Michèle Morgan
Template:Short description Template:For Template:Use dmy dates
Michèle Morgan ({{#invoke:IPA|main}}; born Simone Renée Roussel; 29 February 1920 – 20 December 2016) was a French film actress, who was a leading lady for three decades in both French cinema and Hollywood features. She is considered one of the greatest French actresses of the 20th century.<ref name="lefigobit">Template:Cite news</ref> Morgan was the inaugural winner of the Best Actress Award at the Cannes Film Festival. In 1992, she was given an honorary César Award for her contributions to French cinema.
Early lifeEdit
Morgan was born Simone Renée Roussel<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> in Neuilly-sur-Seine, Hauts-de-Seine, a suburb of Paris.<ref name="lemondeobit">Template:Cite news</ref><ref name="washingtonpostobit">Template:Cite news</ref> She grew up in Dieppe, Seine-Maritime, France.<ref name="lemondeobit"/><ref name="washingtonpostobit"/>
CareerEdit
Morgan left home at the age of 15 for Paris determined to become an actress.<ref name="lemondeobit"/><ref name="hollywoodreporterobit">Template:Cite news</ref> She took acting lessons from René Simon while serving as an extra in several films to pay for her drama classes.<ref name="lemondeobit"/> It was then that she took the stage name "Michèle Morgan".<ref name="lemondeobit"/> She argued that she did not have the body type of a Simone, and "Morgan" sounded more Hollywood-friendly.<ref name="lemondeobit"/>
Morgan was first noticed by director Marc Allégret, who offered her a major role in the film Gribouille (1937), opposite Raimu.<ref name="lemondeobit"/> Then came Le Quai des brumes (1938) directed by Marcel Carné and Remorques (1941) directed by Jean Grémillon, both opposite Jean Gabin.<ref name="lemondeobit"/>
Upon the invasion of France in 1940 by the Germans, Morgan left for the United States and Hollywood where she was contracted to RKO Pictures in 1941.<ref name="lemondeobit"/> Her career there proved rather disappointing, apart from Joan of Paris (1942) opposite Paul Henreid, and Higher and Higher (1943) opposite Frank Sinatra.<ref name="washingtonpostobit"/> She was tested and strongly considered for the female lead in Casablanca but RKO would not release her for the amount of money that Warner Bros. offered.<ref>Template:Cite book</ref> Morgan did work for Warners, however, in Passage to Marseille (1944) with Humphrey Bogart.<ref name="lemondeobit"/>
After the war, Morgan returned to France and quickly resumed her career with the film La Symphonie Pastorale (1946) directed by Jean Delannoy, which earned her the Best Actress award at the Cannes Film Festival.<ref name="lemondeobit"/> Her other films from this period include; Carol Reed's The Fallen Idol (1948), Fabiola (1949), The Proud and the Beautiful (1953) by Yves Allégret, Les Grandes Manœuvres (1955) by René Clair and Marie-Antoinette reine de France (1956).<ref name="washingtonpostobit"/> She continued working in films throughout the 1960s, such as in Lost Command (1966), a version of Les Centurions.<ref name="washingtonpostobit"/> In the 1970s, she virtually retired from her acting career, then made only occasional appearances in film, television and theatre.<ref name="washingtonpostobit"/>
For her contribution to the motion picture industry, Morgan has a star on the Hollywood Walk of Fame at 1645 Vine Street.<ref name="hollywoodreporterobit"/> In 1969, the government of France awarded her the Légion d'Honneur.<ref name="hollywoodreporterobit"/> For her long service to the French motion picture industry, in 1992 she was given an Honorary César Award.<ref name="hollywoodreporterobit"/> In 1996, she also received the Career Golden Lion for lifetime achievement at the Venice Film Festival.<ref name="hollywoodreporterobit"/>
Morgan took up painting in the 1960s.<ref name="washingtonpostobit" /> She had a solo exhibition, "Artistes En Lumière à Paris", from 2 March to 30 April 2009, at the Espace Cardin in Paris.<ref name="francedimanchejetouche">Template:Cite news</ref> In 1977 she released her memoir, titled With Those Eyes (Avec ces yeux-là).<ref name="lemondeobit" />
Personal life and deathEdit
While in Hollywood, Morgan married William Marshall (1917–1994), in 1942, with whom she had a son, Mike Marshall (1944–2005).<ref name="washingtonpostobit"/> Morgan had built and owned a house at 10050 Cielo Drive. Morgan and Marshall divorced in 1948. She married French actor Henri Vidal (1919–1959) in 1950. She remained with him until his death in 1959. She then lived with film director and actor/writer Gérard Oury until his death in 2006.<ref name="washingtonpostobit"/>
Morgan died on 20 December 2016, aged 96, in Meudon, France of natural causes.<ref name="lemondeobit"/><ref name="washingtonpostobit"/> Her funeral was held at the Église Saint-Pierre in Neuilly-sur-Seine on 23 December 2016, and she was buried at the Montparnasse Cemetery.<ref name="lefigobit"/><ref>Template:Cite news</ref>
Despite living to the age of 96, she technically only had 24 birthdays due to being born on 29 February.
FilmographyEdit
Year | Title | Role | Director | Notes | |
---|---|---|---|---|---|
1935 | Mademoiselle Mozart<ref name="lubbockmichelemorgan">Template:Cite news</ref> | The trainer of the white elephant | Yvan Noé | credited as Simone Morgan | |
1937 | Gribouille<ref name=":1">Template:Cite book</ref> | Nathalie Roguin | Marc Allégret | remade as The Lady in Question in 1940 | |
1938 | Orage<ref name=":1" /> | Françoise Massart | Marc Allégret | with Charles Boyer | |
Port of Shadows<ref name=":2">Template:Cite book</ref> | Nelly | Marcel Carné | with Jean Gabin | ||
Nightclub Hostess<ref name="vincendeau143">Template:Cite book</ref> | Suzy | Albert Valentin | written by Charles Spaak | ||
1939 | Coral Reefs<ref name="lemondeobit"/> | Lilian White | Maurice Gleize | with Jean Gabin | |
Musicians of the Sky<ref name="bfilesmusiciens">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Lieutenant Saulnier | Georges Lacombe | with Michel Simon | |
1940 | Stormy Waters<ref name="lemondeobit"/> | Catherine | Jean Grémillon | based on a novel by Roger Vercel | |
The Heart of a Nation<ref name="bfiuntel">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Marie Froment-Léonard | Julien Duvivier | with Raimu | |
1941 | My Life with Caroline<ref name="canalplusbio">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
"Annette" (uncredited) | Lewis Milestone | written by John Van Druten |
1942 | La Loi du nord<ref name="bfilaloidunord">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Jacqueline Bert | Jacques Feyder | based on a novel by Maurice Constantin-Weyer |
Joan of Paris<ref name=":0">Template:Cite book</ref> | Joan | Robert Stevenson | with Paul Henreid | ||
1943 | Two Tickets to London<ref name=":2" /> | Jeanne | Edwin L. Marin | with Alan Curtis | |
Higher and Higher<ref name=":2" /> | Millie Pico alias Paméla Drake | Tim Whelan | Frank Sinatra's film debut | ||
1944 | Passage to Marseille<ref name=":0" /> | Paula | Michael Curtiz | with Humphrey Bogart | |
1946 | The Chase<ref name=":0" /> | Lorna Roman | Arthur Ripley | with Robert Cummings | |
Pastoral Symphony<ref name="lemondeobit"/> | Gertrude (the young blind woman) | Jean Delannoy | Cannes Film Festival Award for Best Actress with Pierre Blanchar | ||
1947 | The Fallen Idol<ref name="washingtonpostobit"/> | Julie | Carol Reed | with Ralph Richardson and Bobby Henrey. | |
1948 | To the Eyes of Memory<ref name="bfiauxyeuxdusouvenir">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Claire Magny | Jean Delannoy | with Jean Marais |
1949 | The Fighting Gladiator<ref>Template:Cite book</ref> | Fabiola | Alessandro Blasetti | with Henri Vidal | |
Here Is the Beauty<ref name="bfilabellequevoila">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Jeanne Morel | Jean-Paul Le Chanois | based on a novel by Vicki Baum | |
1950 | The Glass Castle<ref name=":1" /> | Evelyne Lorin-Bertal | René Clément | two versions, one filmed in Italian | |
The Strange Madame X<ref name="bfiletrange">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Irène Voisin-Larive | Jean Grémillon | with Henri Vidal | |
The Naked Heart<ref name="lemondeobit"/> | Maria Chapdelaine | Marc Allégret | based on the novel by Louis Hémon | ||
1951 | The Seven Deadly Sins<ref name="bfiles7peches">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Anne-Marie de Pallières | Claude Autant-Lara | episode "Pride" |
1952 | The Moment of Truth<ref name="bfilora">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Madeleine Richard | Jean Delannoy | with Jean Gabin |
1953 | The Proud and the Beautiful<ref name="bfilesorgueilleux">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Nelly | Yves Allégret | with Gérard Philipe |
1954 | Love, Soldiers and Women<ref name="washingtonpostobit"/> | Joan of Arc | Jean Delannoy | episode "Jeanne" | |
Obsession<ref name="bfiobsession">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Hélène Giovanni | Jean Delannoy | based on a novel by Cornell Woolrich | |
Napoléon<ref name="lemondeobit"/> | Joséphine de Beauharnais | Sacha Guitry | Daniel Gélin/Raymond Pellegrin as Napoléon | ||
1955 | The Grand Maneuver<ref name="lemondeobit"/> | Marie-Louise Rivière | René Clair | with Gérard Philipe | |
Marguerite of the Night<ref name="bfimarguerite">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Marguerite | Claude Autant-Lara | with Yves Montand | |
Marie Antoinette Queen of France<ref name="lemondeobit"/> | Marie-Antoinette, Queen of France | Jean Delannoy | with Richard Todd | ||
If Paris Were Told to Us<ref name="bfisiparisnousetait">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Gabrielle d'Estrées | Sacha Guitry | portraying the mistress of Henry IV of France | |
1956 | Oasis<ref name="bfiloase">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Françoise Lignières | Yves Allégret | with Pierre Brasseur |
1957 | The Vintage<ref name="bfivintage">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Léonne Morel | Jeffrey Hayden | with Mel Ferrer |
There's Always a Price Tag<ref name="bfiretourdemanivelle">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Hélène Fréminger | Denys de La Patellière | with Daniel Gélin and Peter van Eyck | |
1958 | The Mirror Has Two Faces<ref name="bfilemiroiradeuxfaces">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Marie-Josée Tardivet, Pierre's wife | André Cayatte | with Bourvil and Ivan Desny |
Maxime<ref name="bfimaxime">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Jacqueline Monneron | Henri Verneuil | with Charles Boyer | |
Girls for the Summer<ref name="bfiracconti">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Micheline | Gianni Franciolini | comedy with Alberto Sordi | |
1959 | Menschen im Hotel<ref name="bfimenschen">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
La Grusinskaïa | Gottfried Reinhardt | with O. W. Fischer |
Winter Holidays<ref name="bfivacanze">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Steffa Tardier | Camillo Mastrocinque | with Georges Marchal | |
The Wretches<ref name="bfilesscelerats">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Thelma Rooland | Robert Hossein | with Olivier Hussenot | |
Why Do You Come So Late?<ref name="bfipourquoivienstusitard">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Catherine Ferrer | Henri Decoin | with Henri Vidal | |
1960 | Fortunat<ref name="bfifortunat">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Juliette Valcourt | Alex Joffé | title character played by Bourvil |
1961 | Three Faces of Sin<ref name="bfilepuitsauxtrois">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Renée Plège | François Villiers | with Jean-Claude Brialy |
The Lions Are Loose<ref name="bfileslionssontlaches">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Cécile | Henri Verneuil | with Jean-Claude Brialy | |
1962 | Landru<ref name="bfilandru">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Célestine Buisson | Claude Chabrol | with Charles Denner |
Meetings<ref name="bfirencontres">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Bella Krastner | Philippe Agostini | with Gabriele Ferzetti | |
Crime Does Not Pay<ref name="bfilecrimenepaiepas">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Jeanne Hugues | Gérard Oury | episode "The Hugues Case" | |
The Winner<ref name="unifranceuncoeur">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
As herself | François Reichenbach | Louis Delluc Prize, Golden Leopard | |
1963 | Be Careful Ladies<ref name="bfimefiezvous">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Denise Duparc | André Hunebelle | with Paul Meurisse |
citation | CitationClass=web
}}</ref> |
Constance | François Villiers | with Dany Saval | |
1964 | Marked Eyes<ref name="bfilesyeuxcernes">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Florence | Robert Hossein | starring the film's director |
The Last Steps<ref name="bfilespasperdus">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Yolande Simonet | Jacques Robin | with Jean-Louis Trintignant | |
The Scapegoat<ref name="bfiilfornarettodi">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Princess Sofia | Duccio Tessari | based on a novel by Francesco Dall'Ongaro | |
1965 | Tell Me Whom to Kill<ref name="bfitellmewhotokill">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Geneviève Montanet | Étienne Périer | with Paul Hubschmid |
1966 | Lost Command<ref name="washingtonpostobit"/> | The Countess of Clairfond | Mark Robson | with Anthony Quinn | |
1967 | La Bien-aimée<ref name="bfilabien">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Fanny Dréal | Jacques Doniol-Valcroze | TV film |
The Diary of an Innocent Boy<ref name="lemondeobit"/> | The Countess | Michel Deville | with Pierre Clémenti and Michel Piccoli | ||
1975 | Cat and Mouse<ref name="lemondeobit"/> | Madame Richard | Claude Lelouch | with Serge Reggiani | |
1986 | Le Tiroir secret<ref name="bfiletiroir">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Colette Dutilleul-Lemarchand | Édouard Molinaro, Roger Gillioz, Michel Boisrond, Nadine Trintignant | TV miniseries, 6 episodes |
1990 | Everybody's Fine<ref name="latimestonatorewilmington">Template:Cite news</ref> | A woman in the train | Giuseppe Tornatore | with Marcello Mastroianni |
TriviaEdit
The former President of Chile Michelle Bachelet was named after Michèle Morgan.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
She almost played Ilsa Lund in Casablanca.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
ReferencesEdit
Further readingEdit
- Template:Cite book
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|CitationClass=web }} Template:Refend
External linksEdit
- [https://www.imdb.com/{{#if: 0006807
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- Michèle Morgan at filmsdefrance.com
- Template:Allocine name
- Photographs of Michèle Morgan
Template:Cannes Film Festival Best Actress Award Template:Golden Lion for Lifetime Achievement Template:Honorary César Template:Cannes Film Festival jury presidents Template:César Awards presidents