Devil Without a Cause
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- MixRoom (Los Angeles, California)* Rap rock
- rap metal
- nu metal
- hard rock
- country71:12
80:00 (Japanese bonus)* Atlantic - Lava
- Top Dog<ref>Template:Cite book</ref>* Kid Rock
- John Travisx|2=</?t[drh][ >]|nomatch=}}|Template:Main other}}Template:Main other}}
Devil Without a Cause is the fourth studio album by American musician Kid Rock. Released on August 18, 1998, the album saw Kid Rock continuing to develop his sound, and marked the finalization of his stage persona as a 'redneck pimp'. Additionally, the song "Cowboy" is seen as being instrumental in the development of the fusion genre country rap.
Devil Without a Cause was a major commercial success. Spurred by the popularity of the single "Bawitdaba", the album sold over 14 million copies, and was certified diamond. The album also received critical acclaim for its genre-mixing sound.
RecordingEdit
In 1997, Jason Flom, head of Lava Records, attended one of Kid Rock's performances, and met with Kid Rock, who later gave him a demo containing the songs "Somebody's Gotta Feel This" and "I Got One for Ya", which led to Kid Rock signing with Atlantic Records.<ref name=freepearly/><ref name="Lava Record Deal">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> As part of his recording deal, Kid Rock received $150,000 from the label.<ref name=cowboysindians>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> By this time, Kid Rock had fully developed his pimp redneck stage persona and rap rock musical style and wanted to make a "redneck, shit-kicking rock 'n' roll rap" album.<ref name=freepearly>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The album was recorded at the White Room in Detroit and mixed at the Mix Room in Los Angeles.<ref name=freepearly/> Kid Rock spent two months in the studio with "a hot tub, some girls and some illegal substances".<ref name=MTV>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In addition to the newly written songs, the band also re-recorded some of Kid Rock's older songs, including "I Am the Bullgod" from the album The Polyfuze Method,<ref name=MTV/> and "Black Chick, White Guy" from the album Early Mornin' Stoned Pimp.<ref name=freepearly/><ref name=heartbreak>Template:Cite magazine</ref>
During the recording sessions, Eminem was mixing The Slim Shady LP at the same studio, and, being friends with Kid Rock, asked him to record scratching for the song "Just Don't Give A Fuck." In return, Eminem delivered a guest rap verse on Kid's song "Fuck Off." In a 1999 interview with Spin Magazine, Eminem told the interviewer that he used cocaine for the first and last time ever while writing and recording his verse with Kid. According to Eminem, Kid was in "full party mode with tons of different drugs just laid out near the studio mixing board. There were Playboy playmates just passed out naked with coke on their nose. It was overwhelming. I never touched that shit again."<ref name=freepearly/>
CompositionEdit
StyleEdit
The A.V. Club wrote that while Devil Without a Cause is "not nü-metal, [it] extended the lineage of rap-rock that Run-DMC and Aerosmith had first established."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Nevertheless, the album has been described as a notable nu metal release,<ref>Template:Cite magazine</ref> that helped "create the rap-rock/nu-metal phenomenon".<ref name=JackWhite>Template:Cite book</ref><ref name=NuMetalMeltdown>{{#invoke:citation/CS1|citation |CitationClass=web }} (Retrieved on September 21, 2015)</ref> AllMusic said that the album best demonstrated the "organic, integrated sound" of rap rock that differed sharply from that of rap metal, which in contrast sounded "as if the riffs were merely overdubbed over scratching and beat box beats", whereas rap rock, as Devil Without a Cause demonstrated, was defined as "rock song[s] where the vocalist rapped instead of sang".<ref name="allmusic"/> According to Stephen Thomas Erlewine, "The key to [the album's] success is that it's never trying to be a hip-hop record. It's simply a monster rock album."<ref name=Allmusic/> Erlewine credits Kid Rock's backing band, Twisted Brown Trucker, for crafting a sound defined by "thunderous, funky noise -- and that's funky not just in the classic sense, but also in a Southern-fried, white trash sense, as he gives this as much foundation in country as he does hip-hop."<ref name=Allmusic/> Erlewine believes the album's sound owed influence to Bob Seger, Lynyrd Skynyrd and Van Halen." Erlewine also believed the album was "firmly in the tradition of classic hard rock".<ref name=Allmusic/> Billboard wrote, "it’s not a stretch to call Devil Without a Cause, Rock’s breakthrough fourth record, the Appetite for Destruction or The Chronic of rap-rock."<ref name=billboard>Template:Cite magazine</ref>
Music and lyricsEdit
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"Bawitdaba" has been described as having a nu metal sound.<ref name=decibel_2015-08-13>Template:Cite magazine (August 13, 2005). Retrieved on September 15, 2015</ref><ref name=PhoenixNews_NuMetal>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> To create the chorus, Kid Rock combined the choruses of Busy Bee's "Making Cash Money", the Marcels' recording of "Blue Moon" and the Sugar Hill Gang's "Rapper's Delight" into a "neo-gregorian drone".<ref name=billboard/><ref name=azcentral/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=RSAlbumGuide>Template:Cite magazine</ref> The lyrics of the song are dedicated to "chicks with beepers" and the I.R.S., as well as "all the crackheads, the critics, the cynics / And all my heroes in the methadone clinic."<ref name=NewYorker>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In the demo recording of the song, Kid Rock shouts, "Now get in the pit and try to kill someone!"<ref name=NewYorker/> On the album version, Kid Rock changed the lyrics, replacing the word "kill" with "love". Regarding the change, Kid Rock told the Baltimore Sun that he was glad he changed the lyrics, explaining that mosh pits are about coexistence.<ref name=NewYorker/>
The country rap<ref name=cowboysindians/><ref name=billboard/><ref name=AXS>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> song "Cowboy" was newly written for the album.<ref name=freepearly/> It is a fusion of hip hop, country music, Southern rock and heavy metal.<ref name=AXS/> Billboard, as well as Kid Rock himself, described the song as a cross between Run DMC and Lynyrd Skynyrd.<ref name=azcentral/><ref name=Billboard>Template:Cite magazine</ref> The instrumentation includes Jew's harp, blues harmonica and a piano solo.<ref name=azcentral>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The lyrics feature Kid Rock rapping about moving to California to become a pimp, and start an escort service "for all the right reasons", located at the top of the Four Seasons hotel, as well as getting thrown out of bars and buying a yacht.<ref name=azcentral/><ref name=VillageVoice/>
"I Am the Bullgod", according to AXS, was a tribute to the band Monster Magnet.<ref name=AXS/> azcentral described the song's style as Southern rock, with elements of funk,<ref name=azcentral/> while Billboard categorized the song as stoner rock.<ref name=billboard/> The lyrics refer to drinking Jim Beam bourbon whiskey;<ref>Template:Cite news</ref> Kid Rock declares that "I am free and I feed on all that is forsaken"<ref name=VillageVoice>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and that "I never was cool with James Dean", a reference to the actor who starred in the film that inspired this album's title, Rebel Without a Cause.<ref name=VillageVoice/>
The song "Wasting Time" contains an interpolation of Fleetwood Mac's "Second Hand News".<ref name=MTV/> "Welcome 2 the Party (Ode 2 the Old School)" refers to Orson Welles' Paul Masson adverts with the lyric "I will serve no rhymes before their time".<ref name=Billboard2>Template:Cite magazine</ref> "Where U At Rock?" references philosopher Ayn Rand.<ref name=Billboard2/>
"Only God Knows Why" is a country ballad, noted for its prominent use of Auto-Tune.<ref name=NuMetalMeltdown/><ref name=billboard/><ref name=azcentral/><ref>Template:Cite book</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The lyrics of "Black Chick, White Guy" deal with Kid Rock's ten-year off-and-on relationship with a classmate named Kelley South Russell, with whom he fathered one child and raised another child from a previous relationship, but broke up with her after finding out that a third child he was raising wasn't his, after which he gained custody of his son, Robert James Ritchie Jr.; these events became the inspiration for this song, which discusses them directly, although Russell denies some of the allegations made against her in the lyrics.<ref name=freepearly/><ref name=heartbreak/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
ReceptionEdit
Critical reviewsEdit
The album received critical acclaim upon release. Robert Christgau gave the album an A−, writing, "Belatedly fulfilling the rap-metal promise of Licensed to Ill, [Kid Rock] makes the competition sound clownish, limp, and corny, respectively, and the Eminem cameo is a draw [...] [Kid Rock] is, and I quote, all of that and a bag of chips."<ref name="Christgau"/>
The Rolling Stone Album Guide gave the album four out of five stars, its byline hailing it as "a trailer trash triumph of metal guitars, hip-hop beats, and I'm-an-American-band egomania."<ref name=RSAlbumGuide/> Stephen Thomas Erlewine gave the album four and a half out of five stars, writing, "[Kid Rock] came up with the great hard rock album of the late '90s -- a fearlessly funny, bone-crunching record that manages to sustain its strength, not just until the end of its long running time, but through repeated plays."<ref name=Allmusic/>
In a negative review, Pitchfork gave the album 1.3 out of 10, writing, "The hook is that Devil Without A Cause combines rap with metal, but this combination's already been done a million times, and in each case, the result was better than this. Do you really need predictable pimping rhymes over wack-ass metal beats with third-tier, grunge-derived choruses among your records? I ask you: is this what you're missing from your life?"<ref name=Pitchfork/>
Commercial performanceEdit
Starting in 1998, Kid Rock disembarked on his Devil Without a Cause Tour. In the spring of 1999, Kid Rock joined Limp Bizkit and Staind on the Limptropolis tour.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Through extensive promoting, including appearances on HBO, MTV (including a performance alongside Aerosmith and Run-DMC) and performing at Woodstock 1999, Devil Without a Cause sold over 14 million copies, the album's success spurred by Kid Rock's breakthrough hit single "Bawitdaba".<ref name=freepearly/><ref name=cowboysindians/><ref name=Biography/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite journal</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
By April 1999, the album was certified gold, and the following month it was certified platinum, a certification the album received 11 times.<ref name="RIAA Certifications">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album has since been certified diamond.<ref name=diamond>Template:Cite magazine</ref> The album had sold 8.9 million copies per Nielsen SoundScan as of 2007.<ref>Template:Cite magazine</ref>
In 2000, Kid Rock was nominated for a Grammy Award for Best New Artist, despite having been active in the music industry for over 10 years.<ref name=Biography>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
LegacyEdit
The album continued to be popular long after its release, and in 2012, Kid Rock said that he wanted to re-record the album in its entirety, partly to celebrate the album's 15th anniversary, and partly because he would own the master recordings.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref><ref>Template:Cite news</ref>
The album's critical appraisal has continued long after the album's release, with Allmusic labeling Devil Without a Cause a "rap-rock masterpiece".<ref name="allmusic">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The song "Cowboy" is considered by AXS to be the first in the country rap genre; Cowboys & Indians claims that Kid Rock's song had a major impact on the country music scene and that artists Jason Aldean and Big & Rich, among others, were influenced by the song.<ref name=cowboysindians/><ref name=AXS/>
Fifteen years after the album's release, The Village Voice writer Chaz Kangas praised Kid Rock's artistry, writing, "in the Clinton era when your most viable pop stars were pristine teen-pop sensations, raucous nu-metal antagonists or alternative-to-alternative-to-alternative rock weirdos, Rock stood alone."<ref name=VillageVoice2/> Praising the song "Cowboy", Kangas called it "one track from this era that's timeless without even trying to be."<ref name=VillageVoice2>Template:Cite news</ref>
Loudwire named Devil Without a Cause one of the 10 best hard rock albums of 1998.<ref name=Loudwire>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Classic Rock magazine named Devil Without a Cause one of 10 essential rap metal albums.<ref name=TeamRock>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Blender named Devil Without a Cause one of the 100 greatest American albums.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album was also listed as one of the 1001 Albums You Must Hear Before You Die.<ref>Template:Cite book</ref>
Track listingEdit
Template:Track listing Template:Track listing
- The song "Black Chick, White Guy" ends at 7:07 and the remix begins at 7:10; the remix is presented as a hidden track on the compact disc, but is credited on digital services. The remix is omitted from the Japanese version of the album. "Black Chick, White Guy" does not appear on the clean version.
PersonnelEdit
- Kid Rock – lead vocals, acoustic & electric guitar, bass, banjo, synthesizer
Twisted Brown TruckerEdit
- Joe C. – co-vocals
- Misty Love – background vocals
- Jason Krause – guitar
- Kenny Olson – guitar
- Uncle Kracker – turntables, background vocals
- Jimmie Bones – keyboard, organ, piano, synth bass
- Stefanie Eulinberg – drums, percussion
Sessions musiciansEdit
- Bobby East – slide and rhythm guitar
- Matt O'Brien – bass guitar
- Shirley "P-Funk" Hayden – background vocals
EngineersEdit
- Al Sutton – engineering
- Derek Matuja – assistant engineer
Additional musicians on "I Am the Bullgod" and "Roving Gangster"Edit
- Andrew Nerha – guitar
- Mike Nerha – bass
- Bob Ebeling – drums
- DJ Swamp – turntables
Additional co-vocalistsEdit
- Eminem – on "Fuck Off"
- Robert Bradley – on "I Got One for Ya"
- Thornetta Davis – on "Wasting Time"
Additional guestEdit
- Chris Peters – guitar on "I Am The Bullgod"
ChartsEdit
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Weekly chartsEdit
Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart| Chart (1998–2000) | Peak position |
|---|---|
| Australian Albums (ARIA)<ref>Template:Cite Ryan</ref> | 55 |
Year-end chartsEdit
| Chart (1999) | Position | |
|---|---|---|
| US Billboard 200<ref>Template:Cite magazine</ref> | 14 | |
| Chart (2000) | Position | |
| Canadian Albums (Nielsen SoundScan)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
33 |
| US Billboard 200<ref>Template:Cite magazine</ref> | 15 | |
| Chart (2002) | Position | |
| Canadian Alternative Albums (Nielsen SoundScan)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
177 |
| Canadian Metal Albums (Nielsen SoundScan)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
88 |
Decade-end chartsEdit
| Chart (2000–2009) | Position |
|---|---|
| US Billboard 200<ref>Template:Cite magazine Digit page 167 on the PDF archive.</ref> | 79 |
CertificationsEdit
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