Van Halen (album)

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Van Halen is the debut studio album by American rock band Van Halen, released on February 10, 1978, by Warner Bros. Records. Widely regarded as one of the greatest debut albums in rock music,<ref>Template:Cite magazine</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> the album was a major commercial success, peaking at number 19 on the Billboard Top LPs & Tape chart.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It has sold more than 10 million copies in the United States, receiving a Diamond certification from the Recording Industry Association of America (RIAA) and making it one of the best-selling albums in the country.<ref name="riaa.com">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Van Halen contains some of the band's most well-known songs, including "Runnin' with the Devil", "Ain't Talkin' 'bout Love", "Jamie's Cryin'", their cover version of the Kinks' 1964 song "You Really Got Me", and the instrumental "Eruption"; written and performed by guitarist Eddie Van Halen, it is widely regarded as one of the greatest guitar solos of all time and helped popularize two-handed tapping.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2020, the album was ranked number 292 in Rolling StoneTemplate:'s list of the "500 Greatest Albums of All Time".

BackgroundEdit

Van Halen recorded demos of 10 songs in November 1976 during sessions at Village Recorders in West L.A. and New York’s Electric Lady studios, produced and financed by Gene Simmons of Kiss. Template:Sfn However, the resulting three-track demo tape attracted little interest from record labels, and Kiss’s manager Bill Aucoin even declined to manage the band.Template:Sfn Guitarist Eddie Van Halen was not convinced of the quality of the material because they could not make the recordings with their own equipment.<ref name="hardharderheavy">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Simmons left to tour with Kiss after recording the demos, but said he would try to secure Van Halen a record deal afterwards.<ref name="simmons-rs">Template:Cite magazine</ref>

After recording the demos, the band was offered several concerts. At a sold-out show in their hometown, Pasadena, the group's future manager, Marshall Berle, discovered the band. He and musical entrepreneur Kim Fowley paired them with punk rock band Venus and the Razorblades for a gig at the Whisky a Go Go.<ref name="renoff">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After being well received by Berle at the Whisky a Go Go, the band gained the attention of Mo Ostin and Ted Templeman of Warner Bros. who both attended the band's performance at the Starwood on February 3, 1977. Van Halen proceeded to sign a contract with Warner.Template:Sfn Template:Sfn

The recording of this debut album with producer Ted Templeman began August 29, 1977.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The tracks were recorded quickly during sessions between August 31 and September 8, 1977.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was mostly recorded live,Template:Sfn but "Runnin' with the Devil", "Jamie's Cryin'", "Feel Your Love Tonight" and "Ice Cream Man" contain guitar overdubs.Template:Sfn Eddie also overdubbed his solo for "Ain't Talkin' 'bout Love" with an electric sitar.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Work on the album ended October 4 with the final mixing of "Little Dreamer" and "Eruption" (titled simply "Guitar Solo" on studio documents).<ref name="SSRYT"/> Overall, the album cost approximately $54,000 to produce. Template:Sfn

"We didn't have a ton of material," recalled bassist Michael Anthony, "so we basically just took our live show and all the songs we knew and went for it. The whole album only took a couple of weeks. Ted Templeman wanted to make a big, powerful guitar record, and he had all he needed in what Eddie was doing."<ref>musicradar.com/news/guitars/michael-anthony-my-6-career-defining-records-249695</ref> Jenna Scaramanga of Guitar World wrote, "Van Halen didn’t have much in common with The Clash or the Sex Pistols, but the Californians’ brand of ‘Atomic Punk’ had the same urgency as the London punks."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The subsequent tour began March 3, 1978 at the Aragon Ballroom in Chicago with the band opening for Journey and Ronnie Montrose in the United States.Template:Sfn<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> They later opened for heavy metal band Black Sabbath in Europe and the United States.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Packaging and artworkEdit

The cover photos for Van Halen were taken at the Whisky a Go Go, a Los Angeles club at which Van Halen often performed during late 1976-1977. The guitar pictured on the cover is Eddie Van Halen's signature Frankenstrat (before he added the red paint), a highly customized Stratocaster-style guitar built out of replacement parts.

The liner notes thank radio disc jockey Rodney Bingenheimer and Kiss bassist Gene Simmons,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> the latter usually credited with discovering Van Halen<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> although Bingenheimer deserves credit for introducing Van Halen to Simmons. "A lot of people stick me on their [thanks list], even though I don't deserve it," Simmons remarked. "One that I did deserve to be on was that first Van Halen record – the guys still owe me a couple thousand bucks! But I love 'em."<ref>Template:Cite magazine</ref>

Release and receptionEdit

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In the United States, Van Halen reached number 19 on the Billboard 200; their debut single, a cover of The Kinks' "You Really Got Me", spent eleven weeks, three of which in the Top 40, on the Billboard Hot 100, peaking at number 36.<ref>Template:Harvnb; Template:Harvnb</ref>

Soon after its February 1978 release, Van Halen became regarded by fans and critics as one of rock music’s greatest debut albums; however, its initial critical reception was mostly negative. In 1978, Rolling Stone critic Charles M. Young predicted, "In three years, Van Halen is going to be fat and self-indulgent and disgusting ... follow[ing] Deep Purple and Led Zeppelin right into the toilet. In the meantime, they are likely to be a big deal."<ref>Template:Cite magazine</ref> But he also wrote that: "Van Halen's secret is not doing anything that's original while having the hormones to do it better than all those bands who have become fat and self-indulgent and disgusting. Edward Van Halen has mastered the art of lead/rhythm guitar in the tradition of Jimmy Page and Joe Walsh; several riffs on this record beat anything Aerosmith has come up with in years. Vocalist Dave Lee Roth manages the rare hard-rock feat of infusing the largely forgettable lyrics with energy and not sounding like a castrato at the same time. Drummer Alex Van Halen and bassist Michael Anthony are competent and properly unobtrusive."<ref>Template:Cite magazine</ref> Village Voice critic Robert Christgau said, "For some reason Warners wants us to know that this is the biggest bar band in the San Fernando Valley ... The term becomes honorific when the music belongs in a bar. This music belongs on an aircraft carrier."<ref name="CG" />

According to Rolling StoneTemplate:'s Holly George-Warren, with the album's release the mainstream media focused on Roth's "swaggering good looks and extroverted persona", while fans and musicians "were riveted by Eddie Van Halen's guitar mastery", which included "an array of unorthodox techniques."Template:Sfn She notes that, even before the band's debut, "Eddie became a legend among local guitarists."Template:Sfn

Kerrang! magazine gave the album a very positive review, and considers the album to be an "essential purchase." They wrote, "IT'S DIFFICULT to overstate the effect VH's debut had upon its release. With the music world split between punk, disco and prog rock, Van Halen combined a dazzling live show with a party-hearty motto and, in Eddie Van Halen, a guitarist who redefined what was possible on six strings. His sound on this album—christened 'The Brown Sound'—remains the holy grail of guitar tones."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Record World called the single "Jamie's Crying" a "driving rhythm piece, which may be [Van Halen's] most interesting single to date." saying that "its rock energy never lets up."<ref name=rw>Template:Cite magazine</ref>

Commercial performanceEdit

On August 7, 1996, Van Halen was re-certified by the RIAA for selling ten million copies in the United States alone.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> One of only seven rock bands to release two RIAA Diamond status albums, Van Halen remains one of Van Halen's two best-selling albums, along with 1984.

Van Halen went to Gold status on May 24, 1978, and then went to Platinum status just a few months later, on October 10, 1978. In less than a year the album sold more than one million copies in the US alone, meaning that the album was already a great success. On October 22, 1984, the album went to 5× Multi-Platinum status. The album went to 6x Multi-Platinum on February 1, 1989, and then went to 7× Multi-Platinum on September 29, 1993. In less than a year later, on July 11, 1994, the album went to 8x Multi-Platinum, and finally, on August 7, 1996, just two years later, the album went to Diamond status by RIAA.<ref name="riaa.com" />

The Van Halen album, like Van Halen's other David Lee Roth-era albums—excepting Van Halen II, which was re-certified in 2004, to coincide with the promotion of a Warner Bros. Records greatest hits collection—was last brought by Warner Bros. Records to the RIAA for re-certification in 1996, while 1984 was re-certified on February 8, 1999.<ref name="riaa.com" /> The band's split with Warner Brothers in 2002, and subsequent agreement with Interscope has eliminated Warner Brothers' incentive for paying the [relatively substantial] fee to promote Van Halen's back-catalog by having its albums re-certified. Despite lack of re-certification, Van Halen's 1978 debut has continued to sell prolifically, re-appearing numerous times on BillboardTemplate:'s Top LPs & Tape and Top Pop Catalog Albums charts, as recently as 2020.<ref>Template:Cite magazine</ref>

LegacyEdit

AllMusic's Stephen Thomas Erlewine described Van Halen as "monumental" and "seismic", while noting that it is typically not viewed as an "epochal generation shift" in the same way as the debut albums of Led Zeppelin, the Ramones, The Rolling Stones, and the Sex Pistols.<ref name="STE">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He explains, "The reason it's never given the same due is that there's no pretension, nothing self-conscious about it."<ref name="STE" /> He commented: "The still-amazing thing about Van Halen is how it sounds like it has no fathers ... Like all great originals Van Halen doesn't seem to belong to the past and it still sounds like little else, despite generations of copycats."<ref name="STE" /> In Erlewine's opinion, the album "set the template for how rock and roll sounded for the next decade or more."<ref name="STE" /> A retrospective review by Q noted, "Hit singles came later, but this dazzling debut remains their trump card."<ref name="ReferenceA"/>

The album has been called the progenitor of glam metal.<ref name="guardglam" /><ref name="digglam" /> Jenna Scaramanga of Guitar World wrote, "The date on the sleeve says 1978, but a cursory listen to Van Halen’s debut tells you that it is, by some distance, the greatest guitar album of the 1980s. [...] Listening to it is a joyful experience, and that love of music gave meaning to every note they played."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 1994, Van Halen was ranked number eight in Colin Larkin's Top 50 Heavy Metal Albums. Larkin described it as "one of the truly great" debut albums of heavy metal.Template:Sfn According to authors Gary Graff and Daniel Durchholz, writing in MusicHound Rock: The Essential Album Guide (1999), Van Halen is a "headbanger's paradise"; before its release, "no one had heard or seen anything like it."Template:Sfn In 2003, Rolling Stone, listed it among The 500 Greatest Albums of All Time, at number 410;Template:Sfn the list's 2012 edition had it ranked 415th.<ref name="500-greatest">Template:Cite magazine</ref> The 2020 list placed it at 292. According to Rolling StoneTemplate:'s Joe Levy, the album "gave the world a new guitar hero and charismatic frontman" in Eddie Van Halen and David Lee Roth, respectively.Template:Sfn Levy credits the tracks "Runnin' with the Devil" and "Ain't Talkin' 'Bout Love" with "put[ting] the swagger back in hard rock", praising Eddie Van Halen's "jaw-dropping technique", which "raised the bar for rock guitar."Template:Sfn In 2006, Guitar World readers ranked it number 7 on a list of the Greatest Guitar Albums of All Time.<ref>Template:Cite magazine A copy can be found at {{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2013, Rolling Stone listed the album at number 27 of the 100 Best Debut Albums of All Time.<ref>Template:Cite magazine</ref>

On April 15, 2013, David Lee Roth was interviewed by Jay Mohr for his podcast, where he selected the album as his favorite Van Halen recording.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Track listingEdit

Template:Track listing Template:Track listing

PersonnelEdit

Van HalenEdit

David Lee Roth – lead vocals, acoustic guitar on "Ice Cream Man" (credited as "David Roth")
Eddie Van Halen – guitar, backing vocals, electric sitar on "Ain't Talkin' 'bout Love"<ref>{{#invoke:citation/CS1|citation

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