Point of Entry

{{#invoke:other uses|otheruses}} Template:Use British English Template:Use dmy dates {{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |Template:Short description|noreplace}}}}{{#invoke:Infobox|infobox}}Template:Template other Template:Category handler Template:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=British Steel1980Screaming for Vengeance1982studioPoint of EntryJudas priest - point of entry a.jpgJudas Priest Template:Start date<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Ibiza Sound (Ibiza, Spain)Template:Hlist37:41Columbia* Tom Allom

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Point of Entry is the seventh studio album by English heavy metal band Judas Priest, released on 27 February 1981 by Columbia Records. Following the commercial success of their previous album British Steel (1980), Priest pursued a more radio-friendly direction on Point of Entry. Following the conclusion of the British Steel Tour, the band began work on their next project. By this time, the band possessed sufficient funds to fly all their equipment to the state-of-the-art Ibiza Studios in Spain. This gave Point of Entry a louder, stronger, more "live" sound than previous Judas Priest albums.

PromotionEdit

Three singles were released from the album: "Heading Out to the Highway", "Don't Go" and "Hot RockinTemplate:'", all of which had accompanying music videos. The song "Heading Out to the Highway" has been a staple in live shows since its release,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> "Desert Plains" was regularly played throughout the 1980s and in 2002 and "Hot RockinTemplate:'" was returned to the setlist for the 2005 Reunited Tour,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> where Priest also played "Solar Angels" on rare occasions. On the World Wide Blitz Tour of 1981 supporting Point of Entry, "Solar Angels" had been the opening song of every show,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> while "Troubleshooter" was also performed on parts of the supporting tour. On the contrary, five songs from the album – "Don't Go", "Turning Circles", "You Say Yes", "All the Way" and "On the Run" – have never been performed live.

Cover artEdit

The European distribution of the album features "an intriguing and colourful sort of futuristic metal wing over a horizon shot" designed by Roslav Szaybo, who had done all of the band's CBS albums to date.<ref name=":0">Template:Cite book</ref> The cover featured on the Canada, USA, Australasia, Brazil, Hong Kong and Japan markets, however, was designed by Columbia Record's John Berg, and instead depicts continuous stationery paper to simulate the line in the middle of the road with white cardboard boxes on the back.<ref name=":0" /> "The sleeve was awful," guitarist Glen Tipton said of the covers, "and we've got to blame management for that because they didn't shop around enough to get one that was suitable. The American cover was different, but that turned out to be even worse!'"<ref>Template:Cite book</ref> The latter version was once again used for the 2001 remaster of the album.

The American artwork also saw the introduction of the extruded '3D' Judas Priest logo, which would be used up to Turbo.

ReissuesEdit

The album was remastered in 2001, with two bonus tracks added, a live version of "Desert Plains" and "Thunder Road", a track from the Ram It Down sessions.

In the booklet of the Remastered CD, the band states:

Recorded on the island of Ibiza with multiple distractions, glorious sunshine, and extremely low cost alcohol, this album was regarded with mixed feelings because it was different from what people expected. The album was nearly all spontaneously written and performed in Ibiza - it was an experiment in the sense that before this we had already written the majority of the songs before going into the studio.{{#if:|{{#if:|}}
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Critical receptionEdit

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In 2005, Point of Entry was ranked number 352 in Rock Hard magazine's book The 500 Greatest Rock & Metal Albums of All Time.<ref>Template:Cite book</ref> In the 2007 book Metal: The Definitive Guide, author Garry Sharpe-Young wrote that the album consists of "radio-friendly fillers." Moreover, Sharpe-Young called the original British artwork "bland" and subsequent American alternative artwork "an even worse compromise."<ref>Template:Cite book</ref>

Opinions about the album from within the band were mixed. Bassist Ian Hill explained, "It came across… people think it's just a commercial album. And it's not, there are some good songs in there. And I think it's overlooked.".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In a Louder article, it is noted that "Halford admits to being "dismayed" by the reaction it received." In the same Louder article, K.K. Downing takes on a more mixed perspective, "People don't understand how pressurised we were by the label, either to do covers or make hits", he says. "With that album, we gave them what they wanted."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He cites the album as the worst he made with the band, "But then again there are some great songs on that one. That's so, so hard to answer."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>