Barney Bigard
Template:Short description Template:Refimprove Template:Infobox musical artist Albany Leon "Barney" Bigard<ref name="Bigard-6">Template:Cite book</ref> (March 3, 1906 – June 27, 1980)<ref name="LarkinGE">Template:Cite book</ref> was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone.
BiographyEdit
Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney.<ref name="der">Template:Cite book</ref> His uncle, Emile Bigard, was a jazz violinist.<ref name="cj">Template:Cite book</ref> He attended local schools and studied music and clarinet with Lorenzo Tio.<ref name="LarkinGE"/>
In the early 1920s, he moved to Chicago, where he worked with King Oliver and others.<ref name="LarkinGE"/> During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart".
In December 1927, Bigard joined Duke Ellington's orchestra in New York.<ref name="LarkinGE"/> He played with Ellington until 1942.<ref name="LarkinGE"/> They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also doing section work on tenor saxophone.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
After leaving Ellington's orchestra, Bigard moved to Los Angeles. He did soundtrack work for Hollywood film studios and had an onscreen featured role with an all-star band led by Louis Armstrong in the film New Orleans (1947). He began working with trombonist Kid Ory's group during the late 1940s. He later worked with Armstrong's touring band, the All Stars, and others.
In 1951 Bigard appeared in The Strip with Armstrong, Jack Teagarden, and Earl "Fatha" Hines (all playing themselves). He again appeared and played in the movie St. Louis Blues (1958), with Nat King Cole, Ella Fitzgerald, Pearl Bailey and Eartha Kitt.Template:Cn
Bigard wrote an autobiography entitled With Louis and The Duke. He is credited as composer or co-composer on several numbers, including the Ellington standard "Mood Indigo".Template:Cn
Bigard and his JazzopatersEdit
The first version of the song "Caravan" (composed by Juan Tizol and later rearranged by Duke Ellington) was recorded in Hollywood, on December 18, 1936, and performed as an instrumental by Barney Bigard and His Jazzopaters. Two takes were recorded and were issued, although L-0373-2 is by far the more commonly found take. As of 2024 "Caravan" is the most covered song in history with over 500 versions published.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The band members were Cootie Williams (trumpet), Juan Tizol (trombone), Barney Bigard (clarinet), Harry Carney (baritone sax), Duke Ellington (piano), Billy Taylor (bass), and Sonny Greer (drums). All were members of the Duke Ellington Orchestra, which was often drawn upon to record small-group sides. Although Ellington was present at the recording date, the session leader was Bigard.
In keeping with Ellington's formation of small groups featuring his primary soloists, Bigard continued to be featured under his own name on Variety and subsequently Vocalion Records and OKeh through 1940. When Ellington signed with Victor in 1940, Bigard (and other Ellingtonians) recorded for Bluebird under his own name. He sat in with the Glenn Miller Orchestra for some of their biggest hits, such as "Moonlight Serenade", "Little Brown Jug", and "Tuxedo Junction". Bigard was also a member of Louis Armstrong's All Stars before and after Edmond Hall joined. Bigard can be seen with the All Stars in the movie The Glenn Miller Story (1954).
Bigard performed with Louis Armstrong and his All Stars with Velma Middleton singing vocals for the ninth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles. The concert was produced by Leon Hefflin, Sr. on June 7, 1953. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat "King" Cole, and Shorty Rogers and his Orchestra.<ref>“More Big Names in Cavalcade” Article Los Angeles Sentinel May 21, 1953. </ref><ref>“Satchmo Band Spice To Open Air Show” Article, Los Angeles Sentinel, May 28, 1953.</ref>
After World War II, Bigard recorded under his own name for, among others, Signature Records, Rex Records, Black & White Records, and Keynote Records in 1944–45. He recorded an album for Liberty in 1957 and an album for French Vogue Records as "Barney Bigard-Claude Luter Quintet" in 1966. In 1968, Delmark Records had him come to Chicago and recorded "Bucket's Got A Hole In It" with Art Hodes.
DeathEdit
Bigard died on June 27, 1980, aged 74, in Culver City, California<ref name="s">Template:Cite book</ref> and was interred in that city's Holy Cross Cemetery.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
DiscographyEdit
Template:Expand section With Art Tatum, Joe Thomas, Georgie Auld, Vic Dickenson, Red Callender, Willie Smith, Zutty Singleton, Johnny Guarnieri, and others...
- Barney Bigard 1944-1945 (Classics Records, 1997)
With Art Hodes
- Bucket's Got A Hole In It (Delmark, recorded 1968 in Chicago)
With Benny Carter and Ben Webster
- BBB & Co. (Swingville, 1962)
ReferencesEdit
BibliographyEdit
- With Louis and The Duke (Template:ISBN) – Barney Bigard's autobiography
External linksEdit
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- Barney Bigard at Red Hot Jazz Archive
- Barney Bigard recordings at the Discography of American Historical Recordings.