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The Whitechapel Gallery is a public art gallery in Whitechapel on the north side of Whitechapel High Street, in the London Borough of Tower Hamlets. The original building, designed by Charles Harrison Townsend, opened in 1901 as one of the first publicly funded galleries for temporary exhibitions in London. The building is a notable example of the British Modern Style.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 2009 the gallery approximately doubled in size by incorporating the adjacent former Passmore Edwards library building. It exhibits the work of contemporary artists and organizes retrospective exhibitions and other art shows.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

HistoryEdit

The gallery exhibited Pablo Picasso's Guernica in 1938 as part of a touring exhibition organised by Roland Penrose to protest against the Spanish Civil War.<ref name=guernica>Template:Cite book</ref>

The gallery played a major role in the history of post-war British art by promoting the work of emerging artists. Several significant exhibitions were held at the Whitechapel Gallery including This is Tomorrow in 1956, the first UK exhibition by Mark Rothko in 1961, and in 1964, The New Generation show which featured John Hoyland, Bridget Riley, David Hockney and Patrick Caulfield among others.<ref name="auto2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="auto4">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="auto1">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="auto3">Template:Cite news</ref>

Initiated by members of the Independent Group, the exhibition brought Pop Art to the general public as well as introducing some of the artists, concepts, designers and photographers that would define the Swinging Sixties.

Throughout its history, the gallery had a series of open exhibitions that provided a platform for the area's artist community, but by the early 1990s these open shows became less relevant as emerging artists moved to other areas.

In the late 1970s, the critical importance of the Whitechapel Gallery was displaced by newer venues such as the Hayward Gallery, then in the 1980s it enjoyed a resurgence under the Directorship of Nicholas Serota. The gallery had a major refurbishment in 1986; and in 2009 expanded into the former Passmore Edwards Library building next door. The expansion, which doubled the gallery's physical size and nearly tripled its available exhibition space, now allows the Whitechapel Gallery to remain open to the public all year round.<ref name="auto2"/>

Notable exhibitionsEdit

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Barjeel's 'Imperfect Chronology' exhibition at the Whitechapel Gallery
  • 1908 – Muhammadan Art and Life in Turkey, Persia, Egypt, Morocco and India. Autumn Exhibition 23 October to 6 December. The opening day to the public was on 27th Ramadan. An advisory member was Syed Ameer Ali, who in 1910 was one of the main instigators of the London Mosque Fund, which went on to establish the nearby East London Mosque.
  • 1956 – This is Tomorrow exhibit<ref>{{#invoke:citation/CS1|citation

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  • 1958 – American abstract expressionist Jackson Pollock
  • 1961 – Mark Rothko. The installation of his work at the Whitechapel becomes his template for all subsequent showsTemplate:Citation needed
  • 1961 - Recent Australian painting, Whitechapel Gallery, London (including John Olsen)
  • 1964 – The New Generation – Painting – showcasing the work of John Hoyland,<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref> Patrick Caulfield, David Hockney, Paul Huxley, Alan Jones and Bridget Riley<ref>Template:Cite book</ref><ref name="auto4"/><ref name="auto1"/>

  • 1965 – The New Generation – Sculpture – showcasing the work of Philip King, David Annesley, Michael Bolus, Tim Scott, William Tucker, Isaac Witkin<ref>{{#invoke:citation/CS1|citation

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PublicationsEdit

In 2006, Whitechapel Gallery and MIT Press formed an editorial alliance to produce a new series of books entitled Documents of Contemporary Art.<ref name='renamed_from_17_on_20230223053031'>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

ExpansionEdit

File:Whitechapel Gallery vane 2020.jpg
Rodney Graham's weather vane (2008), commissioned for the expansion and placed on the former library building. It depicts the artist in the guise of 16th-century humanist scholar Desiderius Erasmus.

The Whitechapel reopened in April 2009 after a two-year project, which approximately doubled the size of the Gallery by incorporating the adjacent former Passmore Edwards library building (vacated when Whitechapel Idea Store opened). The work cost approximately £13.5 million and was partly funded by the Heritage Lottery Fund. A full-size tapestry based on Pablo Picasso's Guernica, by Jacqueline de la Baume Dürrbach and loaned from the United Nations Art Collection, was included in the inaugural exhibition by Goshka Macuga.<ref name="IPoG">Template:Cite news</ref><ref>Template:Cite news</ref> and Isa Genzken.<ref>Template:Cite news</ref>

As part of the expansion, a new Archive Gallery, a reading room and an archive repository (where the Whitechapel's historic records are held) have been created to support the Whitechapel's standing as an educational charity. The archives catalogue the very conception of the gallery, as well as the complete directors' files of correspondence which reveal the reasons behind key decisions in the Gallery's history.<ref>Yiakoumaki, Nayia. "The Whitechapel Opens its Archive" Template:Webarchive, Apollo, 2009-03-01. 2009-05-28.</ref>

DirectorsEdit

  • Charles Aitken (1901–1911)
  • Hugh Scrutton (1945–1952)<ref name="auto">{{#invoke:citation/CS1|citation

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  • Bryan Robertson (1952–1968)<ref name="auto"/><ref name="auto3"/>
  • Mark Glazebrook (1969–1971)<ref>{{#invoke:citation/CS1|citation

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  • Gilane Tawadros (2022–Present)

ReferencesEdit

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External linksEdit

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