Vienna (Ultravox song)
Template:Short description Template:Use British English Template:Use dmy dates Template:Infobox song
"Vienna" is a song by British new wave band Ultravox, released on 9 January 1981 by Chrysalis Records<ref name=bpi/> as the third single and the title track from their fourth studio album of the same name. The new wave ballad,<ref name="SPIN" /> which features Midge Ure on lead vocals, is regarded as a staple of the synth-pop genre that was popularised in the early 1980s, and remains both the band's signature song and their most commercially successful release.
The song was also performed at the 1985 Live Aid concert in Wembley Stadium, and is often performed live by Ure in solo performances.
BackgroundEdit
Written in January 1980,<ref name="Guardian">Template:Cite news</ref> "Vienna" has a dramatic grand piano in the verses and chorus, and a viola solo in the middle of the song. Other sounds include a solid synth bass line played on a MiniMoog, an Elka string synthesiser and a Roland CR-78 drum machine. The drum machine pattern created by Warren Cann was the basis of the song.<ref name="Independent">Template:Cite news</ref> Cann and the classically trained Billy Currie together wanted to create something that might sound like it had been written by a late-19th-century romantic composer, so they started creating the basic chords and sounds of the song, and the romantic viola solo was influenced by German composer Max Reger.<ref name="Guardian" />
The lyrics, which describe a brief love affair in the city of Vienna, were quickly written by Midge Ure. According to Currie, Ure was hesitant about the overly classical romantic feel of the orchestration, and said: "This means nothing to me", to which the producer Conny Plank replied: "Well, sing that then." Ure said that, when he went into the studio, he had in his mind only the line "The feeling is gone, this means nothing to me – oh Vienna!".<ref name="Guardian" /> Then he wrote the vocal part while bass player Chris Cross started playing some bass lines with his synthesizer.
In interviews at the time it was said that the song took its inspiration from the 1949 film The Third Man, which is based around the Austrian capital, but Midge Ure later admitted he made that up when asked what the song was about.<ref name="Independent" /> Ure is said to have been influenced by the Walker Brothers' 1978 single "The Electrician".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> According to Ure's autobiography, the title came about by a mishearing of the Fleetwood Mac song "Rhiannon".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Ure said of the track: "We wanted to take the song and make it incredibly pompous in the middle, leaving it very sparse before and after, but finishing with a typically over-the top classical ending."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The band's record company Chrysalis Records was reluctant to release "Vienna" as a single, thinking the song too slow and too long to be successful, but relented after the band persisted.
Release and chart performanceEdit
The single spent four consecutive weeks at No. 2 on the UK Singles Chart,<ref name=occ/> kept off the top spot by John Lennon's "Woman" for a week<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and then by Joe Dolce's "Shaddap You Face" for a further three weeks.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was certified gold by the British Phonographic Industry (BPI) in February 1981, denoting sales of over 500,000 copies in the UK,<ref name=bpi/> and eventually became the UK's sixth-best-selling single of 1981.<ref name="UKyearend"/> The single topped the charts in Belgium, Ireland and the Netherlands.<ref name="Guardian" />
It was voted Britain's favourite single ever to peak at No. 2 on the charts in a 2012 poll by BBC Radio 2 and the Official Charts Company (OCC), and was also awarded an honorary No. 1 by the OCC.<ref>Template:Cite news</ref>
In 2017, Ure declined an opportunity to meet Dolce, saying: "I've had 40 years of people talking about Joe 'Bloody' Dolce and I don't want to spend what I've got left talking about when I met him."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Music videoEdit
The music video, directed by Russell Mulcahy,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> is particularly evocative of The Third Man. It was Ultravox's second video, after "Passing Strangers" (also with Mulcahy), and cost £6,000–£7,000, footed by the band after Chrysalis refused to fund it.<ref name="auto">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The gravestone that is shown in the video and on the single cover is part of the grave of the Austrian piano manufacturer Carl Schweighofer, and is located in the Zentralfriedhof in Vienna. The city's cathedral and Michaelerplatz square also feature.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
B-sidesEdit
The B-side to the single is "Passionate Reply". It was recorded in August 1980 at Criteria Studios in Miami, on their American tour.<ref name="auto"/> Cann said to Jonas Wårstad about the track: "The B-side of the 7", 'Passionate Reply' was a promising song, perhaps it needed some 'living with' before we would've considered it finished. As it was, we thought it made a good B-side."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The 12-inch single includes "Herr X", a version of the Kraftwerk-esque album track "Mr. X" sung entirely in German by Warren Cann with the aid of native German producer Conny Plank. Both tracks were included on the remastered CD version of the Vienna album as bonus tracks.
ReissueEdit
In 1993 "Vienna" was re-released by Chrysalis, to promote the Midge Ure/Ultravox greatest hits compilation If I Was: The Very Best of Midge Ure & Ultravox. This reissue peaked at number 13 on the UK Singles Chart.<ref name=ukchart93/> Like the compilation album, the single also included songs by Midge Ure (as B-sides).
Track listingsEdit
All songs written and composed by Warren Cann, Chris Cross, Billy Currie and Midge Ure, except where noted.
1981Edit
7-inch vinyl
- UK, Australia: Chrysalis / CHS 2481
- Germany, Netherlands: Chrysalis / 102 905
Template:Tracklist Template:Tracklist
12-inch vinyl
- UK, France: Chrysalis / CHS 12 2481
- Germany: Chrysalis / 600 352-213
- Netherlands: Chrysalis / 12.2481
Template:Tracklist Template:Tracklist
1993Edit
CD
- UK: Chrysalis / CDCHS 3936
- UK: Chrysalis / CDCHSS 3936 ("Limited edition collectors pack CD1 of a 2CD set", with space for the second CD)
UK: Chrysalis / CDCHS 3937
ChartsEdit
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Weekly chartsEdit
Template:Single chartTemplate:Single chartTemplate:Single chartTemplate:Single chartTemplate:Single chartTemplate:Single chartTemplate:Single chartTemplate:Single chartTemplate:Single chart| Chart (1981) | Peak position | |
|---|---|---|
| Australia (Kent Music Report)<ref>Template:Cite book</ref> | 11 | |
| South Africa (Springbok Radio)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
8 |
| Chart (1993) | Peak position |
|---|---|
| Europe (Eurochart Hot 100 Singles)<ref>Template:Cite magazine</ref> | 50 |
Year-end chartsEdit
| Chart (1981) | Position | |
|---|---|---|
| Australia (Kent Music Report)<ref>Template:Cite magazine</ref> | 66 | |
| Belgium (Ultratop 50 Flanders)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
9 |
| Netherlands (Dutch Top 40)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
8 |
| Netherlands (Single Top 100)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
5 |
| New Zealand (Recorded Music NZ)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
30 |
| UK Singles (OCC)<ref name="UKyearend">{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
6 |
| West Germany (Official German Charts)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
64 |
CertificationsEdit
Template:Certification Table Top Template:Certification Table Entry Template:Certification Table Bottom
"Vienna 92"Edit
Template:Infobox song In March 1992, a re-recorded version of "Vienna", by a new Ultravox line-up, was released as a single in Germany. This line-up consisted of original Ultravox member Billy Currie on keyboards, violin and percussion, and Tony Fenelle on vocals, guitar and percussion. The backing vocals on B-side "Systems of Love" were performed by Alison Limerick and Jackie Williams. The single did not chart. It was not included in the album Revelation.
Track listingsEdit
12-inch vinyl
Germany: ZYX / 6767-12
Template:Tracklist Template:Tracklist
CD
Germany: ZYX / 6767-8
Cover versionsEdit
Vic ReevesEdit
In 1992, comedian Vic Reeves (Jim Moir) appeared on the album Ruby Trax – The NME's Roaring Forty, singing a version of the song with different lyrics in the verses. The compilation was released by NME, a magazine that had been publishing single charts since 1952, with all records covered having reached the number-one slot in their own charts during 40 years of publication.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> As "Vienna" by Ultravox reached number one on the NME charts on 21 February 1981 (staying at the top for one week) it was eligible for inclusion within the concept of the project, where it would not have been allowed if NME had been following the British Market Research Bureau/Gallup chart (now branded as the Official Chart).