Template:Short description Template:Good article Template:Main other{{#invoke:infobox|infoboxTemplate | child = | subbox = | bodyclass = ib-video-game hproduct {{#ifeq:|yes|collapsible {{#if:|{{{state}}}|autocollapse}}}} | templatestyles = Infobox video game/styles.css | aboveclass = fn | italic title =
| above = Star Control
| image = {{#invoke:InfoboxImage|InfoboxImage|image={{#invoke:WikidataIB |getValue|rank=best|P18 |name=image |qid= |suppressfields= |fetchwikidata=ALL |onlysourced=no |noicon=yes|Star Control cover.jpg}}|size=|sizedefault=frameless|upright=1|alt=|border=|suppressplaceholder=yes}}
| caption = {{#if:Star Control cover.jpg|Sega Genesis cover art by Boris Vallejo|Sega Genesis cover art by Boris Vallejo}}
| label2 = Developer(s) | data2 = Toys for Bob<ref name="HG101SC"/>
| label3 = Publisher(s) | data3 = Accolade<ref name="HG101SC"/>
| label4 = Director(s) | data4 = Template:If first display both
| label5 = Producer(s) | data5 = Pam Levins
| label6 = Designer(s)
| data6 = Fred Ford
Paul Reiche III
| label7 = Programmer(s)
| data7 = Fred Ford
Robert Leyland
| label8 = Artist(s)
| data8 = Greg Johnson
Paul Reiche III
Erol Otus
| label9 = Writer(s) | data9 = Template:If first display both
| label10 = Composer(s)
| data10 = Kyle Freeman
Tommy V. Dunbar
| label11 = Series | data11 =
| label12 = Engine | data12 =
| label13 = Platform(s) | data13 = Amiga, MS-DOS, Sega Mega Drive/Genesis, Amstrad CPC, Commodore 64, ZX Spectrum
| label14 = Release
| data14 = July 1990 (Amiga, DOS)
1991 (ports)
| label15 = Genre(s) | data15 = Action, strategy
| label16 = Mode(s) | data16 = Single player, multiplayer
| label17 = Arcade system | data17 = Template:If first display both
| data30 =
| below = Template:EditOnWikidata
}}Template:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|ignoreblank=1|preview=Page using Template:Infobox video game with unknown parameter "_VALUE_"| alt | arcade system | artist | caption | border | child | collapsible | commons | composer | designer | developer | director | embedded | engine | fetchwikidata | genre | image | image_size | image_upright | italic title | modes | noicon | onlysourced | platform | platforms | producer | programmer | publisher | qid | refs | release | released | series | state | subbox | suppressfields | title | writer }}Template:Main other{{#if:Star Control cover.jpg|}} Star Control: Famous Battles of the Ur-Quan Conflict, Volume IV is an action-strategy video game developed by Toys for Bob and published by Accolade. It was originally released for MS-DOS and Amiga in 1990, followed by ports for the Sega Genesis and additional platforms in 1991. The story is set during an interstellar war between two space alien factions, with humanity joining the Alliance of Free Stars to defeat the invading Ur-Quan Hierarchy. Players can choose to play as either faction, each with seven different alien starships which are used during the game's combat and strategy sections.
The game was created by designer-artist Paul Reiche III and programmer-engineer Fred Ford. Initially, the concept was based on the space combat seen in Spacewar! (1962), combined with the action-strategy gameplay seen in Archon: The Light and the Dark (1983). The alternate title, StarCon, was a play on words referring to Reiche's prior work on Archon, adapted into a science fiction setting. After developing the core space combat system, Reiche and Ford created an assortment of ships, abilities, and character designs. The project was completed with additional artwork from Greg Johnson and Erol Otus.
Star Control was a critical and commercial success upon its release, leading to two sequels, Star Control II in 1992 (and the free open-source remake The Ur-Quan Masters in 2002), and Star Control 3 in 1996. It has since been ranked among the best games of all time by Polygon and VideoGames & Computer Entertainment, remembered for the replay value of its combat, as well as the colorful worldbuilding that gave rise to its acclaimed sequel. Years after its release, game designers have continued to cite Star Control as an influence on their work, including Mass Effect (2007), and Stellaris (2016).
GameplayEdit
Star Control is a combination of a strategy game and real-time one-on-one ship combat game. The ship combat is based on the game Spacewar!, while the turn-based strategy is inspired by Paul Reiche III's 1983 game Archon: The Light and the Dark.<ref name="HG101SC">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Players have the option to play the full game with the turn-based campaign, or practice the one-on-one ship battles.<ref name="retrogamer14" /> The game can be played by one player against the computer, or two players head to head.<ref name="HG101SC" /> The player can also assign the game's artificial intelligence to take over the strategy gameplay, the combat gameplay, or both.<ref name="cvg3">Template:Cite book</ref>
The strategy campaign consists of several selectable scenarios, with nine missions on home computers, and fifteen on the Sega Genesis.<ref name="retrogamer14" /> Each turn-based strategy mission begins with opposing fleets arranged on a rotating star map,<ref name="HG101SC" /> with each player controlling a faction of their choice.<ref name="retrogamer14" /> Each player has up to three ship actions per turn, which are used to explore new stars and colonize or fortify worlds.<ref name="Weiss2016"/> These colonies provide resources to the player's ships, such as currency and crew.<ref name="HG101SC"/> The goal is to move one's ships across the galaxy, claim planets along the way, and destroy the player's opponent's star base.<ref name="Weiss2016"/>
When two rival starships meet on the battlefield, an arcade-style combat sequence begins.<ref name="Weiss2016">Template:Cite book</ref> Each battle takes place on a single screen with an overhead view, zooming in as the two ships approach each other.<ref name="HG101SC" /> The battlefield includes a planet as a gravity well, which ships can either crash into, or glide nearby to gain momentum.<ref name="HG101SC" /> There are 14 different ships to choose from, with unique abilities for each.<ref name="Weiss2016" /> Ships typically have a unique firing attack, as well as some kind of secondary ability.<ref name="HG101SC" /> For example, the Yehat Terminator has a forcefield, while the VUX Intruder can launch limpets that slow rival ships down.<ref name="cvg3" /> Using these weapons and abilities will consume the ship's battery, which recharges automatically (with few exceptions).<ref name="HG101SC" /> Ships also have a limited amount of crew, representing the total damage a ship can take before being destroyed.<ref name="HG101SC" /> This ties into the strategic meta-game between combat, where the crew can be replenished at colonies.<ref name="HG101SC" />
The different starships are organized into two warring factions, the Ur-Quan Hierarchy, and the Alliance of Free Stars.<ref name="HG101SC" /> Each ship has different strengths and weaknesses, determined by their unique weapons and abilities, as well as their speed, battery, crew (health), and cost.<ref name="retrogamer14" /> Ship selection has a major influence over combat,<ref name="HG101SC" /> and players can discover matchups that give them an advantage.<ref name="cvg3" /> While expensive ships are usually more powerful,<ref name="retrogamer14" /> the weaker ships can still win in the hands of a skilled player.<ref name="HG101SC" /> The screen also displays a cockpit animation for each player, with unique character design for each alien and ship.<ref name="retrogamer14" /> The ships also have distinct sound deign, such as the barking Chenjesu drones, or the Ur-Quan Dreadnaught bellowing "launch fighters" when it initiates a strike.<ref name=":10">Template:Cite book</ref>
As was typical of copy protection at the time, Star Control requested a special pass phrase that players found by using a three-ply code wheel, called "Professor Zorq's Instant Etiquette Analyzer".<ref>Template:Cite book</ref>
PlotEdit
Star Control reveals its plot through each scenario in the game's campaign,<ref name="retrogamer14" /> as well as the game's instruction manual.<ref name="HG101SC" /> The story takes place during a war between two interstellar factions of alien species: the peaceful Alliance of Free Stars, and the invading Ur-Quan Hierarchy.<ref name="HG101SC" /><ref name="cvg3" />
CharactersEdit
The Ur-Quan is the oldest and most advanced species in known space, resembling giant predatory caterpillars with a rigid social order. As slavers, the Ur-Quan recruit other species into their Hierarchy as serfs, which includes their genetically engineered translators, the Talking Pets. The mollusk-like Spathi are cowardly by nature, and were easily coerced into the Hierarchy. The fungoid Mycon joined the Hierarchy freely and fanatically, while the blobbish Umgah joined out of boredom, amused by the war as a great interstellar prank. Two Hierarchy species hold a grudge against Earth, including the humanoid Androsynth who escaped Earth as renegade clones, and the one-eyed VUX, who were insulted by a human during their first contact.<ref name=":9">Template:Cite book</ref>
The Chenjesu are the most powerful members of the Alliance, a species of crystalline philosophers who consume electrical energy. Earth joined the Alliance as a multinational crew under their planetary defense organization, Star Control. The Alliance includes the marsupial Shofixti, a brave warrior species who were technologically uplifted by the Yehat,<ref name=":9" /> a militant species of avian dinosaurs.<ref name=":7">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The allied Mmrnmhrm are robots with transforming ships, while the Syreen are female humanoids who use their psychic abilities to hypnotize enemy crew. The Arilou are a race of "space elves" with hyper-jump capable vessels, who also have a history of "tormenting" Earth.<ref name=":9" />
Throughout the campaign, each side discovers powerful relics belonging to the Precursors, an unknown lost species who once inhabited nearby space, hundreds of thousands of years ago.<ref name=":9" />
StoryEdit
Humanity encounters a first alien contact near their Ceres outpost, where they receive an urgent warning from the Chenjesu. The crystalline aliens explain that the Ur-Quan Hierarchy is annihilating them and their allies. The Alliance council previously decided that Earth was not strong enough to make a difference, but now the Ur-Quan slavers and their minions have broken through the Alliance defenses, and are approaching the Solar System. The diplomats of Earth agree to join the Alliance, earning a position on the Alliance council, and an Alliance pact to defend Earth and its space colonies.<ref name=":9" />
The campaign begins with a lone Syreen Penetrator vessel attempting to stop the Androsynth from redeploying. The first full battle breaks out where both spheres of influence meet with a mix of combatants, followed by a single Ur-Quan dreadnaught trying to stamp out a fleet of Shofixti scouts. The next encounter takes place in an uncolonized sector between Hierarchy and Alliance starbases. By the fifth and sixth scenarios, the war has escalated to multi-ship battles, including an Ur-Quan armada rampaging towards an Alliance stronghold. The final encounters of the campaign feature a Spathi assault on a Mmrnmhrm mining cluster, and two battles between all members of each faction, with and without starbase support.<ref name=":9" /><ref>Template:Cite video game</ref>
The Sega Genesis version features additional scenarios. In neutral space, an Alliance task force attempts to stop the spread of Mycon colonies. Where the Hierarchy has the advantage, they attempt to conquer Earth's surrounding solar system. Meanwhile, a lone Chenjesu Broodhome finds itself outnumbered by a Hierarchy force, while the Hierarchy tries to defend its colonies from an invading fleet of Syreen Penetrators. There are also scenarios that favor the Alliance, where they defend a stronghold against a VUX incursion, and also confront a Hierarchy fleet pressing deep into Alliance territory.<ref>Template:Cite video game</ref>
DevelopmentEdit
ConceptionEdit
Star Control was created by Paul Reiche III and Fred Ford,<ref name="Barton2016" /><ref name="DeMaria2018">Template:Cite book</ref> who both attended the University of California Berkeley around the same time, and both entered the video game industry in the early 1980s.<ref name="polygon">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Reiche had started his career working for Dungeons & Dragons publisher TSR, before developing PC games for Free Fall Associates.<ref name="GDC2015">{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Cbignore</ref> After releasing World Tour Golf, Reiche created an advertising mock-up for what would become Star Control, showing a dreadnaught and some ships fighting. He pitched the game to Electronic Arts, before instead securing an agreement with Accolade as a publisher, thanks to Reiche's former producer taking a job there.<ref name="youtubex">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Meanwhile, Ford had started his career creating games for Japanese personal computers before transitioning to more corporate software development.<ref name="Barton2016" /> After a few years working at graphics companies in Silicon Valley, Ford realized he missed working in the game industry.<ref name="youtubex"/> At this point, Reiche needed a programmer-engineer and Ford was seeking a designer-artist, so their mutual friends set up a gaming night to re-introduce them.<ref name="GDC2015" /> The meeting was hosted at game designer Greg Johnson's house,<ref name="youtubex"/> and one of the friends who encouraged the meeting was fantasy artist Erol Otus.<ref name="SC2team">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Star Control began as an evolution of concepts that Reiche created in Archon: The Light and the Dark and Mail Order Monsters.<ref name="Barton2016"/> The project would adapt the action-strategy gameplay of Archon into a science fiction setting, where unique combatants fight space battles using distinct abilities.<ref name="Barton2016" /><ref name="GDC2015" /> Also called StarCon, the title was a play on words.<ref name="HG101SC" /><ref name="warstories" /> According to Ford, "StarCon is really just Archon with an S-T in front of it", pointing to the one-on-one combat and strategic modes of both games.<ref name="youtubex"/> Star Control would base its combat sequences on the classic game Spacewar!,<ref name="DeMaria2018"/> as well as the core experience of space combat game Star Raiders.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
This was the first collaboration between Ford and Reiche,<ref name="Barton2016" /><ref name="DeMaria2018" /> who decided to limit the game's scope to establish an effective workflow.<ref name="GDC2015" /> Releasing the game under their personal names, they also began referring to their partnership as Toys for Bob.<ref name=":9" /><ref name="Barton2016" /> Programmer Robert Leyland and artist Erol Otus had both worked with Ford at his previous place of employment, and joined him as he began work on Star Control.<ref name="Barton2016" />
Design and productionEdit
Fred Ford's first prototype was a two-player action game where the VUX and Yehat ships blow up asteroids, which led them to build the entire universe around that simple play experience.<ref name="Barton2016"/> Ford designed the Yehat starship with a crescent-shape, and the ship's shield-generator led them to optimize the ship for close combat.<ref name="youtubex"/> They built on these two original ships with many additional ships and character concepts,<ref name="DeMaria2018"/> and play-tested them with friends such as Greg Johnson and Robert Leyland.<ref name="youtubex"/> The team preferred to iterate on ship designs rather than plan them, as they discovered different play-styles during testing.<ref name="youtubex"/> The asymmetry between the combatants became essential to the experience. Ford explained: "Our ships weren't balanced at all, one on one... but the idea was, your fleet of ships, your selection of ships in total was as strong as someone else's, and then, it came down to which matchup did you find".<ref name="warstories">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Still, the ships were still given some balance by having their energy recharge at different rates.<ref name="youtubex"/>
Although the story does not factor heavily into the game,<ref name="HG101SC"/> the character concepts were created based on the ship designs.<ref name = "GDC2015"/> The team would begin with paper illustrations, followed by logical abilities for those ships, and a character concept that suited the ship's look-and-feel.<ref name="Barton2016"/> The first ship sketches were based on popular science fiction, such as SpaceWar! or Battlestar Galactica, and slowly evolved into original designs as they discussed why the ships were fighting each other.<ref name="youtubex"/> Reiche describes their character creation process: "I know it probably sounds weird, but when I design a game like this, I make drawings of the characters and stare at them. I hold little conversations with them. 'What do you guys do?' And they tell me".<ref name="DeMaria2018"/> By the end of this process, they wrote a short summary for each alien, describing their story and personality.<ref name="youtubex"/>
After creating a large ship that launches fighters on command, Reiche and Ford decided this would be a dominating race.<ref name = "warstories"/> These antagonists would be called the Ur-Quan, with a motivation to dominate the galaxy to hunt for slaves, and an appearance based on a National Geographic image of a predatory caterpillar dangling over its prey.<ref name="DeMaria2018"/> They decided to organize the characters into nominally "good" and "bad" factions, each with seven unique races and ships, with the humans on the good side.<ref name="youtubex"/> As they were creating the alien characters based on the ship abilities, the Spathi's cowardly personality was inspired by their backwards-shooting missiles.<ref name = "GDC2015"/> A more robotic ship inspired an alien race called the Androsynth, whose appearance was imagined as Devo flying a spaceship.<ref name="Barton2016"/> Reiche and Ford were also inspired by character concepts in David Brin's The Uplift War. The designers asked what kind of race would be uplifted by the fiercely heroic Yehat, and decided to create the Shofixti as a ferocious super rodent.<ref name="GDC2015" /> The team also decided that the game would need more humanoid characters, and created the Syreen as a powerful and attractive humanoid female race.<ref name="youtubex" /> When they saw that the Syreen ship resembled a cross between a rocket ship and a ribbed condom, Fred Ford suggested calling it the Syreen Penetrator, which coincidentally happened moments before the 1989 San Francisco Earthquake.<ref>Template:Cite magazine</ref>
The game's file size was largely devoted to sound effects,<ref name="HG101SC" /> with audio sampled from famous science fiction media,<ref name="cvg3" /> as well as original sound designs for other alien ships.<ref name=":10" /> Each alien race also has a short victory theme song, composed by Reiche's friend Tommy Dunbar of The Rubinoos. The longer Ur-Quan theme played at the end of the game was composed by fantasy artist Erol Otus.<ref name="youtubex" />
Porting and compatibilityEdit
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The number of visible colors was a major technological limitation at the time, and the team created different settings for CGA, EGA, and VGA monitors.<ref name="GDC2015" /> A separate team ported a stripped down version of the game to the Commodore 64, Amstrad, and ZX Spectrum, which meant reducing the number of ships to eight, as well introducing new bugs and balance issues.<ref name="retrogamer14">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Additional problems were caused by the number of simultaneous key-presses required for a multiplayer game, which required Ford to code a solution that would work across multiple different computer keyboards.<ref name="GDC2015" />
Star Control was ported to the Sega Genesis,<ref name="sega16"/> in a team led by Fred Ford.<ref name="youtubex"/> Because the Genesis port was a cartridge-based game with no battery backup, it lacked the scenario-creator of the PC version, but it came pre-loaded with a few additional scenarios not originally in the game.<ref name="EGM22">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Where the PC version featured synthesized audio, the team discovered the digital MOD file format to help port the music to console, which would become the core music format for the sequel.<ref name = "GDC2015"/> It took nearly five months to convert the code and color palettes,<ref name = "EGM22"/> leaving little time to optimize the game under Accolade's tight schedule, leading to slowdown issues.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Log of the 2007-06-13 IRC session with Toys for Bob: "The same goes for the Genesis version of SC1 where we did a quick port with the intention of optimizing it for speed, but they though (sic) having a 12megabit cartridge was a much better selling point".</ref> Released under Accolade's new "Ballistic" label for high quality games, the game was touted as the first 12-megabit cartridge created for the system.<ref name="sega16">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The box art for the Sega version was adapted from the original PC version, this time re-painted by artist Boris Vallejo.<ref name="retrogamer14" />
The Genesis port was not authorized by Sega.<ref name="GDC2015" /> Frustrated with Sega's licensing requirements, Accolade decided to reverse engineer the console to disable the code that locked out unlicensed games.<ref name="legal_book">Template:Cite book</ref><ref name="Georgetown">Template:Cite journal</ref> This allowed Accolade to port several games to the Genesis from their previous list of releases, including Star Control.<ref name="977 F.2d 1510: opinion">Template:Cite court</ref> Sega responded by suing Accolade for copyright infringement, but the appeal court found that reverse engineering was a fair use exception to copying the code without Sega's authorization.<ref name="Reverse Engineering: An Industrial Perspective">Template:Cite book</ref><ref name="977 F.2d 1510: opinion" /> The ruling set an influential precedent, allowing other instances of reverse engineering to continue without penalty.<ref name="book">Template:Cite book</ref> Sega eventually settled the lawsuit in Accolade's favor, making them a licensed Sega developer.<ref name="Ultimate History of Video Games">Template:Cite book</ref>
ReceptionEdit
Star Control was a commercial success at the time, reaching the top 5 on the PC sales charts by September 1990.<ref name="GDC2015"/> According to a retrospective by Finnish gaming magazine Pelit, the game would go on to sell 120,000 copies, leading Accolade to request a sequel from creators Reiche and Ford.<ref name="pelit">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The game earned wide acclaim for its arcade-style combat, including its tactical depth and player-vs-player mode.<ref name="cvg3" /><ref name="ew1">Template:Cite magazine</ref><ref name="gamesmachine6">Template:Cite book</ref><ref name="megatech4">Template:Cite book</ref><ref name="vcw7">Template:Cite book</ref> MegaTech enjoyed mastering the different starships, earning the game an editorial Hyper Game Award as "one of the best two-player Mega Drive games ever".<ref name="megatech4" /> Similarly, Computer and Video Games chose Star Control for their editorial "CVG Hit" award, highlighting the variety of weapons, the fun of learning favorable matchups, and the overall playability of the game's two-player mode.<ref name="cvg3" /> Italian publication The Games Machine celebrated Star Control as a modern re-invention of Spacewar!, recommending the combat mode for its range of options, its automatic camera zoom, and its implementation of physics.<ref name="gamesmachine6" /> Entertainment Weekly also recommended the game for evolving the Spacewar! formula with a variety of unique ships.<ref name="ew1" /> The arcade combat earned additional praise for its replayability from Computer Gaming World,<ref name="brooks199211">Template:Cite magazine</ref> Digital Press,<ref name=":10" /> Videogame & Computer World,<ref name="vcw7" /> and Raze Magazine.<ref name="raze5">Template:Cite book</ref>
Several publications celebrated Star Control for its artistic details, including its character designs and animations.<ref name=":10" /><ref name="cvg3" /><ref name="gamesmachine6" /><ref name="raze5" /><ref name=":11">Template:Cite book</ref> Digital Press praised the personality of the alien ships for their portraits, and the lore behind each species.<ref name=":10" /> Strategy Plus appreciated the unique humor and personality of the aliens, highlighting the design of the Syreen and their Penetrator ship, as well as "silly" names like Chenjesu commander Bzrrak Ktazzz.<ref name=":11" />Videogame & Computer World praised the unique animations of the aliens,<ref name="vcw7" /> while Strategy Plus declared the game's graphics as "truly spectacular in 256 color VGA".<ref name=":11" /> The Games Machine celebrated the game's many graphical details, particularly the alien pilots.<ref name="gamesmachine6" /> French publication Joystick offered its strongest praise for the game's art and environment.<ref name="joystick10">Template:Cite book</ref> The game's audio design was also highlighted by several publications.<ref name=":10" /><ref name="cvg3" /><ref name="joystick10" /> Digital Press felt that the sound effects for the Ur-Quan and Chenjesu gave their ships a "fantastic" personality,<ref name=":10" /> while Computer and Video Games praised the audio for drawing on popular science fiction.<ref name="cvg3" />
Several reviewers were more critical of the game's strategic mode.<ref name="ew1" /><ref name="brooks199211" /><ref name="raze5" /><ref name="joystick10" /> Computer Gaming World found that it lacked depth,<ref name="brooks199211" /> and Joystick compared the strategy sections unfavorably to the game's combat.<ref name="joystick10" /> Entertainment Weekly criticized the star map as difficult to see,<ref name="ew1" /> while Raze Magazine found it tedious to operate the strategy game menus on the Sega Genesis.<ref name="raze5" />
Originally released for the PC, Star Control received criticism for its porting to other platforms.<ref name="retrogamer14" /><ref name="raze5" /> Advanced Computer Entertainment called the Amiga version "disappointing", denouncing the load times and "tacky two-dimensional combat sequences that look as if they've been borrowed from an early Eighties coin-op".<ref>Template:Cite book</ref> Computer and Video Games similarly compared the Amiga version of Star Control to the "aging co-op Spacewar!".<ref name="cvg2">Template:Cite book</ref> While reviewing the Sega Genesis version, Computer and Video Games described the graphics as inferior to other titles on the console.<ref name="cvg3" /> Raze Magazine felt that it lacked the polish and depth of the original PC version, criticizing the sprites and environments, while still offering praise for the detailed portraits.<ref name="raze5" />
The year of the game's release, Video Games & Computer Entertainment gave Star Control an award for "Best Computer Science Fiction Game", noting that "the two creators have put together a game that is great either as a full simulation or an action-combat contest".<ref name="VGCEaward">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> They later highlighted the game in a list of science fiction releases, proclaiming "Reiche and Ford's action-strategy tour de force is one of the most absorbing and challenging science fiction games of all-time".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The game was additionally nominated for Best Action/Arcade Program at the 1991 Spring Symposium of the Software Publishers Association.<ref name="softwarepublishers">Template:Cite book</ref>
Legacy and impactEdit
Star Control has been received several retrospective awards from gaming publications.<ref name="cgw199611best">Template:Cite magazine</ref><ref name=":13">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=":14">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1996, Video Games & Computer Entertainment ranked it as the 127th best game, describing it as "Space War enters the 90s with a touch of humor".<ref name="cgw199611best" /> In 2001, PC Gameplay ranked Star Control as the 45th most influential game of all time, based on a survey of dozens of game studios.<ref name=":14" /> In 2017, Polygon ranked it as number 253 in their top 500 games of all time, arguing that "as a melee or strategic game, it helped define the idea that games can be malleable and dynamic and players can make an experience wholly their own".<ref name=":13" /> Journalist Jamie Lendino also noted Star Control among the most significant PC games of the early 1990s, for successfully combining an action game with science fiction strategy.<ref>Template:Cite book</ref> The game is also celebrated for the debut of the Ur-Quan, as "one of the all-time villainous races in the history of computer games".<ref name="DeMaria2018" />
Years after its release, Pelit recalled the original Star Control for its polished combat system, as well as the creativity of its character designs.<ref name="pelit" /> In 2005, Retro Gamer described Star Control as "a textbook example of good game design", where "two genres were brilliantly combined, making for a finely balanced and well-rounded game experience".<ref name="retrogamer14" /> The publication further highlighted the many "elements that gave Star Control 'soul'", describing it as "the seed from which the vastly expanded narrative found in Star Control II grew".<ref name="retrogamer14" /> IGN celebrated Star Control as a "special game" for "its colorful universe and superb combat system", which laid the foundation for its acclaimed sequel Star Control II.<ref name="IGNfranchises2">Template:Citation</ref> In a retrospective, Hardcore Gaming 101 attributed the game's legacy to its combat system, and the story and characters that would be further developed in the sequel.<ref name="HG101SC" /><ref name=":7" />
Founder of BioWare, Ray Muzyka, has cited the original Star Control as an inspiration for the Mass Effect series of games, stating that "the uncharted worlds in Mass Effect comes from imagining what a freely explorable universe would be like inside a very realistic next-gen game".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Former BioWare writer Mike Laidlaw praised the creativity of the Star Control ship designs, and credited the game with laying the foundation for its sequel, which influenced him as a writer on Mass Effect.<ref name=":7" /> Creative producer Henrik Fahraeus has also cited the game's influence on Paradox Interactive's character designs in Stellaris, particularly the bird-like and mushroom-like aliens.<ref name=":7" />
Sequels and open-source remakeEdit
Star Control IIEdit
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} Star Control II is an action-adventure science fiction game, set in an open world.<ref name="bestclassic2">Template:Cite news</ref> The game was originally published by Accolade in 1992 for MS-DOS, and was later ported to the 3DO with enhanced multimedia elements.<ref name="HG101series23">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Created by Fred Ford and Paul Reiche III, it vastly expands on the story and characters introduced in the first game.<ref name=":7" /> When the player discovers that Earth has been encased in a slave shield, they must recruit allies to liberate the galaxy.<ref>Template:Cite news</ref> The game features ship-to-ship combat based on the original Star Control, but removes the first game's strategy elements to focus on story and dialog.<ref name="HG101series23" /> Star Control II has earned critical acclaim<ref name="IGNfranchises">Template:Citation</ref> and is considered one of the best games of all time through the 1990s,<ref name=":3">Template:Plainlist</ref> 2000s,<ref name=":4">Template:Plainlist</ref> and 2010s.<ref name=":5">Template:Plainlist</ref> It is also ranked among the best games in several creative areas, including writing,<ref>Template:Plainlist</ref> world design,<ref>Template:Plainlist</ref> character design,<ref>Template:Plainlist</ref> and music.<ref>Template:Plainlist</ref>
Star Control 3Edit
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} Star Control 3 is an adventure science fiction video game developed by Legend Entertainment, and published by Accolade in 1996.<ref name=":03">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="HG101series3">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The story takes place after the events of Star Control II when the player must travel deeper into the galaxy to investigate the mysterious collapse of hyperspace.<ref name="HG101series3"/> Several game systems from Star Control II are changed.<ref name=":03" /> Hyperspace navigation is replaced with instant fast travel, and planet landing is replaced with a colony system inspired by the original Star Control.<ref name="HG101series3"/> Accolade hired Legend Entertainment to develop the game after original creators Paul Reiche III and Fred Ford decided to pursue other projects.<ref name="Barton20162">Template:Cite book</ref> Though the game was considered a critical and commercial success upon release, it would receive unfavourable comparisons to Star Control II, with some fans regarding it as non-canonical.<ref name="HG101series3"/><ref name=":12">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=":15">Template:Cite book</ref>
Cancelled Star Control 4Edit
In January 1998, Accolade announced that they were developing Star Control 4.<ref name=":8" /><ref name=":0" /> Also known as StarCon, it was designed as a 3D space combat game.<ref>Template:Cite magazine</ref><ref>Template:Cite book</ref> By this time, Electronic Arts had agreed to become the distributor for all games developed by Accolade.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Accolade producer George MacDonald announced that "we want to move away from the adventure element and concentrate on what it seems the players really want – action!"<ref name=":0">Template:Cite book</ref> Though heavier on combat than previous titles, players would still have the opportunity to fly to planets and communicate with different aliens.<ref>Template:Cite book</ref> The team also created a Star Control History Compendium, to help them resolve storylines from the previous games.<ref name=":0" /> In a playable alpha version of the game, players could control a fleet carrier, with the ability to launch a fighter that could be controlled by either the same player or a second player.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The game was later announced for the PlayStation home console with plans for release in 1999, featuring a 40-hour variable storyline, and both competitive and co-operative multiplayer.<ref name=":8">Template:Cite book</ref> Electronic Arts and Accolade promoted the choice of playing as "one of two alliances (Hyperium or Crux)", with the option of operating a fighter, carrier, or turrets.<ref>Template:Cite book</ref> Another publication described the ability to select from three different alien factions, with different missions that impact the storyline, and the ability to destroy entire planets.<ref>Template:Cite book</ref>
Development on the game was halted at the end of 1998. Not satisfied with the game's progress, Accolade put the project on hold with intentions to re-evaluate their plans for the Star Control license.<ref>Template:Cite book</ref><ref>Template:Citation</ref> In 1999, Accolade was acquired by Infogrames SA for $50 million,<ref>Template:Cite news</ref> as one of many corporate restructurings that eventually led to Infogrames merging with Atari and re-branding under a revived Atari brand.<ref name="Haywald">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Star Control 3 became the last official installment of the series.<ref name=":7" /><ref name=":12"/><ref name=":22">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The Ur-Quan MastersEdit
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} By the early 2000s, Accolade's copyright license for Star Control expired, triggered by a contractual clause when the games were no longer generating royalties.<ref name="youtubex2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> As the games were no longer available for sale, Reiche and Ford wanted to keep their work in the public eye, to maintain an audience for a potential sequel.<ref name="youtubex" /> Reiche and Ford still owned the copyrights in Star Control and its sequel Star Control II, but they could not successfully purchase the Star Control trademark from Accolade, leading them to consider a new title for a potential follow-up.<ref name=":15" /><ref name="pelit2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> This led them to remake Star Control II as The Ur-Quan Masters,<ref name=":2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> which they released in 2002 as a free download under an open source copyright license.<ref name="oreilly2005">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The official free release is maintained by an active fan community.<ref>Template:Cite news</ref>
Free Stars: Children of InfinityEdit
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} On October 24, 2023, Pistol Shrimp Games developers, consisting of Fred Ford, Paul Reiche III, Ken Ford and Dan Gerstein, announced the new name of the sequel, Free Stars: Children of Infinity, and launched its corresponding website.<ref name="blog1">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> A Kickstarter campaign was launched on April 16, 2024 to further the game development of the sequel. Within 3 hours, they met their initial $100,000 USD goal.<ref name="kickstarter1">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The planned date for the release of the game is August 2025.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The fans started to call the game "the real Star Control 3" due to its creation by Reiche and Ford.<ref name="kickstarter1"/>
AftermathEdit
Fans continued to demand a new Star Control game well into the 2000s.<ref>Template:Citation</ref><ref>Template:Citation</ref> Reiche and Ford expressed interest in creating either an updated Star Control II or an alternate Star Control 3, particularly if they found the right publisher.<ref>Template:Cite book</ref> During this time, thousands of fans started a petition in hopes of inspiring a sequel.<ref>Template:Cite magazine</ref> Toys for Bob producer Alex Ness responded in April 2006 with an article on the company website, stating that "if enough of you people out there send me emails requesting that Toys For Bob do a legitimate sequel to Star Control 2, I'll be able to show them to Activision, along with a loaded handgun, and they will finally be convinced to roll the dice on this thing".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In the months that followed, Ness announced the petition's impact, reporting that "there did honestly seem to be some real live interest on [Activision's] part. At least on the prototype and concept-test level. This is something we may in fact get to do when we finish our current game".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In a 2011 interview about their next game Skylanders: Spyro's Adventure, Reiche declared that they will one day make the real sequel.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }} Alt URL</ref>
Intellectual property splitEdit
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}} By the early 2000s, the Star Control trademark was held by Infogrames Entertainment.<ref name=":2" /> Star Control publisher Accolade had sold their company to Infogrames in 1999,<ref>Template:Cite news</ref> who merged with Atari and re-branded under the Atari name in 2003.<ref name="Haywald"/> In September 2007, Atari released an online Flash game with the name Star Control, created by independent game developer Iocaine Studios. Atari ordered the game to be delivered in just four days, which Iocaine produced in two days.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Also in September, Atari applied to renew the Star Control trademark with the United States Patent and Trademark Office, citing images of Iocaine's flash game to demonstrate their declaration of use in commerce.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Atari declared bankruptcy in 2013, and their assets were listed for auction.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> When Stardock became the top bidder for Atari's Star Control assets, Paul Reiche indicated that he still owned the copyrighted materials from the first two Star Control games, which implied that Stardock must have purchased the Star Control trademark and the copyright in any original elements of Star Control 3. Stardock confirmed this intellectual property split soon after.<ref>Template:Cite magazine</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> As Stardock began developing their new Star Control game, they re-iterated that they did not acquire the copyright to the first two games, and that they would need a license from Reiche and Ford to use their content and lore.<ref name=":6">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Reiche and Ford echoed this understanding in their 2015 Game Developers Conference interview, stating that Stardock's game would use the Star Control trademark only.<ref name="GDC2015" /> After a lawsuit, the parties agreed on the same separation of rights, with Stardock using the Star Control name, and Reiche and Ford announcing a sequel to The Ur-Quan Masters after a mandated quiet period.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>