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The Dun Emer Press (fl. 1902–1908) was an Irish private press founded in 1902 by Evelyn Gleeson, Elizabeth Yeats and her brother William Butler Yeats, part of the Celtic Revival. It was named after the legendary Emer and evolved into the Cuala Press.
HistoryEdit
In 1902, Elizabeth and her sister Lily Yeats joined Evelyn Gleeson in establishing a craft studio at Dundrum, near Dublin, called Dun Emer. This specialized in printing and other crafts, with Elizabeth Yeats in charge of the printing press.<ref>John Sheehy, The Rediscovery of Ireland's Past: The Celtic Revival 1830–1930 (Thames and Hudson, 1980), p. 158</ref><ref>William M. Murphy, Dun Emer, 1902–1908</ref> While living in London, Elizabeth Yeats had been part of the circle of William Morris, and had been inspired by his printing work. Gleeson offered the Yeats sisters her large house in Dundrum, in which a crafts group providing training and work for young women, in the fields of bookbinding, printing, weaving, and embroidery, could live and work.<ref name=pgil>Elizabeth Yeats</ref><ref>Sheila Pim, 'Dun Emer: The Origins', in Irish Arts Review (1984-1987), Vol. 2, No. 2 (Summer, 1985), pp. 18-22</ref> Bookbinding workshops were a later addition to the studio.<ref name=ubc>Cuala/Dun Emer Press at ubc.ca</ref> The sisters' cousin Ruth Pollexfen served as Lily's apprentice in the embroidery section.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The Dun Emer studio and press were named after Emer, daughter of Forgall Monach, wife of the hero Cúchulainn in the Ulster Cycle of Irish mythology, a figure famous for her artistic skills as well as her beauty.<ref name=pgil/> The title-page device of the Dun Emer Press was designed by Elinor Monsell and shows Emer standing underneath a tree. Monsell also created the symbol of the Abbey Theatre, Dublin, which depicts Maeve with a wolfhound.<ref>Elizabeth Corbet Yeats at princeton.edu</ref> The focus of the Press was on publishing literary work by Irish authors,<ref>Dun Emer Press Template:Webarchive at missouri.edu</ref> and Elizabeth and Lily Yeats's younger brother, the artist Jack Butler Yeats, did much of the illustration work.<ref name=ubc/>
In 1904, the Dun Emer crafts studio was organized into two parts, the Dun Emer Guild under Gleeson and Dun Emer Industries under the Yeats sisters.<ref>Sheehy, op. cit., p. 161</ref><ref>Paul Larmour, 'The Dun Emer Guild', in Irish Arts Review (1984-1987), Vol. 1, No. 4 (Winter, 1984), pp. 24-28</ref>
The Dun Emer Press produced limited editions of books, printed by hand in the manner of William Morris's Kelmscott Press.<ref>Robin Skelton, 'Twentieth-Century Irish Literature and the Private Press Tradition: Dun Emer, Cuala, & Dolmen Presses 1902-1963' in The Massachusetts Review, vol. 5, no. 2 (Winter 1964), pp. 368-377</ref> The texts it published were written or selected by W. B. Yeats,<ref>Robert Hogan, The Macmillan Dictionary of Irish Literature (1980), p. 182</ref> who was the press's literary editor and who also subsidized its operations, which lacked profitability.<ref name=enc>Patrick Maume, Dun Emer Press (from The Oxford Companion to Irish History, 2007) at encyclopedia.com</ref> In its prospectus issued early in 1903, the press boasted of "a good eighteenth century fount of type" and "paper made of linen rags and without bleaching chemicals".<ref>David Holdeman, Much labouring: the texts and authors of Yeats's first modernist books (1997) p. 32 online</ref>
As well as books, the Press also printed broadsheets designed by Jack Yeats, and hand-coloured greeting cards.<ref name=enc/> In 1908, after the Press had produced eleven literary titles, the different elements of the Dun Emer studio separated completely, with Gleeson retaining the Dun Emer name. The Yeats sisters left Dundrum and took the new name Cuala for their operations, Elizabeth establishing the Cuala Press at Churchtown, Dublin.<ref>Elizabeth Yeats at princeton.edu (Unseen Hands: Women Printers, Binders and Book Designers)</ref><ref>Dun Emer Press at encyclopedia.com</ref>
List of books published by the pressEdit
- W. B. Yeats, In the Seven Woods: being poems of the Irish heroic age (The Dun Emer press, 1903) <ref name=florida>DUN EMER & CUALA PRESS at uflib.ufl.edu (University of Florida web site)</ref><ref name=miller>Liam Miller, The Dun Emer Press (New York: The Typophiles, 1974)</ref>
- George William Russell, The Nuts of Knowledge, lyrical poems old and new (The Dun Emer press, 1903)<ref name=florida/><ref name=miller/>
- Douglas Hyde, The Love Songs of Connacht, being the fourth chapter of the songs of Connacht, collected and translated by Douglas Hyde (Dun Emer press, 1904)<ref name=florida/><ref name=miller/>
- W. B. Yeats, Stories of Red Hanrahan (The Dun Emer press, 1904)<ref name=florida/><ref name=miller/>
- Lionel Pigot Johnson, Twenty one poems written by Lionel Johnson, selected by William Butler Yeats (The Dun Emer Press, 1904)<ref name=florida/><ref name=miller/>
- William Kirkpatrick Magee, Some Essays and Passages by John Eglinton, selected by William Butler Yeats (Dun Emer Press, 1905)<ref name=florida/><ref name=miller/>
- William Allingham, Sixteen poems, by William Allingham, Selected by William Butler Yeats (The Dun Emer press, 1905)<ref name=florida/><ref name=miller/>
- Lady Gregory, A Book of Saints and Wonders put down here by Lady Gregory according to the old writings and memory of the people of Ireland (The Dun Emer Press, 1906)<ref name=florida/><ref name=miller/>
- George William Russell, By Still Waters; lyrical poems old and new by A. E. (The Dun Emer Press, 1906)<ref name=florida/><ref name=miller/>
- Katharine Tynan, Twenty one poems; selected by W. B. Yeats (Dun Emer press, 1907)<ref name=florida/><ref name=miller/>
- W. B. Yeats, Discoveries; a volume of essays by William Butler Yeats (Dun Emer press, 1907)<ref name=florida/><ref name=miller/>
ReferencesEdit
External linksEdit
- Dun Emer Press publications at Internet Archive (scanned books original editions)
- Fifty Years of the Cuala Press by Ernest C. Mariner Colby Library Quarterly, series 3, no.11, August 1953, p. 171-183.