Park Chan-wook
Template:Short description Template:Family name hatnote Template:Use dmy dates Template:Infobox person Park Chan-wook (Template:Korean/auto; born 23 August 1963) is a South Korean film director, screenwriter, producer, and former film critic. He is considered one of the most prominent filmmakers of South Korean cinema as well as 21st-century world cinema.<ref>Template:Cite news</ref> His films, which often blend crime, mystery, and thriller with other genres, have gained notoriety for their cinematography, framing, black humor, and often brutal subject matters.<ref name=":0">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=":1">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
After two unsuccessful films in the 1990s which he has since largely disowned, Park came to prominence with his acclaimed third directorial effort, Joint Security Area (2000), which became the highest-grossing film in South Korean history at the time and which Park himself prefers to be regarded as his directorial debut.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Using his newfound creative freedom, he would go on to direct the films forming his unofficial The Vengeance Trilogy: Sympathy for Mr. Vengeance (2002), a financial failure that polarized critics, followed by Oldboy (2003) and Lady Vengeance (2005), both of which received critical acclaim and were financially successful. Oldboy in particular is regarded as one of the greatest films ever made, and helped establish Park as a well-known director outside his native country.Template:Efn
Most of Park's works following The Vengeance Trilogy were also commercial and critical successes both in South Korea and internationally, such as Thirst (2009), The Handmaiden (2016), which earned Park the BAFTA Award for Best Film Not in the English Language, and Decision to Leave (2022), which won the Best Director award at the 2022 Cannes Film Festival.<ref name="The Handmaiden">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He directed the English-language miniseries The Little Drummer Girl (2018) and The Sympathizer (2024).
Early lifeEdit
Park was born 23 August 1963 in Seoul.<ref>Chan-wook, Park. (10 December 2005). Park's Montage (essay). 마음 산책. "Introduction about the author, and the prologue". Template:ISBN.</ref> Both his parents were native Seoul residents of five generations. His father, Park Don-seo, was a professor of architecture and former dean of Ajou University's College of Engineering. His grandfather, Park Seung-seo, was the former president of the Korean Bar Association.<ref name=":2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Full citation needed
Park studied philosophy at Sogang University, where he joined the photography club and film club.<ref name="New Yorker 2024">Template:Cite magazine</ref> Originally intending to be an art critic, Park, upon seeing Vertigo, resolved to become a filmmaker.<ref name="hollywoodreporter">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After graduation, he wrote articles on film for journals and soon became an assistant director of films like Kkamdong, directed by Yu Yeong-jin, and Watercolor Painting in a Rainy Day, directed by Kwak Jae-yong (My Sassy Girl).<ref>Template:Cite book</ref>
CareerEdit
Park's debut feature film was The Moon Is... the Sun's Dream (1992). After five years, he made his second film, Trio. Park's early films were not successful at the box office, and he pursued a career as a film critic to make a living.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In an interview in 2017, he said "Many people think my directorial debut film is JSA, but I want to keep it that way".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In 2000, Park directed Joint Security Area, which was a great success both commercially and critically, even surpassing Kang Je-gyu's Shiri as the then most-watched film ever made in South Korea.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> This success made it possible for Park to make his next film more independently. Sympathy for Mr. Vengeance is the result of this creative freedom. Park's unofficially-titled Vengeance Trilogy consists of Sympathy for Mr. Vengeance (2002), Oldboy (2003) and Lady Vengeance (2005). It was not originally intended to be a trilogy. Park won the Grand Prix at the 2004 Cannes Film Festival for Oldboy. The films concern the utter futility of vengeance and how it wreaks havoc on the lives of those involved.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Lady Vengeance was distributed by Tartan Films for the United States theatrical release in April 2006.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> American director Quentin Tarantino is an avowed fan of Park. As the head judge at the 2004 Cannes Film Festival, he personally pushed for Park's Oldboy to be awarded the {{#invoke:Lang|lang}} (the honour eventually went to Michael Moore's Fahrenheit 9/11).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Oldboy garnered the Grand Prix, Cannes's second-highest honour. Tarantino also regards Park's Joint Security Area to be one of "the top twenty films made since 1992."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Since 2004, Park has been an owner of the filmmaking company Moho Film, which participated in the production of Snowpiercer (2013) and The Handmaiden (2016).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Full citation needed In 2006, Park was the member of official section jury at the 63rd Venice International Film Festival. In February 2007, Park won the Alfred Bauer Prize at the 57th Berlin International Film Festival. The award, named after the festival's founder and in praise of works that introduce new perspectives, went to Park for his film, I'm a Cyborg, But That's OK.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In 2009, Park directed the vampire film Thirst, starring Song Kang-ho, which won the Prix du Jury (alongside Fish Tank, directed by Andrea Arnold) at the 2009 Cannes Film Festival. He considered directing Tinker Tailor Soldier Spy but ultimately turned it down.<ref name=kjd120329/> In 2011, Park said his new fantasy-horror film Paranmanjang (Night Fishing) was shot entirely on the iPhone.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The film was co-directed with Park's younger brother, Park Chan-kyong, who had no prior directing experience. It was nominated for Berlinale Shorts during the 2011 Berlin Film Festival and won the Golden Bear for Best Short Film.
In 2013, Park directed his first English-language film, Stoker.<ref name=screendailybegin>Template:Cite news</ref> He said he learned to accelerate the production process and completed filming in 480 hours.<ref name=kjd120329/> Although Park does speak English, he used an interpreter on set.<ref name=kjd120329/> On why the script attracted his attention, Park said: "It wasn't a script that tried to explain everything and left many things as questions, so it leads the audience to find answers for themselves, and that's what I liked about the script... I like telling big stories through small, artificially created worlds".<ref>Template:Cite AV mediaTemplate:Cbignore</ref><ref name=kjd120329>Template:Cite news</ref> On 2 March 2013, Park appeared on a panel discussion about the film Stoker held at the Freer Gallery of Art in the Smithsonian's Museums of Asian Art.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2014, Park directed a short film commissioned by luxury brand Ermenegildo Zegna, co-written by himself, Ayako Fujitani, Chung Chung-hoon and Michael Werwie, scored by Clint Mansell, and starring Jack Huston and Daniel Wu. It screened at the Rome International Film Festival and the Busan International Film Festival.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In September 2014, it was announced that Park would adapt Fingersmith, a historical crime novel by Sarah Waters.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The film entered production in mid-2015 and ended on 31 October 2015.<ref>Template:Cite news</ref> That film ended up becoming The Handmaiden and premiered in competition to rave reviews at the 2016 Cannes Film Festival, where Artistic Director Seong-hie Ryu won the Vulcain Prize for the Technical Arts, and the film was nominated for both the Palme d' Or and Queer Palm. At the 2016 Buil Film Awards, The Handmaiden won for Best New Actress (Tae-ri Kim), The Buil Readers' Jury Award and Best Art Direction (Seong-hie Ryu).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The film holds a 95% rating on Rotten Tomatoes, and saw box office success in several countries, including South Korea, the United States and the United Kingdom.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="The Handmaiden"/>
In October 2014, it was announced that Park had signed on to direct the sci-fi body-swap film, Second Born.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In January 2018, it was stated that Park would direct a TV miniseries adaptation of The Little Drummer Girl, a novel by John le Carré. It aired on BBC One in October of that year and stars Michael Shannon, Florence Pugh and Alexander Skarsgård.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> At the 24th Busan International Film Festival, Park said that he is writing scripts for feature films, for theater and for TV, including a new installment in the Vengeance Trilogy, and an adaption of Donald E. Westlake's novel The Ax.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Park had first discussed adapting the book in 2009, when he received approval from Costa-Gavras who owned the rights and directed a previous rendition of the novel.<ref>Template:Cite news</ref><ref name="Variety">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In May 2020, it was announced that he was working on his next film's screenplay, tentatively titled Heeojil gyeolsim (The Decision to Break Up). It is described as a melodrama and will star Tang Wei and Park Hae-il.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Full citation needed<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In October 2020, the title of the film was revealed as Decision to Leave, with the story described as a murder mystery romance. The film was set to begin shooting later that month.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In April 2021, A24 optioned Viet Thanh Nguyen's 2015 novel The Sympathizer for a TV adaptation, with Park directing.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He was awarded Best Director at the 2022 Cannes Film Festival for his work on Decision to Leave.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="CannesWinners">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
In August 2024, Park began filming his adaption of The Ax, titled No Other Choice (Template:Korean).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Park wrote the screenplay with previous collaborators Lee Kyoung-mi, Don McKellar & Lee Ja-hye. The film would also see Park reunite with actors Lee Byung-hun and Cha Seung-won.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
FilmmakingEdit
Park Chan-wook's films have gained notoriety for their cinematography and framing, black humor and often brutal subject matter.<ref name=":0" /><ref name=":1" />
In a May 2004 interview with The Hollywood Reporter, Park listed Sophocles, Shakespeare, Kafka, Dostoevsky, Balzac and Kurt Vonnegut as influences on his career.<ref name="hollywoodreporter" />
His list of 61 favorite films for LaCinetek includes multiple entries of works by Luchino Visconti, Abel Ferrara, Michelangelo Antonioni, Mikio Naruse and Alfred Hitchcock.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He has named Taxi Driver by Martin Scorsese as one of his favorite films, a "monument of film history".<ref>Template:Cite AV media</ref>
Park has a history of successful collaborations with various talented individuals in the film industry. Among these collaborations, the longest-standing partnership is with Editor Kim Sang-bum.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Their relationship dates back to when Park, then a college student, joined the directing department led by editor-in-chief Kim Sang-bum. It is worth noting that Editor Kim Sang-bum's late father, Editor Kim Hee-soo, was involved in Park Chan-wook's debut film, The Moon Is... the Sun's Dream as editor. Since the film Joint Security Area (1998), Editor Kim Sang-bum has edited all of Park Chan-wook's works, except for Stoker (2013), up until The Handmaiden.<ref name=":7">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> For his editing work in Park's latest film Decision to Leave, Kim Sang-bum won José Salcedo Award for Best Editing in Valladolid International Film Festival.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Park has also collaborated with music director Jo Yeong-wook since Joint Security Area (1998). The two have since worked on several other projects together, including Oldboy, Sympathy For Lady Vengeance, The Handmaiden, and Decision to Leave.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Park has also worked closely with art director Ryu Seong-hie, who was filming Memories of Murder when Park asked her to work on Oldboy. She has since worked with Park on I'm a Cyborg, But That's OK, Thirst, The Handmaiden, and Decision to Leave.<ref name=":7" />
Another notable collaborator of Park's is cinematographer Chung Chung-hoon. The pair first met during the production of Old Boy. The two have since worked on several other projects together, including Sympathy For Lady Vengeance, I'm a Cyborg, But That's OK, Thirst, and The Handmaiden. Chung is known for his exceptional use of lighting and camera work, and his visual style has been a strong match for Park's atmospheric and visually stunning films.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He has frequently collaborated with screenwriter Jeong Seo-kyeong on several projects, such as Sympathy For Lady Vengeance, I'm a Cyborg, But That's OK, Thirst, The Handmaiden, and Decision to Leave.<ref name=":7" /><ref name=":12">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Full citation needed<ref name=":8">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=":13">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Park has a talent for attracting top-tier acting talents. Some of Korea's most well-known stars, such as Choi Min-sik and Song Kang-ho, have been integral parts of his casting selection. Song Kang-ho, in particular, has appeared in six of Park's feature length films. Park Hae-il and Shin Ha-kyun have also worked with Park on multiple occasions, three and four, respectively. Their collaborations have been highly regarded by audiences and critics alike.
Personal lifeEdit
Park was raised in a devout Catholic family in Korea, and describes himself as an atheist.<ref name="Dale-Variety"/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He was raised in an environment that fostered culture and intellectual pursuits. His father, Park Don-seo, served as a professor of architecture and former dean of Ajou University's College of Engineering, while his grandfather, Park Seung-seo, held the esteemed position of former president of the Korean Bar Association. Additionally, Park's younger brother, Park Chan-kyong, is active as a multimedia artist.<ref name="New Yorker 2024" />
Park was introduced to his future wife, Kim Eun-hee, by a mutual friend when she was a student at Ewha Womans University.<ref name=":2" /> At the 15th Marrakech International Film Festival, Park paid tribute to his wife Kim Eun-hee for her support throughout his career.<ref name="Dale-Variety">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Park's daughter, Park Seo-woo, studied at the Korea National University of Arts, and worked as a member of the art team for The Handmaiden.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
He voiced support for the Democratic Labor Party and was also a member of its successor, the New Progressive Party. He supported Justice Party candidate Sim Sang-jung in the 2017 South Korean presidential election.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Cbignore</ref>
FilmographyEdit
Feature filmsEdit
Short filmsEdit
Year | Title | Segment | Credited as | Ref. | ||||
---|---|---|---|---|---|---|---|---|
Director | Writer | Producer | ||||||
1999 | Judgment | — | Template:Yes | Template:Yes | Template:Yes | citation | CitationClass=web
}}</ref> | |
2003 | If You Were Me | Never Ending Peace And Love | Template:Yes | Template:Yes | Template:No | citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> |
2004 | Three... Extremes | Cut | Template:Yes | Template:Yes | Template:No | |||
2011 | Night Fishing | — | Template:YesTemplate:Efn | Template:Yes | Template:Yes | citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> |
60 Seconds of Solitude in Year Zero | Cut | Template:Yes | Template:Yes | Template:No | citation | CitationClass=web
}}</ref> | ||
2012 | Day Trip | — | Template:YesTemplate:Efn | Template:Yes | Template:No | citation | CitationClass=web
}}</ref> | |
2013 | V (music video for Lee Jung-hyun) | — | Template:YesTemplate:Efn | Template:Yes | Template:No | citation | CitationClass=web
}}</ref> | |
2014 | A Rose Reborn (for Ermenegildo Zegna) | — | Template:Yes | Template:Yes | Template:No | <ref name="KMDb - 한국영화데이터베이스"/> | ||
2017 | Decades Apart | — | Template:YesTemplate:Efn | Template:Yes | Template:Yes | citation | CitationClass=web
}}</ref> | |
2022 | Life Is But a Dream | — | Template:Yes | Template:YesTemplate:Efn | Template:No | citation | CitationClass=web
}}</ref> |
TelevisionEdit
Year | Title | Credited as | Notes | Template:Tooltip | |||
---|---|---|---|---|---|---|---|
Director | Writer | Executive Producer | |||||
2018 | The Little Drummer Girl | Template:Yes | Template:No | Template:Yes | citation | CitationClass=web
}}</ref> | |
2020–present | Snowpiercer | Template:No | Template:No | Template:Yes | citation | CitationClass=web
}}</ref> | |
2024 | The Sympathizer | Template:Yes | Template:Yes | Template:Yes | Also co-creator | citation | CitationClass=web
}}</ref> |
BibliographyEdit
Year | Translated title | Korean title | Pages | Publisher | ISBN | Template:Tooltip | ||
---|---|---|---|---|---|---|---|---|
2005 | Park Chan-wook's Montage | 박찬욱의 몽타주 | 299 | Mind walk | Template:ISBN | citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> |
Park Chan-wook's Homage | 박찬욱의 오마주 | 528 | Template:ISBN | citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> |
Awards and nominationsEdit
Year | Award | Category | Nominated work | Result | Template:Abbr | |
---|---|---|---|---|---|---|
2000 | 21st Blue Dragon Film Awards | Best Film | Joint Security Area | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref>Template:Full citation needed |
Best Director | Template:Won | |||||
2001 | 51st Berlin International Film Festival | Golden Bear | Template:Nom | citation | CitationClass=web
}}</ref> | |
Blue Ribbon Awards | Best Foreign Film | Template:Won | ||||
Deauville Asian Film Festival | Lotus d'Or (Prix du Jury) ("Jury Prize") | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref>Template:Full citation needed | ||
Lotus du Public (Prix du Public) ("Popular Choice") | Template:Won | |||||
Grand Bell Awards | Best Film | Template:Won | ||||
Seattle Film Festival | Jury Special Award | Template:Won | citation | CitationClass=web
}}</ref>Template:Full citation needed | ||
2002 | Blue Dragon Film Awards | Best Film | Sympathy for Mr. Vengeance | Template:Nom | ||
Best Director | Template:Nom | |||||
Busan Film Critics Awards | Best Film | Template:Won | ||||
Best Director | Template:Won | |||||
Italian Film Noir Festival | Special Jury Award | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref>Template:Full citation needed<ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref>Template:Full citation needed | |
Udine Far East Film Festival | Audience Award | Template:Won | ||||
2003 | Blue Dragon Film Awards | Best Film | Oldboy | Template:Nom | ||
Best Director | Template:Won | |||||
2004 | Asian Pacific Film Festival | Best Director | Template:Won | citation | CitationClass=web
}}</ref>Template:Full citation needed | |
British Independent Film Awards 2004 | Best Foreign Independent Film | Template:Won | ||||
41st Grand Bell Awards | Best Film | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Director | Template:Won | |||||
Best Adapted Screenplay | Template:Nom | |||||
2004 Cannes Film Festival | lang}} | Template:Nom | <ref name="cannesfest">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Grand Prix | Template:Won | |||||
17th European Film Awards | Best Non-European Film | Template:Nom | citation | CitationClass=web
}}</ref> | ||
Stockholm International Film Festival | Audience Award | Template:Won | citation | CitationClass=web
}}</ref>Template:Full citation needed | ||
2005 | 11th Critics' Choice Awards | Best Foreign Language Film | Template:Nom | citation | CitationClass=web
}}</ref> | |
Austin Film Critics Association Awards 2005 | Best Foreign Language Film | Template:Won | ||||
62nd Venice International Film Festival | Golden Lion | Lady Vengeance | Template:Nom | citation | CitationClass=web
}}</ref> | |
Little Golden Lion | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | |||
Young Cinema Award: Alternatives | Template:Won | |||||
'CinemAvvenire' Award: Best Film in Competition | Template:Won | |||||
26th Blue Dragon Film Awards | Best Film | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Director | Template:Nom | |||||
18th European Film Awards | Screen International | Template:Nom | citation | CitationClass=web
}}</ref> | ||
9th Proud Sogang Award | Sogang Award | Template:Won | citation | CitationClass=web
}}</ref>Template:Full citation needed<ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref>Template:Full citation needed | |
Royal Salute | Mark of Respect Award | Template:Won | citation | CitationClass=web
}}</ref>Template:Full citation needed | ||
2006 | 43rd Grand Bell Awards | Best Film | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | |
Best Director | Template:Nom | |||||
Bangkok International Film Festival | Best Director | Template:Won | citation | CitationClass=web
}}</ref>Template:Full citation needed | ||
Oporto International Film Festival | Best Picture | Template:Won | citation | CitationClass=web
}}</ref>Template:Full citation needed | ||
2007 | 57th Berlin International Film Festival | Golden Bear | I'm a Cyborg, But That's OK | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Alfred Bauer Prize | Template:Won | |||||
2009 | 36th Saturn Awards | Best International Film | Thirst | Template:Nom | ||
30th Blue Dragon Film Awards | Best Film | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Director | Template:Nom | |||||
2009 Cannes Film Festival | lang}} | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Jury Prize | Template:Won | |||||
2011 | 61st Berlin International Film Festival | Short Film Golden Bear (shared with Park Chan-kyong) | Night Fishing | Template:Won | citation | CitationClass=web
}}</ref> |
2013 | 40th Saturn Awards | Best International Film | Stoker | Template:Nom | citation | CitationClass=web
}}</ref> |
2016 | Austin Film Critics Association Awards 2016 | Best Film | The Handmaiden | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
Best Director | Template:Nom | |||||
Best Adapted Screenplay (shared with Jeong Seo-kyeong) | Template:Nom | |||||
Best Foreign Language Film | Template:Won | |||||
37th Blue Dragon Film Awards | Best Film | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Director | Template:Nom | |||||
Boston Society of Film Critics Awards 2016 | Best Foreign Language Film | Template:Won | citation | CitationClass=web
}}</ref> | ||
25th Buil Film Awards | Best Film | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref>Template:Unreliable source? | ||
Best Director | Template:Nom | |||||
2016 Cannes Film Festival | lang}} | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Queer Palm | Template:Nom | |||||
Chicago Film Critics Association Awards 2016 | Best Film | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Director | Template:Nom | |||||
Best Adapted Screenplay (shared with Jeong Seo-kyeong) | Template:Won | |||||
Best Foreign Language Film | Template:Won | |||||
22nd Critics' Choice Awards | Best Foreign Language Film | Template:Nom | citation | CitationClass=web
}}</ref> | ||
Dallas–Fort Worth Film Critics Association Awards 2016 | Best Foreign Language Film | Template:Won | citation | CitationClass=web
}}</ref> | ||
Houston Film Critics Society Awards 2016 | Best Picture | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Foreign Language Film | Template:Won | |||||
2016 Los Angeles Film Critics Association Awards | Best Foreign Language Film | Template:Won | citation | CitationClass=web
}}</ref> | ||
2016 National Society of Film Critics Awards | Best Foreign Language Film | Template:Draw | citation | CitationClass=web
}}</ref> | ||
Online Film Critics Society Awards 2016 | Best Picture | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Foreign Language Film | Template:Won | |||||
San Diego Film Critics Society | Best Foreign Language Film | Template:Nom | citation | CitationClass=web
}}</ref><ref name="SDiegoWin">{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> | |
San Francisco Film Critics Circle Awards 2016 | Best Adapted Screenplay (shared with Chung Seo-kyung) | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Foreign Language Film | Template:Won | |||||
St. Louis Gateway Film Critics Association Awards 2016 | Best Foreign Language Film | Template:Draw | citation | CitationClass=web
}}</ref> | ||
Toronto Film Critics Association Awards 2016 | Best Foreign Language Film | Template:Draw | citation | CitationClass=web
}}</ref> | ||
Vancouver Film Critics Circle Awards 2016 | Best Foreign Language Film | Template:Nom | citation | CitationClass=web
}}</ref> | ||
Washington D.C. Area Film Critics Association Awards 2016 | Best Foreign Language Film | Template:Nom | citation | CitationClass=web
}}</ref> | ||
2017 | 11th Asian Film Awards | Best Screenplay (shared with Chung Seo-kyung) | Template:Nom | citation | CitationClass=web
}}</ref> | |
53rd Baeksang Arts Awards | Grand Prize – Film | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref><ref name="baeksang">{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> | |
Best Film | Template:Nom | |||||
Best Director | Template:Nom | |||||
Best Screenplay (shared with Chung Seo-kyung) | Template:Nom | |||||
21st Satellite Awards | Best Foreign Language Film | Template:Nom | citation | CitationClass=web
}}</ref> | ||
43rd Saturn Awards | Best International Film | Template:Won | <ref>Template:Cite magazine</ref> | |||
2018 | 71st British Academy Film Awards | Best Film Not in the English Language | Template:Won | citation | CitationClass=web
}}</ref> | |
2022 | 43rd Blue Dragon Film Awards | Best Film | Decision to Leave | Template:Won | <ref>Template:Cite news</ref> | |
Best Director | Template:Won | |||||
Best Screenplay (shared with Chung Seo-kyung) | Template:Won | |||||
British Independent Film Awards 2022 | Best International Independent Film | Template:Nom | citation | CitationClass=web
}}</ref> | ||
31st Buil Film Awards | Best Film | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Director | Template:Nom | |||||
Best Screenplay (shared with Chung Seo-kyung) | Template:Nom | |||||
2022 Cannes Film Festival | lang}} | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> | |
Best Director | Template:Won | |||||
Chunsa Film Art Awards 2022 | Best Screenplay (shared with Chung Seo-kyung) | Template:Nom | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> | |
Best Director | Template:Won | |||||
Critics Choice Awards Asian Pacific Cinema & Television |
Director Award | Template:Won | citation | CitationClass=web
}}</ref> | ||
Gotham Independent Film Awards 2022 | Best International Feature | Template:Nom | citation | CitationClass=web
}}</ref> | ||
58th Grand Bell Awards | Best Film | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Director | Template:Nom | |||||
Best Screenplay (shared with Chung Seo-kyung) | Template:Won | |||||
Korean Association of Film Critics Awards | Best Film | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Director | Template:Won | |||||
Best Screenplay (shared with Chung Seo-kyung) | Template:Won | |||||
LACMA Art + Film Gala | Art+Film Gala | Template:Won | citation | CitationClass=web
}}</ref> | ||
27th Satellite Awards | Best Motion Picture – International | Template:Nom | citation | CitationClass=web
}}</ref> | ||
2023 | 16th Asian Film Awards | Best Director | Template:Nom | citation | CitationClass=web
}}</ref> | |
59th Baeksang Arts Awards | Grand Prize – Film | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> | |
Best Film | Template:Nominated | |||||
Best Director | Template:Won | |||||
Best Screenplay (shared with Jeong Seo-kyeong) | Template:Nominated | |||||
Director's Cut Awards | Best Director in Film | Template:Won | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Best Screenplay | Template:Won | |||||
Visionary AwardsTemplate:Efn | 2023 Visionary | Park Chan-wook | Template:Won | citation | CitationClass=web
}}</ref> | |
2025 | 61st Baeksang Arts Awards | Best Film | Uprising | Template:Nom | citation | CitationClass=web
}}</ref> |
Best Screenplay – Film (shared with Shin Cheol) | Template:Won | citation | CitationClass=web
}}</ref> |
State honorsEdit
Country | Ceremony | Year | Honor or Award | Template:Abbr | ||
---|---|---|---|---|---|---|
South Korea | Culture Day Award Ceremony | 2000 | Today's Young Artist Award — Film Minister's Office of Culture and Tourism Commendation |
<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref><ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref> |
Korea Cultural Contents Export Merit Ceremony | 2006 | Presidential Citation | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref>Template:Full citation needed | ||
Korean Popular Culture and Arts AwardsTemplate:Efn | 2022 | Eugwan Order of Cultural Merit | <ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> | ||
Minister's Office of Culture and Tourism Award Ceremony | 2004 | Bogwan Order of Cultural Merit | <ref name="han">"`Old Boy' to Receive Order of Cultural Merit," Template:Webarchive Han Cinema (ROK). July 25, 2004, retrieved 2011-04-22</ref> |
ListiclesEdit
Publisher | Year | Listicle | Placement | Template:Abbr | ||
---|---|---|---|---|---|---|
Hankyoreh | 2004 | 100 people who will open the future of Korea | Top 15 | citation | CitationClass=web
}}</ref>Template:Full citation needed | |
Herald Business Daily | 2008 | Pop Culture Power Leader Big 30 | 11th | citation | CitationClass=web
}}</ref>Template:Full citation needed<ref>{{#invoke:citation/CS1|citation |
CitationClass=web
}}</ref>Template:Full citation needed |
Sisa Journal | 2005 | Most Influential Person in the Entertainment Industry | 9th | citation | CitationClass=web
}}</ref> | |
2008 | Next Generation Leader — Film Industry | 1st | citation | CitationClass=web
}}</ref> | ||
2009 | 1st | citation | CitationClass=web
}}</ref> | |||
2015 | Next Generation Leader — Pop Culture | 7th | citation | CitationClass=web
}}</ref> | ||
2017 | Next Generation Leader — Culture, Arts, Sports | 22thTemplate:Efn | citation | CitationClass=web
}}</ref> | ||
2018 | Korea's Most Influential Cultural Artists | 6th | <ref name=":sisa" /> | |||
2019 | 6th | citation | CitationClass=web
}}</ref> | |||
2020 | 3rd | citation | CitationClass=web
}}</ref> | |||
2021 | 5th | citation | CitationClass=web
}}</ref> | |||
2022 | 2nd | citation | CitationClass=web
}}</ref> | |||
2023 | 3rd | citation | CitationClass=web
}}</ref> |
See alsoEdit
NotesEdit
ReferencesEdit
External linksEdit
- [https://www.imdb.com/{{#if: 661791
| name/{{#if:{{#invoke:ustring|match|1=661791|2=^nm}} | Template:Trim/ | nm0661791/ }} | {{#if: {{#property:P345}} | name/Template:First word/ | find?q=%7B%7B%23if%3A+%0A++++++%7C+%7B%7B%7Bname%7D%7D%7D%0A++++++%7C+%5B%5B%3ATemplate%3APAGENAMEBASE%5D%5D%0A++++++%7D%7D&s=nm }} }}{{#if: 661791 {{#property:P345}} | {{#switch: | award | awards = awards Awards for | biography | bio = bio Biography for }}}} {{#if: | {{{name}}} | Template:PAGENAMEBASE }}] at IMDb{{#if: 661791{{#property:P345}} | Template:EditAtWikidata | Template:Main other
}}{{#switch:{{#invoke:string2|matchAny|^nm.........|^nm.......|nm|.........|source=661791|plain=false}}
| 1 | 3 = Template:Main otherTemplate:Preview warning | 4 = Template:Main otherTemplate:Preview warning
}}{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:IMDb name with unknown parameter "_VALUE_"|showblankpositional=1| 1 | 2 | id | name | section }}
- Template:Rotten-tomatoes-person
- Template:Kmdb person
- Park Chan-Wook to make korean horror Movie using only iPhone at Korean Horror Movies
- Park Chan-wook: monographic website (Italian & English)
- Template:Usurped (Korean)
- HanCinema Director Page
- Park Chan-wook at FEARnet
- SuicideGirls interview with Park Chan-wook by Daniel Robert Epstein
- July 2009 Interview with Park Chan-wook at the Korea Society (Audio)
- Park Chan-wook on Naver