Leonardo Vinci

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Leonardo Vinci (1690 – 27 May 1730) was an Italian Baroque composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives.Template:Sfn A central proponent of the Neapolitan School of opera,Template:Sfn his influence on subsequent opera composers such as Johann Adolph Hasse and Giovanni Battista Pergolesi was considerable.Template:Sfn

Life and careerEdit

File:Leonardo Vinci - La Rosmira fedele, or Partenope. (BL Add MS 14232 f. 10r).jpg

Vinci's manuscript of Partenope

He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo.Template:Sfn He first became known for his opere buffe (comic operas) in the Neapolitan language in 1719; he also composed many opere serie (dramatic operas). He was received into the Congregation of the Rosary, a lay religious and burial fraternity, at Formiello in 1728.Template:Sfn He died in May 1730.Template:Sfn Vinci is rumoured to have been poisoned by a jealous husband in the wake of an ill-advised affair, a story which is given by several reliable authorities without evident contradictions.Template:Sfn Template:Refn

MusicEdit

Vinci's opere buffe, of which Li zite 'ngalera (1722) is generally regarded as the best, are full of life and spirit; his opere serie, of which Didone Abbandonata (Rome, 1726) and Artaserse (Rome, 1730) are the most notable, have an incisive vigour and directness of dramatic expression praised by music historian Charles Burney. According to Burney,

"Vinci seems to have been the first opera composer who, without degrading his art, rendered it the friend, though not the slave to poetry, by simplifying and polishing melody and calling the audience's attention to the voice part by liberating it from fugue, complication, and labored contrivance ".{{#if:Charles Burney, A General History of Music (1789)Template:Sfn|{{#if:|}}
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The well-known aria "Vo solcando," from Artaserse, is a good example of his style.Template:Sfn

WorksEdit

OperasEdit

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Le doje lettere (1719)
Lo cecato fauzo (1719)
Lo scagno (1720)
Lo scassone (1720)
Lo Barone di Trocchia (1721)
Don Ciccio (1721)
Li zite 'ngalera (1722)
La festa di Bacco (1722)
Publio Cornelio Scipione (1722)
Lo castiello sacchiato (1722)
Lo labberinto (1723)
Semiramide (1723)
Silla dittatore (1723)
L'Eraclea (1724)
Farnace (1724)
La mogliera fedele (1724)
Turno Aricino (1724)
Ifigenia in Tauride (1725)
La Rosmira fedele (1725) also known as Partenope (1725)
Il trionfo di Camilla (1725)
Elpidia (1725)
L'Astianatte (1725)
Didone abbandonata (1726)
Siroe, Re di Persia (1726)
L'asteria (1726)
Ernelinda (1726)
Gismondo, Rè di Polonia (1727)
La caduta dei Decemviri (1727)
Il Medo (1728)
Catone in Utica (1728)
Flavio Anicio Olibrio (1728)
Alessandro nell'Indie (1729)
Farnace (1729)
La Contesa dei Numi (1729)
Massimiano (1729)
Artaserse (1730)

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Other worksEdit

In addition to operas, Vinci wrote a few cantatas, sonatas, a serenata, and two oratorios (Oratorio di Maria dolorata ca. 1723 and Oratorio per la Santissima Vergine del Rosario ca. 1730). His sonata in D major for flute and basso continuo is still played today. He composed two sonatas for the recorder in addition to a recorder concerto in A minor.Template:Citation needed

Selected recordingsEdit

Fileno – Soprano Cantatas Mesta Oh Dio, tra queste selve. Mi costa tante lacrime. Amor di Citerea. Parto, ma con qual core. Emanuela Galli & Francesca Cassinari, Stile Galante, Stefano Aresi. With work wrongly attributed to Vinci by Alessandro Scarlatti Fille, tu parti? Oh Dio! Pan Classics 2011.
In 2015 Decca released a Parnassus Arts Productions recording of his 3-act opera seria, Catone in Utica (Rome, 1728).<ref>{{#invoke:citation/CS1|citation

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NotesEdit

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ReferencesEdit

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SourcesEdit

External linksEdit

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