Blood Axis
Template:More citations needed Template:Use dmy dates Template:Short description Template:Infobox musical artist Blood Axis were an American band, made up of journalist and author Michael Moynihan, music producer Robert Ferbrache, and musician and author Annabel Lee.<ref>Liner notes of the Ultimacy compilation</ref>
HistoryEdit
Early Blood Axis (1989–1999)Edit
Moynihan had founded Coup de Grace, a multimedia project that produced live performances and cassettes and also released booklets of images and texts, the last of which was Friedrich Nietzsche's The Antichrist.<ref name="firstinterview">An interview Template:Webarchive by Jan R. Bruun</ref> The first output from the new appellation were two songs, "Lord of Ages" (employing lyrics from Rudyard Kipling's poem on Mithras<ref name=MITHRAS>Kipling, Rudyard. "A Song To Mithras" Template:Webarchive</ref>) and "Electricity", which appeared on a German music sampler. These tracks were well received in Europe and were followed by two more songs that appeared on the compilation, Im Blutfeuer.<ref name="esoterra">Interview from the EsoTerra #5, 1995</ref>
In 1995, Moynihan released the first full-length studio LP, The Gospel of Inhumanity with the help of Robert Ferbrache.<ref name="gospel">the album notes read "The Gospel of inhumanity was [...] entirely performed, recorded and engineered [...] by Michael Jenkins Moynihan and Robert Ferbrache".</ref> The album wedded the music of Johann Sebastian Bach and Sergei Prokofiev with modern electronics. Moynihan implemented a recording of Ezra Pound reading from his The Cantos.<ref name=POUNDCANTO>Pound, Ezra. "The Cantos"</ref> He also included lyrics from Nietzsche and Longfellow<ref name=LONGFELLOW>Longfellow, Henry Wadsworth—The Challenge of Thor"; Pitt; .</ref> as well as his own to the work.
The band consisted of Michael Moynihan (vocals, bodhrán), Annabelle Lee (melodeon, electric violin), and Robert Ferbrache (guitars, keyboards).<ref name="blot">from the notes of the album Blòt: Sacrifice in Sweden</ref>
Contemporary Blood Axis (2000–2016)Edit
In 2005, Blood Axis played the German Flammenzauber festival, showcasing reworked live versions of several previously released songs, a number of Irish folk songs, and the live debut of a few new songs.<ref name="heavenstreet">from the interview for the Heaven Street magazine, Issue 3, spring 2006, available online on Heaven Street website.</ref> April 2006 saw further live activity from Blood Axis, as well as a new medium for the duo's folk-oriented material entitled Knotwork at the Swiss Triumvirat festival.<ref name="triumvirat">the flyer of the festival is available on soleilnoir.ch event pageTemplate:Dead link</ref>
Beginning in 1998, Moynihan began saying that Blood Axis was at work on a second full-length album, at one time said to be entitled Ultimacy.<ref name="ultimacy">from “Goodmorning Europa!”, an interview with Michael Moynihan made by Occidental Congress during winter 1998/1999</ref> On 2 January 2009, Blood Axis played in Sintra, Portugal, with members of Portuguese band Sangre Cavallum. Moynihan stated on stage that the new album, now titled Born Again, was to be released the following Easter.<ref name="baarchives">from the Blood Axis archives</ref>
Blood Axis makes references to neopagan and völkisch concepts and figures such as Ludwig Fahrenkrog and Fidus. Moynihan is interested in rune mysticism.Template:Sfn Beginning in the 2000s, he has been influenced by the neofascist movement Nouvelle Droite and Alain de Benoist.Template:Sfn
DiscographyEdit
AlbumsEdit
- The Gospel of Inhumanity, 1995
Collaborations and split releasesEdit
- Walked in Line, 1995
- The March of Brian Boru, 1998
- Witch-Hunt: The Rites of Samhain, 2001
- Absinthe: La Folie Verte, 2001
- Absinthe: La Folie Verte LP box, 2002
- The Dream / Fröleichen So Well Wir, 2010
ReferencesEdit
CitationsEdit
SourcesEdit
External linksEdit
- Official Blood Axis website
- Blood Axis Archive - the new location of the bloodaxis.com fansite
- Michael Moynihan Interview; Between Birds of Prey from Heathen Harvest, 2005