Wing Chun

Template:Short description {{#invoke:other uses|otheruses}} Template:Distinguish Template:Missing information Template:Infobox martial art Template:Infobox Chinese Template:Chinese martial arts Wing Chun (Cantonese) or Yong Chun (Mandarin) (Template:Zh, lit. "singing spring")<ref>See Etymology</ref> is a concept-based martial art, a form of Southern Chinese kung fu, and a close-quarters system of self-defense. It is a martial arts style characterized by its focus on close-quarters hand-to-hand combat, rapid-fire punches, and straightforward efficiency. It has a philosophy that emphasizes capturing and sticking to an opponent's centerline. This is accomplished using simultaneous attack and defense, tactile sensitivity, and using an opponent's force against them.

Wing Chun has various spellings in the West, but "Wing Chun" is the most common.<ref>« As the art grows in popularity, many different Romanizations for the Chinese character "Wing Chun" continue to be created, often as a result of the local dialect and pronunciation. This results in the ability to determine a lineage, student/teacher family tree, or origin, by the spelling alone. The most common spelling is "wing chun", which applies generally to all families. » - Wayne Belonoha, The Wing Chun Compendium, p.20</ref>Template:Full citation needed<ref name="mil.news.sina.com.cn">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Additional citation needed The origins of Wing Chun are uncertain, but it is generally attributed to the development of Southern Chinese martial arts. There are at least eight distinct lineages, of which the Ip Man and Yuen Kay-shan lineages are the most prolific.

The martial art was brought to Hong Kong and then the rest of the world by Ip Man, with Bruce Lee being his most famous student. The Ving Tsun Athletic Association, founded in 1967 by Ip Man and his students, helped spread Wing Chun globally. Traditionally taught within a family system, modern Wing Chun lessons have taken on a more academic and commercial character.

Wing Chun gained popularity in the 2010s due to the Ip Man film series starring Donnie Yen and has been featured in video games like Tekken 7. Notable practitioners include Bruce Lee, Donnie Yen, Samuel Kwok, and Carlos Deleon.

Etymology

In Chinese, this martial art is referred to as {{#invoke:Lang|lang}} (simplified script) or {{#invoke:Lang|lang}} (traditional script). Though it is written in an almost identical way in traditional and simplified, it is not pronounced and transcribed in the same way according to the regions and their dialects: Yǒngchūn quán in Mandarin pinyin, Wing-Chun keen in Cantonese Wade–Giles. It is made up of 2 terms: {{#invoke:Lang|lang}} (quan/kuen) which means "fist, boxing" and the term {{#invoke:Lang|lang}} (wing-chun, in Cantonese) meaning "singing spring". The full name is thus translated as "singing spring boxing".<ref name="meaning N">Template:Cite bookTemplate:Self-published source</ref><ref name="meaning W">Template:Cite book</ref>

In its short designation, the martial art is simply designated by these two sinograms:

• the sinogram {{#invoke:Lang|lang}} yǒng/wing: "to sing, to sing..."
• the sinogram {{#invoke:Lang|lang}} chūn/chun: "spring, vitality..."

This martial art is sometimes referred to by {{#invoke:Lang|lang}}, characters different from {{#invoke:Lang|lang}}, but pronounced and transcribed in the same way: They are literally translated as "eternal spring", the character {{#invoke:Lang|lang}} meaning "eternal, endless". These characters also designate the Yongchun region near the city of Quanzhou (Fujian).

If the use of {{#invoke:Lang|lang}} seems privileged today for Wing Chun styles, {{#invoke:Lang|lang}} still appears in the name of other Southern Chinese martial arts (with {{#invoke:Lang|lang}} often transcribed Weng Chun); for example jee shim weng chun and Yǒng Chūn Bái Hè Quán ({{#invoke:Lang|lang}}).<ref>Use of {{#invoke:Lang|lang}} by several branches, including Pan Nam himself, attested by Leung Ting in Roots and Branches of Wing Tsun and by the authors of Complete Wing Chun . See also http://weng-chun.com and http://www.yongchunbaihechuen.com</ref>Template:Additional citation needed

Romanization

In the West, the name of this martial art has been transcribed variably due to the use of different or personal Chinese language romanization methods, and differences in pronunciation between Chinese languages (but Cantonese was often preferred) or according to Western languages. In addition, some Wing Chun masters voluntarily created their own terms, in order to dissociate their personal teaching from traditional teachings. For example, Yip Man's Ving Tsun or Leung Ting's Wing Tsun.

The consequence is the ability to determine a lineage, a student-teacher family tree, just by spelling.{{#if:Wayne Belonoha<ref>The Wing Chun compendium</ref>Template:Full citation needed|{{#if:|}}

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Finally, this martial art is pronounced quite identically in the West but is written with many spellings: Ving Tsun, Wing Tsun, Wing Tsung, Yong Chun, Weng Chun, Wyng Tjun, Ving Tjun, Wing Tzun, Wing Tschun. Wing Chun is the most common form, used to apply to all lineages of this martial art.<ref>« As the art grows in popularity, many different romanizations for the Chinese character "wing chun" continue to be created, often as a result of the local dialect and pronunciation. This results in the ability to determine a lineage, student/teacher family tree, or origin, by the spelling alone. The most common spelling is "wing chun", which applies generally to all families. » - Wayne Belonoha, The Wing Chun compendium, p.20</ref>Template:Full citation needed<ref name="mil.news.sina.com.cn" />Template:Additional citation needed

Context

Context of the name Wing Chun varies between various branches of Wing Chun. Common legend is that the name is derived from Yim Wing-chun, the mythical progenator of the martial art, who was a student of the legendary Abbess Ng Mui.<ref>Chu, Ritchie & Wu 2015, pp. 4–27</ref><ref name="Ritchie2007">Ritchie, R. (c. 2007): What's in a name? Retrieved on 9 May 2010.</ref><ref name="Crudelli_122">Template:Cite book</ref>

According to the Hung Suen / Hung Gu Biu lineage, the Ng Mui / Yim Wing Chun legend was conceived to protect the identity of Cheung Ng, a Shaolin monk who survived the Manchurian massacres and took refuge at Red Boat Opera. The "Yim Wing Chun" name was chosen for specific reasons, as Yim could be understood as the word for "Secret" or "Protected", and "Wing Chun" refers to Siu Lam Wing Chun Tong (the Always Spring Hall). With "Yim Wing Chun" being a secret code for "the secret art of Siu Lam Wing Chun Hall."<ref>Chu, Ritchie & Wu 2015, pp. 83–89</ref>

In the Pan Nam lineage, the "Wing" in Wing Chun comes from Chan Wing-wah, one of the founders of Hongmen.<ref>Chu, Ritchie & Wu 2015, pp. 69–77</ref> According to the Pao Fa Lien lineage, the name Wing Chun is a shortened form of the revolutionary motto, "Wing yun chi jee; Mo mong Hon Juk; Dai dei wu chun." A secret code that allowed the anti-Qing revolutionaries to recognize each other. Eventually, the codeword was shortened to Wing Chun (Always Spring.)<ref>Chu 2015, pg.78</ref>

Origins

The definitive origin of Wing Chun remains unknown and is attributed to the development of Southern Chinese martial arts.<ref name=" Benjamin N. Judkins & Jon Nielson 2015">Template:Cite book</ref> Complications in the history and documentation of Wing Chun are attributed to the art being passed from teacher to student orally, rather than in writing. Another reason is the secrecy of its development, due to its connections to Anti-Qing rebellious movements.<ref>Chu 2015, pg. 1-2, 106-108</ref>

There are at least eight different distinct lineages of Wing Chun, each having its own history of origin. Additionally, there are competing genealogies within the same branch or about the same individual teacher. The eight distinct lineages of Wing Chun which have been identified are: Template:Div col

• Ip Man<ref name=Chu2 />
• Yuen Kay-shan<ref name=Chu3 /><ref>Leung Ting, pg.238</ref>
• Gu Lao Village<ref name=Chu4 /><ref>Leung Ting, page 289 & 290</ref>
• Nanyang / Cao Dean<ref name=Chu8 />
• Pan Nam<ref name=Chu5 />
• Pao Fa Lien<ref name=Chu6 />
• Hung Suen / Hung Gu Biu<ref name=Chu7 />
• Jee Shim<ref name=Chu9 /> / Weng Chun<ref>Leung, Ting (2000). Roots and Branches of Wing Tsun, Second edition (January 1, 2000). Leung Ting Co ,Hong Kong. ISBN 9627284238, pg. 53, 90-99</ref>

Regardless of the origins espoused by various Wing Chun branches and lineages, there is much third-party controversy and speculative theorizing regarding the true origins of Wing Chun. In the West, Wing Chun's history has become a mix of fact and fiction due to the impacts of early secrecy and modern marketing.<ref name=Chu1 />

Modern Wing Chun

Of the eight Wing Chun lineages,<ref>see Origins</ref> the Ip Man and Yuen Kay-shan lineages are the most prolific branches of Wing Chun worldwide.<ref>Leung Ting, Roots and Branches of Wing Tsun, ISBN 9627284239</ref><ref>Template:Cite book</ref><ref>Template:Cite book</ref> The other lineages are pretty much unknown outside of China, except for the Pan Nam line, which survives in the USA<ref name="Valley news">Template:Cite journal</ref><ref name="Plum Publications">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and the Jee Shim / Weng Chun line with a strong presence in Germany.<ref>Andreas Hoffmann, Nadine Poerschke: Weng Chun Kung Fu. Budo International Publ. Co., Madrid 2011, ISBN 978-3-86836-183-4.</ref><ref>Chu 2015, page 94</ref> The Yuen Chai Wan form of Wing ChunTemplate:Efn has a notable presence in Vietnam, with this lineage having earned the moniker of "Vietnamese Wing Chun".<ref name="YuenWC_A">Template:Cite book</ref><ref name=24H>Template:Cite news</ref><ref name="Kien Thuc">Template:Cite news</ref><ref name="Dansaigon">Template:Cite news</ref><ref name="SOHA">Template:Cite news</ref>

In 1949, Ip Man, considered the most important grandmaster of modern Wing Chun, brought the style from China to Hong Kong and eventually to the rest of the world.<ref name=Chu2 /><ref>Template:Cite book</ref><ref>Template:Citation</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Yip Man's most famous student was Bruce Lee, who had studied under Yip Man before he moved to the United States.Template:Efn<ref>Complete Wing Chun: The Definitive Guide to Wing Chun's History and Traditions, Robert Chu, Rene Ritchie, Y. Wu, page 9, Tuttle Publishing; 1st edition (20 June 1998). ISBN 0-8048-3141-6, ISBN 978-0-8048-3141-3.</ref> Lee is also credited for popularizing Wing Chun internationally,<ref>Template:Cite book</ref><ref>Template:Cite book</ref> although he would later develop his own martial arts philosophies (namely Jeet Kune Do) that contain many Wing Chun influences.<ref name=Crudelli316>Template:Cite book</ref><ref>Template:Cite book</ref> Some masters changed the way of teaching only 1 loyal student because it was a tradition that came because of Qing dynasty's influence and destruction of Southern Shaolin, in order to preserve the style, ancient masters taught only 1 loyal student.Template:Citation needed

The Ving Tsun Athletic Association

The Ving Tsun Athletic Association was founded in 1967 by Cantonese master Ip Man and seven of his senior students so they could teach Wing Chun together and Ip Man would not take on all the work himself.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The first public demonstration of the Wing Chun fighting system, according to Ip Man, took place in Hong Kong at an official exhibition fight in the winter of 1969 at what was then the Baptist College (now the Hong Kong Baptist University). Leung Ting, a student of Ip Man, invited his master and some well-known representatives of the martial arts scene of the time to the college and conducted the exhibition fights in front of a specialist audience. The Association helped Wing Chun to spread to the rest of the world.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Organizational structure in modern Europe

There is no uniform umbrella organization in Europe under which Wing Chun practitioners are grouped, but rather numerous, sometimes competing and divided associations, schools, and individual teachers. Most associations do not appear in the legal form of associations that have voluntarily merged to form an association, but as commercial organizations in which associated schools are integrated, which are authorized and certified by the association. Some of the associations are organized in a franchise system.Template:Citation needed

International Wing Chun Organization (IWCO)

The International Wing Chun Organization (IWCO)<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> was founded by Grandmaster Donald Mak<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> in 1997,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> a respected Wing Chun practitioner and instructor who studied under the Great Grandmaster Chow Tze Chueng.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In some associations, based on the family system that was used in the past, obedience and obligations towards the master and his teacher are emphasized, although these are rarely directly related to their training students.Template:Citation needed

Characteristics

General

Wing Chun puts emphasis on economic movement and encourages its practitioners to "feel" through their opponents' defenses and to utilize the incoming attacks with parrying, deflection, rapid punches, and finger pokes. Slapping and defensive maneuvers are used to distract the opponent to make them shift their defenses away from their centerline.<ref name="Crudelli_122" />

Wing Chun favors a relatively high, narrow stance with the elbows close to the body. Within the stance, arms are generally positioned across the vital points of the centerline with hands in a vertical "wu sau" ("protecting hand" position).<ref>Template:Cite news</ref> This puts the practitioner in a position to make readily placed blocks and fast-moving blows to vital striking points down the center of the body, i.e. the neck, chest, belly, and groin. Shifting or turning within a stance is done on the heels, balls, or middle (K1 or Kidney point 1) of the foot, depending on the lineage. Some Wing Chun styles discourage the use of high kicks because this risks counter-attacks to the groin. The practice of "settling" one's opponent to brace them more effectively against the ground helps one deliver as much force as possible.<ref>Template:Cite news</ref><ref>Template:Cite news</ref>

Relaxation

Softness (via relaxation) and performance of techniques in a relaxed and controlled manner By training the physical, mental, breathing, energy, and force in a relaxed manner a "soft wholesome force"<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> known as Chi is develop which is fundamental to Wing Chun.<ref name="Crudelli_122" /> On "softness" in Wing Chun, Ip Man said during an interview:

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Teaching structure in the past

In ancient China, Wing Chun, like all other martial arts or craft guilds, was traditionally passed on in a familiar way, from master to student. The master, who had personal responsibility for the entire training of the student (apprentice), was addressed as Sifu (master). The lessons often took place in the master's house, where a personal bond would develop between the master and his family and the student (apprentice), with certain mutual obligations. The first public martial arts schools were established in Hong Kong. Since then, Wing Chun's lessons have taken on a more modern, academic, and commercial character.Template:Citation needed

In some schools, however, the family system was still maintained. Lo Man-Kam, a nephew of Ip Man, still teaches his students in his home in Taipei. Selected long-term students are accepted into the inner circle of the Wing Chun family by the Sifu in the traditional way, through a master-student tea ceremony.Template:Citation needed

Forms

Most common forms

File:Butterfly Swords.png

Butterfly Swords

The most common system of forms in Wing Chun consists of three empty hand forms, two weapon forms: the Dragon pole and Butterfly swords, and a wooden dummy form.<ref name="Wing Chun Forms">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Empty hand

Siu nim tau

The first and most important form in Wing Chun, siu nim tau (Template:Lang-zhTemplate:Refn), is practiced throughout the practitioner's lifetime.<ref name="wingchunkungfu.eu">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It is the foundation or "seed" of the art, on which all succeeding forms and techniques are based.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Fundamental rules of balance and body structure are developed here. Using a car analogy; for some branches this would provide the chassis<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and for others, this is the engine.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It serves as the basic alphabet of the system. Some branches view the symmetrical stance as the fundamental fighting stance, while others see it as a training stance used in developing technique.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Although many of the movements are similar, siu nim tau varies significantly between the different branches of Wing Chun. In Ip Man's Wing Chun, the first section of the form is done by training the basic power for the hand techniques by tensing and relaxing the arms.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In Moy Yat's Wing Chun, the first section of the form is done without muscle tension and slowly in a meditative, calm, and being "in the moment" way.<ref name="wingchunkungfu.eu" /> In 1972, weeks before he died, Ip Man demonstrated Siu Nim Tau (also known as Siu Lim Tau) on film, showing how the form is to be performed.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Chum kiu

The second form, chum kiu Template:Lang-zh, focuses on coordinated movement of body mass and entry techniques to "bridge the gap" between practitioner and opponent, and move in to disrupt their structure and balance.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Close-range attacks using the elbows and knees are also developed here. It also teaches methods of recovering position and centerline when in a compromised position where Siu Nim Tau structure has been lost. For some branches, bodyweight in striking is a central theme, either from pivoting (rotational) or stepping (translational). Likewise, for some branches, this form provides the engine to the car. For branches that use the "sinking bridge" interpretation, the form has more emphasis on "uprooting", adding multi-dimensional movement and spiraling to the already developed engine.

Biu jee

The third and last form, biu jee Template:Lang-zh, is composed of extreme short-range and extreme long-range techniques, low kicks and sweeps, and "emergency techniques" to counter-attack when structure and centerline have been seriously compromised, such as when the practitioner is seriously injured.,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> As well as the pivoting and stepping developed in Chum Kiu, a third degree of freedom, involves more upper body, and stretching is developed for more power. Such movements include close-range elbow strikes and finger thrusts to the throat. For some branches, this is the turbo-charger of the car; for others, it can be seen as a "pit stop" kit that should never come into play, recovering your "engine" when it has been lost. Still, other branches view this form as imparting deadly "killing" and maiming techniques that should never be used without good reason. A common Wing Chun saying is, "Biu jee doesn't go out the door". Some interpret this to mean the form should be kept secret; others interpret it as meaning it should never be used if you can help it.

Wooden dummy

File:Muk Yan Jong-wooden doomy kung fu 2.JPG

Mu ren zhuang (Template:Lang-zh) is performed on a wooden dummy, which serves as a training tool to teach the student the use of Wing Chun Kuen's 108 movements against a live opponent.<ref name="Crudelli_122" /> There are many versions of this form which come from a variety of Wing Chun Kung Fu lineages.Template:Citation needed

Other forms

San Sik (Chinese: {{#invoke:Lang|lang}}; Cantonese Yale: Sáan Sīk; pinyin: Sǎn Shì; 'Separate forms'), along with the other three forms, is the basis of all Wing Chun techniques. They are compact in structure, and can be loosely grouped into three broad categories: (1) Focus on building body structure through basic punching, standing, turning, and stepping drills; (2) Fundamental arm cycles and changes, firmly ingraining the cardinal tools for interception and adaptation; (3) Sensitivity training and combination techniques.<ref>Template:Cite bookTemplate:Self-published source</ref>

Weapons

The Yuen Kay Shan / Sum Nung branch also historically trained to throw darts (Biu).<ref name="El Español">Template:Cite news</ref>

In film and popular culture

Sammo Hung directed two films about Wing Chun practitioner Leung Jan: Warriors Two (1978), in which Leung is played Sammo Hung himself, and The Prodigal Son (1981), in which Leung is played by Yuen Biao.

Donnie Yen played the role of Wing Chun Grandmaster Ip Man in the 2008 movie Ip Man, and in its sequels Ip Man 2, Ip Man 3, and Ip Man 4.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The Ip Man series of movies is credited for reviving interest in the martial art in the 2010s and the Ip Man trilogy received critical acclaim in the box office. Ip Man was Bruce Lee's master, which made the trilogy so popular. Lee was largely responsible for launching the "kung fu craze" of the 1970s.<ref name="Desser">Template:Cite book</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite news</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>甄子丹对《叶问》票房无信心 耍咏春拳赚口碑 |网网网络 Template:Webarchive</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

For the 2008 American action thriller film Bangkok Dangerous, actor Nicolas Cage trained in Wing Chun extensively. A particular scene in the film shows Cage’s skills whilst drilling moves with another Wing Chun practitioner (played by Thai actor Shahkrit Yamnam).<ref>Template:Cite book</ref>

In December 2019, a new Wing Chun fighter named Leroy Smith was introduced to the fighting game Tekken 7 roster as downloadable content.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> When creating characters to represent real-world martial arts, the developers wanted to introduce a new fighter utilizing Wing Chun. The developers consulted a student of Ip Man's nephew, who provided motion capture for the character.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Cbignore</ref>

See also

• Chinese martial arts
• Wing Chun terms
• Wushu
• List of films featuring Wing Chun

Bibliography

• Template:Cite book
• Template:Cite book
• Template:Cite book

External links

• Template:Commons category-inline
• List of Wing Chun techniques