Suspicious Minds

Template:Short description Template:About Template:Use American English Template:Use mdy dates Template:Infobox song "Suspicious Minds" is a 1968 song written and first recorded by the American songwriter Mark James. After this recording failed commercially, it was recorded by Elvis Presley with the producer Chips Moman. Presley's version reached No.1 on the US Billboard Hot 100, his 18th and final no. 1 single on that chart. In 1999, Presley's RCA Victor Records version was inducted into the Grammy Hall of Fame.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

SongEdit

The song is about a mistrusting and dysfunctional relationship, and the need of the characters to overcome their issues in order to maintain it.<ref>Template:Cite book</ref> Written in 1968 by Mark James,<ref>Template:Cite book</ref> who was also the co-writer of "Always on My Mind" (which Elvis Presley would later record), the song was first recorded and released by James on Scepter Records in 1968. Chips Moman had asked James to come to Memphis to write songs for American Sound Studio. At the time, James was residing in Houston. He had written three songs that became No.1 hits in the Southern United States. American Sound Studio was gaining a reputation in the industry, as the Box Tops had just recorded "The Letter" there, so James relocated to Memphis.

James said that late one night, he was fooling around on his Fender guitar and using his Hammond organ pedals for a bass line and came up with what he thought was a catchy melody. At the time, he was married to his first wife Shirley Yates but still had feelings for his childhood sweetheart, who was married back in Houston. James's wife had suspicions about his feelings. He felt it was a confusing time for him and that all three were "caught in this trap that they could not walk out of". At the recording session, James sang the lead vocals and the studio band backed him; Moman produced. The horns, strings, and vocals of the Holladay Sisters were later overdubbed. After the tape was mixed, James and Moman flew to New York, where James's manager had contacts with Scepter Records. The label loved the song and put it out, but Scepter did not have the money to promote new artists and the song did not make the charts.

Later that year, Don Crews, Moman's partner, told James that Presley had booked their studio to record what would become the From Elvis in Memphis album. Crews kept asking James if he had any songs that would be right for Presley. James felt Presley needed a mature rock 'n' roll song to bring him back, as Tom Jones was a popular artist at the time. Crews and James thought of "Suspicious Minds" and James began urging others to get Presley to hear it.<ref name="marcmyerstwsj">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Though James's recording had not been commercially successful, upon reviewing the song, Presley decided he could turn it into a hit.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite book</ref>

Elvis Presley versionEdit

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BackgroundEdit

Presley had not recorded in Memphis since 1955.<ref name="parade-survey" /> Presley's 1969 recordings at American Sound Studio were a direct consequence of the '68 Comeback Special, that interested Chips Moman in producing recordings in Presley's new style; he was making his comeback to the Memphis musical scene by recording rock, gospel, country, rhythm & blues, and soul. Marty Lacker, a close friend of Elvis, suggested the record at the studio. These sessions produced the album From Elvis in Memphis.<ref name="marcmyerstwsj" />

American Sound Studio sessionEdit

"Suspicious Minds" was a product of a session that took place between 4 and 7 a.m. on Thursday, January 23, 1969.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> James was in Memphis, but he was not at the recording session. A few days earlier, he had walked into the recording studio during a session and sensed that Presley was uncomfortable with his presence. James did not want to jinx the song, so he stayed away. When he heard the track the day after it was recorded, he initially thought it sounded too slow. When he later heard the embellished version, he said he was blown away. In later years, whenever Presley saw James, he would cross the room to say hello.<ref name="marcmyerstwsj" />

Production of the song was nearly scuttled over a copyright dispute. Presley's business people Hill & Range said they wanted half of Moman's publishing rights. Moman accused them of stealing and threatened to halt the recording session. Harry Jenkins of RCA agreed with Moman because he sensed that "the song would be a big hit and there would be plenty to go around".<ref name="marcmyerstwsj" /> The songs "I'll Hold You in My Heart (Till I Can Hold You in My Arms)", "Without Love (There Is Nothing)", and "I'll Be There" were recorded in the same session. On August 7, "Suspicious Minds" was again overdubbed to stereo and mono in Las Vegas, where the final master was produced by Bill Porter.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The song's time signature changes in the bridge section, from 4/4 to the slower 6/8, then back again to the faster 4/4 rhythm. The instrumental arrangement uses an electric guitar, bass guitar, organ, strings, trumpets, trombones, and drums. As Parade magazine wrote in a survey of some of Presley's biggest hits, the recording "boasts one of the most innovative arrangements in Elvis' career ... two time-signature changes, a jangling electric guitar, spiraling strings, pumping horns and a barreling backup choir".<ref name="parade-survey">Template:Cite news</ref>

RCA staff producer Felton Jarvis decided to add a fade-out to the song starting at 3:36 and lasting for nearly 15 seconds before fading back in. The first verse then continues repeatedly until the song completely fades out at 4:22. In a 2012 interview with Marc Myers of The Wall Street Journal, Moman disclosed that Jarvis was never happy with Presley recording at American Sound Studio, saying "it was a control thing". He added: "So when Jarvis took the tape of 'Suspicious Minds', he added this crazy 15-second fade toward the end, like the song was ending, and brought it back by overdubbing to extend it. I have no idea why he did that, but he messed it up. It was like a scar. None of which mattered. Soon after the song was released, Elvis was back on top of the charts."<ref>Template:Cite magazine</ref>

Future Grateful Dead vocalist Donna Jean Godchaux sang backing vocals on the track.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

"Suspicious Minds" was one of the singles that revived Presley's chart success in the U.S., following his '68 Comeback Special. It was his 18th and last Billboard Hot 100 No.1 single in the United States. In December 2003, Rolling Stone ranked it No. 91 on their list of the 500 Greatest Songs of All Time.<ref>Template:Cite magazine</ref> Session guitarist Reggie Young played on both the James and Presley versions.

The song was later included on the legacy edition of From Elvis in Memphis and the Follow That Dream reissue of Back In Memphis.

PersonnelEdit

Sourced from Keith Flynn.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Elvis Presley – lead and harmony vocals; guitar (uncertain)
Reggie Young – guitar
Mike Leech – bass
Bobby Wood – piano
Bobby Emmons – organ
Gene Chrisman – drums
Art Vasquez, Norman Prentice, Bobby Shew – trumpets
Archie LeCoque, Johnny Boice – trombones
Kenneth Adkins – bass trombone
Glen Spreen – string and horn arrangements
Donna Thatcher, Mary "Jeannie" Greene, Ginger Holladay, Mary Holladay – backing vocals

Release and performancesEdit

Presley first performed the song at the Las Vegas International Hotel (later renamed the Hilton) on July 31, 1969, and the 45 rpm single was released 26 days later. It reached No.1 on the US Billboard Hot 100 for the week of November 1 and stayed there for one week.<ref name="ReferenceA">[Joel Whitburn's Top Pop Singles 1955–2002]</ref> It would be Presley's final No.1 single on the Billboard Hot 100, before his death ("Burning Love" in 1972 was a No.1 hit on the Cashbox chart; "The Wonder Of You" in 1970, "Way Down" in 1977, and Junkie XL's remix of "A Little Less Conversation" in 2002 all hit No.1 on the UK Singles Chart, followed by re-issues of several previous chart-toppers in 2005).

ChartsEdit

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WeeklyEdit

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Chart (1969–2007)	Peak position
Australian Go-Set National Top 40<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	1
Irish Singles Chart<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	1
South Africa (Springbok)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	1

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Year-endEdit

Chart (1969)	Rank
Canada<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	9
US Billboard Hot 100<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	18

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CertificationsEdit

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Fine Young Cannibals versionEdit

Template:Infobox song In 1986, the band Fine Young Cannibals' cover version, which features backing vocals by Jimmy Somerville, reached No. 8 on the UK Singles Chart. It was filmed in black and white and is mostly shown that way, only colorized following the bridge section. It pays homage to Elvis Presley in its monochromaticity (common during his early career) and the shiny spangled suits the band wears in the second half.

ChartsEdit

WeeklyEdit

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Chart (1986)	Peak position
Australia (Kent Music Report)<ref>Template:Cite book</ref>	6
Europe (European Hot 100 Singles)<ref>Template:Cite magazine</ref>	25
US 12-inch Singles Sales (Billboard)<ref>Template:Cite magazine</ref>	49
US Dance/Disco Club Play (Billboard)<ref>Template:Cite magazine</ref>	23

Year-endEdit

Chart (1986)	Position
Australia (Kent Music Report)<ref name="aus86">Template:Cite magazine</ref>	77

Dwight Yoakam versionEdit

Template:Infobox song In 1992, country singer Dwight Yoakam recorded his version, for the soundtrack of the film Honeymoon in Vegas, and also filmed an accompanying video.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The track was later released on his 2004 compilation album The Very Best of Dwight Yoakam.

ChartsEdit

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Chart (1992)	Peak position
Australia (ARIA)<ref >{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	129

Gareth Gates versionEdit

Template:Infobox song Gareth Gates, the runner-up of the first series of the ITV talent show Pop Idol, released a cover version of "Suspicious Minds" on BMG-related record labels on September 23, 2002. The single is a double-A side record containing a cover of the Beatles' "The Long and Winding Road" performed with Pop Idol series one winner Will Young. The single topped the UK Singles Chart, where it stayed for two consecutive weeks. The music video features Gates changing color, alternating between black and white in a white background, while clips from the 2002 film Lilo & Stitch are shown.

ChartsEdit

WeeklyEdit

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Chart (2002)	Peak position
Europe (Eurochart Hot 100)<ref>Template:Cite magazine</ref>	9

Year-endEdit

Chart (2002)	Position
UK Singles (OCC)<ref>{{#invoke:citation/CS1\|citation	CitationClass=web }}</ref>	22

CertificationsEdit

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Warwick, Jennings and Staton versionsEdit

Dee Dee Warwick, Dionne Warwick's sister, covered "Suspicious Minds" while Elvis Presley's version was still on the charts. Warwick's version was a minor U.S. pop hit, peaking at No. 80 in 1970. It reached No. 24 on the Billboard R&B chart for May 8, 1971.<ref>Joel Whitburn, Top R&B Singles 1942–2004, Billboard . Wisconsin 2004</ref>

Waylon Jennings and Jessi Colter recorded the song for RCA in 1970. Their version reached No. 25 on the Billboard Country chart in November of that year. The Jennings-Colter version was re-released by RCA in 1976, topping out at No. 2, and was included on the album Wanted! The Outlaws that same year. Their version was nominated for a Grammy Award for Best Country Performance by a Duo or Group with Vocal at the 13th Annual Grammy Awards.

Candi Staton had a No. 31 UK hit with her revival in 1982.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

ReferencesEdit

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