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Francis Lederer

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Francis Lederer (November 6, 1899 – May 25, 2000) was an Austro-Hungarian Empire-born American film and stage actor with a successful career, first in Europe, then in the United States. His original name was František (Franz) Lederer.

Early yearsEdit

František (Franz) Lederer was born in Karlín, a working-class suburb of Prague, to a Jewish family. His mother was Rosa (Růžena) née Ornstein from Třebíč, his father Josef Lederer was a leather merchant. Until František was thirteen, his only recreation was wrestling.<ref name="h" /> His parents separated when he was nine years old, and his brother Pavel died in World War I. His mother and younger brother Rudolf later moved to Los Angeles. Franz worked in a store that sold dry goods, and his first theatrical experience came when he was tasked with cleaning shelves in the background in a play while the main actors performed. He lost that role when he drew attention away from the stars to himself.<ref name="h">Template:Cite journal</ref>

Acting careerEdit

EuropeEdit

Lederer started acting when he was young and was trained at the Academy of Music and Academy of Dramatic Art in Prague.<ref name=amgbio>Erickson, Hal Biography (Allmovie)</ref> After service in the Austrian-Hungarian Imperial Army in World War I, he made his stage debut as an apprentice with the New German Theater, a walk-on in the play Burning Heart.<ref name=tcmbio /> He toured Moravia and central Europe, making a name for himself as a matinee idol in theaters in Czechoslovakia, Hungary, Austria and Germany. Notable among his performances was a turn as Romeo in Max Reinhardt's staging of Romeo and Juliet.<ref name=tcmbio>TCM Biography</ref>

Lederer worked with G.W. Pabst in Pandora's Box, starring Louise Brooks, and Atlantic (both 1929).<ref name=amgbio /> He was also in The Wonderful Lies of Nina Petrovna in the same year. Lederer, billed as "Franz" at this time, made the transition from silent films to sound films.

AmericaEdit

In 1931, Lederer was in London to perform on stage in Volpone and the next year in Autumn Crocus by Dodie Smith, which he then performed on Broadway<ref name=ibdb>{{#if: 49275 {{#property:P1220}}

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}}</ref> – using the name "Francis" – where it played for 210 performances in 1932 and 1933.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He also performed the play in Los Angeles.<ref name=tcmbio /> As the rise of the Nazi movement and the institutionalization of anti-Semitism spread throughout Europe and the political situation there deteriorated, Lederer, who was Jewish, chose to remain in America rather than return home.<ref name=tcmbio /> He became a U.S. citizen in 1939.<ref>Frantisek Lederer, Petition for Naturalization, U.S. District Court of Los Angeles, Jan. 21, 1939. Ancestry.com. Selected U.S. Naturalization Records: Original Documents, 1790–1974 (World Archives Project) [database on-line]. Provo, UT, USA: The Generations Network, Inc., 2009.</ref>

Although he continued to play leads occasionally – notably as a playboy in Mitchell Leisen's Midnight, with Claudette Colbert and John Barrymore in 1939<ref name=tcmbio /> – in the late 1930s Lederer began to expand his character parts to include villains.<ref name=tcmbio /> Edward G. Robinson praised Lederer's performance as a German American Bundist in Confessions of a Nazi Spy in 1939,<ref name=amgbio /> and he earned plaudits for his portrayal of a fascist in The Man I Married (1940) with Joan Bennett.<ref name=tcmbio /> He also played Count Dracula in The Return of Dracula, in 1958.

File:Emil-Edwin Reinert, Joan Camden, Francis Lederer, Vienna 1952.jpg
Francis Lederer, Joan Camden and Emil-Edwin Reinert during production of Stolen Identity, Vienna, 1952

Throughout his career, Lederer, who studied with Elia Kazan at the Actors Studio in New York City, continued to take theater acting seriously, and he performed on stage often in New York City and elsewhere. He appeared in stage productions of Golden Boy (1937); Seventh Heaven (1939); No Time for Comedy (1939), in which he replaced Laurence Olivier;<ref name=tcmbio /> The Play's the Thing (1942); A Doll's House (1944); Arms and the Man (1950); The Sleeping Prince (1956); and The Diary of Anne Frank (1958).<ref name=tcmbio /><ref name=ibdb />

In 1941, he took a break from making films in order to concentrate on his stage work. He returned to the silver screen in 1944, appearing in Voice in the Wind and The Bridge of San Luis Rey, and went on to play in films such as Jean Renoir's The Diary of a Chambermaid (1946) and Million Dollar Weekend (1948). He took another break from Hollywood in 1950, after making Surrender (1950), and returned in 1956 with Lisbon and the light comedy The Ambassador's Daughter, with Olivia de Havilland. His final film appearance was in Terror Is a Man in 1959.

During the 1950s, he served as honorary mayor of Canoga Park.

Lederer continued to appear on television over the next 10 years in such shows as Sally, The Untouchables, Ben Casey, Blue Light, Mission: Impossible and That Girl. His final television appearance was in a 1971 episode of Rod Serling's Night Gallery called "The Devil Is Not Mocked". In it, he reprised his role as Dracula from The Return of Dracula.

Personal lifeEdit

Lederer, who became very wealthy, invested in real estate, especially in the Canoga Park community (which included West Hills, as defined in 1987). He was active in local and Los Angeles civic affairs, philanthropy and politics. He served as Recreation and Parks Commissioner for the city of Los Angeles and received awards for his efforts to beautify the city. He was the honorary mayor of Canoga Park for some time. He became involved with peace movements, taught acting, and was one of the founders of the American National Academy of Performing Arts in Los Angeles, and the International Academy of Performing Arts in Washington, D.C. In 2000, the Austrian government honored him with the Cross of Honor for Science and Arts, First Class.<ref name=tcmbio />

Lederer was married three times. His first marriage was to Ada Nejedly, an opera singer. The year they wed remains undetermined, but records show that the couple divorced in 1928.<ref>Template:Cite book</ref> In 1937, he married the actress Margo; they divorced three years later. Lederer's final marriage was to Marion Eleanor Irvine, a native of Canada who lived most of her life in California.<ref name=tcmbio /><ref name="Irvine">Template:Cite news</ref> They wed there in 1941, and over the years he and Marion remained active in supporting various community projects and international humanitarian services, including the promotion of UNICEF.<ref name="Irvine"/> They remained together for nearly six decades, until his death in 2000.<ref>Template:Cite news</ref>

Lederer estate and residenceEdit

In 1934, with the help of artisan builder John R. Litke, Lederer began the design and construction of his landmark residence and stables on the hilltop of a large rancho in the Simi Hills in Owensmouth, renamed Canoga Park, then West Hills. It is in the western San Fernando Valley of Los Angeles, California, at the west end of Sherman Way. The house blends Mediterranean Revival and Mission Revival styles.Template:Citation needed

The residence and stables are both protected Los Angeles Historic-Cultural Monuments.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After the house was damaged by the 1994 Northridge earthquake, the property was completely renovated. The estate is next to the very large 1845 Mexican land grant Rancho El Escorpión, which was Lederer's southern rural viewshed and remained undeveloped open space until 1959. The home and grounds are still in the hands of the family.<ref>Big Orange-Lederer Environs</ref>

Selected filmographyEdit

EuropeEdit

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United StatesEdit

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See alsoEdit

ReferencesEdit

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External linksEdit

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