Countdown to Extinction

Template:About Template:Good article Template:Short description {{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |Template:Short description|noreplace}}}}{{#invoke:Infobox|infobox}}Template:Template otherTemplate:Category handlerTemplate:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=Rust in Peace1990Youthanasia1994studioCountdown to ExtinctionCountdown album cover.jpg1 old skinny man looking up w/ open mouth (center), band name (top), album name (bottom)Cover art by Hugh SymeMegadethTemplate:Start date<ref>Template:Cite magazine</ref>January 6 – April 28, 1992The Enterprise, BurbankTemplate:HlistTemplate:DurationCapitolTemplate:Hlistx|2=</?t[drh][ >]|nomatch=}}|Template:Main other}}Template:Main other}} Countdown to Extinction is the fifth studio album by American thrash metal band Megadeth, released on July 14, 1992,<ref name="Release date">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> through Capitol Records. It was the group's second studio release to feature the "classic" lineup of Dave Mustaine, Marty Friedman, David Ellefson and Nick Menza, with all of them contributing to songwriting on the album. The album features some of the band's best known songs such as "Symphony of Destruction", "Sweating Bullets", and "Skin o' My Teeth", which enjoyed significant chart success and made a great musical impact.

Countdown to Extinction received positive reviews from music critics, who noted its politically oriented lyrics and simplified sound in comparison to their previous record. The album entered the Billboard 200 at number two, the band's highest position ever. It eventually achieved double platinum status and became their most commercially successful album. The record was nominated for Best Metal Performance at the 1993 Grammy Awards, while the album's title track won the Humane Society's Genesis Award for raising awareness for animal rights issues.

In 2012, in recognition of the album's 20th anniversary, Megadeth kicked off a 20th anniversary tour in South America, playing the album in its entirety. In addition, a 20th anniversary special edition of the album was released in November 2012, and a live album featuring a performance of the full album was released in September 2013.

Production and musical style

Countdown to Extinction is Megadeth's fifth studio album, and the second to feature the line-up of Dave Mustaine, Marty Friedman, David Ellefson and Nick Menza.<ref name="About"/> In an interview for Billboard at the time, Mustaine admitted that he fired past members Chuck Behler and Jeff Young because they resisted his pleas to seek rehabilitative counseling.<ref name=Billboard>Template:Cite magazine</ref> He added that it was a "major accomplishment" that all four members of Megadeth contributed material to the album, unlike their earlier releases which were "nearly all Mustaine".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Mustaine also revealed that producer Max Norman had significant input to the album by making "a lot of suggestions and a lot of great artistic ideas".<ref name="Goldmine">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> However, Norman later accused Mustaine of attempting to steal some credit from him.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Guitarist Marty Friedman said that unlike Rust in Peace, the creation of this record was "completely different". He further stated that the band had changed the songs "a million times" before recording them on demo and entering the studio.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The music for Countdown to Extinction was written in two different sessions. The first session was done following the conclusion of Clash of the Titans tour, while the second session took place after a one-month break, in the fall of 1991.<ref name="WordPress">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album was recorded in the first half of 1992, when the Rodney King Riots took place. These events negatively affected the recording process, as the band was forced to leave the studio every night at six o'clock because of the enacted curfew. Dave Mustaine shared his experience: "There’s nothing worse than getting a creative moment and you have to leave. It was like a school bell ringing."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The record was produced by Mustaine and Max Norman at The Enterprise in Burbank, California, while the mixing was handed by Norman with the help of Fred Kelly.<ref name="booklet"/> Referring to the recording process, Mustaine said that Countdown to Extinction "was one of those records where everything was firing on all 12 cylinders and you just know it".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He also said that it didn't take the band a long time to record the album because "records were a lot easier to make back then because the pressure wasn't quite as hard".<ref name="Artistdirect">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Following Metallica's mainstream breakthrough in 1991 with the success of their eponymous album which saw them strip down their sound, Mustaine decided to follow suit, though the music remained as technically perfectionist as their previous releases.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Drummer Nick Menza explained: "Metallica has definitely opened the doors for other bands to step through. We're obviously the next band to step through that doorway."<ref name=Spin/> Musically, Countdown to Extinction saw Megadeth beginning to incorporate more melody and mid-tempos into its traditional sound.<ref name="Patch">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Bassist David Ellefson noted that the band's goal was to "create music that had more of a groove to it," capitalizing on the melodic playing style employed by Friedman, and further assisted by the input of producer Norman.Template:Sfn Author Thomas Harrison wrote that with this album, Megadeth's music became "more virtuosic than noisy and took the next step toward widespread acceptance".Template:Sfn

Lyrics

Like its predecessor, many of the songs on the album have political and military undertones.Template:Sfn However, the opening track "Skin o' My Teeth" was speculated being about suicide,Template:Sfn a theme which differs from the rest of the album. "Symphony of Destruction", with lyrics written by Dave Mustaine inspired in part by the movie The Manchurian Candidate,<ref>Template:Cite magazine</ref> details a story about a regular citizen as the head of a puppet regime, as the country is run by a phantom government.<ref name="Loudwire">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The song was noted by critics for its great social and philosophical impact.<ref name="Ultimate Rock"/> "Architecture of Aggression" explores the nature of global conflict;Template:Sfn Mustaine revealed that the song was about former Iraq president Saddam Hussein, who was engaged in the Gulf War at the time.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> "Foreclosure of a Dream" deals with economic concerns and social inequality. According to music critic Eduardo Rivaldivia, "perhaps no other Megadeth song in history deals as directly and soberly" with these issues.<ref name="Ultimate Rock">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The song sampled then-U.S. president George H. W. Bush's infamous "Read my lips" speech, making a statement about taxation endangering the "American Dream".<ref name="Contact Music">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Billboard praised the track, along with "Symphony of Destruction", for being "socially conscious" and described them as "powerful statements for hard rockers".<ref name="Billboard 2"/>

The fifth track, "Sweating Bullets", shows Mustaine's battle with his inner selves, which is presented throughout a conversational singing style.<ref name="Loudwire"/> "Sweating Bullets" was written during the second recording session and was released as the album's third single.<ref name="WordPress"/> Its lyrical theme deals with paranoia.<ref name="Patch"/> David Ellefson commented that the song's lyrics were "psychotically perfect" and sounded like "the inside of a crazed lunatic's mind".<ref name="WordPress"/> The title track was inspired by environmental concerns about the future of the planet, as well as criticisms of trophy hunting and the negative impact that it has. The name was suggested by Nick Menza, who had read a story in Time magazine entitled "The Countdown to Extinction".<ref name="Goldmine"/> "High Speed Dirt" focuses on skydiving.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> "Captive Honour" is a song about prison and abuse that happens there, such as rape on new inmates,<ref name=Yahoo>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> while "Psychotron" was written about the Marvel Comics character Deathlok.<ref name="booklet 2">Template:Cite book</ref> The album's closing track, "Ashes in Your Mouth", concentrates on the negative aftermath of war.<ref name=Yahoo/> The longest song on the record, it is performed at intense tempo and features shredding guitar leads.<ref name="Loudwire"/>

Critical reception

Template:Music ratings Countdown to Extinction received generally positive reaction from critics. Spin wrote that the album "may just be the finest thrash metal album ever made, although purists may find it a bit too polished and easy to swallow".<ref name=Spin>Template:Cite journal</ref> AllMusic reviewer Steve Huey said that "Megadeth guns for arena thrash success and gets it on Countdown to Extinction". However, Huey noted the simplification of Megadeth's sound on the album in response to Metallica's commercially successful self-titled album released the previous year.<ref name=Allmusic/> Sputnikmusic reviewer Mike Stagno praised Mustaine's vocals as well as a number of the album's tracks. Despite calling this effort "Megadeth's first step into the world of mainstream music", he also noted that "the band still maintains its identity".<ref name=SputnikReview/> Reflex described the sound as "impressively clean, streamlined, and sharp, brimming with killing riffs". They highlighted the vocal delivery on the record, saying "Mustaine's never sounded more confident, verbally and vocally".<ref name="CD Universe"/>

Popmatters writer Craig Hayes opined that Countdown to Extinction was "either an exemplary illustration of nimble-fingered thrash metal that introduced Megadeth to a legion of new fans" or "an unimaginative, artistically cynical stab at arena-baiting commercial success".<ref name=Popmatters/> According to Greg Sandow from Entertainment Weekly, Megadeth's "music has lost its former hurricane verve but keeps its crunch, and feels more rooted, even more melodic".<ref name=EW/> Chad Bowar from About.com raved the album's 20th anniversary edition, describing the songs as "more straightforward" and the lyrics predominantly being "politically charged".<ref name="About"/> Jon Hadusek, writing in Consequence of Sound, labeled Countdown to Extinction as Mustaine's "political record" and said that the record "saw Megadeth moving away from thrash metal and closer to generic hard rock, a sonic shift they would embrace on subsequent albums".<ref name="CoS"/> In an unfavorable review, Karen Csengeri of Rolling Stone wrote that "while Countdown echoes the band's earlier work thematically, it's stylistically disappointing".<ref name=RSReview/> However, the magazine would later rank the album 33rd on their 2017 "100 Greatest Metal Albums of All Time" list.<ref>Template:Cite magazine</ref> By contrast, Holger Stratmann of Rock Hard concluded that the disc is "a compact album with a few strokes of genius".<ref name="Rock Hard"/> Reviewing the album's deluxe edition for Record Collector, journalist Joel McIver eulogized it as a "masterpiece of technical, melodic thrash" and a showcase of Megadeth "at their best and most coherent".<ref name="Record Collector"/>

Sales and impact

Countdown to Extinction was released on July 14, 1992, through Capitol Records and debuted at number two on the Billboard 200 with first week sales of 128,000 copies.<ref>Template:Cite magazine</ref> It was prevented from entering the chart at number one because of Billy Ray Cyrus' long chart-topping reign with Some Gave All.<ref name="PR Newswire">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album was acknowledged as the band's commercial breakthrough, and according to authors Pete Prown and Harvey P. Newquist, Megadeth "reached the heights of popularity and critical acclaim" with this particular record.Template:Sfn Two years after its original release, Countdown to Extinction was certified double platinum and became the band's most commercially successful album, confirming that they had retained their audience in the wake of grunge.Template:Sfn The record was nominated for Best Metal Performance at the 1993 Grammy Awards, while the album's title track won the Humane Society's Genesis Award for raising awareness for animal rights issues.<ref name="PR Newswire"/>

File:Megadeth @ Arena Joondalup (12 12 2010) (5273247878).jpg

Billboard complimented Mustaine's vocals and his interplay with guitarist Marty Friedman on the record.<ref name="Billboard 2">Template:Cite magazine</ref>

The record enjoyed similar chart success outside of the United States. It managed to peak within the top 5 on the charts in the United Kingdom<ref name=UKChart>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and New Zealand, and charted for eight weeks on both of them.<ref name="Hung Medien">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It also entered the top 10 on the Japanese and Norwegian albums chart, while it charted slightly lower in several other countries as well.<ref name="Hung Medien"/> It was eventually certified three times platinum from the Canadian Music Association for shipping 300,000 copies<ref name="Canada">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and received a silver award from the British Phonographic Industry for having a shipment of 300,000 copies.<ref name="BPI">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album was also eventually certified Gold in Japan and sold 100,000 copies.<ref name="RIAJ"/><ref name="Japan">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Asked how does he think that the album has aged, Dave Mustaine responded: "I think it's timely and timeless at the same time, and I think that's one of the most difficult things for a musician to do. Very few records in our genre are like that. Musically it's heavy and the lyrics are very symbolic."<ref name="Patch"/> In the liner notes of the album's 20th anniversary edition, music journalist Kory Grow wrote that "thanks to a perfect balance of hard-rock song structures, epic choruses, and fleet-fingered guitar work, Countdown to Extinction became an instant classic, benefiting from copious MTV and radio play."<ref name="Contact Music"/> Artistdirect editor in chief Rick Florino called the album a "seminal" release and commented that it "changed the game by preserving the band's thrash intensity and impressive technical prowess, while dropping some of the biggest hooks the genre had ever seen".<ref name="Artistdirect"/> In a retrospective review of the album, Craig Hayes from Popmatters wrote that Countdown to Extinction's "status as a gateway metal album is indisputable" and its "popularity speaks volumes about its significance in the metal canon".<ref name=Popmatters/>

Touring

The group started the Countdown to Extinction tour in 1992 with Pantera, Suicidal Tendencies and White Zombie as the opening acts.<ref name="Mega Tour">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> They headlined the Roskilde Festival in Denmark on June 27 the same year, and continued with dates in Europe during the summer.<ref name=Billboard/> The tour carried on throughout 1993, with the band making appearances on a number of large festivals. In January they performed in the United States with Stone Temple Pilots as the supporting act. Although these two bands had scheduled tour dates in Japan during the month of May, the dates were subsequently canceled. In June 1993, Megadeth played at the Milton Keynes National Bowl with Diamond Head and later opened for Iron Maiden and Metallica on their European tour.<ref name="Mega Tour"/> After finishing their major European tour, the band began a US tour which eventually ended on December 8, 1993.Template:Sfn

Megadeth honored the 20-year jubilee of the album's release with a headlining tour on which they played the record in its entirety. The tour began in September 2012 with live performances in South America,<ref>Template:Cite news</ref> and continued the following two months with shows in North America.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> During this tour, three songs from the record ("Architecture of Aggression", "Psychotron" and "Captive Honour") had their live premiere,<ref name="Patch"/> and a couple of others ("This Was My Life" and "High Speed Dirt") have been performed for the first time in many years.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> David Ellefson shared his impressions from playing the set live with newer members Shawn Drover and Chris Broderick by saying that they "executed [the songs] to 100% perfection".<ref name="WordPress"/> A live album which features a performance of the full album was released on September 24, 2013.<ref>Template:Cite news</ref>

Reissues

In July 2004, Capitol Records released a remixed and remastered version of the album with four bonus tracks. The remixed edition was a part of the band's reissued catalog during their tenure at Capitol. Dave Mustaine himself was in charge during the remixing process.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In June 2006, two audiophile remasters of the album were released; an Ultradisc II Gold CD version by the Mobile Fidelity Sound Lab, and a 180 gram vinyl 2LP version, both mixed by Mustaine.<ref>Template:Cite news</ref> A 20th anniversary edition was released on November 6, 2012. This release features the original album on disc one, omitting the bonus tracks from the 2004 re-release. Disc two features a recording of the band's performance at San Francisco's Cow Palace in 1992, a show never before released in its entirety. Additionally, a 24" x 36" poster and four collectible postcards are included in the package.<ref name=CTE20th>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The liner notes have also been written by music journalist Kory Grow, and the reissue includes a poster and four postcards featuring head shots of each member from the album's lineup.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Personnel

Credits are adapted from the album's liner notes.<ref name="booklet"/><ref name="booklet 2"/> Template:Col-start Template:Col-2 Megadeth

• Dave Mustaine – lead vocals, guitars
• David Ellefson – bass, backing vocals
• Marty Friedman – guitars, acoustic guitar, backing vocals
• Nick Menza – drums, backing vocals

Artwork

• Hugh Syme – art direction, design
• Tommy Steele – creative direction
• Cameron Wong – photography of cover elements
• Chris Cufarro – band photography
• John Taylor Dismukes – logo rendering

Production

• Dave Mustaine – production
• Max Norman – production, mixing, engineering
• Fred Kelly, Jr. – engineering, mixing
• Micajah Ryan – additional engineering

Template:Col-2 Management

• Laffitte Entertainment Division – management
• Andy Somers – US booking agent
• ICM – UK booking agency
• Ziffren, Brittenham & Branca – Legal
• Siegel & Feldstein – business management

2004 remix and remaster

• Dave Mustaine – producer, mixing
• Ralph Patlan – mixing, engineer
• Lance Dean – engineer, editing
• Scott "Sarge" Harrison – editing
• Bo Caldwell – editing
• Tom Baker – mastering

Charts

Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart

Chart (1992)	Peak position
European Albums (European Top 100 Albums)<ref>Template:Cite magazine</ref>	19
Finnish Albums (The Official Finnish Charts)<ref name=FINI>Template:Cite book</ref>	5
Japanese Albums (Oricon)<ref name="JPN">Template:Cite book</ref>	6
Norwegian Albums (VG-Lista)<ref>Template:Cite magazine</ref>	8
Swedish Albums (Sverigetopplistan)<ref>Template:Cite magazine</ref>	9
US Cashbox Album Charts<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	1
US Billboard Year-End Chart<ref name="Year-End">Template:Cite magazine</ref>	64

Template:Album chart

Chart (2012)	Peak position

Appearances

• The song "Symphony of Destruction" was featured in the video games True Crime: Streets of LA in 2003 and FlatOut 2 in 2006. Remixed versions were featured in WWE SmackDown! vs. Raw 2006 in 2005 as well as Full Auto 2: Battlelines and NFL Street 3 in 2006.
• The song "High Speed Dirt" was featured in the video game Brütal Legend in 2009.

Bibliography

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External links

• Template:Discogs master