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Ann Nocenti

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Template:Short description Template:Infobox comics creator Ann "Annie" Nocenti (Template:IPAc-en; born January 17, 1957)<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> is an American journalist, filmmaker, teacher, comic book writer and editor. She is best known for her work at Marvel in the late 1980s, particularly a four-year stint as the editor of Uncanny X-Men and The New Mutants (written by Chris Claremont) as well as her run as a writer of Daredevil, illustrated primarily by John Romita Jr. Nocenti has created such Marvel characters as Longshot, Mojo, Spiral, Blackheart, and Typhoid Mary.

Nocenti is noted for her outspoken political views, including but not limited to animal rights and alcoholism, which characterized her run on Daredevil.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Early lifeEdit

When Ann Nocenti was a child, her parents frowned upon comics, though there were some in her house, including Archie Comics, a Pogo anthology that Nocenti loved, and a Dick Tracy anthology whose grotesquely-rendered characters piqued Nocenti's curiosity, more so than the heroes.<ref name=SequentialTart>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Nocenti attended college at SUNY New Paltz,<ref name=NewPaltzJournal>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> during which she discovered the work of Robert Crumb.<ref name=SequentialTart/>

CareerEdit

ComicsEdit

After graduating from SUNY New Paltz,<ref name=NewPaltzJournal/> she discovered the superhero genre when she answered an ad in the Village Voice, which led to her being given her first published comics job at Marvel Comics by editor Dennis O'Neil.<ref name=SequentialTart/> Nocenti made her comics writing debut with a six-page mythological story, drawn by Greg LaRocque, in the Marvel anthology Bizarre Adventures #32 (August 1982).<ref name=gcd>Template:Gcdb</ref> She got her first regular comics assignment with Marvel's superhero series Spider-Woman, starting with issue #47 (December 1982). It was not a promising assignment; Marvel had already decided to end the series with issue #50 (June 1983) due to flagging sales.<ref name="Back17">Template:Cite news</ref> With guidance from editor Mark Gruenwald (who had himself written the series for a time), Nocenti ended the series with the death of the titular character, a decision she came to regret. She recalled, "It was before I understood the intense, personal attachment the readers have to the characters. In retrospect, I realized it wasn't a nice thing to kill a character off. As I worked in the field for a while, I developed a strong personal attachment to a lot of characters and I realized how alive they were."<ref name="Back17"/> Shortly after, Nocenti lent a hand to Spider-Woman's resurrection in Avengers #240–241 as "story consultant".

Nocenti wrote an issue each of Doctor Strange and Star Wars before writing the four-issue miniseries Beauty and the Beast (December 1984 – June 1985), featuring the superheroes Dazzler and Beast.<ref name=gcd /> During this period Nocenti was on staff at Marvel, working as an assistant editor for Carl Potts<ref>"Bullpen Bulletins," Marvel comics cover-dated February 1984.</ref> on such titles as The Incredible Hulk, The Defenders, Doctor Strange, and The Thing.<ref>Template:Gcdb</ref>

File:4.11.15Longshot30thAnniversaryReunionByLuigiNovi1.jpg
Nocenti with Whilce Portacio and Arthur Adams at the 2015 East Coast Comicon, during the 30th anniversary year of their collaboration on Longshot, and the first time they had appeared in public together since publication of that miniseries

Nocenti and artist Arthur Adams created the character Longshot in a titular, six-issue miniseries (September 1985 – February 1986).<ref name=gcd/><ref>Template:Cite book</ref> Explaining the concept of the character, which Nocenti borrowed from existentialist writers, she states, "Longshot is the idea of stripping someone of everything that they are. I never read comics, so the idea of a hero to me was different. I couldn't think of it in terms of a 'super hero' hero. I thought of it more as a conceptual hero. Not having a comic book background, I tend to come up with the metaphysics before I come up with the characters. I knew that I wanted to deal with the metaphysics of luck. It was a concept that interested me ... what luck is, what probability is, how you could shift probabilities towards yourself. What are the repercussions of that? So, I did a character centered around that idea.<ref>Ringgenberg, Steve (August 1985). Marvel Age #29. p. 13–15.</ref> At the time, Nocenti was pursuing her master's degree at the School of International and Public Affairs, Columbia University, working at the magazine Lies of Our Times, and reading the work of writers such as Marshall McLuhan, Noam Chomsky, Edward S. Herman and Walter Lippmann. Longshot's archvillain, Mojo, a slaver and dictator who rules his dimension through the television programs he produces, was created as a direct result of these influences. A character named Manufactured Consent after the Chomsky book of the same name, who appeared in the Nocenti's 1990 book The New Mutants Summer Special in 1990, was also born of these works.<ref name=SequentialTart />

After collaborating with Adams on the Spider-Man feature in Web of Spider-Man Annual #2 (September 1986), and with penciler Mike Mignola on a short backup story there, Nocenti teamed with artist Barry Windsor-Smith on Daredevil #236 (November 1986). Two issues later, she became the regular writer for a four-and-a-quarter year run from #238–291 (January 1987 – April 1991), minus issues #246 and #258. John Romita Jr. joined as penciler from #250–282 (January 1988 – July 1990), and was generally inked by Al Williamson. Nocenti specifically addressed societal issues, with Murdock, now running a non-profit urban legal center, confronting sexism, racism, and nuclear proliferation while fighting supervillains. Nocenti introduced the popular antagonist Typhoid Mary in issue #254 (May 1988).<ref>DeFalco "1980s" in Gilbert (2008), p. 237: "Mary was first introduced in Daredevil #254 by Ann Nocenti and artist John Romita Jr."</ref> as well as the demon Blackheart in #270 (September 1989).<ref>DeFalco "1980s" in Gilbert (2008), p. 242</ref>

In addition to contributing occasional stories to such anthologies as Marvel Comics Presents and Marvel Fanfare, and writing a handful of Spider-Man fill-ins,<ref name=gcd /> Nocenti also produced the graphic novel Someplace Strange in collaboration with artist John Bolton. She also wrote The Inhumans Graphic Novel in 1988, and the 1998 X-Men novel Prisoner X.

In Marvel Comics Presents #150 (1994), Nocenti introduced Jessie Drake, a teenaged mutant, who revealed in issue #151 that she was transgender, marking Marvel's first transgender mutant, and hero. After a 25-year absence, the character reappeared in Marvel's Voices: Pride #1, which Marvel published in June 2021 as part of Pride Month.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

For the DC Comics imprint Vertigo, Nocenti wrote the 16-issue run of Kid Eternity (May 1993 – September 1994). Later in the mid-1990s, for Marvel, she wrote a four-issue miniseries each starring Typhoid Mary and the supernatural supervillain Nightmare. After writing two issues of Marvel's The All New Exiles in 1996, plus the four-page dramatic story "Old Man", with artist Bolton, in the Dark Horse Comics anthology Strange Wink #3 (May 1998),<ref name=gcd/> Nocenti left comics to pursue journalism. She returned briefly, in 2003 and 2004, writing four Batman stories for DC.

Nocenti was among the writers for Daredevil #500 published in August 2009.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Nocenti wrote Green Arrow starting with issue #7 published in March 2012.<ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In September 2012, Nocenti became the writer of Catwoman with issue #0.<ref>Template:Cite book</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> She launched a Katana series the following February.<ref>Manning "2010s" in Dougall, p. 336: Katana #1 "This issue was written by Ann Nocenti and drawn by Alex Sanchez."</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Journalism and filmEdit

In the 1990s, Nocenti began to focus on journalism and filmmaking. She edited High Times magazine for one year (2004) and was an editor on Prison Life Magazine. Her journalism has been published in The Nation,<ref name=BleedingCool>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Print, Utne, Heeb, The Brooklyn Rail, CounterPunch, Filmmaker, and Details.Template:Citation needed She has also done work for MoveOn.org.<ref name=BleedingCool/>

Nocenti's story "The Most Expensive Road Trip in the World" was collected in The Best American Travel Writing 2008, edited by Anthony Bourdain (Houghton Miifflin). She was an editor and writer for Stop Smiling, guest editing the "Gambling Issue". As editor of the screenwriting magazine Scenario,<ref name="cine"/> Nocenti published the original versions of screenplays and interviewed directors and screenwriters.Template:Citation needed

Nocenti co-directed the documentary The Baluch,<ref name=cine>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite magazine</ref> shot in Baluchistan, and made the short Creep for Glass Eye Pix.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 2009, Nocenti taught screenplay writing at the Ciné Institute in Haiti<ref name=cine /> and in 2012 wrote a series for HiLobrow about the country.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Nocenti made a short documentary film with Wendy Johnson called Disarming Falcons in 2014 which premiered at DOCNYC.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Productions 2019">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 2016 she was one of the producers and writers on MAGIC CITY: The Art of the Street, for SC Exhibitions in Dresden, Germany.<ref name="MAGIC CITY – The Art of the Street">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2018 she was an executive producer on MARVEL: Universe of Super-Heroes at MoPOP museum in Seattle, Washington.<ref name="Marvel18">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2018 she wrote The Seeds (with artist David Aja) and in 2019 she wrote Ruby Falls (with artist Flavia Biondi), both for Karen Berger's new comic imprint Berger Books at Dark Horse Comics.<ref name="io9 2018">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Dark Horse Comics 2018">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="pastemagazine.com 2019">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Cameos and homagesEdit

Nocenti appears on the photo cover of Spider-Woman #50, in costume as Tigra.<ref name="Back17"/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Nocenti appears in The Avengers #215 (Jan. 1982) as a secretary at an advertising agency that Steve Rogers visits looking for work.

Nocenti, along with John Byrne, Ron Wilson, Jim Shooter and Roger Stern are featured in The Thing #7 (January 1983). The issue features the titular character storming into a fictionalized Marvel Comics and encountering the creators behind his own strip.

Nocenti makes a cameo appearance in The Incredible Hulk #291 (January 1984). At the time, Nocenti was assistant editor to Larry Hama on The Incredible Hulk and X-Men. She also appeared in a spoof comic strip in 1984's The Defenders #127.

Arthur Adams visually based the character Ricochet Rita, Spiral's alter ego, on Nocenti.<ref>Template:Cite book</ref>

In Ultimate X-Men, a re-imagination of the X-Men in the alternate universe Ultimate Marvel imprint, Longshot has the civilian name Arthur Centino — his last name an anagram of Nocenti and his first name an homage to artist Arthur Adams, the original character's co-creators.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Personal lifeEdit

Nocenti lives in New York City.<ref name=NewPaltzJournal/>

BibliographyEdit

Marvel ComicsEdit

As editorEdit

Assistant editor: Template:Columns-list

Series editor: Template:Columns-list

As writerEdit

DC ComicsEdit

Other publishersEdit

|CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> anthology, Slave Labor Graphics, 1997)

  • Dark Horse:
    • Strange Wink #3: "Old Man" (with John Bolton, anthology, 1998)
    • The Seeds #1–2 (of 4) (with David Aja, Berger Books, 2018)
      • Following lengthy delays after issue #2, the series was postponed indefinitely.<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref>

NotesEdit

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ReferencesEdit

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External linksEdit

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