDonald (1994) p. 243</ref>

The movie was originally meant to star Deborah Kerr and James Mason but Kerr could not get out of her contract with MGM, so they cast Wendy Hiller.<ref>MacDonald (1994) p. 245</ref> Hiller was originally cast in the three roles Kerr played in The Life and Death of Colonel Blimp but had to withdraw when she became pregnant.<ref>Template:Cite news</ref><ref name="sight">Powell and Pressburger: the war years. Badder, David. Sight and Sound; London Vol. 48, Iss. 1, (Winter 1978): 8.</ref>

Six weeks before filming, Mason pulled out of the movie, saying he did not want to go on location. Roger Livesey read the script and asked to play the role. Powell thought he was too old and portly but Livesey lost "ten or twelve pounds" (four or five kilos) and lightened his hair; Powell was convinced.<ref>Powell (1986) p. 476</ref>

Powell's golden cocker spaniels Erik and Spangle made their third appearance in an Archers film: previously in Contraband (1940) and The Life and Death of Colonel Blimp (1943), they were later also to be seen in A Matter of Life and Death (1946).<ref>[https://www.imdb.com/{{#if: 1521132 

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Pressburger later said that when he visited Paramount Pictures in 1947 the head of the script department told him they considered the film's screenplay perfect and frequently watched it for inspiration.<ref name=MacD249>MacDonald (1994) p. 249</ref>

FilmingEdit

Shooting took place on the Isle of Mull and at Denham Film Studios.

It was the second and last collaboration between the co-directors and cinematographer Erwin Hillier (who shot the entire film without a light meter).<ref name="IKWIG Revisited">In the documentary I Know Where I'm Going Revisited (1994) on the Criterion DVD</ref>

The heroine of the film is trying to get to "Kiloran", but nobody ever gets there. From various topographical references and a map briefly shown in the film, it is clear that the Isle of Kiloran is based on Colonsay, south of Mull. The name Kiloran was borrowed from one of Colonsay's bays, Kiloran Bay. No footage was shot on Colonsay.

One of the most complex scenes shows the small boat battling the Corryvreckan whirlpool. This was a combination of footage shot at Corryvreckan between the Hebridean islands of Scarba and Jura, and Bealach a'Choin Ghlais (Sound of the Grey Dogs) between Scarba and Lunga.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

  • There are some long-distance shots looking down over the area, shot from one of the islands.
  • There are some middle-distance and close-up shots that were made from a small boat with a hand-held camera.
  • There were some model shots, done in the tank at the studio. These had gelatin added to the water so that it would hold its shape better and would look better when scaled up.
  • The close-up shots of the people in the boat were all done in the studio, with a boat on gimbals being rocked in all directions by some hefty studio hands while others threw buckets of water at them. These were filmed with the shots made from the boat with the hand-held camera projected behind them.
  • Further trickery joined some of the long- and middle-distance shots together with those made in the tank into a single frame.<ref name=Powell480> Powell (1986) p. 480</ref>

Though much of the film was shot in the Hebrides, Livesey was not able to travel to Scotland because he was performing in a West End play, The Banbury Nose by Peter Ustinov, at the time of filming.<ref name=MacD243/> Thus all his scenes were shot in the studio at Denham, and a double (coached by Livesey in London) was used in all of his scenes shot in Scotland. These were then mixed so that the same scene would often have a middle-distance shot of the double and then a closeup of Livesey, or a shot of the double's back followed by a shot showing Livesey's face.<ref>Powell (1986) p. 476</ref>

The film was budgeted at £200,000 (Template:Inflation) and went £30,000 over. The art department budget was £40,000, mostly spent on effects for the studio whirlpool.<ref>MacDonald (1994) p. 247</ref> The actors received £50,000, of which one third went to Hiller.

Powell shot a scene at the end of the film where Catriona follows Torquil into the castle, to emphasise her love for him, but decided to cut it.<ref name="sight"/>

MusicEdit

John Laurie was the choreographer and arranger for the cèilidh sequences.<ref>Powell (1986) pp. 537–538)</ref> The puirt à beul "Macaphee"<ref>Macaphee song</ref> was performed by Boyd Steven, Maxwell Kennedy and Jean Houston of the Glasgow Orpheus Choir.<ref name=BFIftp>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The song sung at the cèilidh that Torquil translates for Joan is a traditional Gaelic song "Ho ro, mo nighean donn bhòidheach", originally translated into English as "Ho ro My Nut Brown Maiden" by John Stuart Blackie in 1882. It is also played by three pipers marching toward Moy Castle at the start of the final scene.<ref>Template:Cite book</ref><ref>Template:Cite book</ref> The film's other music is traditional Scottish and Irish songs<ref>Music in IKWIG</ref> and original music by Allan Gray.<ref name=BFIftp/>

LocationsEdit

ReceptionEdit

Box officeEdit

The film was a hit at the box office and recovered its cost in the UK alone.<ref name=MacD249/>

U.S. releaseEdit

The film was one of the first five movies from the Rank Organisation to receive a release in the U.S. under a new arrangement. The others were Caesar and Cleopatra, The Rake's Progress, Brief Encounter and The Wicked Lady.<ref>Template:Cite news</ref> U.S. box office take was $1.2 million.<ref>Template:Cite magazine</ref>

Critical reviewsEdit

Contemporary reviews were positive:

The Times wrote: "The cast makes the best possible use of some natural, unforced dialogue, and there is some glorious outdoor photography."<ref>Template:Cite news</ref>

The Guardian: "[It] has interest and integrity. It deserves to have successors." —, 16 November 1945

The Monthly Film Bulletin wrote:

The great strength of this most entertaining film lies in its affectionate and sympathetic handling of the Highland setting: its great weakness lies in its story. The glimpses of Highland life, the dancing at the ceilidh, the gossip of travellers in a bus, the enthusiasm of the bird enthusiast (played by Captain Knight) with his eagle, all this is admirably done; and the storm, which is the climax of the film, is realistic and gripping. The story, however, does not bear reflective analysis. ...If the fundamental framework had been sound this could have been a first-rate film; it is in any case a piece of first-rate entertainment.<ref>Template:Cite journal</ref>

Raymond Chandler wrote in 1950, "I've never seen a picture which smelled of the wind and rain in quite this way nor one which so beautifully exploited the kind of scenery people actually live with, rather than the kind which is commercialised as a show place." —, Letters.<ref>Template:Cite book</ref>

Martin Scorsese wrote, "I reached the point of thinking there were no more masterpieces to discover, until I saw I Know Where I'm Going!"<ref name="IKWIG Revisited" />

The film critic Barry Norman included it among his 49 greatest films of all time.<ref>Template:Cite news</ref>

In 2012 the film critic Molly Haskell included it among her 10 greatest films of all time in that year's Sight & Sound poll.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Radio adaptationEdit

Hiller appeared in a radio adaptation of the film, produced by the Australian Broadcasting Commission in 1947. <ref>Template:Cite news</ref>

Telephone boxEdit

The red telephone box is now a Historic Environment Scotland Category B listed building.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

ReferencesEdit

NotesEdit

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BibliographyEdit

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External linksEdit

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DVD reviewsEdit

Region 1
  • Review by DVD Savant
  • Review by Megan Ratner at Bright Lights
Region 2

Template:Powell and Pressburger

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