Antoine Coysevox
Template:Short description Template:Use dmy dates Template:Infobox artist Charles Antoine Coysevox ({{#invoke:IPA|main}} or {{#invoke:IPA|main}}; 29 September 1640Template:Snd10 October 1720), was a French sculptor in the Baroque and Louis XIV style, best known for his sculpture decorating the gardens and Palace of Versailles and his portrait busts.
BiographyEdit
Coysevox was born 29 September 1640 in Lyon.Template:Sfn He was the son of a sculptor, from a family which had emigrated from Franche-Comté, a Spanish possession at the time. He made his first work of sculpture of the Madonna when he was only seventeen,<ref name="EB1911">Template:Cite EB1911</ref>
Coysevox came to Paris in 1657 and joined the workshop of the sculptor Louis Lerambert.Template:Sfn He trained himself further by making copies in marble of Roman sculptures, including a Venus de Medici and the Castor and Pollux. In 1666, he married Marguerite Quillerier, Lerambert's niece, who died a year after the marriage. In 1679, he married Claude Bourdict.<ref name="EB1911"/> In 1667 he was commissioned by the bishop of Strasbourg, Cardinal Fürstenberg, to statuary for his château at Saverne (Zabern).<ref name="EB1911"/>
In 1671, after four years spent working at Saverne, he returned to Paris. In 1676, his bust of the king's painter Charles Le Brun gained him admission to the Académie Royale.<ref>The terracotta is at the Wallace Collection, London (S60); the marble (1678) is at the Louvre Museum</ref> He became part of the extraordinary team of sculptors, painters, and decorators, under the control of Le Brun, who between 1677 and 1685 produced the decoration of the Palace and Gardens of Versailles. Later, between 1701 and 1709, when Louis XIV built a new Château de Marly, where he could escape from the crowds and ceremony at Versailles, with Coysevox providing several works for that site.Template:Sfn
Coysevox rose steadily in the artistic hierarchy. He became a professor at the Royal Academy in 1678, and then its director in 1702, with an annual pension of four thousand livres.<ref>Template:Cite book</ref> In this position, he guided the training of a generation of French sculptors, including his nephews Nicolas Coustou (1659–1733) and Guillaume Coustou (1677–1746), who became important figures in French sculpture of the early 18th century.Template:Sfn
Coysevox died in Paris on 10 October 1720.<ref name="EB1911" />
Monumental sculptureEdit
A large part of his work is found at the Palace of Versailles. One of his most famous works is the large stucco medallion of Louis XIV, found in the Salon of War in the Palace. The King is portrayed as a Roman Emperor on horseback, trampling his enemies, like a modern Caesar, gazing ahead to the future, as a figure of Victory offers him a crown of laurels.Template:Sfn
He executed Justice and Force and the River Garonne at Versailles. Among his works from Marly are the Mercury and the equestrian Fame (1702) and four groups commissioned for the "river" in the château's park; La Seine and its pendant at the head of the cascade, La Marne, Neptune and Amphitrite. Models in weather-resistant stucco were set up in 1699, replaced by marbles when they were finished in 1705. The groups were seized as biens nationaux in 1796 and dispersed: the Seine and Marne went to Saint-Cloud, and the Neptune and Amphitrite went to Brest in 1801.
Besides the works given above, he carved about a dozen funeral monuments, including those to Colbert (at Saint-Eustache), to Cardinal Mazarin (in the Louvre), and to the painter Le Brun (in the church of Saint-Nicolas-du-Chardonnet).<ref name="EB1911"/>
Between 1708 and 1710 Coysevox produced three further sculptures for Marly, a Pan (now in the Louvre), flanked by a Flora and a Dryad (in the Tuileries Gardens). A highly finished terracotta bozzetto or reduction of the Dryad, signed and dated 1709, is in the Ashmolean Museum, Oxford.<ref>Template:Cite magazine</ref>
For the facade of the dome of the royal chapel of Les Invalides, he sculpted a bust of Charlemagne, a pendant to the statue of Louis XI by another royal sculptor, Nicolas Coustou. On the upper level of the same chapel, he made a group of statues illustrating The Cardinal Virtues.
- Carolus Magnus Coysevox Invalides.jpg
Charlemagne, (1706), right niche of the facade of the dome of Les Invalides in Paris
- Louvre neptune RF3006.jpg
Neptune, from Marly, 1699-1705 (Louvre)
- Fame riding Pegasus Coysevox Louvre MR1824.jpg
Equestrian Fame of Louis XIV, for Marly, 1702, removed to the Tuileries Garden, 1719
- Statue of Louis XIV, Hôtel Carnavalet, Paris, 2016 (crop).jpg
Louis XIV of France, by Coysevox, Carnavalet Museum
- Versailles, sala della guerra, stucco con luigi XIV di Antoine Coysevox.JPG
Stucco medallion of Louis XIV, Palace of Versailles
- L’Abondance front view.jpg
L’Abondance at the Pavillon Dufour, Palace of Versailles
Portrait bustsEdit
Coysevox sculpted portrait busts of many of the celebrated men and women of his age. The faces of his busts were considered remarkably accurate; he did not flatter his subjects, but by the poses, detail and precision of the costumes he gave them a particular dignity.Template:Sfn His subjects included Louis XIV and Louis XV, at Versailles; Colbert (the kneeling figure of his tomb at Saint-Eustache); Cardinal Mazarin, (in the church of the Collège des Quatre-Nations); Louis II de Bourbon; Louis, Grand Condé (in the Louvre); Maria Theresa of Austria; Henri de La Tour d'Auvergne, Viscount of Turenne; Vauban; the Cardinal de Bouillon; and de Polignac; the duc de Chaulnes (National Gallery of Art, Washington); Fénelon; Racine; André Le Nôtre (church of St-Roch); Bossuet (in the Louvre); the comte d'Harcourt; Cardinal Wilhelm Egon von Fürstenberg; and as Charles Le Brun (in the Louvre).
- Le Brun Coysevox Louvre MR2156.jpg
Bust of Charles LeBrun, (1676) (Louvre)
- (Narbonne) Buste de Louis XIV - Antoine Coysevox - Musée des Beaux-Arts de Narbonne.jpg
Louis XIV (1680), Museum of Narbonne
- Jean Baptiste Colbert -Antoine Coysevox - Musée du Louvre Sculptures MR 2115 ; N 15273.jpg
Jean-Baptiste Colbert (the Louvre)
- Marie Serre Coysevox Louvre LP502.jpg
Marie Serre, mother of Hyacinthe Rigaud (the Louvre) (1706)
- Grand Conde Louvre MR3343.jpg
Louis, Grand Condé (in the Louvre)
- Antoine Coysevox.jpg
Self-portrait (the Louvre)
NotesEdit
BibliographyEdit
External linksEdit
- Web Gallery of Art
- Louvre Database (French language)
- Insecula (French language)
- Catholic Encyclopedia article
- Template:FrenchSculptureCensus
Template:Académie royale de peinture et de sculpture Template:Authority control (arts)