Template:Short description Template:Infobox musical artist
Ellen Foley (born June 5, 1951<ref>Template:Cite news</ref>) is an American singer and actress who has appeared on Broadway and television, where she co-starred in the hit NBC sitcom Night Court during its second season. In music, she has released five solo albums, but she is best known for her collaborations with rock singer Meat Loaf, particularly the 14× Platinum selling 1977 album Bat Out of Hell.<ref name="RIAA Database, Bat Out of Hell">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="allamusic">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=sor_staff>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Early life and educationEdit
Foley was born in St. Louis, Missouri, the daughter of John and Virginia B. Foley. She attended Webster University.<ref name="nytimes.com">Template:Cite news</ref>
CareerEdit
VocalistEdit
Foley gained public recognition through singing a duet with Meat Loaf on the hit single "Paradise by the Dashboard Light" from the 1977 album Bat Out of Hell.<ref name= tuc>Template:Cite journal</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Foley's part was recorded individually and in one take with Meat Loaf present in the room so she could sing in character.<ref>Template:Cite news</ref> Although Karla DeVito (who toured with Meat Loaf in support of the album) is featured in the music video, DeVito is lip synching to Foley's vocals.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Her debut album Night Out was released in 1979; the album's single "What's a Matter Baby" reached No. 7 in the Dutch charts and No. 92 on the US charts.Template:Citation needed The single "We Belong to the Night" reached No.1 in the Netherlands.<ref name="allmusic_no">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album, which peaked at No. 152, was produced by Ian Hunter and Mick Ronson. Foley recorded a duet with Ian Hunter in 1980, "We Gotta Get Outta Here". Her creative relationship with Hunter led her to singing backing vocals on the Iron City Houserockers' 1980 album Have a Good Time but Get Out Alive!, produced by Hunter, Ronson, and The E Street Band's Steven Van Zandt.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
She also sings in the title cut of the 1979 Blue Öyster Cult album Mirrors and on The Clash album Sandinista! (released in 1980) in the songs "Hitsville UK" and "Corner Soul", and on the unreleased track "Blonde Rock 'n' Roll".Template:Citation needed In 1981, all four members of The Clash appeared on her album The Spirit of St. Louis, and Mick Jones and Joe Strummer co-wrote a number of songs for the album.<ref name="allmusic_sosl">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Jones produced the album, which featured members of The Blockheads and peaked at No. 137 on the US charts.<ref name=allmusic_sosl /> In 1982, she provided backing vocals on The Clash's song "Car Jamming" from the album Combat Rock.<ref>Template:Cite book</ref> The Clash's hit song "Should I Stay or Should I Go", written and sung by Jones, was about the turbulent relationship he shared with Foley at the time.<ref name=tuc /><ref>Template:Cite magazine</ref>
She released her third solo album Another Breath in 1983; it failed to chart.<ref name="allmusic_ab">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1984, she sang backing vocals on Joe Jackson's album Body & Soul and had a large role in the music video for Utopia's "Crybaby".
Foley was one of four female vocalists to front the group Pandora's Box, formed by Jim Steinman in the late 1980s. Their album Original Sin, released in 1989, was the first to feature the song "It's All Coming Back to Me Now" (vocals by Elaine Caswell); both Celine Dion and a duet between Meat Loaf and Marion Raven had separate chart successes with that song in some countries, years later.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite magazine</ref>
Broadway, film and televisionEdit
Foley studied acting at HB Studio<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> in New York City. She has appeared on Broadway in such shows as Me and My Girl and the revival of Hair, and off-Broadway in Beehive. Foley originated the role of The Witch in Stephen Sondheim's Into the Woods at the Old Globe Theater in San Diego,Template:Citation needed but was replaced by Bernadette Peters before the musical opened on Broadway.<ref name=woods>"'Into the Woods', 1986 Old Globe Production and 1987 Broadway Production", SondheimgGide.com, accessed August 2, 2012.</ref> Foley eventually played the role on Broadway from August 1, 1989 until the show's closing on September 3, 1989.<ref name=woods/>
Her best known television acting role is that of Billie Young on Night Court for season two (1984–85),Template:Citation needed after which she was succeeded by Markie Post as Christine Sullivan, who had been Reinhold Weege's first choice for the public defender part, but Post had been unavailable while under contract on the television series The Fall Guy on ABC.<ref name=Post>Template:Cite journal</ref> Foley was reportedlyTemplate:Weasel inline let go from the series because producers felt her relationship with star Harry Anderson was more like that of a brother and sister than as potential paramours.<ref>Template:Cite magazine</ref> She had roles in Miloš Forman's film adaptation of the stage musical Hair (1979), as well as in the movies Fatal Attraction (1987), Married to the Mob (1988) and Cocktail (1988). Foley was in the short-lived 1977 series 3 Girls 3, co-starring with Debbie Allen and Mimi Kennedy.
Other pursuitsEdit
In the mid-2000s, she taught voice at the School of Rock (founded by Paul Green) in Manhattan.<ref name= sor_staff />
Personal lifeEdit
In 1990, Foley married writer Doug Bernstein, co-author of the Off-Broadway revue Showing Off.<ref name="foleymarried">{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Subscription required</ref> They have two children, Henry and Timothy.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
PerformancesEdit
Stage appearances | |||
---|---|---|---|
Year | Title | Role | Theatre |
1977 | Hair | Sheila | Biltmore Theatre, New |
1983 | Eve Is Innocent | Kim Dolphin | Actors and Directors Theatre, New York City |
1986 | Into the Woods | The Witch | Old Globe Theatre, San Diego, California |
1987 | Beautiful Bodies | Lisbeth | Whole Theatre Company, Montclair, New Jersey |
1988 | Me and My Girl | Sally | Marquis Theatre, New York City |
1989 | Into the Woods | The Witch | Martin Beck Theater, New York City |
Film | |||
Year | Film | Role | Notes |
1979 | Hair | Black Boys Singer | Directed by Miloš Forman |
1982 | Tootsie | Jacqui | Directed by Sydney Pollack |
The King of Comedy | Street Scum | Directed by Martin Scorsese | |
1987 | Fatal Attraction | Hildy | Directed by Adrian Lyne |
1988 | Cocktail | Eleanor | Directed by Roger Donaldson |
Married to the Mob | Theresa | Directed by Jonathan Demme | |
2015 | Lies I Told My Little Sister | Laura Lucien | Directed by William J. Stribling |
2016 | No Pay, Nudity | Tani Marshall | Directed by Lee Wilkof |
Television | |||
Year | Title | Role | Notes |
1977 | 3 Girls 3 | Self | Regular |
1980 | The Kenny Everett Video Show | Self | Performing "Stupid Girl" |
1984–1985 | Night Court | Billie Young | Regular on Season 2 |
1987 | Spenser: For Hire | Ruth | Episode: "Consilum Abditum" |
1992–1993 | Ghostwriter | Principal Kelly | 4 episodes |
2000 | Law & Order | Annette Tobin | Episode: "Black, White and Blue" |
2011 | Body of Proof | Evelyn Bryan | Episode: "Second Chances" |
DiscographyEdit
Studio albumsEdit
- Night Out (1979) Epic<ref name=allmusic_no /> - [NL #1; UK #68; AU #13; CAN #71]
- Spirit of St. Louis (1981) Epic<ref name=allmusic_no /> - [NL #35; UK #57; AU #61]
- Another Breath (1983) Epic<ref name=allmusic_no />
- About Time (2013)
- Fighting Words (2021)
Note: all of these were issued by Epic<ref name=allmusic_no /> within the U.S. on vinyl LP. They have been reissued on compact disc by Wounded Bird Records.<ref name=allmusic_ab />
CompilationsEdit
- The Very Best of (1992)
SinglesEdit
- "We Belong to the Night"/"Young Lust" (1979) - [AU #15; NL #1; South Africa #7]
- "What's a Matter Baby"/"Hideaway" (1979) [NL #7; US #92]
- "Sad Song"/"Stupid Girl" (1980)
- "Stupid Girl"/"Young Lust" (1980)
- "The Shuttered Palace"/"Beautiful Waste of Time" (1981) - [AU #48]
- "Torchlight"/"Game of a Man" (1981)
- "Torchlight"/"Le palais" (1981)
- "Boys in the Attic"/"Beat of a Broken Heart" (1983)
- "Nightline (Single Version)"/"Beat of a Broken Heart (1983)
- "Nightline (Dance Mix - Long Version)"/"Nightline (Dance Mix - Short Version)" "Nightline (Dub)" [12" Maxi-Single]
- "Heaven Can Wait" (2015)
With Pandora's BoxEdit
- Original Sin (1989)
Guest appearancesEdit
- "Paradise by the Dashboard Light" (1977) (from Bat Out of Hell by Meat Loaf)
- "Mirrors" (1979) (from Mirrors by Blue Öyster Cult)
- "Hitsville U.K.", "Corner Soul", "Washington Bullets" and "Blonde Rock 'n' Roll" (1980) (from Sandinista! by The Clash)
- "We Gotta Get Out of Here" (1980) (from Welcome to the Club by Ian Hunter)
- "Junior's Bar" (1980) (from Have a Good Time but Get Out Alive! by Iron City Houserockers)
- "Car Jamming" (1982) (from Combat Rock by The Clash)
- Body and Soul (1984) (by Joe Jackson)
- "Going All the Way (A Song in 6 Movements)" (2016) (from Braver Than We Are by Meat Loaf)
ReferencesEdit
External linksEdit
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