Paul Hervieu

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Paul Hervieu (2 September 1857Template:Spaced ndash25 October 1915) was a French novelist and playwright.

Early yearsEdit

He was born Paul-Ernest Hervieu in Neuilly-sur-Seine, France. Hervieu was born into a wealthy upper-middle-class family. He studied law, but sought also had contact with writers like Leconte de Lisle, Paul Verlaine and Alphonse Daudet. After graduating in 1877, he first practiced in a law firm, in 1879 qualified for the diplomatic service, and was posted in the French Embassy in Mexico. But he preferred to remain in France, where he attended fashionable literary salons, and the acquaintance of artists and writers such as Marcel Proust, Paul Bourget, Henri Meilhac, Ludovic Halévy, Guy de Maupassant and Edgar Degas. On the recommendation of his friend Octave Mirbeau, he tried his hand as a journalist.

CareerEdit

Hervieu was called to the bar in 1877, and, after serving some time in the office of the president of the council, he qualified for the diplomatic service, but resigned on his nomination in 1881 to a secretaryship in the French legation in Mexico.<ref name=EB1911>{{#if: |

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Alfred Binet, in L'Année psychologique, vol. x.
Hervieu's Théâtre was published by Lemerre (3 vols, 1900–1904).</ref>

He contributed novels, tales and essays to the chief Parisian papers and reviews, and published a series of clever novels, including L'Inconnue (1887), Flirt (1890, illustrated by Madeleine Lemaire), L'Exorcisée (1891), Peints par eux-mêmes (1893), an ironic study written in the form of letters, and L'Armature (1895), dramatized in 1905 by Eugène Brieux.<ref name=EB1911/>

Hervieu's plays are built upon a severely logical method, the mechanism of which is sometimes so evident as to destroy the necessary sense of illusion. The closing words of La Course du flambeau (1901) "Pour ma fille, j'ai tué ma mère" (For my daughter, I killed my mother), are an example of his selection of a plot representing an extreme theory. The riddle in L'Énigme (1901) (staged at Wyndham's Theatre, London, 1 March 1902, as Caesar's Wife) is, however, worked out with great art, and Le Dédale (1903), dealing with the obstacles to the remarriage of a divorced woman, is reckoned among the masterpieces of the modern French stage.<ref name=EB1911/> He produced his last play, Le Destin est Maître, in 1914.<ref>Template:EB1922</ref>