Practice pad
A practice pad or drum pad, is a piece of equipment used by drummers and other percussionists to practice quietly, or to warm up before a performance.<ref name="thevault">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
ConstructionEdit
A variety of practice pads have been developed to assist percussionists in different ways. Practice pads may be designed to approximate the tension and response of a true drumhead when struck, or to provide less rebound to train the percussionist’s muscles. They can be constructed in a variety of shapes and sizes, and are typically small and light enough to be easily portable. Many variations include harder or softer playing surfaces, non-skid bases (that can also double as muted playing surfaces), and fixing points allowing the pad to be connected to existing percussion hardware such as a cymbal or snare drum stand.<ref name="dha">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
MylarEdit
Some practice pads use a disk of mylar, or another material used in the construction of true drumheads, stretched over a substrate such as foam or rubber. These elements are fixed together by a rim of metal or plastic.<ref name="dha" />
ElastomerEdit
Many other devices use a thin layer of elastomer, such as natural or synthetic rubber of various densities, as a playing surface. This type of rubber surface is either placed directly over the top of an existing drumhead, or stuck to the top of a solid substrate. The rubber is designed to reflect a drumstick or mallet after being struck in a way similar to that of a true drumhead.<ref name="newdrummer">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
MeshEdit
Some practice pads use a disk of mesh stretched over a frame. The mesh is quieter when struck than rubber or mylar, and can be tuned to mimic different types of drum head by tightening and loosening it in the frame.<ref name="drumsilent">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
UseEdit
These devices can be placed on a wide variety of surfaces including the player’s lap, a tabletop or the head of an actual drum. Placing the pad on the head of an actual drum can have the effect of transferring to the drum’s natural snare-side response along with severely muting the sound of the drum. Several units are often arranged like a standard drum kit for practice purposes.