Editing Parallel Lines (section)

==Recording==
In June 1978 the band entered the [[Record Plant]] in New York to record their third album, and first with Chapman.<ref name="porter"/> However, Chapman found the band difficult to work with, remembering them as the worst band he ever worked with in terms of musical ability, although praising [[Frank Infante]] as "an amazing guitarist". Sessions with [[Chris Stein]] were hampered by his being stoned during recording, and Chapman encouraged him to write songs rather than play guitar. Similarly, according to Chapman, [[Jimmy Destri]] would prove himself to be far better at songwriting than as a keyboardist, and Clem Burke had poor timing playing drums. As a result, Chapman spent time improving the band, especially Stein with whom Chapman spent hours rerecording his parts to ensure they were right.<ref name="sound"/> Bassist [[Nigel Harrison]] became so frustrated with Chapman's drive for perfection that he threw a synthesizer at him during recording.<ref name="porter"/> Chapman recalls the atmosphere at the Record Plant in an interview for ''Sound on Sound'':

{{blockquote|The Blondies were tough in the studio, real tough. None of them liked each other, except Chris and Debbie, and there was so much animosity. They were really, really juvenile in their approach to life—a classic New York [[underground music|underground]] [[rock music|rock]] band—and they didn't give a fuck about anything. They just wanted to have fun and didn't want to work too hard getting it.<ref name="sound"/>}}

Chapman took an unorthodox approach when recording with Harry whom he describes as "a great singer and a great vocal stylist, with a beautifully identifiable voice. However&nbsp;... also very moody". Chapman was far more cautious of demanding much from Harry as he saw her as a highly emotional person who would vest these emotions in the songs they made. He remembers Harry disappearing into the bathroom in tears for several hours at a time during recording.<ref name=sound>{{cite magazine|last=Buskin|first=Richard|url=http://www.soundonsound.com/sos/jun08/articles/classictracks_0608.htm|title=Blondie 'Hanging on the Telephone'|magazine=[[Sound on Sound]]|location=Cambridge|date=June 2008|access-date=July 1, 2014}}</ref> During a day of recording, Harry sang two lead parts and some harmonies, less work than she did previously with Gottehrer. This was due to Chapman encouraging her to be cautious about the way she sang, particularly to recognise phrasing, timing and attitude.<ref name="porter"/>

Blondie recorded ''Parallel Lines'' in six weeks, despite being given six months by [[Terry Ellis (record producer)|Terry Ellis]], co-founder of Chrysalis Records, to do so.<ref name="sound"/><ref name="porter"/> For the drums, a traditional set-up was used and Chapman fitted [[Georg Neumann GmbH|Neumann microphones]] to the [[tom-tom drum|toms]], [[snare drum|snare]] and [[Hi-hat (instrument)|hi-hat]], as well as several above the site. When recording, Chapman would start with the bass track, which was difficult to record at the time, by way of "pencil erasing". Chapman explained in an interview for ''[[Sound on Sound]]'', "that meant using a pencil to hold the tape away from the head and erasing up to the kick drum. If a bass part was ahead of the kick, you could erase it so that it sounded like it was on top of the kick. That's very easy to do these days, but back then it was quite a procedure just to get the bottom end sounding nice and tight." A combination DI/amp method was used to record Harrison's bass and Destri's synthesizer. [[Shure SM57]] and [[AKG (company)|AKG]] 414 microphones were used to capture Infante's [[Les Paul (guitar)|Les Paul guitar]].<ref name="sound"/> [[King Crimson]] leader [[Robert Fripp]] makes a guest appearance on guitar on "Fade Away and Radiate".

After the basic track was complete, Chapman would record lead and backing vocals with Harry. However, this process was hampered by many songs not being written in time for the vocals to be recorded. "Sunday Girl", "[[Picture This (song)|Picture This]]" and "[[One Way or Another|One Way Or Another]]" were all unfinished during the rehearsal sessions. When recording vocal parts, Chapman remembers asking Harry if she was ready to sing, only for her to reply "Yeah, just a minute" as she was still writing lyrics down. Chapman notes that many "classic" songs from the album were created this way.<ref name="sound"/>

During the last session at the Record Plant, the band were asleep on the floor only to be awakened at six o'clock in the morning by Mike Chapman and his engineer Peter Coleman leaving for Los Angeles with the tape tracks.<ref name="porter"/> Despite Blondie's belief that ''Parallel Lines'' would resonate with a wider audience, Chrysalis Records was not as enthusiastic; label executives told them to start again, only to be dissuaded by Chapman's assurance that its singles would prove popular.