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The Writers Guild of America (WGA) is the name of two American labor unions representing writers in film, television, radio, and online media:

Although both organizations operate independently, they perform some common activities, including negotiating contracts and launching strike actions, as well as maintaining the American database of writing credits, and arbitrating between writers when conflicts arise.

Background and foundingEdit

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The Los Angeles headquarters of the Writers Guild of America West at 3rd & Fairfax

Both organizations of the Writers Guild of America were established by 1954 after the merging of groups from other writers labor unions. The Authors Guild (AG) was originally founded in 1912 as the Authors' League of America (ALA) to represent book and magazine authors, as well as dramatists. In 1921, the Dramatists Guild of America split off as a separate group to represent writers of stage and, later, radio drama. That same year, the Screen Writers Guild (SWG) was formed to represent film screenwriters, but operated primarily more as a social organization until 1933 when the group affiliated with the AG and took on a more active role in labor negotiations. With the emergence of the television industry by 1948, the SWG and a Television Writers Group within the AG began to represent TV writers. In recognition of the growing complexity of representing members in many different fields of entertainment writing, the unions reorganized in 1954. Both the Authors Guild and the Dramatists Guild would continue to represent writers in print media, the SWG would fold, and those working in motion pictures, TV, and radio would be represented by two new guilds, headquartered on both coasts: the WGAE and the WGAW.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Differences between East & WestEdit

Membership in either WGAE or WGAW is generally contingent on geography. If a writer is eligible for union membership, and the job that grants them eligibility has them work on the western side of the Mississippi River, they are represented by the Writers Guild of America West. If the job is on the east side of the river, similarly, they are represented by the Writers Guild of America, East.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> If a writer joins one union at the start of their career, and they move across the Mississippi River, they are not forced to transfer from one guild to the other. Instead, the writer must ensure they are in Good Standing with their original Guild (pay all outstanding dues, pay off any loans taken out) and then voluntarily initiate a transfer to the new Guild. This decision is left to the individual writer's discretion.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

WGAW is the larger of the two unions, both in membership and support staff, and this is due to the history of film and television in the United States. At the time of the dissolution of the Screen Writers Guild in 1954, most television and film writing was done in Los Angeles. While this is still largely true, the Californian film industry has begun to shrink in recent years due to the collapse of the streaming business model, and the rising cost-of-living in California. Writers have been forced to either leave the industry or move to areas outside of Los Angeles they can afford. Some of these new production hubs, like Albuquerque, New Mexico, are still within the jurisdiction of the Writers Guild of America West, but the growing production hubs like Chicago, Atlanta, and New Orleans are all under the jurisdiction of the Writers Guild of America, East.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Common activitiesEdit

Although the WGAE and the WGAW run independently of each other, they jointly perform some regular activities, including the following:

|CitationClass=web }}</ref> The annual awards show includes simultaneous presentations on both coasts.<ref>Template:Cite news</ref>

  • The WGA screenwriting credit system is used to determine who receives credit for writing a film, television, theatrical, or other media work written under the WGA's jurisdiction. The guilds are the final arbiters on who and how writers are listed in the credits. The credit a writer receives is directly tied to their percentage of initial compensation and residuals for that project.<ref>{{#invoke:citation/CS1|citation

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StrikesEdit

File:Brilliance begins with writers.jpg
Picket line formed by writers that are on strike in New York City. Outside on location of the Marvel Studios Disney+ TV show, Daredevil: Born Again (working title Out the Kitchen), 2023.

The WGAE and WGAW negotiate contracts in unison as well as launch strike actions simultaneously.<ref>Template:Cite news</ref>

  • The 1960 Writers Guild of America strike lasted for 22 weeks. The negotiated contract included the first residuals for theatrical films, and the improved pensions.<ref name="WGA Strikes">{{#invoke:citation/CS1|citation

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  • The 1981 Writers Guild of America strike lasted for 13 weeks. The negotiated contract included establishing payment terms for "pay TV" cable programs.<ref name="WGA Strikes"/>
  • The 1985 Writers Guild of America strike lasted two weeks. At dispute was the formula for paying home video residuals.<ref name="WGA Strikes"/>
  • The 1988 Writers Guild of America strike lasted from March 7 to August 7, 1988. Among the disputes were residuals from syndicated reruns of hour-long shows.<ref name="WGA Strikes"/>
  • The 2007–08 Writers Guild of America strike lasted from November 5, 2007, to February 12, 2008. Among the disputes were residuals from content made for new media and programs on DVD. The production of several television shows were affected by the strike.<ref name="WGA Strikes"/>
  • The 2023 Writers Guild of America strike lasted from May 2 to September 27, 2023. Among the disputes were residuals from the use of AI and streaming media.<ref>{{#invoke:citation/CS1|citation

|CitationClass=web }}</ref><ref name="hollywoodreporter/1235404087">Template:Cite magazine</ref> Many productions were impacted by the strike.

See alsoEdit

ReferencesEdit

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External linksEdit

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