Elisabeth Rethberg
Template:Short description Template:Infobox person Elisabeth Rethberg (Template:Nee Lisbeth Sättler; 22 September 1894 – 6 June 1976) was a German operatic spinto soprano singer who was active from the period of the First World War through the early 1940s. After Richard Strauss assigned the role of the Empress in his Die Frau ohne Schatten to her at the Dresden Opera in 1919, she went on to perform as Verdi's Aida at the Metropolitan Opera in New York City and La Scala in Milan, among others. She returned to Dresden often, including to appear in title role of Die ägyptische Helena in the world premiere.
Life and careerEdit
Early yearsEdit
Lisbeth Sättler was born in Schwarzenberg. Her father was a teacher, and supplied her first musical education.<ref name="ORF" /> She studied piano and voice at the Dresden Royal Conservatory from age 16 with Otto Watrin.<ref name="Munzinger">Template:Cite encyclopedia</ref> She made her operatic debut in Dresden opposite Richard Tauber on 16 June 1915, as Arsena in the operetta Der Zigeunerbaron by Johann Strauss.<ref name="ORF" /><ref name="e">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1916 she performed leading roles such as the Countess Mozart's Figaro, Eva in Wagner's Die Meistersinger von Nürnberg. In 1919, Richard Strauss entrusted her to perform the role of the Empress in his Die Frau ohne Schatten, she was so successful that he wanted to engage her at the Vienna State Opera. She was then recognised internationally, and appeared at major operas houses in Europe.<ref name="Munzinger" />
Metropolitan OperaEdit
Rethberg sang with the Dresden Opera until 1922, when she made her debut at the Metropolitan Opera (Met) as Verdi's Aida.<ref name="ORF">Template:Cite news</ref> She moved to the US and remained with the Metropolitan Opera for 20 seasons, singing 30 roles.<ref name="ORF" /> She studied further with Estelle Liebling in New York City.<ref name="Dean Fowler">Template:Cite thesis</ref> Her four Met opening nights (Wagner's Die Walküre, Mozarts Figaro and two times Aida) tie her with Licia Albanese as the soprano awarded the most Met opening nights. She also was engaged by London's Royal Opera House, where she sang in 1925 and from 1934–1939.<ref name="e" />
Other international performancesEdit
She appeared at the Salzburg Festival in Austria, to audiences at La Scala in Milan, where she performed again as Aida, conducted by Toscanini, and elsewhere in Europe.<ref name="ORF" />
Rethberg often returned to Dresden. In 1928, she created the title role in Strauss's Die ägyptische Helena, conducted by Fritz Busch.<ref name="ORF" /> She retired from the stage in 1942.
Personal lifeEdit
Rethberg was first married to Ernst Albert Dormann. In 1956, she married the Russian-born Met comprimario singer George Cehanovsky.<ref name="e" />
Rethberg died in Yorktown Heights at age 81 <ref name="Munzinger" />
RecordingsEdit
Rethberg made recordings of arias and ensemble pieces in Germany and the United States between 1921 and the outbreak of the Second World War. Many of these are available on LP and CD transfers.* <ref name="cantabile">Rethberg, Elisabeth cantabile-subito.de</ref>
The most notable records of her art include live Metropolitan Opera recordings of her role in the complete operas, including Marriage of Figaro, Verdi's Simon Boccanegra and Otello, and Wagner's Lohengrin. Concerning her lieder discography, she was included in the 1930s Hugo Wolf Society recording project (e.g. "Müh'voll komm' ich und beladen").<ref name="cantabile" />
Rethberg had a distinctive lyrical but focused voice felt to be at once extremely feminine and penetrating. She is heard in live recordings later in her career of Lohengrin opposite Lauritz Melchior, Otello opposite Giovanni Martinelli and Lawrence Tibbett, and Simon Boccanegra, again with Martinelli and Tibbett. Only a few measures exist of her Leonora in Verdi's Il trovatore opposite Martinelli and Richard Bonelli. While no full recordings exist of her most famous role, Aida, she recorded many extracts from it in the studio. A combination of live performances and studio recordings remain of her rendition of Amelia from Verdi's Un Ballo in Maschera, that possibly best illustrate the combined lyric and dramatic potential of her voice.<ref name="cantabile" />
ReferencesEdit
External linksEdit
- {{#if:|Template:PAGENAMEBASE discography at Discogs|{{#if:Template:Wikidata|Template:Wikidata Template:PAGENAMEBASE discography at DiscogsTemplate:EditAtWikidata|Template:PAGENAMEBASE discography at Discogs}}}}
- Elisabeth Rethberg (recordings) adp.library.ucsb.edu